The San Francisco Call. Newspaper, June 10, 1900, Page 8

THE SUNDAY. CALL. Tt a Press Rehearsal Js {dhere the Leading Lcdy Rules dpreme, O TH AT TR R R @ A Willionaire’s Kitchen With a 570,000 Cook. - here the tiles m ws they are cov- ered e me The ceiling ’ wh a tiles : the head of a $10,000 cook with a loosely set b ch tile is also secured » a A P of white and : It is set s copper. { them kitcher tai may bg kept 1, and have perfect ventila- The heavier articles, such as ice a seat, are put in through the pave- ment with derrick and lift, which relieves the kitchen of a good deal of unpleasant- pess, as every housekeeper may imagine. FLASHLIGRT PHoTos BY GEO.H.KNIGHT, tickled Miss Roberts. e couch scene “This will not that would dim OOWU. BERES. . Loxes to see e get cut of my You are keeping right box from secing and the veor incffensive little girl steps to clear f vision from the boxes where are you?’ shouted £ pho in a voice up with Sapho down somebody out into the deserted street, ed” against the Orpheum and on the re- Morrison in the lobby bound caught Get over into e of the boxes and see if everybody can AR R LET US HAVE SomME FuN'7 : o FROM see me.” Mr. Morrison “got” and r ported, and then came back to the lobby to explain that Miss Roberts had had two performances that day and was very tired and nervous. There was no need to ex- plain the latter. It was a self-evident fact. Also that she was very much out of te er. Anybody can Kkeep temper when surroundings are conduci but “there are times that try men's souls.” If the author of that had ever seen Miss Roberts at rehcarsal he would have writ ten, “There are stars that try manager The most placid person during sarsal was Mark Thall. Perhaps pho threatened at one time to “put the play in my pocket and there will be no performance to-night.” in just what pocket of her Sapho gown Miss Roberts would put the play she did not explain, but stars do not have to ex- sou R N s s " e ot even if Sapho did want it Surprising how forgetful p One hour later Sapho sti and the rehear: ra was 2ll in p r han one second it woula Roberts saw her ready and in } rison could find no ¢ d and stamped and said “thing: 1l be no photo of the stairway dhat a Critic ffas ic Say Daudet wrote “S ple he directed F ow infectious temper is. Roberts had everybody up to a state of excjtement and bad tem- she called for coffee I cannot go on any further withou humdn weakness y as a great surgeon intro- scalpel into hu create its main ETSHSATS AT TP Then Lewis started on the hunt for cof- house who couldn’t have found gallons of ORI R DR TR R R R TR K Bunch O’ Blackberries. CAKE WALK(TWO STEP) ABE HOLZMANN. oser of SMOKY MOKES AKE & TWO STEP. »L.L Paris is these days seems to be the remarkable success which Sousa has met with in in- “Le Temp du Chiffon,” known in this country as ing over John Philip §rlx|$a and his band of lusty-lunged instrumentalists. dash of the American musicians, together with the lively American style of music which they are playing, have proved a decided innovation The principal tople of conversation all along the boulevards The native bands have taken up this peculiar style of distinctly American mu- elc, even going so far as to “Marsellaise” in rag time. . ported that many of the most blaze P gay Parisians. risians are practicing the delicate steps of the cake walk, a feat which to lhel;n is extremely difficult awing to the French fashlon of ‘wearing *v with heels ex- traordinarily high. Sousa has introducea :aany new melo- dles to the visitors at the Exposition, but the one which seems to have caught the populace is the characteristic cake walk march, “Bunch o' Blackl by the ‘Sm cake composer - of the horses characteristies of the heat and mo most favorable to some means is dis unlikely) that will destr without injuring other f alk, which was so popular In this coun- strain from over which the French- men are going wild, s shown above. It s being hummed. whistled and played in almost every nook and corner of the French capital, seemingly accepted by the natives as beln, best thing of its kind ever heara there, . T 2 Blackberries, classcs can live with a f: safety and comfort, but it see probable that the working classes, th‘h’ constitute the great masses of th —_— Just Ddheren the Book and the Play Differ From Moral tandpoint. character sketches alome (if they were g o t t been better to ha but as search from life, surprisi f and power of pite step when lght to that last whirlwind of umbing, step by ence of Sapho of t man whose impuls bad; his fo nas of an tig strictin with fatal ana ral th of a soul apted by another he playhouses fre- d by the Anglo-Saxon you per- d, bitter lesson hts and its uated by theatrical art and —ah! that 1s qu a writer less gifted " would have been Regarded purely as a t it is a sincere, deep study, » work prepared with indefatigable skill, teaching f Inevitable conse- ression, s with man emotion. Personal Impres- hidden chords . S. McClure, O A TATAETSETA TR TR @ Evit Cffects of Hot Climate Overcome by Sciences Truxtun Beale holds that the evil o fects of hot climates on the white man are being overcome by science. Hereto- fore he has had to labor bard, and reduce his vitality, but now the rapidly increasing labor-saving machinery is sav ing him much muscular labor and short- ening his hours of work. Then cl and housing and drainage and all tion have beer fmproved, proper ve! come to lessen t T of the climate. Mr. Beale cites the cases of the Chinese adapting them to all climates. The Philadelphia Medical Journal falling into 1 *“*No mec al contrivance fi ing labor is likely to be de operate without human such machinery is of tricity, additiona gas, or be mewhere. the = ¢ ] large numb ted from we problem ¢ combating ease in the trooics will alwa No dgubt conditions in the opies be rosperous of improved so that the more legres lation, will ever be made of any _ patiye” -~