New Britain Herald Newspaper, September 16, 1922, Page 4

MY MARRIAGE PROBLEMS Adele Garrison's New Phase of REVELATIONS OF A WIFE The Luck That Overtook Madge On the Road surance eted pre he ne and his v, worried he lantern tey s rheuma- going with you! do with a far used ar- I'm to any 1 was warm-hearted ind had ad There no e had reached what seemed to my im- | wait gratef Don't 1 right inothe ul for the offer nevertheless worry. shall be perfectly Good-b A Terrifyi: Drive I flung the last words over my shoul- der from down the drive, and as It long stretch of d L ay th dar led to F fway } h-bordered roady its existence. ph 0 irive although usually of driving in the approved with my fingers lightly rest- ing upon steering wheel. And I Bent the c along at a rate I would have deemed speedy in the day time, simply because 1 was so terrified of across the road one before at night ve experienced any I have enjoyed scented dark- But tonight rve were culminating in t that I acquitted while 1 POWEr to to admit been so upon this ached so shattered by this wi owardice, even levice in my ailing spirits back Madge's Dilemma Bridgehampton short interval® The stee less terrifyin back to an sanity |climbed back into tha car again, and ly |after geveral nor- : my brief colloquy with Dr. Aus- 1 tall, massive, old physician the white beard of the older But when I had left the behind and wi sweeping the state road to Southampton stretches ofsunimproved woodland, fears re- with its lo: low turned They mea and my however, hospital, proved groundless, luring the to the and I reac it without {ncident, io presented my note from Dr. Austin, and received a carcfully-wrapped package in return, which I wmapped again in an old scarf and deposited in one of the pockets A glance at the illuminated dial of my wrist-watch told me that I had made most creditable time, indeed, and with a been robbed of half its terror by my travel over it, I turned my car home- ward with spirits much lightened But FFate, having frightened me causelessly on the journey down, evi- lently determined to see what further | rief she could do. At any rate, I agination the very loneliest the state highway between Hamptons when the car began to slow up, at first imperceptibly. With a gasping little realization of what was the matter, I guided the car to the ide of the road just before the en- gine stopped entirely. of gas! With a heartfelt anathema upon the carelessness which had let the sup- ply run low, I turned off the switch key, skipped out of the car and turned on the reserve t as I part of | the two trials got it started, I| remembered with a little chill at my heart that upon two separate oc- casions the reserve which was sup- posed to be ample for the distance between Southampton and the farm- house, had failed to get us there | I made a mental calculation. I had an extra gallon of gas in a container | in e car. But I had not the courage| to wait to put it in my tank in that| deserted part of the wood. At Wat-| ermill there were street lamps. 1 would wait until I reached one of them and there put the extra gallon| in the tank | But when I alighted under the| Watermill street light and bent over| the gas tank I heard the sound of| loud, raucons song and laughte | I had run out| | | feeling that the rcad had| Dawn,” her New York, Sept. 16.—Can two souls inhabit one body? Or can one soul inhabit two bodies? And if the latter holds true, what happens to one soul when the other dies? Deep stuff! “Dusk to Dawn,” Florence Vidor's latest picture, puts forth the idea that the subconscious self may have a soul separate and apart from that of the conscious soul. The subcon- scious soul belongs to an Indian beg- gar maid. It takes possession of the body as soon as the conscious self goes to sleep. Thus the herojne will not marry the hero until her dream soul dies. She may give her con- ecious soul to him, but the subcon- sclous soul belongs to a handsome rajah to whom she has given her- gelf in a dream marriage from down the road behind me Straightening up, 1 saw around a curve a big open car filled | with men patently intoxicated, ana | the car iteelf lurching from side to| side as if it, too, had been indulging | in contrabond