The San Francisco Call. Newspaper, April 7, 1903, Page 3

Page views left: 0

You have reached the hourly page view limit. Unlock higher limit to our entire archive!

Subscribers enjoy higher page view limit, downloads, and exclusive features.

Text content (automatically generated)

THE SAN FRANCISCO CA LL, TUESDAY, APRIL 7 1903. INE LOSES MRS. PATRICK CAMPBELL IN “JOY OF LIVING” SHOWS HERSELF AN ACTRESS OF FIRST CLASS FIRST POINT IN Bl6 FIGHT yplication for an In- T junction Denied by Judge Lurton. : Bl De 1 Union Pacific May Vote Its Southern - b f Di Be Post- Pe g Re of Case States Court f Appeals. S St —A K © CTION Is um estion n ques eretofore be hen sv post- election ADVERTISEMENTS. Schilling’s Best foods are as high grade as can be maintained without extrav- agance. 'New Sudermann Play Is Heard by Columbia Audience---“An Ameri- can Citizen” Well Given at Alcazar HE Joy of Living” and Mrs. | emotional climaxes even tremendously ef- Patrick Campbell, or rather | fective, and altogether there is here an Mrs. Patrick’ Campbell and | 2ctress of the fincat and highiest e The Joy of Living.” drew a |y.o 4n gudience that should know. Her house last night to the Colum- | wonderful wns should be among the bia that Passion week rarely sees. A |benefits not forgot. They are dry goods r by Sudermann, in a community | et to poetrs knows its “Mage s well as th There is not much to say of the sup- would command attention by its|FPOTL, except its genera flectiveness weight: with Mrs. Campbell it was | Emmet C. King, Amy Lamborn, Rose stible. What 1t would be without ner | EUPTe. Charles Rowan and Waiter Howe " were its chief features. Wright Kramer casy to imagine, though that the | sorrowfully, as the lover Baron, was a owes much more to the actress than | poor excuse for Beata's early si The ss to the play is lavishly patent. | scenery is of the handsomest low it is hard %0 In r nversation, and virtually impos whe the conversatic meant t¢ n the stage. sich r That it is impossible su philosophical to “go” as conversa- drawing-room—one has heard echoes of the same between the beer and pretzels of a Deutscher beer garden—into the vivid, t ant phrase of a Pir or the bitiug brevity of an Ibser Talky,” one would call § mann if he were not so sincefe. But he is her laborious, - tedious his dialogue. Still ais story inte of this. The | situations are - the incidents | characteristic, the climax powerfuil effective. The pith of the story, the illicit love of a man the wife of his dearest friend, their repentance and the bitte payment extorted for their sin, is all ma- terfal of the best. Its meral is doubttul Though Sudermann makes the woman pay even with her life for her sin his sym | pathy is evidently with her who has once dared all for the “joy of living,” and be- cause of it. For this character, it difficult to conceive of a portrayal more finely convincing, more firmly and purely molded than Mrs “ampbell’s Beata. | in line as a Helleu etching, nd meaningful subtle and in tone as the lovely grays of She has a personality at once Hers is an art as delicate elusive Velasquez. | appealing and distinguished with an in- | timate temperamental fascination. Oddly like Nance O'Nell she is in some trick of manner, in some of her musical gest- | ures, and her “Magda’ of next week will have a singular interest In this connec- In appearance the two could hard- more unlike—the Brunhilde blonde tion. ly be | splendor of Nance O'Neil, and the deep, of this English sphinx, sha- Still there is deep dowed by her midnight halr. that ever haunting likeness. But Sudermann’s Beata is not conceived by Mrs. Campbell; it is lived to its last eyes | intense nerve. The passion of the woman, | her maternal sweetness, | her large’ toler- ance, her sacrificial life, her idealism, are all shown with magnificent strength, tenderness, and an intelligence unlimited. Her customary repression makes her s DUTRICI< CA/P4Ly ST LA CoLUME LA - CUT-OFF 1 Y | ;Ha,rrima.n May Have {| to Abandon Vast ‘ Project. —— i [ | Twelve Lives