Omaha Daily Bee Newspaper, January 13, 1901, Page 23

HHBBHLBLBEBEBLABGBOOPD BOGO AMUSEMENTS. :fiQ###‘fifi’#fi’fi*’fif&’%fi”&‘ # ? week ha play he th a rather indifferent probably all the pa which wasn't much. Eugenie welcome, wasn't especially notable at ned the traction nage B and pre play, “A audiences to an A the Oma week w which merited elved her customary d her_somewhat of Quality,” to t 1 gave a blazing hot other. Outside of its against sex” play “A Lady of Quality no very good reason for existing call for any especial force on the its actors, and convey any good lesson, unless it be the brief #poken by Clo Wildairs in the rose garden Why do women weep and beat their breasts? Because they lost the love of & man? In all its aspects the is exaggerated, and to a point where it almost defeats its own end. “Carmen” s simply the tragedy of a Bpanish gypsy and her lovers, which Is sur charged with calorle. In either the acting or singing version of the story one must continually remind oneseif that the persons represented are those of the warm blood of sunny in, and are consequently not bound by the hard and fast rules of action which goverr. the conduct of the natives of the north. Last night “The Prisoner of Zenda" was presented by a falrly capable company to an appreciative assemblage of admirers of Hope's dashing hero. Modern literature has presented many types of the romantic lover, but Rudolph Rassendyll fs clearly at the head of them all. In fact, he 18 In a class by himself. There is a degr of fascination about the whole tale, whoth in the novel or the play, that is rarely ! tained, and added to the sparkiing wit of its inventor the combination is one ex tremely satisfying. It has the added merit of cleanliness, there being but a single sug gestive remark in the whole tale, and that by Rupert of Hentzau deliberately casts a slur on Princess Flavia for the very purpose of angering Rassendyll. It has the, effect and the stab 1s delivered under its cover. Rassendyll was surely the “noblest Elphberg of them all.” met it shop-worn wo large Car h loesn't part of ver one scene have They never had it! story who Burgess Insists that it was b accldent rather than design that the sequel to “The Prisoner of Zenda" follows the main story at the Boyd. “Rupert of Hentzau' was undoubtedly written by Hope to satisty public demand for more of his auburn haired hero, and vith an eye to dramatiza tion. It will be very satisfying to Omaha people to be able to follow him from start to finish in two nights. Manager At the vaudeville houses last week ordi narily good bills received excellent patron age. The popularity of this form of amuse ment 15 an evidence of public taste along the line suggested in The Bee last week People want to be amused and distracted rather than instructed, at the playhouses The short sketches and widely differing acts that make up the vaudeville programs certainly meet a popular demand. Bugenie Blair has many warm among the theater-goers of the west annual trip is always looked with pleasure, and these friends are hoping that soon, say next season, they may see her In a play that will give her great natural talent more scope. She has been a charming Parthenia—one who would have tamed even a wilder savage than Ingomar for such reward as his; a winsome Vir ginia, a lovely Desdemona, a hoydenish Clo, and a tantalizing Carmen. Now we want to #eo her in something better. As Clorinda Wildairs she lifts a commonplace melo- dramatic part almost to the level of high art h actress could 1ift it higher than does Miss Blair But the part does not call for the actress. From the very be- girning of the play to its closing its every line, its every situation is arr enlist the sympathy of the audien: side of the star. There are powerfully dramatic climaxes in the play, but not one of them requires a great actress, as the natural action of the play is such as abso lutely precludes any of her support, how- ever ambitious, fr “taking the scene.” This sort of drama though It does draw well, cannot prove satlsfactory to a painstaking, zealous artist, such as Miss Blair. For all that she Invests the char- acter with her own fire, she must feel all tbe time that she is falling short of he capabllities. In this light her friends apt to look on her and long for the day when she will find the play that will com« pel her to do her utmost in order to con quer and command the applause and cur tain call that now follow all too easily on platitudinous berolcs declaimed in her musical way. Miss