lquor. | ARTHUR SCOTT BAILEY, A Y Hls=e| JIMMY RABRIT HAS TION. AN INVITA- was a slow-going per- T ould fast for even to out of a But that was all ghbors never argued was simpler to step if they happened to move get f way It right The with him no great travel- e declared the And w me, vasn't spend winter in the woods. He intended to live where he could get a good meéal without going a mile for it. He ex- pected to move family right down to the farmhousze cried Jimmy Rabbit nk was relating his plans going to when "It's because she hadnt angthing for gou to eat; said Henry Skunk. for he winter. “You're not going to live with Farmer Green, are you?" “Well, not exactly,” replied Henry Skunk. “I mean to make my homs under the woodshed.” And that was just what he did There was no cellar beneath the woodshed. Henry Skunk dug a hole under one of the sills. And as soon as he had the hole finished he brought Mre. Skunk down to see their winter quarters. She lkfd them They moved in at once. And Farmer Green knew nothing about his new tenants. Now and then Jimmy Rabbit used to meet Henry Skunk in the garden It was still early in the fall, and the root crops had not yet been gathered and stored in the vegetable cellar “You must come to see my house,” said Henry Skunk early one morn- ing, before Farmer Green's was up. Now, Jimmy Rabbit didn't really| care to call on the Skunk family. Rut| Henry was so eager to show | Jimmy his winter quarters that Jim- know how to decline the So they set out together my didn't invitation | for the farmhouse. lamnl.\'l They set out together; but they, couldn't keep together Henry couldn’t—or wouldn't—hurry. Jim- my Rabbit wouldn't—or couldn't— dawdle. He had to move briskly. Stop! Wait for me!" Henry Skunk kept calling But Jimmy Rabbit always found | himself at least three jumps ahead of Henry a moment after they had start- en again last, just as they carae to the henhouse, Henr unk said to him Go ahead! Don't wait for Tell | who you are. Say that I'll It will be all right. | wife company.” i Jir Rabbit went alone to S|kunk's new home under the He walked right in. And walked right out again. For ordered him out Sh And she nation Rabbit sat down outside <'s door and waited. He jong But Henry not appear | b ker,” Jim-| elf, “but he as this I ed to him." | the henhouse, he Skunk still there. He ligging a hole under| 2 | At my wife soon he My Heniy woobdshed Skunk threatened wouldn't i Jimm Henry ited o time Skunk ¢ LW cae found Henry digging— buildi Your wife house,” Jimmy was th wouldn't 1et me stay in Rabbit told him. | Go back,” sald Henry Skunk im- patiently, “and tell her it's all right. fay that I stopped to get 3 chicken, and I'll be alongz soon.” | Still Mrs. Skunk ordered Jimmy| Rabbit to get her new house Again he waited bafore the door. And after a while Henry Skunk arrived, carrying a chicken with him She a time,” Jimmy ‘It's because she hadn't anything for you to eat.” said Henry Skunk ‘My wifa loves company. She loves company &0 much that she ean't bear to have any guests when she can't give them a treat. I'll show her this chicken, and then she'll insist on my inging you He vanished through his doorway, to reappear in a few minutes My wife savs T dldn't brir a big enough chicken for company,” he told Jimmy Rahbit "You'll have to come again some other time" Henry Skunk then turned to enter his house | again. He geemed to be. in a hurry for once in his life And then he paused. “Please excuse | me!"” he said "If I don't get back| quickly, there won't be any chicken left for me.” Then he made a dive through his doorway. Jimmy Rabbit was pleased that his visit turned out as it did. He didn't like chicken, anyhow. And he didn't care to be a guest of the Skunk fam- ily, no matter how much Mrs. Skunk loved company. (Copyright 1922 by Metropolitan Newspaper Service.) y out of made me leave second explained £ home coming |4 humorous sitnation, although | tell Such a complication leads to rather the picture it seriously The heroine is unable to keep awake as she sits in an auto She falls asleep and finds herself in the arms of her dream husband. When she awakes she finds her earthly hero kissing her and, gtill under the Influence of dream, finds