The San Francisco Call. Newspaper, July 8, 1900, Page 5

z THE SUNDAY CALL. e CARRIE DE MAR_ ar, the little actress. has m d so true and people go about the development of facial expression by putting the cart before the horse. A great many people, for that matter. They try to ‘“‘express” from the outside. They will study these very plctures, ten to one, and notice how the forehead s wrinkled to express hate and how the eyes are turned for flirta- tiousness and how the mouth is drawn In crying. Then they will stand before a mirror and work to wrinkle and wiggle and twist thelr features as the lady In the oictures did. But the lady in the pictures- “4idn’t go about it.in that way. Devic’ced Ly (axvie deQXGX THE. : CONTENTED of the emotion she thought So the real stu watching the f portray. Wateh disguised in the s page. e little girl st. The dly primitive. endid, bold yawn for you esn’t care who knows. It Is a capa awn that takes in all the stupid people at or gulp and teaches them a lesson that they might as well profit by. The crying miss makes no bones of it. 8he feels ltke weeping and she weeps. This is the kind of emotion that makes ditches above the nose and gutters down the cheeks and draws the mouth back and squints the .eyes. The sighing miss is a languishing littleh plece of sentimentality. After a while she will have it rubbed out of her. At present she is sure that she looks most Interesting when heaving a dime novel sigh. That is the sincerity of affectation, shal]