New Britain Herald Newspaper, February 27, 1922, Page 4

NEW BRITA MY MARRIAGE PROBLEMS Adale fiarrison's New Phase of REVELATIONS OF A WIFE March | The Way Madge Stole On Dicky. struck Dicky the face 1 don't more effectively laughter from his fuce and 8 than 1 did by my ley re- joinder to his banter concerning my| projected journey to bring Kale baclk, | The better part of my nature urged me to cry out an apology for| my hasty words, but the memory of | the unjust criticism of me Dicky had uttered at the time his mother's accident chilled any generous impuls toward him, and made me instead wickedly rejoice in the anger 1 saw| leap to his face | “If 1 had suc h a case of u\mn\um. ego as affects you,” he snarled, “1'll be bliste: if T wouldn't go .w fjnmp into the bay to get rid of it don't believe there's anything in ll\c world eould happen awful enough to mak you forget your own feclings. You're always running around with tape- measure and a measuring try- ing to see whether yvou get your just| need of praise and consideration. | Mother gets a fall that might have | put her out of business for all time, and because in my excitement I let| drop a word or two that isn't suffi-| elently laudatory, you immediately de- part for the polar regions, and throw up an ice barrage. 1 should think| you'd~—" u viclous bheljeve | banished | Iy blow In could have the dancing had “ 1 spoon Dicky is Angry “Pardon me,” I interrnpted, with a| trigidity that justified the statement he had just made, “but 1 have a good | deal to do before T can start after| Katie, 50 1 wish yon would give me| some idea of how long you mean this Jecture to last. 1 am, of course, de- sirous of listening as long as 1 can, but-—" “Oh, go to the devil!" Dicky snarled and flung himself out of the room angrily, while with the perversity| which only a woman knows, I first laughed with malicious glee at the success of my baiting, then felt my eyes fill with fears of regret at my mean little folly. That I had succeeded in thorough- 1y angering him I realized as the eve- ning wore away—or rather galloped away—while I made my preparations for the earliest possible start the next day. Dicky devoted himself to his mother, although there was little to do but watch her, for exhausted by her ordeal she slept, though fitfully, through the entire night. But he spoke no word to me beyond the bar- est necessity of speech, nor did T try to placate him. There was no use, I felt, in making any effort to do so, for when Dicky is angered it usually takes him hours to get over it, and, to tell the truth, I was so busy and; go worried that I had neither the time nor the inclination to attempt to| change hig attitnde. All my thoughts were centered upon my coming ex- cursion with its chances of success so overwhelmingly against me. “Stop the Car!"” One by one the items on the list of things that must be adjusted before leaving were crossed off. Mrs. Ticer, hurriedly summoned, announced her perfect willingness to transfer Jerry, the redoubtable S8am and herself to our menage until I returned. Marion was in the seventh heaven of delight at being entrusted with the care of Junior, and I knew that never young monarch would have so devoted a slave, knew, also, that Lillan's lov- ing supervision would be always over the child. That Mother Graham was safe in the care of those same cap- able hands, while Dicky's more or less erratic attempts to help would also be made of use by Lillian T also knew. So at last, the final detail completed, and with small bag packed for my journey, I law down to a few hours’ sleep before time to go to the train. I intended to drive my own car to the train, taking Jerry Ticer with me to drive it back. But when I rose from the substantial breakfast which Mrs. Ticer had prepared, and went out on the veranda, I found Dicky's car,| with Dicky himself at the wheel, standing by the steps. He was frown- ing, and the tonneau door was open, indicating that he did not intend me to ride on the seat with him, so that 1 knew he was still angry. But my heart leaped at the knowledge that Dicky wonld not permit me to go to the station without him. With conjugal clairvoyance knew that he was as anxious | make up, but that his