the kis the same as that of her ethereal rajah. Of course, when she fully awakens, her everyday working soul knows that it's improper to let the young nabob kiss her. Such are the handi- caps of a soul that makes itself evi- | dent! . Those who “believe in dreams” will | find support for their belief in “Dusk to Dawn.” The heroine's brother has fled the country. She tries to find him Her dream self meets him in India When she awakens she knows her brother's addrees and cables to him, Come home, all is well.” King Vidor waded in water too deep for his talent when he directed “Dusk to Dawn.” Vidor's special fort is in the handling of simple themes, and in the development ot characterizations. This talent was best exemplified in “The Jack Knife Man,” one of the reen's masterpieces. Vidor had two separate stories to in “Dusk to Dawn.” That was complication enough, yet he en- deavored to include in the action a lot of melodramatic stuff to give the film “punch.” a result the inter weaving of the two stories is rather With Subconscious Iden Florence Vidor, an expert horsewoman, has a thrilling ride in “Dusk to tity latest movie. | difficult to follow. Vidor evidently added the tawdry stuff with the box-office in mind. “The 'fock Knife Man,” his most artistic success, was a box-office failure, | | ; | éossip’s Corner}| ~~a If You Are Well Bred You know that conversation is a |social art and must be cultivated. Hence you do not constantly re- press the speech of your children, but you teach them the value of conver- sation instead of prattle. You converse with them as you | would with older person: drawing out their ideas and encouraging them to expre themselves. Their ability to converse well will rob them of the |self-consciousness that marks so |many social failures. Marriage A La Mode In Rumania girls begin at the age of 5 and 6 to work on their bridal finery and their “hope chests.” The |articles are put away as finished until ' such time as a suitor appears. The suitor has the privilege of ex amining the trousseau and if he does not consider it ample he may trans- | fer his affections to a more industri- | ous maiden. For the Slender. A Lanvin gown of dull black silk with satin stripes has the stripes running around, and a belt of silver leaves. It is recommended for a |& week than a good nut bread. [ slices. eports coats, with tassels, belted " STHE STORM, 15 4 SUPERB PRODUCTION House Peters and Virginia Valli at Their Careers’ Best, at Fox's Smart Coats, Very straight, slender looking coats of black broadcloth have wide sleeves and wide crush collars, heavily em- broidered in silver braid. Plaite Skirts, Accordlon plaited skirts in silk and satin are popular for wear with the new ‘blouses that fasten low over the hips. Figured blouses or all-over em- broidered ones seem the favorites, The limited number of principals in | the cast of “The Storm,” the Unive | sal-Jewel production which will be seen for the first time in New Brit- frock has a very wide collar of black | :;:n‘;“:yUmTu’c:Ru;m3::{ onsduncay, georgette, The collar reaches nearly | " folthaitwelstiina in the hack ana cives | MIERt gives each of the three feat- the effect of elbow sleev. ¥ |ured players an unusual opportunity for making his acting stand out | make the most of their chances. They give a performance that is flaw- |less from an artistic point of view Of Columbia University i SRR | The play in all its magnificent ac- For the children's lunch box A S X 0r fOr | tion {5 uncommonly gripping and af- & ipnchcon bread at home, there 1s|1orqg an audlence the keenest pleas- {:’”"““ Is a good recipe for nut|py'both Burr Winton and Dave Stew- k:;‘: Y;‘;“L’!“a‘i"fzr"“‘ns C:}‘:l’,’r‘;’l‘i and|gre is a lovable type and plays the BV g0 2008 S ANVl part with a deep understanding and sf g s e e AmOns: “The Storm" presents the struggle R T between the two lovers to win the Lot girl and the attempt of Manette to 2 paspoons bakin V' e tah IR INOR ST lin an unusual, but natural way timt % 5 | sends everyone home happy. Fire Scene. 