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Adele Garrison’s New Phase of REVELATIONS OF A WIFE Lillian Showed What She Thought of Harriet In the early days of my marriage, my stately gister-in-law, Harriet jraithwaite, was an object of awe to me, and I never would have dreamed of speaking to her in the peremptory fashion I just had enjoyed, even though my object in so doing was to banish her foolish, morbid fancies. «But her appeal to me and her grati- tude for the counsel I had been able to give her, and which she appeared to value far oto highly, had drawn us closely together. 1 knew that she felt as 1 did, that we now had the spirit of sisterhood as well as the name, and it was with the affectionate it rough phraseology that I would | have used toward my own sister if I had possessed one that I addressed her. I suspect that her dignity was a trifie ruffled at my uitmatum that | she come with her husband and me to | Mrs. Durkee’s home in Marvin, dis- regarding the fact that Xatherine Bickett was there, but if it were she Admirably concealed her annoyance. | 'hank you so much, Margare she said earnestly. “You have no | idea how great my relief is to hear you say that. you are going down with us, hoped for that.” “It really is rather superfluous for me to go,” I said, adjusting my hat. “Little Mrs. Durkee certainly is well cared for, with her son, daughter-in- law, and nurse, but she made me I hadn’t promise that I would come to her | when an operation finally was decid- |ed on, so I'm going." | A Compliment For Madge “I can readily see why wants you, Margaret,” my sister-in-law said and there was such sincgrity in the |compliment that I was gratified in- deed, though so embarrassed that T welcomed Lillian's peremptory mons from the other side of the doer. “Madge ! You have six minutes for your breakfast. It's all ready.” “I need but four,’ lingly, as, with a word of apology to Harriet, I opened the door and came into the living room, My sister-in-law Ipicked up my overnight bag, my turn and my coat, and followed me. she “Is there anything clse you want?"” he asked efficiently. “If not, I'll ljust take charge of these until you 'get through your breakfast. Then you'll have them ready to hand.” ! I knew by the glint in Lillian's jryes that something had amused her, ihut it was not until we were safely n the kitchen and she was sarving me my breakfast, that a comment tmrlt from her lips as If she could repress it no longer, A Suggested Vooation “That sister-in-law of yours ought | 0 get a job as a Pullman porter,” she said. “She does everything but preathe for her husband, and now gite's started on you." “Perhaps she'll take you on” I sald, with a sly glance at her, for I Mllan, despite the almost uncanny smoothness with which any under- aking of hers runs, is noted among her intimates for the carelcssness vith which she strews her personal belongings in all quarters. ‘No, thank you. I'll try to strug- ile along,” she retorted dryly, and I oalized what 1 had suspected be- fore, that Lillian held for my sister- Indlaw one of her ‘curious unrea- foning antipathics, It was nothing mtter Trom Reatrice Grimshaw to Her Fiance, Richard Sommers, Received your wire ny health this morning, have not written you bec st letter rather mystiffied me. 1 an't understand why you should ave gathered from anything that I ave written that 1 am prejudiced gainst this young woman whom you all Miss Perier. It is perfectly natural that 1 am ot able to gel into the “atmosphere™ that is what you call it in Holly- 00d, isn't it?) of the moving picture olony. 