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2 NEW BRITAIN DAILY HERALD, SATURDAY, MARCH 22, 1930. S R e ’ . D. Batchelo ’s (1]7/3 Love’s Reawakening \‘O"CC Overs : SR IE:-II%‘X\L%'H The Story of a Wife’s Triumph Over Jealousy \ / S AR ¥ X Make This Frock Yourself By ADELE GARRISON . 7R\ \\) — / e A WA LGRS q Pattern 1857 % — 7/ R o\t oy v for | 5 Tew Britain Herald 15c Practical Ediedby thé New York Pattern Dr. lago Galdston ~ ~ Academy of Medicine By Anne Adams 2 One of the most charming models WHAT ARE TONSILS FOR? | presented this season, here The nose and throat have Becm ap- | shown made of cotton | propriately termed the gateways to | Holero Gioaat crentea by the body. | bodice closing is smart indeed. I"ood and air, the two great cssen- | jacket effect is rurther ed o1 tials of life, enter the body through 15 the polnted doining of skipt fla these gates and nature has provided and hip section. Short sct-ifsleey that they be safeguarded, particular- aTg e asih AEBINSD 8 Pattern 1857 he tonsils number among the icned of pique or linen in th Buardians of the gateways rose or gold shades. White, tosthe somman FIDEe course, for later in the scason e are moreithan Lwo, t00 always effective. For wear und ¢ 8 / PO ; in fact. there are four. Thesc b 5 i repe e tine ; BT L 7 . i R : are so distributed in the throat that i e S e ; . \ they form what is called 2 tonsillar signed only for sizes 14, 16, 18, | ring. The tonsils arc principally S el formed of lymphoid tissue, that is. el aoring: wat | of Iymph cells. i These jeells, popularly known | the whife corpuscle rve in t capacity of scavengers and police- | men. They literally swal- , digest and | Herald’s Lauiy «ut dressmaking experience ary to make this modecl w our pattern. Yardage for eve size and simple, exact instructio; are given. end FIFTEEN CENTS (150) i1 coins carefully wrapped, or stamp., for each pattern. Be sure to wrii- plainly your NAME, ADDRE STYLE = NUMBER and SIZ& wanted. Our PATTERN BOOK of NEW ? STYL but only TEN when ordered with a pa tern. Address all mail and orde:s to New Britain Herald Pattern De partment, 243 West 17th strect, New les and bacteria In this manncr they tend to pro- cet the body against invading germs The tonsils are part of the lym- | phoid system of the body. In genc lal, there is a rclatively 1 amount of this tissue in the youngz | mature body. Knowing oclivity of the young to “taste putting everything into the oné can appreciate the need ind abundant protection. the cells of the tonsils : carry on their work in a painless < York city. é fashion. When, howover, bacterial | fon becomes aggressive the ton- | respond by becoming rged— | time, dear, but don't be late getting| Switzerland has clectrified more and swol- [ - then two-thirds of the mileage of its such circumstances they ’ o eies o i It was 6 o'clock when, ing indicates that the ton- | waited supper for him for an hour, live tissues which they | nis mother sct out for the party to g drag away a happy and cxcited boy. “I'm disappointed in you, Tom- my,” she said. “You know better {than to he late. I gucss you're | nothing but a baby after all ommy could think of nothing to | say in his own defense, but anyone who understands children can. It one thing te# be old cnough and | clever enough to tell time, quite an- other to have the self-control neces- R R ’ ¢ to leave an exciting party. A Artist—“If I could only capture that rainbo ASKING TOO ~‘”,‘ H right six vear old can easily d Movie Director—“What a location for ‘Over the Falls.* By Alice Judson Peale ?,),‘,‘ o‘\”’n\;;u}::uhnw‘imxi‘ot" \“gj:y;v::n:?‘t’é On his sixth birthday Tommy had |4 6 thiri¥ 7 ccome the proud possessor of a e A E oo s e e [WMothersiat inightichildren Sitro: e o e e P e e e e e 8 1 " % i % S "7 | quently make the mistake of expect- t tell time | St |ing from them a degree of emotional A | 1 “And from now on” said his 1/_& I a.tlll Questioll g jmother, -1 cxpeet sou 1o get to|control on & par with their intellect- [ nd 1 a| i P it | ual development. M v : hool on time in the morning and | My €EFFORETIL o g it s T i = 2 by his new wift Tom- |usually a long time before emotional Vory well for n tew days, | control and self discipline catch up | ental ¢ acity. hen