1 cup walnut meats cut sifting once, | management and reflect great credit then eift again with remaining dry|cn Universal Director Reginald Bar- ingredients, Mix molasses, milk and [ker and his associates. None of the and turn into a well greased bread|lost in the flim, rather it has been pan. Let stand for one hour—then |enhanced by virtue bf the wider lat- bake two hours in a moderate oven. itude given to the camera. Velvet Frock An unusually lovely black velvet | | in lhinj 3 e TR | prominently. House Peters, the star, |and one hundred percent. in enter- nothing better to serve once or twice ure and suspense. Virginia Valll as lett, sympathy that is winning her wiae- 3 . Liteamoohaltalt | play fair with both of them. The 15 cup molasses The portrayal of the storm and fire Measure flour after water and combine with flour. stupendous grandeur of Langdon Me- |and Virginia Valli and Matt Moore BY BERTHA E. SHAPLEIGH |tainment value. The | {he French-Canadian orphan, loved ‘With marmalade between the slices spread commendation, 3 5 ¢ ¢ 4 Laenoonieode, | demands for a happy ending are met 114 cups milk and water scenes are master strokes of stage Thoroughly mix, beat well, add nuts | Cormick’s scenic spectacle has been | tall, slender blonde. Satin and Steel. A gown of caramel colored satin, | cut with an elaborate side drapery, | is trimmed with inch bands of cut-| steel beads, arranged in solid rows. | Changeable Velvet. Changeable velvet makes some of the most charming millinery crea- | tions of the season. Frequently it is trimmed with a smashing ribbon bow. | Caracul | | Caracul in black and in dyed shades is very popular for banding gowns and cloth coats, as well as for short DAILY FASH ION SERVICE, S e sy BERTHA COLLARS AGAIN Very wide bertha collars | shown for autumn wear. are being When they | are of the sort that come with the | dress they are often made of the ma- [terial itself and trimmed owith em- | broidery or beading. | When they are of the detachable variety they are usually made ce or net trimmed with lace. | sheer the back | The soft transparent folds of the very wide ones are most hecoming— | from which it is safe to argue that | their popularity is assured. Afternoon, evening, daytime and negligee frocks all use them impar- tially, and so do garments for chil- | dren, grown-ups and in-betweens. The United two to three annually. States produces from billion bushels of corn ] L NewYork production of the sengationa by Langdon M*Cormick VERSAL 7} UCTION . UNI PROD They open front and back or only in |38 The forest fire scene in the picture whs enacted under grave dangers to the players and the cameramen, The faces of the trio are discernible at all times as they pushed forward through the fire swept passes of the moun- tains. W York and other metropelitan critles have been unanimous in en- dor g “The Btorm" as one of the greatest pictures produced in a dec- ade, and it probably will be ranked first among the big pictures of the year, Another important booking sched- uled for the near future is the Fox picturization of Dumas' immertal tale, “Monte Cristo,” SCREEN CLOSE-UPS Louise Fazenda, the former Mack Sennett comedy star, and Jimmy Mor- rison, who was featured in Vitagraph pictures for six years, have been en- gaged to appear in the Warner Brothers film version of F.” Scott Fitzgerald's novel, “The ~Beautiful and Damned.” Marje Prevost who is sald to be very popular with Mexican film fans, recently entertained General Serrano, |the Secretary of War of Mexico, and ;Cwnf'ra! Jose Juan Mandez, upon the |occasion of their visit to the Warner | Brothers' studios in Los Angeles. The |Mexican officials have decided that |the motion picture business should |be given a foothold in their country, so they sent the geperals to the Holly- |wood colony to find out all about | picture production. Wesley Barry who recently com- pleted “Little Heroes of the Street,” the second picture made by Harry |Rapf for the Warner Brothers, will shortly start on another personal ap- pearance tour throughout the caun- try. | Production of the Charles G. Nor- ris novel, “Brass,” has been started by Harry Rapf at the Warner Broth- lers’ coast studios, with Marie Prevost in the leading role and Sidney Frank- "Hn as director. In & stupendous screen version of George Broadhurst stage succes EMED . Diected by Reginald Batker - : whomade"The Old Nest T -y, ‘ = 17