Blair's talent is of too fne a quality to be wasted much longer on Clorinda Wildairs. Another favorite among western people has come to the front of the public stage during the week. Miss Henrietta Crossman has enlisted under the banner of Mrs Minnie Maddern-Fiske, and will flevote the rest of her life to fighting the “octopus™ as it is represented in things theatrical by the general firm of Klaw & Erlanger. It is too long a store to relate here, the occasion for Miss Crossman's sudden rebellion. Like all storfes, it has two sides. ast Saturday night Miss Crossman addressed her audi enco at the Bavoy theater in New York, where she has been presenting ‘‘Mistross Nell," telling them there would be no further presentation of the play at the Bavoy. She enumerated a list of reasons, sying she had been subjected to many, petty persecutions by Mes Klaw & Erlanger, the final act belng the refusal of permis sion to see her husband, who is also her manager, duriog & performan Miss Crossman was cheered by the audience. On tho other hand, It is set up by Messrs. Klaw & Erlanger that the play was not the success It has been reported, that the re- 1P s were o ns an ly falling away, trat Mr. Campbell had not sought for bookings for a tour among the theaters controlled by the syndica and that it was advantageous to both sides to breek off the contract at the Bavoy This 1s, in brief, the statement of the case. Miss Crossman is now lined up with Mrs. Minnie Maddern-Fiske inde- pendent of the synd'cats, These two chasm ing women have the spirit to fight against the great odds they will encounter, for not only has the syndicate a tremendous ad vantage in the control of a flue list of friends Her forward to even WHEN YOU DON'T FEEL WELL TOMACH BITT Try a dose of HOSTET | ER" flosl better. Then vou'll look better. X wur stomach will be strengthened. PURIFIES THE stimulates the kidneys and liver, quiets the nerve tion and coustipation is unequalied. lor indige Itis a remedy every man and woman \he house. regular. Suld by ull druggists, Insist on getting the genuine article. Hostetters v | Hopper, £ L | theaters throughout the country, but it also very similar to those offered by and Miss Crossman, ally well known. As Rehan presenting ury take th Henrletta Cr Sympathy will all be ho hope by thelr individ gainst a powerful combin, managerial ability and ar Mrs plays Fleke for ¢ ample, Ad Nell of O New York of M Nell the women merit to tion of capital tistle talent Miss Crossman and Mr. Maurice Campbell, a former journalist who had won for himself an excellent name in New York aper world and ripe judgment and keen insight saw the possibilities of the play which has scored 80 heavily in New York. He figures largely the difficulty, and it is not at all im probable that he will secure for his cha ing wife all the advantage that will grow from her present prominent position. to place in res Al win a manager is her hust the ne in | The week promises to be one of the most | important of the season at th ing with Howard Gould in | Hentzau" and closing with Charles B, ford in “Private John Allen,” Thomas Q | Seabrooke and Eduard Strauss coming be | tween, it will be one continual round of | ®ood things. Howard Gould has established | & reputation as an actor of the Elpberg | parts almost equal to that of Hackett. He will be as well Iiked here. Seabrooke Is | pleasantly recalled In connection with his Isle of Champagne” and his ner” and Omaha people class Danlels and Wilson Strauss s, cour; Boyd Rupert Open of him as a fun- the only | maker. of | Strauss, and Hanford is too well known as | comedian of the more serious school to require a lengthy introduction He was with Kidder and James last sea- taking the Fred Warde end of the firm, but is now offering to the people a | play that sults him immensely well. This | st ought to insure excellent business at the Boyd. Each of the vaudeville houses Is oftering a splendid bill, and altogether there is much to attract people to the play houses. |a strong | to son, Coming ¥ i~ The romantic story of love and venture which Authony Hope toid i1 Prisoner of Zenda,” and continued in “Ru pert of Hentzau,” forms the basis of fascinating pair of dramas. The appear ance at Boyd's theater Sunday afternoon and night and Monday night of Mr. Howard uld and company, presenting ‘‘Rupert of Hentzau,” under the auspices of Daniel Frobman, w'l' be welcomed by local theater patrons and admirers of Anthony Hope' books and plays. “Rupert of Hentzau' tells of the future dolngs of the