New Britain Herald Newspaper, April 24, 1919, Page 4

Y SOLDIER SWEETHEART Agele Garrisow’s 'REVELATIONS Continuation of OF A WIFE That Lillian Asked ¥ Madge. Sas not until hours after my as- fance to Lillian that I wauld stay #l Robert Savarin’s sister arrived | £ we had opportunity for any con- tion other than the hurried Brds exchanged in the battle for the fist’s life. She death-like swoon continued, 4 the physician’s face, 1 fancied, a& graver than usual when he left he house after his second visit. | “f &hall be in constant touch with ¥ office, so that I can hasten here you should see any change,” he! d to Lillian, “and I shall be back Bywoy in three hours. I trust by | at timo I shall be able also to uro you nurse.” f But it was not until the morning of | next day that the eagerly ex- | eted nurse arrived, a slight, middle Bd woman with fast graying hair- f mouge-like creature, who yet ap ed to have an efficient personality | Bhind . her quiet meekness. Tt was a few moments after her arrival bfore she summoned me. “Can’ you not persuade Mrs. Unde Bod. to leave here and lie down?” fasked. “I am afraid I shall have patients on my hands instead of e if she doesn’t take care of her- | Question | Her volce was thin,” her manner , but I caught a decisive note un- | #lying her little speech, and it dn't need her professional opinion | tell me that Lillan was on the| of a collapse. My friend’s eves were dull, glazed Boking, and she swayed against me fhen I went to her side, and, taking | hands, pulled her to her feet. “Come with mp, dear,” 1 whispered, olding her tightly. Sihe straighténed herself lort, turned to the nurse. “You will, of course, let me know | m ately if thers is the slightest Hange,” she said, imperiously. +The Nurse Agrees. The nurse glanced at her keenly. T hought for a moment she meant to Pptite Lillien’s dictum. - But the | féxt minute had acquiesced “You fhay rest without worry on het score, Mrs. Underwood, 1 'shall Af you at any change.” Eilllan turned her face to mine thiout another word, and I felt her STHMA ‘There is no “cure” but relief is often w brought by— hexs Vhpor BODYGUARD“ 30'. 60 with an she Vi | nourishing for lean upon me heavily as 1 ‘guided her | across the'hall to the library in which | there was a couch that could be con- verted into a most comfortable a moment's notice, upon which, fact, I had dozed when T wasn’'t help- ing Lillian. “You are not severely, ‘‘until 1 have ms fortable. 1 took her shoes, told her you comi- to speak.,” I e off her outer clothing wrapped a warm bathrobe about her and, tucked her into the bed I had mmade ready. Then hot water bags at her feet and back for T saw that was sh ng with cold, and that pulse was sluggish and faint. She caught my hands as 1 tucking her up and started door with the intention of Betty to prepare something h “Do You Madge, Adid—you be here three hour 1 very few at he her finished for the dir s hot 7 hink—"" said faintly. me Mrs. he tell “Wait, When grove would vot for You know the trains are th time of the vear.” ‘T know. But—I must before she gets here. shall go mad." “If you will promise to go to sleep after 1 have brought you some- thing hot to drink T will let you talk to me as soon as you have swa it,” 1 returned, smiling down &t returned. talk If I don't 1 me her, I put bed at in | and | cting | g Cos- at | to you | Tlowed although T felt far more like weeping | at the sight of her blanched, suffering face. “1 promise,” she said faintly hurried Betty in the prep: the hot, nourishing potion as ponderous person had not hurried in years. " and | tion “1f it warn’t for Mis’ Lillian T'd jes' | elar out | I tak my fut in mah hand an’ ob heah,” I heard her mutter left the kitchen. “Haint got tience at ftall wif sech traipsin’ roun’ mah kitchen.' But little recked I of Betty's moods as I hastened up the stairs, the bowl of steaming liquid in my hand. I guessed something of the fear that Wwas consuming Lillian, knew that if did not relieve her tortured confiding in some one, we as the nurse put it “have another patient on our hand I held her against me as she obediently swallowed every drop of the