pride had 1 also | T to! |a well modulated quartette the mem- vl held this, and 1 deter mined that even it | missed that first train 1 wouid not let our quarrel stand longer than necessary So as we were well out sight | 1 uttered a little exclama 5 of dismay the Dicky claimed, “1 dropped my glove ! He obeyed, but did pot turn wronnd I clambered out the tonnean, then with a quick movement | swung the door, elimbed in beside reached past him, and | turned off the ignition switch, smiling | with meaningful saucy tenderness at him as 1 did LD SONGS PLEASE ATLEGION CONCERT Sbaunfln Four” Furnishes Fine Sunday Emerlammem at Fox's But into the custom Iping courteo no rancor fo second of the tion & “Stop hous Ho ot oper front | {1 (By Herald Reviewer) The Eddy-Glover Post, No. 6, Am erican Legion, presented “The Shan- non Four,” a quartette of Orpheus concert vocal art at Fox's theater yesterday afternoon in a popularly at- tractive program Grover Tilden Davis, accompanist, contributed the only instrumental feature, his playing ‘Hark, Hark, the Llark,” Sechubert Listz, being well received. The work | of the singers, individually and col- lectively, was thoroughly enjoyed, each number calling forth one or more encores. A fair sized audience was| present, the lower boxes bheing taken by well known patrons of music in this city. While not slighting the newer works of some pretegtion the members of the quartette by no means scorned old favorites laying little claim to classic characterization. They evidently rec- ognized the true value of old ballads, seeking to please and succeeding in| pleasing thereby without recourse to the modern jazz Their courage is to be commended. ‘hat their frank ac- knowledgment of the heauty of the old time melodies was wise was shown by the enthusiasm with which they were received. Voices Blend Well. The voices blended splendidly. Charles Hart's lyric tenor never pro- truded itself too noticeably and Wil- fred Glenn's basso never engulfed the | notes of Lewis James' second tenor, usually the lead, or Elliott Shaw's baritone, faults too often marring the work of otherwise excellent q\mr'flnpt The first number by the *“Four”, Andrews’ “John Peel” probably pleased lovers of execution bett than any other of the quartette's presentations, while iis encore, “Swing Along' brought out well the singer appreciation of musical rhythm. Those who care more for the emphasis of refrain, for the popular melodies of the past which bring reminiscence dear to many and who feel the senti- ment of the old southern melod were more delighted with the num- bers given by the “four” on its sec- ond appearance and encore. ‘‘Be- lieve Me If All Those Endearing Young Charms,” “The Harp That| Once Thro' Tara's Hall,” “The Min- strel Boy,” came first, followed by “Way Down Yonder in the Corn TField,” “Massa’'s in the Cold, Cold Ground,” and “Juanita’. There was no question of the feeling with which these were rendered, nor of the popu- larity with which they were received. There was precision of harmony, fine unity and good quality of tone brought to the singing of these favorites of years ago. Soldiers' Farewell The frankness of the singers presenting for the first song of their final group Kucker's “Soldiers’ Fare- well,” was refreshing. Deprecate the work as lovers of classical music, | honest and pretendéd, will, the har- mony of the song of parting, simple, appealing, finds splendid expression in s in bers of which realize value of repression, as in the case of the artists who appeared yesterday No one who heard and applauded the ‘Bouthern Medley' which followed need be ashamed of his or her hearty enjoyment of “Swanpee River,” “Carry the musi compromised with his tenderness in the leaving of the tonneau door open. | With the eyes of the Ticers and Lil- | lan upon me, however—for they were | all upon the veranda to hid me pmulri by-—I could do nothing but put my bag into the tonnean, and prepare to | get in myself. “Hurry " Dicky commanded curt-| ly. “Youve just time to make the| train.” | T obeyed him, and the machine had | leaped forward before I had vlns(u[‘ the door. I knew that he had mis- taken the time, and 1 guessed that he had done so intentionally that might have an excuse for not alight- he | DYE FADED WRAP SKIRT, DRESS IN “DIAMOND DYES” Diamond Dye. ions so 1 can dye or tint faded things new 15} never dyed before fadeless dres sweaters, of simple a her old en if has she can put a rich shabby skirts, coats, stockings, ings, draperics, han ings, evervthing. Ruy Dyes | -no other kind-—then home dyeing is guarapteed vour druggist whether the you | wish to dye is wool or { er it is linen, cottorn Dilamond Dyes never fade, or run, color into cove Diamond perfect Tust tell erial or wheth- or mixed goods. | streak, spot, | | ruin all musical effect [ Mine | sonance Me Back to Old Virginny,” “Oh, Susan- na,” “Old Black Joe," “0ld Kentucky Home" and “Dixie” of which it con sisted. Those who knowledge an sidered past were frankly glad sing Bartlett's “A Dream.” Its posi-| tion on the program promised pleas- | ure; its rendering fulfilled promise. Mr. Hart's high tenor voice keeps well within the houndaries be- | yond which lie metallic tones which | His touches of infrequent as! his sing- was artis i to ONgs con- popularity Mr. Hart| were not afr. affection for their greatoest to hear the lyric head tones, were, added charm to His “Mother o' Mine" and “Supposin’ " charming Mr. James was in splendid voice especially noticeable in his opening | umher, Burleigh's “Little Mother ** His enunciation is clear with- the ry tone no means a tenor robus, sa firm quality which makes most attractive to the ont nece to there his sing} musical ear. not SONRS as fortunate as his but smooth 4 in of fellow of the quartette, and depth was present He has a fine baritone, especially od on the low Iis hit came the humorous, And so | Wi can under 1arl- | the band the | membe ess of tone notes swinging * nd why the especially R with you love dromma Mr Riguer,"” displaying a quartette work of face and voice were disclosed lis encores, a I'rench Canadian and a darkey ballad The duets were or singing of seriously fitted ability in| hit enn's Halevy, was voice well His dramatic not striking al- | | making " vasion | well sung. IN DAILY HERALD, MONDAY, DAILY 1A FLOWER PEOERRNOS 533 BY MARIAN HALE, ew York, Feh. 27.--Flowers are their appearance ecarly this son and one finds on some of the smarter straw hats single flower used as trimming. This Peggy Hoyt 86 of a model HION HATS depends, | SERVICE POPULAR r ornamentation, one heautiful gardenia poised at the brim of the chapean and apparently held the hy ribbons which ecircle the erown and loose ly knotted. The hat is faced with for its on large and ve very are satin, Unless otherwise indicated, by PALACE THEATER Rex Tngram's million dollar photo play “The 4 Horsemen of the Apocalypse” opened a week's engage- ment at the Palace last evening to the largest crowd in the history of this popular theater. Long before open- ing time the lobhy was full of eager persons waiting for the doors to open, quite a few hundred were turned away being unable to get seafs, and a tip to the wise is to secure seats early. The box office will be open from 9 in the morning to 9 in the evening for the sale of reserved seats. The manage- ment deserves credit for the way in which the production is being pre- sented A big augmented symphony orchestra render the special music score with all kinds of effects and novelties that was surely appreciated last evening. An epic tale of surging | passion sweeping from the wide plains of the Argentine through the fascinat- ing frivolities of pre-war P into the blazing turmoil of the German in- of Northern I‘rance w un- folded last night at the Palace theater. It was the first showing of “The Four Horsemen of the Apocalypse,” the $1,- 000,000 Rex Ingram production made for Metro, which has been the screen sensation of New York, Chicago, Boston, Pittsburgh, Detroit and l.os Angeles. FOX’S THEATER Phil Ott, well known musical com- edy star, assisted by Neftie Nelson, is appearing at Fox's theater in a rip- roaring farce entitled ‘“The T.and- lord,” a sketch with a thousand laughs. Casson Brothers have a nifty song and dance offering, Childs and Castle have a pianologne num- ber, and Elmina and company are French novelty entertainers, The picture sensation, “The quering Power, now showing at Fox's, was acclaimed by those who saw it this afternoon as one of the Con- though excellently rendered. Tn a program calling for so many encores, which were gladly given and fully ap- preciated, they could be eliminated n there was a desire to shorten the en- tertainment. The Shannon Four lent impression. The sentially a popular one and it is to be regretted that a larger audience did not have the pleasnre of hearing the many old songs and the newer ones so The Eddy-Glover Post fur nished an artistic and worth while entertainment. made an excel- concert was es PARSOMNS ——THEATRE — HARTIORD Tonight, Sharp—All This Week. Matinee Wednesday nnd Saturday Messrs, Shubert Present Eight Performances Only of the Brand New Century Theater, | New York, Production. Immediately Pre- ceding It Metropolitan Premiere DONALD BRIAN, STA, JAMES BARTO? the Viennese Operetta ROSE OF STAMBOUL Fokine Ballet and the Lockfords. Leo Fall—Adapted by Sigmund Book and Lyrics by Harold At- Staged by J. €. Huffman. Produced personal direction of J. J. Shu- i, B0 to . Wed. and Sut. ¢ to $2.00. 8 T @ With M. Scare by Romberg teridge. under th lma " WOMAN Public Today—Continnous-—T INCES 1AL THE The Picture n Weary Has Been VAL lyr.\n ACTS—5 George Choos Presents LORING SMITH, in with Nutalie 0 Ison I'reeborn. Whitfleld & Treland, Gier's Masienl Ten, Case & Mayne, Bobbie Folsom, My CSPRING Dugon Added Feature STARS OF YESTERDAY ———————————————————— theatrical notices and re the press agencles for the respective | most intensely | story which rur | And Three Othes ews in this column are written musement comps interesting of any yet brought here. The denouement of the play is exceptionally thrilling and the hrough it is tender extreme, The last half of the week the pic- ture at IFox's will he “De Luxe An- nie,”" a bright little comedy drama with Norma Talmadge in the leading role, in the LYCEUM THEATER According to a Massachusetts thea- ter manager, ‘‘more shows like the Tip Top Merrymakers will make the scason for the manager g pleasant one, for he has nothing to worry about and success is assured.” The hest part about Orth & Cole- | man's Tip Top Merrymakers the fact that they provide an entertain- ment for the whole family at popular prices. The company has played twenty weeks in Philadelphia, four- teen weeks in Pittsburgh, and twelve weeks in Boston, and Lyceum pa- trons will recognize that the manage- ment is providing for them amuse- — Now b mmg — RUDOLPH VALENTINO —and— ALICE TERRY What Is the Conquering Power in Life? —is it ambition or hate; love or the lust for gold? The answer is the theme of the flgxlngran1 j’roducéwn o “lhe GNOLERING POWER Adapted by June Mathis from Balzac’s “FEugenie Grandet” — Thursday “De Luxe Annie.” NORMA TALMADGE EUGENE O’BRIEN Aeme {Shubert Vaudeville GRAND THEATER HARTFORD Matinee ANN WELLMAN, nssisted hy chard Gordan, in a Dramatly enes Entitled “The ACTOR'S WIF McDERMOTT, Tramp Comedia STODDARD, Travesty Artist & HOWARD CO., “How Things e Daily EMILY i Ten BILLY MARTE CHARLES Shubert Acts of Quality. | Every seat wo \ | ment | tickets in Offering of | "CASTORIA | For Infants and Children cup sifted squash, 4 table s e 0 by | InUse For Over 30 Years milk, 2 eggs, 2 tablespoons butter, Alw.ylmlrlm 1'% cups flour, 1 sall, | the teaspoon baking powder, 1 teaspoon | Signature of soda o e S ——s Mix squash, sugar Cook five minutes, stirring constantly, butter and mix thoroughly, well beaten Mix and sift Add salt, pepper and nutmeg and SerVe. baking powder Mssolve milk and add to firs ir in flour and beat two Turn into buttered muffin bake 25 minutes in a moderate Squash Tea Cakes, One cup squash, 1-4 cup butter, oup Kugar, 2 eggs, 2 tablespoons milk, 1 to 2 cups flour (to roll), 2 teaspoons baking powder, 1 teaspoon salt, 1 tea- apoon cinnamon, Y% spoon cloves, 1y cup cup seeded raisin C'ream butter and sugar 8ift in onc-quarter sup flour, Mix well and add eggs well beaten with milk Add Mix and sift one cup flour with salt and baking powder. Add to first mixture and before stirring it add the raisins, Mix well, Add spices and enough flour to roll. The dough should be very molist, flour the board and rolling pin well. Itoll about one-half inch thick and cut with a small cookie cutter, Dake 15 minutes in a moderate oven i Of conrse there are squash pies puddings. Any good pumpkin rule can be used for squash ple. Squash Pudding. One and one-half cups squash, cup sugar, 3 CRES flour, 1 fablespoon butter, spoons milk, U |hv.