characters wade famous in ““The Prisoner of Zenda The sto! unfolds with a striking scene in the castle of Zenda in the first act, and is carried on rapidly through a of thrilling incidents in the forest of Zenda in the secoud act, to reach what has been called the “penultimate climax'" of the play at the close of the third act, a duel scene that for originality of conception and unconventionality of method has not been equaled in recent dramatic produc- tions. There is a fourth act which affords a plcturesque contrast to those which have preceded it ad- o series “The Rounders” is the name of the latest New York Casino success, which will be seen at Boyd's theater Tuesday night and Wednesday matinee and night, with come- dian Thomas Q. Seabrooke as its brightest, most particular star. Manager Lederer | presents Thomas Q. Seabrooke as Maginnis Pasha at the head of the organization, which 1s a guaranty as to the quality of the comedy element. Mr. Seabrooke is o well known that the simple announcement of his name is sufficient. The play is from the French musical farce entitled ‘“Les Fetards,” written by Mars Hennequin and | adapted with original lyrics by Harry B Smith, an original musical score having been composed by Ludwig Englander. The story Is that of an American girl, mar- ried to a wicked French marquls, who be- haves as such arlstocrats do, especially on the stage. She fails to fall into his ways and Instead of becoming ‘‘Parisianized” she sits around and mopes, thinking that it is all very unfortunate. She eventually gets a little worldly wisdom and resolves to do a little flirting herself, not for the fiirta tion's sake, but merely as a medicinal dose for her wayward husband. She simulates an attachment for Maginnis Pasha, the Irish Turk, and incidentally the funny man of the play. Mixed up with the story Is a blase man of the world, who has tried “everything and found nothing in it," an “up-to-date American girl” and a host of FParistan jolly people Herr Eduard Strauss, the surviving mem- ber of the celebrated Strauss family of com- posers and conductors, will be at the Boyd on Friday night of this week at the head of his own Vienna orchestra. This simple announcement is enough, for wherever the waltz is known the name of Strauss ls revered. As a conductor Eduard excels any of the family, and memories of his former visit here cluster around a wizard in a severe uniform who, with his baton, evoked such music from the great orchestra justified, Indeed, the trite expression, “dreamy."” This will be one of the musical events of the year in Omaha as Next Saturday at Boyd's theater Charles B. Hanford and a company in artistic keep. ing with his superior ability will present at afternoon and evening performances the | refined political comedy, “Private John Allen.” 'The scene of this play fs laid in Caddo parish, Loulsiana, and it deals with the stirring incidents and situations sur- rounding a flerce political contest, but such a manner as to wholly avold possible offense to any partisan. The role essayed by Mr, Hanford affords him opportunity for strong, sentimental, dramatic achlevement rather than hilariousness There are so many good turns on the Or- pheum bill for the coming week that two or thres might be termed headliners. Prob ably more people in Omaha will be inter ested in May de Sousa than in any other act, owing to her having attended the Sa cred Heart academy for a long time., She 15 a voeallst with a well modulated soprano volce and Is a favorite wherever she ap- . 8. PFirst, you'll Your appetite will come baok. This famous remedy BLOOD, , and should keep in An oceasional dose will keep the bowels Stomach |tt presented by | with | Han- | “Derby Win- | with | pears. She will sing among oth House” John Coughlin’s song “The | ot Lizzie and Vine Daly | introduce a wide range of steps from the 10g to a veritable whirlwind finfsh. Wr Huntington with the Woodward Stock comy n Omaha scveral years ag heads and gives to the public his comedy, “A Stolen Ki Re ertu Wilfredo, who Airect from Europe, are very clever jugglers and equill brists, their work befng graceful, difficult | ana Hilda Thomas is a bundle of | vivacity in her new skit, “The Lone Star in which she is gssisted by Lou Hall. The Harmony Four, James Brachman M | Barnett, T. €. Bergeron and Edward | Hughes, offer an act that is new and pleas ng, being a comedy with musical interry fons, “At the Way Station.”” Dorothy Wa | ters will give a whistling turn. The kino- drome will show all pletures, 1 which is one