and Much Prop- erty Already Lost in a Quagmire. | | Railroad Engineer Declares That | Stable Foundation for a Track | Can Never Bes Con- | structed. -~ al I to The Call LAKE section of cific a spatck Spec | saLT i Central P. below w on Batu ruction 1 he said esult ) per known, it is west, where wn Greek are d. week, bodies are still in nvmber of cars that It is said ty that the | work on cost $1.000 o wh a large number of cars, into the quagmi e by the trainl a v has swall P e It s said that a r on s still worse. wed other quagm | TUOLUMNE WILL HAVE ‘ AN ELECTRIC RAILWAY | soNORA | F. Lamotte | and operate a to and upon April 6 tor county was ace to-day. The actua { was continued date applic | at porti | | are to be used for the The bid for the franc was $250, FAMOUS ENGLISH ACTREF NIGHT, CLEVER ME R OF A SCENE FROM THE LATE! Tk WHO OPENED | an offer of $22%0 wdditio visors granted excl iles of an abandoned the AT THE COLUMBIA LAST TWO ORPHANS" COMPANY, AND week day. Camp- this INGTON 1 wnstrated her su- ¢ Arline in “The had its imtial serform- While rmen spirit in it to display ing ability of the clever prima who inve with her own ming. personality. The dulcet tones ier beautiful voice are given full pluy especiaily evident in the con- with which the opera T plays Thad- ossessing a paturally voice, does not use it to the hest It contains too much of the molo quality nd times wande: off ¢ a tangent, though -liness may bhave caused some of that defect. Hi hen You'll Remember Me his best effort and received a_well-merited re Arthur ningham proved his reliability as « Arnbeim, and his volce rang true d clear in t usic allotted to * Arthur Mann was a picturesque figure as Devilshoof. and his magnificent bass voice thrilled the audience, which, by the way, @ not ae large as the meritorious presentation of the opera de ed. Miss Caro Roma sings the role of “The Queen of the Gypsies” with intclligence and is equal to the dramatic requirements of | the part ward Webb was satisfactory as Florestine. The chorus did effective work, although Director Steindorff ex- hibited his master hand in keeping the singers in proper time at several critical Be- | male junctures. The opera will be repeated to-morrow and Saturday nights. The management has m errangement for | two more appearances of De Lussan in “Carmen” on Tuesday and Friday cven- ings of next week in order to accommo- dat2 many of its patrons who have Leen unable to witness the performan ats will be on sale to-morrow morning on at 9 o'clock. Central. . Blaney's new farce comedy, “A Hired Girl,” drew a crowded house last night at the Central and scored an immense hit. Nothing = funnier in the way of dia. logue and situations can be conceived and the performance is liberally inter- spersed with novel and clever ‘specialties. A number of talented people have been added to the company for the production, chief among whom 1s John Armstrong, who as Johanna Quinn convulsed the au- lence every time he appeared. Georgic Ceoper acted the part of Little Weiner, a German girl, with great piquancy. She also appeared as a tough girl and sang a new song, “Little Katie Rooney,” by Nick Browne. In. this she had.the as- sistance. of a boy and girl chorus. Both the singer and the song made a great hit, M. Dreyfus Kingston was particularly as U. Bet Guilbert, ‘rench fe- detective, and her song onsieur,” was enthusifastic: § also, with an octe introduced a new ditty, happy received. t of pretty girl “My Dusky N zie,” which so pleased the audien that | its repetition was snsisted upon. Lillian Albertson created a pleasant impression | lvia Gold. Jennie Wiedman was sat- isfactory as Mrs. Verblotz and Ethel Strachan was pert and pretty as Sue rette. Edwin I wve a clever furmarce Lo ngoods. Henry Shumer supplied ng Dutch char sketch as Profes John was, of course, good tramp. rice Stewart was in his clement a a coon Wi ficient as Officer § Alcazar. n American Citizen,” in which Nat nted at the tarred, was prese last night stock company proved , but at times th