delicious mixture Betty had pre- pared, laid her down gently when she had finished, her and knealt by side with her hands closely clasped in mine. “Now,” T said softly. just ten minutes.” She looked up full of horror. “Madge, tell me,” she whispered hoarsely, “Do vou think Robert has found Harry and killed him?” as no pa whiffe she nerves by might, indeed, “T'll give you with eyes at me PALACE THEATRE Phone 403 — Box Office Open From Noon Till 10 p. m. Matinee 2, Evening 7 Till 11. Reserved Seats For All Evening Performances Excepting Sunday. Continuous Show Saturday PRICES—Matinee 11 Cents. Evening 20c and 30c Including Tax. ENTIRE CHANGE OF PROGRAM TODAY fl;sm's a Double Feature Picture Program and five big acts of Vaudeville that will be hard to beat. Better order your tickets now i€ you want your favorite seats. Two , complete Saturday Night. Tonight—Frid - vaudeville shows ay—Saturday The Entertainer De Luxe—Going Direct to Keith's Alhambra Theater, New York WILLIAM CUTTY The Symphonic Minstrel. TWO HENNINGS Boomerang Hat Throwers BANDY, FIELDS & CO. Comedy Specialists McCORMACK & SHANNON “A Breath of 01d Erin” FOUR AMERICAN BEAUTIES A Beautiful Surprise Vitagraph’s Production of Stewart Biackton’s Latest Film Sensation “THE COMMON CAUSE” By J. Hartley Manners With a cast of 14 stars including Marjorie Rambeau, Herbert Raw- linson, Mrs. Vernon Castle, Effie Arthur, Charles Blackton, and Louis Dean. yivia Breamer, Huntley Voilet Blackton, Shannon, Violet Hemming, Julia Gordon, Lawrence Grossmith, Philip Van Lorn, Mlle. Marcel, Second Chapter of “The Liberato N A With ISTE ‘He Out Fairbanks Fairbanks. SUNDAY—Bessie Barriscale in “Hearts Asleep”—Triangle Pro- duction of “The Little Rowdy,” Comedies, Dramas. Screen Magazine, Weekles. 18 Reel COMING famous Prizma pictures, soon. the greatest of all Trish Singing Comedians, MONDAY—ANITA STEWART Mavie Walcamp in the opening chapter of e Headline Vaudeville Acts. in “T'wo Women,” “The Red Glove,” the Coming ANDREW MACK. W i | is ably supported by Tul that | been | | underworld and its people and moves | Wwith a force and a sweep that can- Unless othorwise noted, these matices are written by hure ‘or eiher the p attractions with which they «ead You get in'r VAL LIACE [LE ID i T oo Many, 1 Aalliong * FO) Wallace rival star; s THEATER. Reid and Tom at Fox's theater Is mone ntial to happine is a world-old question, but it veloped from an entirely new in “Too Many Millions. is first shown as a poor young book Wealthy skinflint uncles of s suddenly die and leave him forty million dollars. Then his troubles start, but after he loses the money and finds the girl he loves, happi- ness comes to him. Then with ecqual suddenness, the money turns up a second time, and he is puazzled to know whether to accept it or not. “Too Many Millions” has speed, m tery and a strong romant interest, and those who know Wallace Reid artistry, can be assured that he has 2 role that fits him like a glove. He Marshall, remembered as the crooked lawye in “The Man From Funeral Ran Ora Carewe and other well known Paramount players. Tom Mix, in the latest Sunshine comedy entitled “Tom and Jen Mix,” injects a lot of speed into this laughable two-reeler. Hard riding, snap shooting and some dare-devil tumbles make one wonder how Tom Mix manages to remain sound in limb during the course of Some of his pictures. Mutt & Jeff and the latest Pathe News complete the film pro= gram, and four acts of Fox vaude- ville make up the rémainder of the show. ture have crimes # universal appeal, ) old as the hills. terious, burying the day, in the the slums, been the seats of infa Big Cit ‘rooks arc a Their ways are 1mys themselves durin holes and brothels of venturing out at nigh like the prowlers of the forest: ways on the scent of prey o kind. And their trackers, the and shrewd plainclothesmen of th: big cities, alv on the alert, and ever watching. The old melodraw of days gone by depicted all this in limited manne But as produced the William Fox Film Corp. skilled directors and unlimited sources for staging big productivns “Pitfalls of a Big City” depicts a tale of New York's slums and the alleys