1 have never in all my life s you know met any artists belong- ag to that set which we call Bo- emian. Conscquently, however much try 1 do not seem to be able to ght our point of view. Neither can 1 understand why it vas impossible for you to tell Miss erier that you were working so hard b be able to bring me out there. Is _ about k. use your And I am so glad that | sum- | I rejoined laugh- | ness—Lillian is too good an actress to betray her feeling where it would embarrass any one—and I knew that she had no foundation, no reason for her aversion, It was distinctly a case of— “I do not like thee, Dr. Tell. The reason why T cannot tell, I do not like thee, Dr. Fell.” 1 hummed the words provokingly, when, at the end of the four minutes 1 had named, 1 rose from my chair, my breakfast finished. v “Exactly,” she said. a hard-shell crab, but I can't stand these superlatively efficient women. Harriet Braithwaite's crisp ecall, “The taxi's here,” punctuated her gentence, but as 1 hurried back to !the living room. T could not repress the mentally smiling ‘reflection that many people put Lillian herself into the same characterization which she 3 ~ \ Se By Dr. Clifford €. Robinson CHILDREN'S EYES It is not too strong a statement to make, that ambitious parents fre- guently arc the cause of a child’'s eyes being ruined as well its healt} healthy boy or girl with normal be and guarded to conserve this most priccless possession, Those children who have a tendency weak from birth must be protected from the ww harmful influences cven more carcfully. Do not allow children of one, two or three years to 100k at pictures or any objects which require close in spection in any detail, Kindergarten work until the child is of four or five, and even six years of age, should be chiefly confined to large charts or ob- jeots large cnough to be well seen at a distance of 10 or 15 feet. No small objects to be judged or small holes in cards for sewing should be used. The delicate optic nerve of a child as he watche eyes should closely in order to eyes Through close contact work, such as stringing fine heads or trying to draw close contact lines, or reading in poor light and poorer position, this nervg may receive severe strain. It docs not cry out or object so far as the child or teacher may observe, but it does object and the retina and optic nerve may be permanently injured Never strike or “cuff” a small child on the side of the head. erous practice for the eyes. If they “mee stars” it means a shock to the optic nerve. If this excessive close work Is continued for any length of time it means the children’s eyes will become defective and astigmatic. In school children, at present, the hyperopic cycs far outnumber the normal eyes. Look into the matter of your chil- dren's cyes at once, It is absolutely essential that all parents and teach- ers should cooperate to do all that is possible to conserve and correct the eyes of the children, as she, “1o it because you, too, were unconsciously get? 1 don't believe you rea Dick, and 1 have come clusion that I do not know you at 1. ieforé you left for Hollywood {you told me that 1 was almost too | broad in my ideas because I insisted that there should be only one stand ard for both the sexes, and now you | say, {'You are too conventional. Your life is bounded by too many rules to |see any merit in these people who | work like demons when they do work 'and play and laze away the hours I“hen they are not working in a way {that T have never knowsn reasonable |grown people to do before.” I have always thought, dear Dick |that when a woman loved a man well |enough to marry him it was a part o the expression of that love to be con- tent in following him wherever he |should go. I did not think it would | be necessary for me to marry the whole of the moving pleture eolony |when | married you, although your last letier scems to intimate as much {Of course these people interest ni: greatly. They interest me as « | other part of your work would inter !?- me, but loving you, dear Dick “mun 1 Jove them giso? | Ne, dear boy, T am afraid that it |0t my temperament and my likes i‘"‘ disiikes that you are considering |#0 much as your own. | | an we working for- Iy know m to the con- a Please don’t say that 1 am jealous 1 don’t believe in %ea | ousy, as you know. 1 consider it a | inferiority complex. But 1 am sure |of ons thing, Dick, and that is that |vour ideas have changed materia wince you left me. 1 am not jump at conclusions, but T am going | wait awhile to let you find yourse Ibolorv 1 come to you. Not becauss as you say you thinl |would not be happy there, but cause 1 am not sure that you would be happy to have me there. 