Goodwin s Alc r Theater house. The 1 to the occasic to a crowded clever seemed to drag, particularly in the first two acts, which will be remedied no doubt to-night. Ernest Hastings as Beresford Cr ve his ccesin from beg- ger, who to s gary married her as renounced his Am ) to be cdeme British manly ion of the part George Os- nior partner was pe fectly at home and as artistic as ev Albert Morrison gave a clever piece acter work as Otto Stroble, the Ger- an speculator i Frank Pa- con was inimitable imms the val Wiltrid Roger as iigerton Brown, th defaulting partner; W. G. Warner as S Humphrey Bunn, J. Lester Wallack Willie Bunn and Walter Belasco as I the clerk, were acceptable. M r- Creighton scored a pronounced suc .ss as Beatrice Carew, which part she yed with a naturalness and charm that ere refreshing. She is probably the cleverest leading lady that has graced the beards of the Alcazar Miss Oza Waldrop w and successful as Georgia M a pra ade famou bourne as his o cha man- as i Chapin, s Eleanor Gordon made a hit as Lady and Bunn, Miss Marie Howe played the part of Carola Chapin very effectively., Baby Dodo as Mercury, the office boy, g not the least creditable characterizauon and earned the hearty good will of the audience. Fischer;. Onca more the Fischer Theater man- agement has dipped into the Weber & Fleld extravaganza burletta grab bag and drawn a souvenir prize in “Helter Skel- ter,” dialogue by *“Smith,” a name that might be sponsor for anything, the music by the late and very lamented Stromberg. A great audience packed the theater. last night and laughed at its well tried com- edy friends—Barney Bernard as Isadore Nosenstein, M. M. Dill as Mike Short- man and C. W. Kolb as Meyer Longman, circus men, nervous burglars and would- be murderers of the mock heroic sort. n Jour, | | These comedians were never funnier, and | it is safe > say ha not had better ughing material and more unique tom- than in “Helter Skelter.” There t the slightest pretension to plot or reason, but there is just and sufficient | cause shown by “Smith,” the “author,” | ! for the cxistence of *'Helter kelter” in | | that it keeps one on the titter, and then in a roar, and In turn a asmile and aroar | again ‘until the curtain falls on the third {and last act. Miss Maude Amber In the. role of Mile. Cele Maloni was ever present in gorgeous gown. dazzling j els and broad, good natured grin, qu infectious. Mis Dlive ail revealed he vocal powers in “Zamon,” which was ¢ lightfully rendered, and Winfield Blake was excéllent in the part of a flashily There are dances of the re all sparkling attired clubman. dashy ord ngs that choruses that are plentiful and pos- | musical 0.” | Grand Opera-House. McLean's Richard IIT is one of the Hpeat bits’of-acting that has been seen on | the local st for many a day Richard with force, subtiety, villa | all the rest of it without rant. old Shakespeare melodrama re | played with true art, regardless of all th | temptations to overdo wh is one of (ne! most virlle and wicked characters that r the pen of the great poe Mr n had not been on the two ore the ¢ au- that it was to listen to to look upon the acting of Forcible enough it was and to suit the most feverish vet wighout a touch of the mar the b ity of the per Odette Tyler, pretty, petite | graceful and charming, fitted natural into the character of tne young Prince | nd made a pleasing impression. In that | line of ‘work she will not have many su- | periors. Of the support the least said the | better. Butler's King Henry was a faith ful task and a successful one. That | the Richmond of Herschei Mayall | the only characters taken by memt of the company worthy. of mention. Blanche | Marie Baker and little Glad Weller were satisfactory. The last scene of the | battle of Bosworth field and the combat between Richard and Richmond were well | | arranged and the villain died d the | plaudits of the delighted house. | | dr, Mel uge tical minutes last night be dience knew | rea ding and a maste; melodramatic | gallery and to e. and