of dreadful night, more forcibly than the speaki could ever attempt. PALACE THE An entire change of program will be seen today at the Palace the and it includes two feature pictures | five standard vaudevil a many interesting short subjects vaudeville will be headed by William Cutty, the of the famous Musical Cuttys, William Cutty one of the standard features of the Keith circuit. He goes direct from New Britain to the Alhambra theater New York, one of the best Keith house of the entire circuit. He will offer a novel pianologue entitled “The Symphonic Minstrel.” The Four Am- | erican Beauties another headline attraction. Tt is re fire comedy inging quartette with lots of clean Wholesome comedy and an abundance of good harmony MeCormack and Shannon is another feature. They will appear in a special scenic pro- duction callea “A Breath of 0ld E: and will offer one of the surprises of ! the Dbill. The Two Hennings boomerang hat throwers and novelty club jugglers. Brandy, Fields and t company will - ente 1in with a big comedy specialty that will send them over in zreat shape. big feature picture will be J. Stev Blackton'’s master Vitagraph pro- duction “The Common Cause” w a massive cast that includes fourte Broadway including Herbe Rawlinson orie Rambeau, Mrs. Vernon Effie Shannon, Violet Hemming, Julia Arthur, £ Breamer, Iuntley Gordon, Lawrence Grossmith, Charle Blackton, Violet Rlackton, Philip Van Lorn, Mille Marcel, Louis Dean and many othe It the big; cast that ever Mix are tonight. > This is de- ome wise by a by ith TO SHOW MELODRAMA. “Pitfalls of a Big City,” the famou. old melodrama, is coming to Io: next Monday. This is a story of the is a singing. not be resisted. It is note that the scenario approved by several old New Yorl police reporters, men just about as well acquainted with the underworld as any outside of its denizens. As a consequence of this expert attention when the picture was only a type- written manuscript; the finished pro- duct appears as one of the most real- istic and effective photodramas of this type that have ever been released. In “Pitfalls of a Big City,” nothing has been left undone to produc scenes true to life. The darkest leys of crime in big clties were hunt- ed out as settings. The annals of crime were studied carefully. Slums and criminal districts are reproduced faithfully, thanks to this careful study, and many of the dark and interesti was read and 10 surely has _VAUDEVILLE ¥ AND BEST PI(‘YURCS 2 Tonight, Tomorrow, baturday THE CLASSY AR WALLACE REID JN THE 5 PART COMEDY DRAMA “TOO MANY MILLIONS” TONM MIX IN THE LATEST SUNSHINE COMEDY “TIOM AND JERRY MIX” 4 BIG ACTS 1 MUTT & JEFE PATHE NEWs VAUDEVILLE COMING MOD OLD MELODRAMA “PITFALLS OF A BIG CITY” WILLIAM FOX PRODUCTION IFONXCS MONDAY athered for any one picture and alonc Common Cause’” pictures of tho . bed a war story with thrill and 1wl show the human ide it stry e afte The | positively Anothe wture is { episode of famous Maciste Maciste, f in “Tho seen at which Friday one wd it fect mmon C crator” with leading Warrior” his will “The every host in be seen and Saturday | best of all the also be shown. 2 promptly and the nir formances begin at 7 and run tinuously till 11. The vaudeville 8:50. Reserved seals are now selling al the box office one we advance for all evening performance excepting Saturday when the show i | continuous from 2 till 11. On Sun- d program will comprise 18 Reservations can now be Kinogram, the news weekli The matine ove con- seen made LYCEUM 'llll ATER There are many “On the Quiet. new comedy, which will be the Lyceum today. One takes in an old time Bowery saloon, haunted by nondescript derelicts who develop intense affection for the coliege with the bank rell. Some rema types have heen gathered for the p ture, including “Kid” Bre hero hundreds of battles eloguen evidenced by battered face cauliflower cars, whose beauty is hanced by ur ' growth beard, and a giant “bum” ncarly seven feet t he latter is uns on his 1 folds around Barr mare like a jack-knife, and the star carries the inert mass to the sidewalk In the Barrymore photoplay Lois Meredith pl: the leading role. She