of a circular panorama Mauch Chunk, Pa Midnt Love dancers, who was a clever company and ome neat a new is of May de Sousa, pheum this week Perley to d - will March 1 who appears at the Or has slgned with Manager understudy Miss Alice Neilson leave vaudeville to join them Thursday eveming the Modern Woodmen of America will attend the Creighton-Or- pheum in a body For this w | inee today k, commencing with the mat- at Miaco's Trocadero, Manager | Rosenthal has secured Fred Irwin's Ma |Jestie Burlesquers, one of the largest and best burlesque attractions on the road. This company Is of such magnitude that it is rarely seen outside of New York or Chicago. The eastern advance notices in regard (o this company.speak in the highest terms of the “Majestics;" the scenic effects are pro. nounced to be marvels, the costumes were imported from Paris for this production, the electrical effects dazzling and weird. In the ollo are such well known speclalty artists as Mlle. Ray, the dancing |sensation; Swain and Burgess, German dia lect comedlans; Baader and La Velle, fancy and trick bi lists; Jessle Padgham, sweet vocallst; the Rydon and Nelson trio, triple bar experts; Beilin sisters, singing brettes; Trolley Car Trio, E ppean novelty acrobats. As a special attraction a num ber of living plctures, models of famous plctures, will be introduced. The two burlesques were written especially to amuse and are entitled “Mixed and Twisted” and ‘The Knelpp Cure.”” The engagement is for one week only, with dally matin | are One of the real treats of the season will be the return by Elbert Hubbard of the | Philistine at the First Methodist church | on Monday night. Fra Elbertus will talk of William Morris, the great English advo- cate of handcraft in whose path the Roy crofters are following. William Morrls was not alone a great poet; he was a prac | tical poet, and gave his ideas life in works it on a high plane. His printing house Is famous all through the world of letters, the Kelmscott editions being as precious as the Elzevirs or other triumphs of early skill In bookmaking. Mr. Morris belleved in the honest wedding of head and hand in | the doing of whatever task was allotted to the doer, and Elbert Hubbard {s the highest exponent of this idea on this side of the Atlantie. It will be pleasant to hear the eminent disciple on the subject of the work of the great master. 3 MUSIC. : ’3 B T s s v et ol s ol Al o Under the beaming moon fs there to be found a civilized place where the fascinating movements of the gliding waltz are not known? Is there a place where the poetry of motion is set a-going by music and the dreamy, love-lit waltz {s not seized upon as the one dance in which a tender sym- | pathy of sense and soul can be experlenced? And yet, the many young people who so enjoy that amusement (by some deemed 0 harmful and by some so innocent), are not all aware that the Strauss family of Vienna created and developed to its present stage that dance which today stands as the great cosmopolitan dance-movement. The origin of the waltz is by some attributed to Schubert, and, whether (his s 80 or not, it is true that the elder Johann Strauss imbued his work with the characteristic classic elmplicity and graceful nalvete of the sweet-souled Franz, Peter, whose last name was Schubert. The elder Strauss, who s called the Father of the Waltz, was a contemporary of Joseph Lanner and played viola in his quartet. Later, when Lanner increased his forces, Johann Strauss, the elder, became assistant and conducted one of the two sections of the large orchestra, which was the natural outgrowth of multiplicity of engagements. It was but a short time until Johann formed an organiza- tlon of his own, and, while he and Lanner remained good friends, there we Lan- nerites and Straussites among the people, each faction worshipping its own ideal. Be- tween these two men the waltz originated, the waltz as we understand it, useful for concert or ball room. In view of the fact that one of t of this Johann Strauss is at pre country and with his Viennese will appear here at the Boyd | Friday night of this week, this | #ketch may not be uninteresting alluded to is Eduard, who Is one of | three great sons of a great father. has conducted that magnet! whose fame {s world- the year 1870, at all of the court balls and In the Volksgarten. He Is a good con- ductor, and, while he has not made the great and lasting name of his brother, Johann, the younger, who died but a short time ago, yet his compositions are not, by any means, to be thought lightly of. The great and prolific Johann, who wrote the “Blue Danube,” (although this is not representative of his best works), was born | In October, 1825, and was married to Jetty | Treffz, a well known actress and singer, and through her influence, it is sald, | turned his attention from the ball room | and the court dance to the stage and lajd the foundation for what we know today as | comic opera. For he chose to write waltzes, | polkas and sketches and to string them to gether on a libretto, making thereby | “operetta.”” This was foreshadowed by his ‘Blue Danube,” which was written for male chorus and orchestra. Though not | fortunate in his librettists, | of songs, words scenes developed into the prod operettas, or light operas, which today are sung in various languages and are popular | the world over, such for instance as the Gipsy Baron," the “Queen’s Lace Handker: chlef,” the “Merry War," etc sons eut in this orchestra family the Eduard orchestra, a always But in future generations Jo the younger, will remembered | “Waltz King," just as his father ‘Father of the Waltz." The his work in that line consists in th that he brought the classic beauty | highest music to the development of the | lowly form of the humble waltz and clothed | it thereby with a rich and beautiful ap- | narel Theodor | turther the Strauss movement fn America, his programs frequently containing one of the finer waltzes of Strauss, written with more design for concert use than otherwise Johann Strauss was a genius a mastor in selecting materlal strumentation. His colorings are full of plquancy and delicacy and one should miss hearing the great Vienna organization wken possible, for it is revelation, pure and simple. It Is the ideal form of musical en Joyment for the people generally, One does nn Strauss as the was the greatness of be He was also for his in ght | at 2:15; | | He revived handeraft in England and placed | theater on | The son | owned, ever since | Johann | these chaplets | dances and jolly rhythmis | A ction of | pi1T * il nomas has aone wueh 10| ¢ Of the Voice n analytical al knowledge to feel that ma omnipresent and all-y nor musi rhyme. It is ing Johann was at the Peace ton in 1872 with the was in this country before in 1860 the famous Viennese instru pearing at the historic city. Eduard is conducting bilee at Bos- | orchestra and Eduard conduct nentalists Coliseum fn on this An article appeare the Epworth Herald re of the Me Eplsc century which has just worth Herald may be younger element of Meth In th article aforesald there is tatement to the effect that when Bishop Asbury beheld for the first time a Methodist church in Newport, R. 1, with a spire he exclaimed, Well, well, a spire and a bell, the next thing will_be an organ and a choir, and then good-bye Methodism.” A local church pa- per commenting on this suggests that Meth- odiem, with its magnificent churches, col leges, universities, seminaries and deacon- homes and hospitals would prob- ably open the eyes of the conservative old | prelate who thought that Music, which is the gift of God and has for its {nspiration divinity, would turn the people called Meth- odists from the object of thelr worship. How absurd to think that what comes from God should turn people away from His church. Bishop Asbury was doubtless a great man along certain lines, but he was not great enough to realize the greatness of music. A greater than he, John Wesley, the founder of the Methodist church, said on one occasfon, “The muslc of ‘Glory to God in the Highest' pealed forth from such an organ as I never saw or heard be. | tore, so large, beautiful and so full- toned.” It churches were to have their fate | settled by some of their adherents a singla threat would be enough to accomplish thelr overthrow in a recent {ssue of | ting to the progress al church in the passed. The Ep sald to represent the [ Bishop Asbury {s dead diantly allve and growing more so, notwith- ! standing th fact that ite churches have spires and bells, stained glass windows and organs, choirs, in many or gowned (after the true manner of Wesleyan democracy) and beautiful choral services. And, furthermore, the sald church is ting ling with a concentration of its live forces and is stretching forth to still mightier achlevements, despite the late-lamented bishop's gloomy prognostication, and also despite the existence of some present-day followers of Bishop Asbury! Methodism s ra- s, cases vested Music, Heavenly mald, knows no theology, no sect, no creed, no age, no nationality, has no geographical limits, nor limits eccleslastical Every since the Heavenly muse, “that on the secret top of Oreb, or of Sinal, did'st inspire that Shepherd, who first taught the chosen d in the beginning, how the Heavens and earth rose out of Chaos.” Ever since that time when 1) se Such music (as tis' Bef was never made, But when of old the sons of morning sung, While the Creator great { His ¢ And the hung And cast the dark foundations deep, And bid the weltering waves their oozy channel keep." Tver vince, music has been the hand- mald of God and his religlon, The ex- vlaizalla theology, the one phase of wor- ship, accepted vy sects dlffering on all other points, the one source of inspiration, to all nations without exception. The one creed whose disciples are to be found in all places known to geography, and the one cosmopoll- tan language, which binds man to his fel- low-men by chords of sympathy and feel- 1ng. well-balanced world on hinges The following item is clipped from the Berlin, English and American Register of November 4, and may be of interest to some local friends and admirers ot the gentle- man alluded to. The ftem has been sent to mo by a mutual friend: “Mr. and Mrs. Vice Consul General Hanauer, at Frankfort- on-Maln, last week entertalned Captain Beart of the United States army and his son, Victor Biart. The latter, a native from Leavenworth, Kan., is a prodigy in music and a worthy compeer of Paderewski and Rosenthal. “This young American star planist will, next week, delight the Gotha by performing in concerts at Gotha. Later on he will fill engagements at Berlin. America and all Americans at home or abroad have just cause to be proud of this musical paragon of Amerlcan growth." 1 can vouch for the certainty of Mr. Wil- ls in announcing the Whitney Mockridge Concert company as his great Young Men's Christlan association attraction for Thurs | day night next. Whitney Mockridge has | been heard here before on many occasions {and his beautiful tenor volce has never | falled to please. A certain disappointment was felt last season over a concert glven supposedly by Whitney Mockridge and com- | pany. This attraction is not the same. The Young Men's Christlan assoclation concert will be given by the real Mockridge. Mme. Sembrich, at the head of her op- eratic company, {8 booked for an evening at the Boyd Sousa s booked at the Boyd for the last |of this month. | The following 1s the Strauss program for | Friday night, alluded to in the beginning of | this article Part From the 1 Operetta “Wald- Johann St Fantaisie *“Th Moszkowsky Johann Strauss E. Gillet Overture. Fragment Natlons Waltz—Wienor Blut" Entr'Acte a la Roccoco. (For String Quartet.) “Hearty and Sensibl Eduard Strauss From the Polka Part 1 Hungarian Rhapsodie No. 12 ranz Liszt | Waltze—From the Ballet “Naiia".... Dellbes | Song_ Without Words Mendelssohn (Orchestrated by Eduard Strauss.) Characteristic March—"Caucasfan'* Johann Strauss THOMAS J. KELLY La Grippe coughs often continue for | [ months and sometimes lead to fatal re- | sults after the patient is supposed to have | passed the danger point ey's Honey | and Tar affords positive protection and security from these coughs. Myers-Dillon Drug Co., Omaha; Dillon's Drug Store, South Omaha ericn DEL lieved to be ever awarded to an ract, What {5 be- contract for coal Amertcan firm by the Canadlan government has been given to i firm in this city. This order was obtalned by the local bidders despite the fact that the Sydney, Cape Breton, mines, are many miles nearer than those of Pennsylvanii | The "contract calls for the delivery by ADrIL 1 next of 100,00 tons of bituminous | product at St. John, N. B, Halifax, N 8t. 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McKintey = 53 i ond box, I fec 2 i3 W 26 Union St., Indi ave been troubled with pains in the small of my back, in the region of Tie lidneys. 1 grewso bad that 1 could attend to busi erves were all unst and was unat 11 nights, an inthe mornin « Morrow's Kid-Ne-Oids, and th me wonderful relief, and 1 am n my work as wellas formerly and wi Geo.W. Kin nd £ some tii I Con Enright, Atlantic, Ta. “T was afficted or & long time with kidney troubles,and final- ly had to give up my position as section boss anthe C.'R. 1. & P RIR. on account of baces ache, rheumatism and other distressing sym- toms of ranged kidneys. My back 6eunml e, weak and hurt me so badly that 1 could scarcely waik, stoop over, or lift anything. ‘The dull aching pains across my back kept me awake nights, and made me nervous, and what little sleep 1. did get, was troubled and unrefreshing. 1 felt tired all the time. 1tried many kidney remedies and porous plasters, without being benefited, and had given upall hope of ever being cured or relieved.” My attention being attracted 1o Morrow's Kid-Ne-Oids, T tried a sample package. In thres ays T was completely relieved of backache. I then used ut half of a regular box, and am already greatly relieved of my troubles. 1 can new work every day, and will continue to use Kid.Ne-Oids for their tonic eflect FOR SALE BY DRUGEISTS iout pain.'” Mrs. J. C. Marshall, 508 N. 7th St., Atchison, Kas. “My daughter complained frequently of & severe pain across her back. Otlier symptoms plainly indicated a weakness of the kidneys. Somany people in Atchison were prais ing Morrow’s Kid-Ne-Cids that I thought it would be wise to try them. A trial package gave her great relief, and caused her to feel much better inevery way. I have ot heard a single complaint of backache since she com. | menced to use Kid-Ne-Oids, and I believe every symptom of kidney trouble has been conquered by them [D il be paid for a case of backache, nervousness, slecplessness, weak- 5 REWARD Tess iois of vitality, incipient kidney, bladder and urinary disorders that cannot be cured by Morrow s Kid.ne oids, the great scientific discovery for shattered nerves, thin and impoverished blood, Prepared in yellow tablets; soc. & box at JOHN MORROW & CO., Chemists, Springfield, Ohio. Woodward & B Managers. Tel. BOYD’ Today 2:30 Tonight 8:15 and Monday Night Mr. Howard Gould eI & Burgess. Managers, BOY D S et LEPHO Tuesday and Wednesday, Jan. 153-16. MATINEE WEDNESDAY. Equals “Fh: Isle ot Champagne. AMERICA'S GREATEST COMIC OPERA COMEDIAN, THOS. Q. SEABROOKE In the Latest N. Y. Comic Opera Success, . THE ROUNDERS 65~ifi'Coni|iany—All Star Cast _65 RTHA T I."I";I“il'}ll-— 3 C. MANDEVILLE— ENN TE LOWRIE— 'UART NELLIE LYNCH— JRNARD— Sumptuous New York Production. Direct from 202 Nights at New York Casino. ng Prices—25ec, f0c, 75¢, 81, $1.50. Mat. Prices—25c, 50c, 7oe, SE ON SALE MONDAY MORNING. Sequel to “The Prisoner of Ze ENTIRETY. Evening Prices—26c, 60c, T6c, $1.00. Matinee Prices—25c and 60 BOYD’« One Night Only Woodward & Burgess, |BOYD’S fignuast & Buregis | Saturday Matinee and Night, Jan. 19 With A success everywh CHARLES B, ipanied by Miss Marie Dronah and his own splendld company, presenting a new comedy drama by Lee Arthur. "PRIVATE JORN ALLEN" A fascinating story abounding in de- lghtful comedy and absorbing pathos! Tel. 1919, lery, 1k ws rese Station. rday and Dorotiny Ylaltels Kinodrome New Pictures, Whi Harmony Four At the Way ibrists inees Majesty, the Emperor and King of A Remember the Mat Sun., Sat., Wednesday Hungary and his famous Vienna POSITIVELY 1s Jugglers and Equi elaborate & duction an te entirely new and appropriate to the atmosphere of the play Omaha’s Own Vo Robertus and Wilfredo Miaco’s Trocadero MATINEE "'(I;;r—l"i ITRWIN'S MAJE ¢ pUnR Entire week he largest and best in the realm of burlesque, presenting two big burlesque— “MIXED f{;;‘m Prices—26¢, G0o, The, $1,00, $1.50. Seats on sale Tuesday morning. and Monday, January 14, 1901 ;I Vinie Daly AND TWISTED" ' CURE,” magnificent cos- al cffects and world-famous with tume living Will deliver a locture on Wiliam Morris or the Gospel of W ‘This lecture {s given under the nuspices of the TEACHERS LECTURE ADMISSION 0 CENTS, . electr pletures 1zzie an L Ray, isation | Burgess, | Dialect | Mutinee NOW OPEN e Robinson & Loch's | e | Singing Iar Sister Soubrettes, Experts d Sense A monthly publication full of good things tersely told. That may become quainted, send a dime—coin or stamps—fci sample copy. If you've already secn it, you want it; you'll get it for a year If you send ® dollar 0 Ad Seuse, §3 FIfth ave, Chicago S 1310 HARNEY STREL Old men made young Ani stores. | i Car Tr | agu you | d, 10W i-Kawf L8 - the whole Dally Matinees, 2:15. coughing If you call early you will have the op- unity to select your weats. Telephon and ‘we'll reserve the scats for you. Every evening, 8:15 hor . e At | pgst once, a Jan. 13-14 “Rupert of Hentzau” nda” The Daniel Frohman Production (Presented by speclal arrangement.) COMPLETE IN ITS MAGNIFICENT Woodward & Burgess, Friday, January 18th. Farewell American Tour., Court Ball music director to his Imperial ustro- Orchestra Concert Director—RUDOLPH ARONSON, ch First M, E. Church ELBERT HUBBARD ork BURBAU. chool of Physical Culture, Don't disturb family Anti- Kauf will stop it at darug