thg maie that were | Stoddard, | California. audience that greeted the “Two | Orphans” last evening at the California | Theater was responsive and reminiscent. | It was evident that many present had | seen the play before. hat the piot and | the situations were recalled by these was | evinced by the anticipative air with which | cach scene was received. i The Orpheum. | Seldom, if ever, has the Orpheum man- agement, with all the good things given, | presented a show equal in merit to the | one given this week. Every one of the numbers is good enough for a headliner That the performance is appreciated by the patrons of the house is shown by the | prolonged applause that greets each turn. Chutes. Montague’s Cockatoo Circus pleased two large audiences at the Chutes Thea- ter yesterday. The white feathered birds displayed an intelligence almost human and performed many odd and amusing tricks. The Kobers gave a daring and graceful trapeze act; little Irene, a ver- satile child, sang a popular song and then proceeded to tie herself into seemingly inextricable knots, giving a good contor- tion exhibition, and Carroll and Nealey, black-face comedians, offered a passable knockabout act. John E. Rome and Mar- guerite Ferguson, presenting ““The Amor- ous Tramp,” Mae Tunison, the favorite soprano, and G. Herbert Mitchell, the New York baritone, changed their selec- tions and repeated their hits of last week. PRODUCTION AT. FISCHER" urveyors will be g PRODUCTION AT FISCHER'S. sy Dl ool ing the scheme, and aside from the traf =2 e * | fic in p: ers the road is to tap flne The nat »pe showed many new and | t!mber lands in and a the reserva amusing moving pictures and the pano- | tion rama of the world. just opened, proved | - e trong at »n. The amateurs will | SANTA CLARA STUDENTS s Doy, THADY WeNe REHEARSE PASSION PLAY Republic. | SAN JOSE, April 6.—Santa Clara Co The mins “Cl Suey” are | lege has begun active preparations for the still runn Republic. | presentation of the Passion Play next Young Cc as interlocutor | mont The cast has been completed and for a brief ing his first sta; rehearsals are now being held two and experfence and ms to be popular with | three times a week. Many of those who his audience | took part in the original presentation of the play two years ago will be again seen More Trouble Is Feared in Madrid. in the cast There will ¢t a chorus of = 3 = sixty male voic It is sald the produc MADRID, 2 1 — e on 2. . 1 t R e i B i 1ation has| yion” will be better than two years ago become graver in the university towns| a¢ that time Clay Greene e . anther where the br treatment of students | supervised the presentation. Since then has created intense resentment against| some changes have been made. M. Merle, the Government. In Madrid the agita- | who has had some experience in the East tion is gaining ground. The workmen of | on the stage, and Rev. D. Kavanaugh | the tobacco factories have joined in the| have charge of the play. There are thir- vement against the authorities <houts of “‘down with the Bourbons nd | ty-six speaking parts. Among the alumni are | who will take parts are Attorney frequently heard in the streets, inter-| Wilcox, District Attorney Campbell a: mingled with bitter cries against (hel Michael Griffith of this city. All the other Government. and lauding the Republic. | characters will be taken by s If you have made up your mind to buy a piano you are doubtless consider- ing the matter of choice of instrument. We enthusiastically recommend the sweet-toned As one that will satisfy you if you are particular as to high qualities and all the essentials of good piano construction. Our liberal terms have reduced the question of cost to a minimum matter— a mere, unimportant detail. Don’t bother your brains over the price if you want We'll make it easy for you to a piano. buy a CONOVER. The Wiley B. Allen Co. EXCLUSIVE PIANO DEALERS, 931-933 MARKET STREET, San Francisco. OTHER STORES—Oakland, Alameds, San Jose, Los Angeles, Fresno and Sac-

Other pages from this issue: