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MY HUSBAND'’S LOVE Adele Gurvisen's New Phase of REVELATIONS OF A WIFE Why Modge Wisely Declded Not 0 Risk a Soeme I mounted the stairs slowly, acute: Iy conselous of the t(roubled gwse whieh Mr. Sehwarts was sending aftey me. The old janitor was so child- Ilke, 8o transpareat in his attempts to conceal from me the identity of the man in the hallway above ours, that if 1 had been less miserable I could have smiled amusedly, But, like the famous waliress of Ade's comedy, 1 “hadn’t a laugh left in my system. Tt was easy to visualize the little scene which must have been staged | after 1 had informed Mr, Schwarts #f the man in the corridor above ours who had drawn back so precipitately when 1 had opened our door, The old janitor must have found Dieky there a8 I was almost certain he had done, 4 knew how plausible must have bheen my husband's explanation and how | the tip by ‘which he insured But the old chap ~in his Anxiety to earn his reward had blun- deringly given me the clue I needed, Dicky Is Relieved Or—1 stopped wshort to this—~was it a blunder after all? Might he not be shrewder than he ap- peared? I surmised that the old low had a genuine Illking for me, which had not been lessened by my morning talk with his afflicted wife Perhaps by speaking of Dicky's re turn, directly after he had told me that the man in the hall was a ten- ant playing a joke on his wife, he oounted on my abllity to make four of two and two, But why had Dicky done so pre- posterous and undignified a thing? There was but one answer, of course to that, when I had brought forth from thelr recesses my mental notes of the day's old incidents. Remem- bering Dicky's start and question at the sound of Mollie Fawcett's voice, and his cspionage of our hall through which the girl had, to pass to reach the door, I was sure that he had felgned going to the studio, and returning had taken up his sta- tion in the hall above, that he might #soe her without my knowing it. Given this hypothesis, the step was an easy geometrical pro- cedure. He must have recognized her voige, or thought he did, and wished to make certain of her iden- tity without any one, least of all the gir! herself, suspecting his purpose. This 'in turn argued his having seen' —or heard—her before. Then—it muat have been she. I pulled myself up short as I reached my own hall door. I was leaving the logical for the fantastic, 1 told myself. Besides I knew my husband’'s temperament too well to minimize the risk I ran’'in bringing up & subject so fraught with dyna- mite as this would be. I had noth- ing definite to go on, and whether Dicky really had given me cause for Jjeslous anger or not, his reaction to % any acousation’of mine, no matter how guarded, was sure to be a tem- pastuous scene. With the Braith- waltes, Lilllan and Marion on their way to us with a welcoming dinner on my hands, to say nothing of the | tense anxiety of the next few days | over Mrs. Durkee, I could not risk the racking strain which any open quarrel with Dicky always brings jo. 8o before I opened our own i I had finished the battle with myself begun on the stairs and, look: ing into the mirror afforded by th thick glass, I even managed a smile | mot too mechanical as I entered our Letter From Leslie Prescott to Leslie Prescott, Continued. Almost as an inspiration, when I saw how terribly Mr, Cocoran felt at my father's iliness, I told him that I had come to him to find out where 1 ocould obtain some money on my pearls. | Do you want to borrow money my dear?" he asked. “If you do, of course 1 will lend it to you.” BACK ACHED ive and |foolish. Did your vfi?h nigh itmponsibie for ir necessary \ consider next | | | | | | /taught in every high school, | papers and cigar | fun than working with you, |is known as the Schaefer method. from the "1 sald, carefully registering surprise at :Dicky lounging in an easy chalr with the morning nuu-' PaApers on another, A paper eon- | when I entered and | I guessed that he had flashed & fure tive, watehful nee at me before replying. 1 was sure, moreover, that 1 oaught distinet relief in the moek- | ing, Isughter-filed eyes which he turned on me as he rose (o his feet ,nd made me a deep obeisance. “What Do You Wt Me to Do?" “No, you've made & slight mis- | take," he answered, “I'm on the elevated, half-way hetween, This 18 my astral body,"” “1 suppose those ashes, g ® astral news. ton"” 1 re. torted, with a laugh warn you, there's a ‘clearing up time' coming | around [ okl Dinah's; so, If you don't want to this house which will rivall he swept out with the rest of the material ohjects, you'd better remain [ Itunl hody,"” “Ton uninteresting,” he replied do-i cidedly., “I've come home to holp‘ you. There was nothing doing at the studio, and 1 don't know any better | What do you want me to do first RESUSCITATION If the great public could be train- €d in all safety first and health prin- ciples, we could save thousands of Iives every year, Emergency cases in drowning, heat stroke, asphyxiation or fainting can he easlly handled it | you only know what to do, and do it ! as 8oon as possible, In drowning accidents the lungs partially fill with water. This must | be expelled as soon as possible, The | respiratory organs must then be arti- | ficlally induced. to perform their nor- mal functions if life is to return. The action that is generally used now It is simple and effective. It should be For your own protection here it is: Place the subject prone (face downward, turned to one side) on the ground, with a folded garment or blanket under the epigastrium (belly). Kneel athwart (across from side to side) facing the head and place your hands on each side ‘over the lower part of the back (the lowests ribs). Slowly throw your, welght forward on your arins, thus pressing. down upon the thorax of the subject and squeez- ing theé lungs so that the air is forc- ed out'of them. Then gradudlly relax the pressure by resuming your erect position without removing your hands from ,the subject’s back. "This. per- | mits the air to enter the chest as the | ribs respond from their own elasticity. Repeat these movements at the rate of 12 to 16 times a minute. Kaep | it up as long as necessary. The sub- ject's hands rest palms down on the ground just above the head which is turned to one side. This posture allows any water in - the chest to drain from the mouth. | Curtains of gold or silver meshed | marquisettes and voiles are very popu- lar at this time. . “No, I do not, dear Mr. Cocoran, but you know at the time of my marriage I was given a very won- derful string of pearls.” “I didn’t know it, child.” “Wall, of course, if dad were well I would ask him for the money, but honestly, Mr. Cocoran, I think it is/ foollsh for a woman in as moderate | cfroumstances as are those of Jack's and mine, to wear so much money about her neck.” With this I.to0k my pearls out| and held them up to him. “They are veéry beautiful, my dear, but I wouldn't know whether they are real or false,” he said. “That's just it. I could wear the| false ones and be just as satisfied | 1 am with these. You see, Mr. the expenses of my ilinese have been very great and Jack has just lost a large sum of money | through a frisnd. I don't want to ask him for any money because he| needs every cent to make good his) friends's defalcation. “Consequen¥ly I thought that 00wid sell two or three of these je ols and still have plenty to wear| while helping Jack a Iittle.” | “But I would give you the money, Lestle,” said Mr. Cocoran. “Why do| you insist upon sglling these pretty | baubles?” ‘T wouldn't fsel the money of you, Mr. Cocoran. would much rather sell them." “Well, I will de it if you wish me | to, although I think you are rather| ther give you i I | right to borrow 1| this string of pearis?” i "No.” | “T thought he didn't. 1 didn't re-| member them among the wedding| “I was wearing them at my wed- ding, perhaps you will remember." “No dear, I was only looking at your own sweet face.” “1 didn’t think your mother would make you suoch an expensive pres- ont,” he said musingly. “Bhe 4l4n't,” I answered, and the: wad very sorry I spoke as I maw the #isnce Mr. Cocoran gave me. Then without thinking I told a great big e, “Karl Whitney gave them to me,” I sald, | the waist, of material you are | place