1 wa {yont to be honest not only with me but with yourseif. | Until then T am as ever, BEATRICY | P. & By the way, did Miss Per | recover entirely from her faintis |6t? You finished your last lefter me~ hurriedly because for some # no one seemed able in your mind £ out of it bt yourss NEA in any way. 3 i 1 € to bring ¥ | «Copyrient lac) srm;z, that would ever cause any unpleasant- | had employed ‘regarding my sister-in- | does not register the sensation of pain. | It s & dan. | NEW BRITAIN DAILY HERALD, | CHOCOLATE C. Who can resist a home-made choco- | 1ate cake? Served alone or with ice {cream or canned fruit it adds the But this 1 know and know full well. | gninine touch to almost any sort of | Which was adap |a home dinner. | A dark cake keeps moist longer | than a white one and is good to the last crumb. If half butter and half |lard are used the cake will be fluf- “I know I'M | for a1id more moist than if ali butter | torial | is used. ! This recipe calls for the yolks or the eggs only. The whites are used for the frosting . The cake can be baked in a dripping pan, covered with boiled icing and spread with melted chocolate, The chocolate forms a hard crust over the icing which | tends to keep it soft. Chocolate Cake Two squares bitter chocolate, 1 cup milk, 1-2 cup butter, 1 cup sugar, 2 cups flour, 1 teaspoon soda, 1 teaspoon vanilla, few grains salt, yolks of 2 eggs. Melt chocolate over hot water. Ada ,one-half cup milk and cook until a smooth paste is formed. Cream but- ter (or butter and lard mixed) and beat in sugar. Add cooked mixture, Beat cgg yolks with remaining bhalf cup of milk and add alternately with flour, Mix well and' add soda dis- solved in a little hot water. Add van- |illa and salt and beat weil. Bake in | two layers or in a dripping pan. | Fudge Cake Two cups light brown cup butter and lard mixed and melte 1-3 cake melted chocola cges, 1 cup sour milk, 2 cups:flour, 1-2 cup boiling water, 1 teaspoon vanilla, few grains salt, 1 teaspoon soda. Cream shortening and sugar. Melt chocolate over hot water and add to mixture, Add eggs (unbeaten) and beat well, Stir in sour mi Add flour sifted after measurin, Beat until smooth. Add boiling water and beat smooth. Add vanilla, salt and soda dissolved in a little cold water. Pour into two squarc pans and bake b an hour in a moderate oven, together with fudge One-fourth cake, chocolate can be used. Fudge Two cups granulated sugar, 1 cup milk, 2 or 3 squares of bitter choco. late, 1 tablespbon buttcr, 1 teaspoon vanilla Put sugar | sauce pan | not stir until sugar two squares, of and milk a smooth Put over the fire and do mixture begin to boil | Add chocolate and stir constantly “\ln\H the soft ball stage reached, ! Add butter and cook one minute long- er. Remove from the tire and let cool ‘When cool add vanilla and stir until | creamy. Spread on cake. sour Cream Chocolate Cake Two cups hrown sugar, 1-2 cup but. ter, 3 eggs, 1 cup sour*cream,’2 cups flour, 1 teaspoon vanilla, 1 teaspoon soda, 1 téaspoon baking powder, 1.2 cup grated chocolate Cream butter and sugar. Add yolks of cggs well beaten, Melt chocolate and add to mixture, Mix baking pow- der and soda with flour and sift. Add to first mixture alternately with sour cream, Add vanilla and fold in whites of eges beaten until stff and dry Bake in two layers. This fcing is a bit good in different, but so Toing cup sweet table (melted), butter, stiff, 1.2 One-half squares chocolite egg, 1 leaspoon sugar to make vanilia, Scald ercam over hot water Add melted chocolate, yolk of egg and butter. Beat well and beat in enough sugar to make stiff enough to spread. eream, yolk 1 powdered teaspoon —_— Gossip’s Corner Mower Design silver flowers. are « chemise (r that ties a the left hip. Hea ered on crepe cver ¥ embroid- cerise in flat bow Cape on Frock ack velvet frock achicves sting offect by adding a short back lined cloth of One b inter cay an in the with Clean Up Go your age many through closets 1 things it that and stor- There are to dispose converted pace quently is cconomy into somet Vigured Procks red materials are ening frocks this with a Chinese o part those fluence Spilled Tok ink is spilled on the out with sweet milk sprinkle white cornmea it the cornmeal stand fore you it 1 entirels w o