\|\mu1 teaspoon cinnamon, 1-4 teaspoon salt, 6 tablespoons pn\\ri("h sugar, Beat volks well. Add squash, sugar, butter, milk and spices. over a slow fire till thick Stir con- stantly to prevent burning. Turn| into a pudding dish. When cool cover with the whi of the eggs Dbeaten till stiff and with the powdered sugar Put in a hot oven for eight minutes brown the meringue. Squash Soup. Three.quarters cup sifted squash, 3 cups milk, 1 tablespoon minced onion, 2 tablespoons mineed celery leaves, 3 {ablespoons butter, 2 - tabledpoons | Aour, 1 teaspoon salt, 1-4 teaspoon pepper, few gratings nutmeg Heat milk, squash, onion and celery in double hoiler. Let cook half an hour. Strain. Melt butter, stir in| ¢ add milk mixture. | dish me baking buttered 3 in a hour well half which into ¢ likin As th itured False Kis aven throe days, the inal play writ Wilhur Dantel Steele, Miss du has no use for her society man frocks—and in this pic she graduntes from them Don't forget that as special added Vtractions this week, there will be party tomorrow night, night home talent celebrated Valuable awarded to the winners. the Squash Gems It first from [ ten by | Pont ner or soclety teaspoo Lure and galt Add Add eggs flour and soda in mixture minutes, puns and oven, grand surprise and on Thursday | night will b | prizes will be (Copyright, 10 GA Service) LYCEUM — THEATER — FLKS' FAIR CLOSES TONIGHT, The big fair held under the aus pices of the New Britain lodge of 131ks, which has been in progress for the past nine days, will be brought to a close tonight in Bardeck's hall. ‘The committee in charge expeets the larg- est crowd of any night of the falr Lyneh's orchestra, assisted by Jamcs Sullivan, vocalist, will furnish w con ecert and will also provide music for the dancing. | The big feature of the fatr tonight will he the drawing for the $4,000 cash prizes offered on the | ticket, There has been a big & ew Britain and in other ate as well Now Orth and Coleman’s Tip Top Merrymakers The Big Musical Comedy Show 25 —People — Also Marie DuPont Universal's Greatest Picture Of Married Life ‘FALSEKISSES’ A vivid drama of what a* des- perate wife Aid after she thought she had married the wrong man special Two-Reel Comedy International Weckly Playing squash, cities in the SQUASH DISHES ster Mary Suggests Some Ways to Make Them IKRHAPS you anned quite a lot of squash last fall or acquired many cans in a canned goods sale Here are some nourishing and maybe differ- ent s of using it up It does nd table- ginger, 1-4 flour, Cook s nof pay ary to keep canned vegetables over info the next season, them all up before fresh home grown enes come into market, Luncheon Squash. One and one-half cups squash, 2 tablespoons grated 2 eggs, 1 cup chopped nuts, cups milk, 1 teaspoon salt, 1-8 spoon pepper, 1 tablespoon butter. Mix squa cheese, salt and pep- per, nuts and butter with milk. Beat 1d to mixture Turn 50 uge to ecook and IAL ATTRAC- ADDED TION Tuesday Night — Grand Sur- prise Party Thursday Night — Home Talent Night—Amatcurs Wanted sifted cheese, 1 tea- Evenings At 7:30 P. M. Matinees At 2:00 P. M. ALL THIS WEEK FOLLOW THE CROWDS TO SEE THE BIGGEST AND BEST PHOTOPLAY EVER MADE ! of te APOCALYPS By VICENTE BLASCO IBANEZ A REX INGRAM PRODUCTION Translated to the screen from the internationally famous novel that has been read by ten million persons in the United States alone. Interpreted by a cast of 50 principals and an ensemble of 12,500. Produced at a cost of A MILLION DOLLARS, it is the great- est feat ever performed by makers of motion pictures, RN Several hundred turned away last night, and the record breaking audience that did see it will stand back of every word describing this photopla; PE( IAL MUQI(‘ ('ORE BY AU GME'\TED SYMPHONY ORCHESTRA 15—PIECES—15 Reserved seats evenings—Box office open all day—Phone 403 First time ever shown at our popular prices. Matinees, all seats 30c — Evenings 30c and 50c — Plus taxes bert prices | MATINEES—ONLY 25¢-30¢.