pl the part of the wealthy heiress with whom Barry- more is in love. A Charlic Chaplin I piciure will also he shown The management has carefully se- lected thr act the vaudeville part of the progra which are: Barnes and Burner, a man and wom- an in a comedy magic offering; Rec- tor, Weber and Lane, three men in a comedy singing trio, and also Johnny Small and the Small sisters in a com- ledy act entitled “Puppy Love.” amusing John B: scenes rrymor hawn at in boy ng his of a 1. an N m FROZEN DESSERY Sherbet. Milk Sherbet Four cups milk One and one-half cups sugar. Juice of three lemons. Mix juice ar, stirring con- stantly while adding the milk;: if added too r: Iy, mixture will oo} curdled, although it will not affect the qualily of sherbet: frec serve and slowl Tee € Ice Cream No. 1 One qguart milk Three tablespoous cor One-fourth teaspoon s One cup One cg One cup cream Scald one pint ezg slizhtly, add and salt well over the mixture. Cook water 20 minutes, stirring the time. Cool, add the with the cream. Flavor using three parts crushed part rock salt ams. starch alt sugar milk sugar. cornstarch mix and pour over hot most of of milk freeze, to one rest nd ice In.a Paramount Picture Extra! Charlie Chaplin in | place. | and § en- | §{ nomical ay | feminine | | with and j beat | hot milk 1 | strips J OHN BARRYMORE “ON THE QUIET” in “Behind the Screen Burton Holmes Travels|International News Watch for the Big Sunday Show! Ice Cream No. One quart milk, One cup cream Three-fourths . cup One junket tablet water or one tablet liguid rennet. Heat. add first three ingredients, cool until lukewarm, add junket rennet. Let stand in a, warm room il mixture j flavor and frees Tndian Pudding. cup scalded milk, third cup cornmeal. teaspoon ging One-half cup molasses One teaspoon salt. Pour slowly on meal, cook in double boiler 20 minutes. Add molasses, salt sugar. dissolved in cold | lies, One One One or | A GARDEN'LL FIX YOU Take the doctor’s tip and get inte arden says the National War Gardgn Commission, of Washington. “Here’s how to increase the size of that pay envelope”—this is virtual- ly what one manufacturing concern says to its workers every time it gives them their wages. One message which this company, the Berkechire Knitting Mills, of Reading, Penna., has printed on its pay envelopes urges the men to plant gardens and thus help to knock out the H. C. of I. The company which is cooperat- ing with the Nat%onal War Garden Commission of Washington in en- couraging Victory Garden planting this year, says to its employes: “The s won—but gardering is not Everywhere you look the high cost of living greets you. Don't for- got that the vegetables you raise yourself will taste much better vhan those you buy—at a high price.” Hundress of manufactoring cone |cerns throughout the United States have dis¢overed the value of aiding their men in home and community gardening! and as one report to the Natlonal War Garden Commission said it has been the means of “turn- ing good workmen into bétter work- imen.” Factory gardening has been one of the biggest phases of the com- mission’s patriotic work. Any work- }man or any other person in the Unit "' | ed States can get one of the Commis- igion’s free garden booklets by simply | writing for it, enclosing two-cent | lstamp for postaze. | brown, one white; three ywn, one whi using all kinds of combin: Don't cut the strips for the children. The prep- brown, two ons and ginger: pour into sreased baking . dish and bake in slow Serve with cream Cereal Milk Puddings. (In General) a quart of milk allow one-third of any < se cereal (rice, cornmeal, oatmeal or barley) and one- i third of a cupful of brown, white or maple syrup, honey or molasses; one- half teaspoon salt; one-eighth ttea- i spoon spic The flavoring may be | omitted when honey molasses is used. The Jar > ho oven For of & or above recipes quite a’ pudding. It is often convenient to make-a smaller one, and enough for a child’s dinner can be made in the doublé boiler, allowing two table- spoons each of cereal and of sugar (or other sweet) o a cupful of salted and flavored milk. Cook an hour nore without covering. These puddings, if made thin, m be poured over stewed prunes or other cooked fruits and are a good and eco- substitute for the cream or soft custard often used for that purpose. malke TIINGS ONE CAN MAKE OUT OF NEWSPAPERS Muis. Louise H. Peck) sarten lessons maj with simple material found in ev home if only the mother posses: with the play spirit the idea of work- ing toward perfection in every small- est thing. Never discourage any ef- fort, no matter how crude, but re- mark: “You have worked well and next time your work will look even better.” 1f possible, first, alone, so clearly when child.: Never show him how another strietly his own The following suggestions children of all ages, from 14-year- olds to grown-ups, and it is much more fun when different ages work together. For our fun, we need onls flour. or prepared paste, and rhe new: papers which have been folded care- fiilly away, waiting for us all this long time, Chains (By Kinde do the work yourself that you may explain working with the take a child’s work to to do it. Show him piece. His work is are for -Cut the white margins from several newspapers, very straight and all the same width. Then cut these In strips five Inches long all ex ictly ithe same length and with cnds cut straight. Take one strip and paste ends evenly together to form a rin nolding for a moment until the paste | catches. Slip another strip through | this rinz, paste the ends as before, and now we have two rings, one linked within the other. Go on in this way | until a long chain has heen made. | Sometimes brown wrapping paper | may be alternated’ with the | white newspaper strips. Later, make chains that will teach numbers—one | Thursday. Friday, Saturday full of fun and talent or | | in decolletage, some having | Mon. and Tues. € aration of their own material is a | wonderful part of the lesson. When several long chains have been made ¥ swung or sing- jumpling rope tng but over | they m: ing, or usc back and the head. Pussy Chains from evenly cut be to music as a forth slowly not also made margins, and in ae lonz strips as possible. Lay the ende of two trips across- each other at right angles and paste together. Fold the under strip over across the pasted end of the upper strip, but do no paste. Keep on folding one strip over the other at ex unti they used other strips o m the chain longer | paste ends together to finish ~Thesc arc are on ke and NOTES. Among the new trimmings are disks of mother-of-pearl. Evening gowns are adorned ostrich fringe of a gold color Striped handkerchief linen is excel lent for the afternoon gown Raspberry, lemon, almond newest colors for summer frocks. Long peasant blouses of heavy { white linen are embroidered in black | Loops of rarrow leather appear on | the handles of the jatest umbrellas. Taffeta afternoon dresses wholly of black have a distinction all itheir own The new-fashioned *fitted” bodice neither bones, seams nor corsets, Smart is the white ongandie col edged with white linen cut on the bias. Printed toile de Jouy is used by the French for blouses for tailored suits Short, tull, box-pleated skirts are feature of many of the new suit Full box pleatings of fabric -are often used instead of belts around ‘the waist. Jet and pearing on dresse: A novel train is made of six great ropes of pearls which start from the waist. Waistlines Apron tuni broidered. Buttons dress and tinuous lin Evening gowns are still ve flat with are the metal embroideries are ap- tailored serge suits and re often ve fronts are bulky. heavily em- o 1 back front of a in a con- travel down up the y during no mate- under the arm rial whatever PARSONS' THEATRE es.. April 28 and 29 d L. La William Colher SN “NOTHING BUT LIES” A Collierism in Three Acts By Aaron Hoffma PRICES—50c, 75¢, $1.00, $1.50, $2.00 Seat Sale Tomorrow 9:30 a. m. vrence April 28, 20 and 30, Matinee, Mon. April 28, BIG MUSICAL COMEDY “GIRLS WILL BE GIRLS” Prices: Nights, 25c. $1.00 and $1. 25¢, 35¢, 50c and 75C. Tickets on sale Kenney & Leghorn’s, Quigley’s Real ES- tate Office and Crowell's Drug Store. Exchange tickets at Quigley’s Real FEstate Office Tonight at 7 p. ™M 5¢, \b\lln«‘.