arpet it and 24 M and rema find “a Crepe de Chine liked by the schoo! girls ocke and dress.up occasions tot Washing Cryetal Wahing Linoleum 4 do not wish to in- ur Lropard | ently te this " certain , offering, | | | NORMA TALMADGE IN *j“Tl]e Voice From the Minaret” to ' Top Film Program Norma Talmadge, the most popu- lar of the women stars on the screen today, will be seen at the Palace starting Sunday night in her latest “The Voice From the Min- declared to be a story of un- usual dramatic power. Frank Lioyd directed this IKirst National picture, d by Frances Mar- ion from Richard Hichens’' famous the tale id in novel, The action of l.ondon, Bombay I'amasru}a 1d the desert, and the production has a pic- background of striking splen- dor. The story is a colorful ro- mantic one, swiftly moving, and noth- ing has been left undone to make this Norma Talmadge's greatest pic- ture. The star is cast as Lady Adrienne, the wife of the governor of Bomba Sir Leslie Carlyle. Cruel by nature, Lord Leslie takes keen delight in tor- turing his wife in every conceivable manner, insulting and disgracing her in public at every epportunity. Lady Adrienne bears up patiently under his abuse, but the time came when she found she could stand no more and she determined to leave her husband. So she started on her long journey back to Engiand. En route she became acqualnted with a son of Britain who was on a pil- grimage to the Holy Land. He in- duced her to change her plans and to accompany him™ { They found love in the {the East—but not the peace craved, for the voice of the m calling the faithful to prayer the minarets, constantly their duty to they turned ba f highly nearly brought an aret,"” desert of they 7zins from them of gretfu series that lives. As a special added attraction Sunday night only, William Dun will be offered in “Playing It Wild,” a six reel drama IFor Thursday, day there will be vaudeville acts and featurc will present all Neilan's newe production “The Etcrnal Three,” a drama of the eternal trian- gle in which an all star will enact the leading rol adventures to their dramatic end Friday bill the and Satur- of Keith photoplay M cast 'VAUDEVILLE OPENS MONDAY AT LYCEUM \April Showers Feature Picture-- Fine Sunday Night Bill Booked Beginning Monday RO onto a regular having acquired sole local showing rights for Paramount vaudeviile, | The management will have a complete change of program on Mondays and Thursdays and oceasionally will bring in some other form of entertainment The usual feature photoplay will be | maintained. The week of November {19 brings Jack Sheehan and his | musical comedy troupe a week's stay Tomorrow night's double ture program is a good one Radio Mania is a thrilling roma and ad venture story in which the wonders of wireless are used to good advan- toe The other picture is “A Front Page Story,” this heing exciting little drama featuring knowr stars and dealing with problems society. It has a fine story woven inte it, and flivver plays a big part and provides many laughs, “The Front Page Story” is really a day feature instead of a Sunday and where has hee for that time is a rotlick e o the Lyceum will udevilie policy for an well of love three It | special . shown FEATUREAT PALACE SATURDAY, NOVEMBER 10, 1923. serious drama to give it the necessary | punch, ! On Monday, in conjunction with | | the all star vaudeville program, the | Lyceum shows Round Four of “Iight- | ing Blood,” and also the supreme photoplay, “Apri Showers)” Ken- neth Harlan and Ruth are the leading playe The picture program changes on Thursday, as does the vaudeville, and the last half of the week will see | “Quicksands,” a powerful melodr matic picture has also plenty and his CUfFY BEAR ~ ~ By ARTHUR SCOTT BAILEY A HIGH SCHOOL PUPIL. | During his summer Clifford bay horse paid no attention to what he said “1 know proud Jike head “Not “It's done which with the of laughs produced by the antics of Tom Wilson, the famous negro im- personator of the screen The ab- sorbing story of Quicksands” is based on the efforts of a band of eriminals to smuggle narcotics into this country from Mexico. The cast is a powerful one, including such notables as Helene Chadwick, Rich- ard Dix, Alan Hale, Noah Bee George Cooper and Farrell Mec- Donald. Also, the regular 10th I'nited States Cavary plays a part in| the picture. POLA NEGRI STARS IN “THECHEAT: CAPITOL Famous Actress Reaches Drama'.-; ic Heights in New Play to make a low bow,” rontinued asked Cuffy, cuffy Bear had spoken at lcast a doz- | en different the rello times to a certain B some bay horse. But that f chap had made not the slightest sign that he heard. It ot until Cuffy at last explained that he guest of the circus, and that jerking this?" at bay horse. not ike almost said the like that at all. It's And he lowered his the ground, scraping this." to he was' he 'he Sunday night program at the Capitol will present two exceptionally good photoplay features offering Cul- len Landis and an ali star cast in “The Jog.” a very heavy drama with a plot that carries plenty of action and su The other presents popular Gladys Walton in “The Wild Party @ comedy drama that should prove quite interesting. 1For Monday a new bill of Keith vaudeville will be shown featuring the cadli attraction the appearance of My Sid at the same difficult to do explained. “If being could a t 3 turned his him “Why befor sort bit more he owne ring horse tent, I head a pense stead of in ti posed, of cou ordin that and as e persona Drew the Mrs funny films in the will be 1s appearing in Mr. i Sidney Drew comedics, a4 series o epicting domestic troubles household, In addition there other big acts including Paul George n “A Kitehen Musicale;” Nixon ans in “Assorted Chocolates;” and Williams in “On the High C; Kay, Hamlin and in 01d Tricks.” One the of "her carcer! This was the witnessed the filming of tl episode in *“The Cheat,” s ng Pola Negrl, produneed by George Tit maurice and which will be shown the Capitol theater next Monday, and Wednesday, Jack Holt atured role and € de ids the supporting who played Negri, and exhausted bruises into th But 1 biggest news omething more anybody prondiy Cuify Bear that was! “My mgster the little do, " e isn't didn't eve . se in this show “What's that Gre ) 1 1 him the Ke T hay ime Johnnie know how remarked pride 1 bay school house “ - ed Kay red Ah of most strenuous e lat queer opinion o brandin Metropolitan Rervice.) Tuesday has a f Roche 1t was the scene with was over the stain, and fied to the realism dramatic action. The episode shows de a crook parading as a pranding the beautiful with a tiger's head - he property. a8 become financial him and then tries to la this 1 and 1 arles The Sothern-Marlowe Season E. H. Sothern and Julia Marlowe will appear in Hart- ford at Parsons’ Theater one week bheginning Monday, Nevember 19, Matinee Saturday. To Secure Tickets Now Fill in form below with number of seats desived for cach play : send a self-addressed, stamped envelope with proper remittance made payable to Parsons’ Theater, Hartford. DATI e s inchide taves dny. November 19 MEO AND JULIET 2 November 20 MERCHANT OF VENICE Wednesday, Novemiber 21 STAMING OF THE sHIZEW™ Thursday. November STWELFTY NIGHT 1l STWELETH sainrday Matine ROMEO AND U satumday Troning, Novenie HAMLET cast, the it lat Miss hoth were severa injeeted Roche in the role of Hindn prir on the shoulder denoting that This is after she ly indebted to pay with money cheat” brand ow star is his “T3d Bal brands her min nd the I saves husha or peace of Hindu, | assumed by the Mr, Holt Starting the week Van Arnan strel first vaudeville, The all white stars and e surcly t vaudevill attraction that been presented in this city fter £he has shots| burd ast pre min fine ry st Thursday the Capitol Minstrels, a 1 with of wil wember NI November 21 " part vast co " ® bi as Ther lay ¢ e t parade on Thur noon a strec Name Use of Toothpicks toothpicks are the than When poked Wooden ave hand 1 are sanitars or testing cakes cotton they may cossil Street and No. brook yvered to inac mo City American Tour Under | ersonal Divection of Lee Shubert B. P. SCHULBERG presents A TOM FORMAN: Production B Hape Laring - " SUNDAY SPECIAL “A FRONT PAE STORY and “RADIO MANIA” Wish o Preferred Cost including COLLEEN MOORE NNETH HARLAN Ruth Clifford Priscilla Bonner Myrtle Vane J=mes Cofl'.li.J