came the birthday party of his | With mental capac little cousin who lived on the same | ettt — S —— . punctual to meals.” TWO-TONE PRINT! menibe ommy." his mother| For cvening big figured prints, . "L expect you o lcave and|Il two fones are excellent. ¥or come home at 5 o'clock sharp. Youdaytime the print with three col- | have vour .watch and you know|ors in it is better for it allows| Men often dic for a cause, whils | how 1o use it. Have a beautiful|more lecway for accessories. women dye for cffect. New Chic in Sp act “xpor (Photos courtesy of Haas Brothers.) costumes in the spring and white floratone crepe was used by Berthe for an after- rs at the bottom. Inset: A davtime cape costume, from Martial and Armand, is one of the new black 1l cmbroidered linen an » collar, cuffs and jabot. At right: One of the new tweeds, in lacy weave, fash- 1 nipped- @ tie collar. Below: Maggy Rouff used an effective flowered mousseline for a bolero with draped bolero, h waistline, criss-cross strappings and a loose cape back. | port are ribbed silks. Inasmuch |the same manner as the material it- a delicate light pistache colorin | a5 these two great classes of fabries [self. Well-spaced designs arc hbest | made real contributions. behave themselves in opposite man- |for they prevent jumbled effects.| Woolens Have Place in the M e O e A S SO RS TEOE P R IRt (5 e i G, M , th 1 | s used these si crepaiia and francilla, soft twist: frocks of each. Silk or sillk and wool | ceptionally well. His “Shanghai” | materials used by Jenny and Chant . 6 o ] v e ribs, take | dinner dress in siren chiffon would |sparred with the silk and wo niltitudinous forms, such as twist- [be a lovely summer country clun | lcosely woven drelyana crepe whic od or straight ribs, little ribs, biz [acquisition. His peplum suits in Jac- | Lanvin used so extensively for ribs thin or fat, ribs pinched or | quered silks were adorable, Chanel has saine small linen w morro anl| SHk Sufts Take on Importance | for her long coats. lined with prini- 1o ol-time| This, brings‘us to the impor ed crepe or chiffon. Vionnet's m1 | fashion of silk suits. Small spaccd | velous formal town stressod hese may be plain, printed s are newest, not too many|her smart onc- ade with a silly little woven - [colors. Dots, checks, little 3| ticularly furless. She m“.ILLr.« e juard design in selt color. Maggy |2 . For teatime frocks in two- | smooth, firm, patrella type of sell wore a charming day ;l‘l'\ol' larger patterns appear “in thelfoced woolen drapabls Baked Brows Bread « wost | dre gray pinched rib and almost [ new short sleeve and cape models. ack is tremendou R : c Y cho il every couturier in Paris showad | Printed chiffons for country club is for all day long S 2 : | plain or printed versions for the silic | dinner anc ning wear reflect | both daytime AR : 1ot of It tailleur, Miller Socurs used a tiny | clear ¢ in lar raceful,| the lightest of (hane st Y . I 5 seo1z- | dot-printed rib for a jucket suit with |spaced d . Patou's usc of ros:|through the brite-dark hyacintl i ped waist. Lucile Paray featured | pattern chiffons was quite outstand- | Boulanger and Lelong {o the 1 sh.waisted packet in a tricot tib |ing and unusually charming. Often |of Drecoll. Greens follow the cuit color with a wide cote e | the plain or printed chiffon summer | houette trend and certainly 1 for the black skirt. | evening frock takes its printed chit-|smartest are from the Empire rd fact of importance in fab-|fon short wrap or a printed taffsta|riod. Lettuce heart, willow, the reassurance that prints|one in the same design. and Napoleon are favorites. Il £0od. But do not think last| Satins, soft s moleskins and with | best reds are Vionnet's like off prints will do. T won't. | censiderable lu are smart for|shoots of crushed roscs. And if o ercd prints are v ow. Un-[the formal evening gown or evening [lcoks well in Patou’s rose opali shed Silk Pavorites | de d the word “jucquered” ior|ensemble. Patou, of course, intro- | for sports and evening, she probal i-si crepes you will meet it often. It means|duced them in his rose opaline. | will be lovely in a deeper cgusheid vial im- | designs woven into the material in | Bruyere in pure white and Paray in |rese shade for day. ’