together and th® notches match |railroad, it was pleasant to feel the Turn the lap over on the line indi- cated and sew it to position over the seam, Fold the lap over flat on the back, leaving the front part to extend for an overlap. Sew one edge of the waistband to the gathered edge with right sides together and notches matching, drawing up the gathers to fit it. (Second sketch.) The third sketch shows the final step, Turn the waistband over the line indicated and sew to position | over the seam. Overcast the ends. | Finishing a waistband and opening with a continuous lap Is a neat and alightly tricky detall of good sewing. Not difficult, though, once one learns how it is done. Make two rows of gathers at the upper edge of the front and back of Sew one edge of the strip using for the continuous lap to the edge of the opening, with the right sides of the ing. This is' shown in the first sketch, s ——-———=‘-—f\: To clean nul‘l'l“r::'m)im will get the | Gossip’s Corner best results by asing cold water and | ammonia. | ! Preventing Waste ; | Before chopping suet, melt it in the | Fur Trimming | oven, strain and let it get cold, Tt| Fur is greatly liked as a trimming |is more easily chopped and waste is on hats, Small cloches of black or | prevented, tan are trimmed with bunches of | ermine tails, | More Shelves o sl If possible, have shelves around | Embrojdered Shawls | your sink where you may store the | Embroidered Spanish and Chinese | diah-washing and sink-cleaning neces- shawls are worn over evening gowns | sities. with excellent effect. | | Dry Fruits EAROItt ity " 1f you lack storage space, dry as On evening frocks you will find that | many of your fruits and vegetables practically every skirt is ' paneled, |for winter use as you can. draped or slashed. [ Decorative A favorite method of adding deco- rative detail to a. frock is by the use| « Tapestry Trimming Tapestry is used effectively this sea- son to form vests, pockets, and 0dd |of the circular panel or godet. bits of trimming on dark, serviceable | [ AR F oIS (rocke Anna Lambert Stewart, for many |years a successful concert managef Novelty in Lingerie and producer of one-act plays, is en-| The sleeveless pajama iz a novelly [tering the theatrical producing field| in lingerie, and a very close-round | by announcing “The Gift," a new play| neckline ls favored. in three acts by Julla Chandler and {Althea Luce, Doris Kenyon has been engaged as leading lady. After launching “The Gift,”” Mrs. Stewart will immediately hegin rehearsals of | a musical production for which she !hal written the score. Fancy Raincoats { Fancy raincoats in gay colors, andJ‘ with little feminine touches that re- deem their severity are creating a de- cided interest in storm apparel. and his CUFFY BEAR i ~ By ARTHUR SCOTT BAILEY “Well! ‘There's another! Cuffy| Cufty Bear was enjoying a little|muttered. “I can't be a deer, for it| hasn’t any horns. It can't be a doe, | QUHAE, |« Hin youy rmusters Johnme il e thidke I wish| Green, had fastened him by & 10n&| johnie Green had chained me where| chain to a wheel of a wagon. "After|I could get a better look into that| a night's ride in his cage, on the|cage.” | l The odd stranger Bear for a moment; ed out of sight. Meanwhile Cuffy continued to gase | THE TWO STRANGERS, stared at Cuffy grass of the circus lot ‘under his paws, and sniff the damp ground. The longer Cuffy was with John- ' “What . strange animal” thought Cutly, nle's Uncle Jim's show, the better he at the stranger's cage. He hoped to liked it. There was plenty to eat. catch another giimpse of him. | And there wasz plenty of company, of Cuffy had not heen watehing long! all sorts. If Cuffy wanted a quiet, | tinge is unnoticeable, | | as when they are hoiled in airup. i then he whisk-| | | she saw | thing's simply got to he done to stop | | this heavy inorease in bank clearings. | PICKLES | Perhaps an early frost has come along and nipped the cantaloup vines. | The melons look full grown and seem to ripen in the sun, but when eut they | are not aweet and, are a great disap: | pointment | However, these melons can he used | for delicious sweet plekles, They com- | bine with green tomatoes In & truly epleurean relish, One flavor rumpl---; ments the other, | Small unripe melons are also used for this piekle, The tomatoes should he green, so green that the white P o | ."BACKSTAGE.". Cantaloup and Tomato ke | D e e 4 are rind from melon and remove | seeds, Cut in two or three-inch lengths of about three-fourths inch thickness Wash tomatoes and cut th one-fourth inch slices, Let stand in salt and water to cover for three hours, Use one-half cup sall for one-hall peck tomatoes, Bprinkle sait through tomatoes as wlicing them and then pour over wi. ter to cover, Drain thoroughly. Com- bine eantaloup and tomatoes and let stand in weak alum water to cover for four hours. Allow one teaspoon pow- dered alum to a quart of bholling wa- ter. Heat slowly to m? bolling point, r&-‘l move from fire and/let stand in warm place for the requifed length of time, Drain and put intojvery cold water to chill, I Make a sirup by boillng two pounds brown sugar, one quart elder vinegar, two tablespoons whole cloves, three tablespoons broken stick einnamon, one tablespoon allspice berries until thick. Strain over tomatoes and melop "put down in a deep crock. Let stand until the next then drain off syrup and scald, Pour back over mixture, Do this four successive morning: The last morn- ing pack tomatoes and melons in Jars, pour over boilling sirup to com- pletely fill jars and seal, leading the of the former Players and Iate Mass, will star the Iatter A H, man with Palace in Grand at on Broadway sometime part of this month in “Time" drama by Arthur Kummer, My Buren previous td his Worcester en- gagement, appeared in New York and Boaton in “It is the Law." . Van Buren, the Poli Hartford Wore at . When Tom Martelle, playing in his newest offering, ““The IFashion Girl," at the Grand theater, Worcester, made his appearance on the stage towards the end of the third act on his last |day’'s engagement, after a lighting change from a stunning girl to a handsome youth, he was greeted with tremendous applause from the mat- |inee girls, and his happy and clever {little wife in the wings laughingly ex- claimed “Hero.” After that matinee performance Tom had to wait in his dressing room for more than an hour to allow for the dispersal of more than 100 flappers who hesieged the stage door “waiting to sec him." Martelie ecored with this same pro- duction with the Poll Players in Hart- ford the week previous to his Worces ter engagement, . morning. ‘. ety o atne dhr e iad | 38~y o pecillir ; colnéldence this way alone. Tomatoes pickled this|PErNaPs unknown to the management o com e D e okien | Of both theaters, but at the Lycenm : |on Monday, Tuesday and Wed: there appeared a so-called land Revie,” a screen digest of events in the theater world. Under a head- Small silver-skinned onions, l’l-z“"’v thasding . Vaydaville: Blars’ fols cups salt, 2 quarts boiling water, 1 :?l“”' ';;‘“d ol S B L P 1-2 cups sugar, 4 quarts vinegar, 2 red | C'eVer Broadway Lintertainers” ap- #west peppers, 2 teapsoons chopped |PERred two young giris in what!was horseradish, 1 tableapoon peppercorns, | 12164 A8 one of vaudeville's hest offer- e h R e HRTIsE |Ings. The latter half of the week the Bvel anlons Make’ brine. of .-mu,"""" appeared at the Capitol theater and bolling water. Pour over onions |\, Peréon and scored one of the big- and let stand three days. Drain and|8°St Difs of anyone on the bill. rinse in clear water. Make a fresh : brine, heat to the boiling point and add onions. Boil three minutes. Put in sterflized jars, adding a few shreds of peppers, a little horseradish, a few peppercorns and bits of bayleaf to This recipe for pickled onions is be- ing printed “by request.” Pickled Onfons . Paul ‘Whiteman and his orchestra have gone into rehearsals with the {new edition of the “Ziegfeld Follies," and an added aMraction with the show will be Bee Palmer, originator ench jar, Seald vinegar and sugar and |07 the famous shimmy dance who pour over onions, fAlling jars to over-|8cored so heavily in vaudeville and flowing, Beal, | musical comedy revues about three years ago. Another young actress to te recruited for the revie is Kath- leen Martin, who abandoned the stage | two years ago to do motion pictures| with Metro. EA Service, Inc.) | (Copyright, 1 THE YOUNG LADY AGROSS THE WAY | The young lady across the way says | in the paper that another cashier had got away with $300,000 of the depositors’ money and some- DEAD FISH MYSTERY | Tonbridge, England.—Inhattants | here are mystified oger the appear- ance of scores of demd fish in the River Pen, a tributary to the Méd- | way, below the town lock. WOMEN! DYE when he saw a sight that filled him agreeable talk, he could always find with amazement somebody with whom to have it “My goodness! Who's that?” he somebody like old Major, the broad- gasped. Where he had seen the lit.| backed white horse that workéd in tle head and the Jittlc hands he now! the ring. If he wanted a liveler sort hehgld something entirely different. of time, there was. always some A huge tail and two great, long friskier frisnd—somebody like the strong legs appeared. And on each| Littie Trick Mule. of these Ir~s was a hind foot with| There were still many circus ani- an enorm 4. wicked claw. | mals whose acquaintance Cuffy had Brambil: (he Bear was close at| not yet made. Every day, almost, he hand. Cuffy turned to him breath- saw strange creatures. Some of them lessiy. were #0 queer that he often mur-| “There are two strangers in that| mured to himself, “Well! If I hadn't|cage!” Cuffy cried. “There's a Ilulei sten this myself I'd never have be- weak one; and there's a big, strong Heved it.” one. They aren’t the least bit alike.| And now, as Cuff{ tugged at his I don't think it's safe for that mild| chain, trying to peep'into a cage that | one with the deer's head—do you?”| 8todd not far ‘away, he saw a face| Bramble the Bear gave him an odd| that was new to him. A emallish, look. deerlike heed appeared behind the| “If I were you,” he sald, fron bare. Cuffy could see only the to Johnnie Green's uncle, creature's head and his fore legs,| '“Somebody ought to,” said short, siender, and with feet not un- |Bear. like hands. For these feet had five (Copyright, 1028, by Metropolitan fingers each, Newspaper Service). “I'd speak Cufty { Dyes™ | worn, 'ANY GARMENT OR DRAPERY Draperies Ginghams Stockings \Don‘t kuow her? Well, you may as Mme. Maria Jeritza—yes, the Kimonos Dresses Sweaters Diamond Dyes Each 15-cent package of “Diamond contain directions so simple woman can dye or tint any old, faded thing new, even if she Drug stores Waists Skirts Coats ALL Opening Here Preparatory THE MESSRS, LEE AND THE CO Orch. $3.00, $2.50; Bal., any has never dyed before. e sell all colore. ' AT LYCEUM—ALL NEXT WE New York Wi —DELYSIA-— Famouns Parisian | in The Musical Folies Bergere Revue Wed. Mat. 50c to $2.00; Sat. Mat. 80e EK Virnest Truex has at last gone and it and will now make & motion version of “Rix Cylinder Love" wired on the stage for seasons and was seen at Pare Hartford, for the Fox Film This picture will probs Lyceum when res done pleture in which he & many Aonw in corporatior ably be seen at the leased, . New Dritain is promised some good moving pictures in the near fue with Elinor Glyn's "6 Days" q the Palace the first four days of next week, The management of the theater recent)y saw a special showing of this film in Hartford and declares that it is one of the most gripping and exciting pictures to be flashed on the Palace screen in some time, “Human W 4 at the Lyceum next week with “1f Winter Comes” (b follow should be worth sceing. : for L Gold _St}a_r_'. ~_Chief e Mrs. H. Mcluer of Kansas City has been eclected national president of the Gold Star Mothers' Icague. She is an active politician and was the t woman cver chosen to carry a state Blectorial College vote to Wash- ington. She acted in this capacity for Missouri recently. e tianis H Walking.Stick Chair | The smiling face above is none other than Baroness Popper, when we say she also is known Metropolitan Opera‘star. Photo taken,on the occasion of her return from Europe recently. PARSONS Hartford NEXT WEEK—MW NEW YORK WINTER (. . ORDERS NOW DEN PRODUCTION to Its Engagement at the inter Garden 4. J. SHUBERT PRESENT e Actress RTESAN , $1.50; Fam. Cir., $1.00; to 9§2.50. Seats