New Britain Herald Newspaper, August 2, 1918, Page 4

NEW BRITAIN DAILY HERALD, FRIDAY, AUGUST 2, 1918, e House of Silence” which, fl—I ough suspected the police to be | svous of criminals led by vs. Clifton, had fled every offic effort of the police. One night Lev | net, the clubman and amateny det | tive, in passing the house s | hang an army of rascals such flee from it in excilement and she in- forms him that a man is dying In the house and needs a physician's care Tevignet later enters the mysterious | habitation and after a desperate bat. tle with thugs, finds loot sufficlent to | as has | | made the place their headquarte The story is tense. the action rapid, and there is not a dull moment in the | preture. The dramatic thrills whic | ihe Aevelopment of the story 'on your feet eed Ipswich d to give you mfort. Have tra good looks? pswich Hosiery ibecause of its extra ometimes you want B'that are particularly long o. Usually you want to get e combination of all these vir- tues. Ipswich Series Hosiery satisfies every foot need. You can buy Ipswich Series Hosiery at from 25c to 75c of any dealer who displays the sign of ““Good Witch.”” TLook for it. art interest and comedy combined and will interest al] iay is Ser Star Da yeeum L i Will he v ty f ial Al true cc 5 Your boy Tt includ the or pro Tolegram | and the Burton Flolmes Tranelogue PREPARATIONS FOR ALLIES’ BIG DRIVE | As an added attraction at the Ly ! ceum theater for today and tomorrow ! Lessee George Le Witt has secured a 1 complete film presentinz for the first time views of the Allied prep- arations for the present drive being | made against the Crown Prince on the | Rheims-Soissons front. The pictures are complete in every detail Special interest is attached to the pictures by New Britain hecause our | 0wn heroes are in the drive, smashing {the Crown prince’s defense and dem- onstrating to the Prussian Guards what New England men can do. fight- fing for justice and honor. Tt is pos- | sible that some of the New Britain soldiers will be recognized on ‘the screen This ilm sheds more light on Foch's preparations to hit the Hpns than any pictures previously released to the Ppublie It is not to he confused with the regular news pictures released weekly but is distinctly different from | iy ever shown here before. 'MARY MILES MINTER abcock Co., 177 Main St.; N. Bernbaum, 441 Arch § ir Dept. Store, 191 Main The McMillan Store, 201 Main enstook, 500 Main St.; M. Bernbaum, 618 Main St.; Bessc- Main St.; Leonard & Hermann, 166 Main St.; M. Smig- Main St.; Duboney Bros., 37 Lafayettoe St Goldsmith, D. Miller & Co.; Menus; Rosensweig Bros M . S. Marlow & Co.; M. Bloombers 186 Main St.: g Store: H. Basson. The Muzzy Bros. Co.: Harry Raffel; Albert Rawis ck. FOX’'S TOPLINER | Mary Miles Minter Is the attraction at Fox's theater today lin an appealing 5-act drama entitled Social Briars”, with othe short dramas and comedies. In “Social Briars” Miss Minter plays Iris Lee, a dreamy-eyed little | beauty of sleepy Dalton, who chafes | under irksome restraints of village | | | life and the crude advances of village IPSWICH MILLS (Founded 1822) Ipswich, Massachusatts| hogmermcrectl Oldest aud one of the Largest Hosiery Mills in the Untied Staces § LB A00g ; = TFQ 7 ' : for the n*:vllrvlrv(; tha I‘rwvl'— Thirty-first street without other escort Ea g . | svlvan m, in which variably | than this man ] i ,rlm‘ my way unless T am traveling the | T racked my brain for some exe - | straight path from the Long I Wwhy Madge Accompanied the Strange when eng 1 in any business | the sume door twice, but 1 put aside| ywait Chauffeur, Lillan's note was painstakingly, eves and was gone again before I had |corridor leading {o the Thirty sven formall: fully, “104 West York cit an in full, the not “Dearest daughter has been taken sud- denly ill, and I cannot come for you. But this man is thy, so do as he asks you, and above all, do plain when I see you. You hurry. Lovir “LILLIAN UNDERWOOD." | 1 scrutinized fore 1 folded envelope It ghirography ar to get °k to the shelter of the By ADELE GARRISOR | Station to the main one. Once I v ed waiting room. But only the almost certain we had gone through | est falsehood came to my mind 1 3 7 s 1 v moment!” 1 ealled Then Hesitated. el iR e e Ear the impression as absurd, for immedi- | emptorily to 3 . the chauffeur, who Something inscrutable leaped into his ! ately afterward we me out into the walking in front of me itten. Headed care- time to interpret it. Remembering his | street entrance T i - i 7 ACE = Eleventh HO” »\P‘\t injunction of the moment before, 1 de- e e R e | ALLACE REID IN d the date written out ojded that most probably the expre: uspicion came to me that all w “HIO1IS EN % e ran thus: sion was one of relief that I was mak- | right. Perhaps the appearance of th HOUSE OF SILENCE Madge — My little |ing haste to leave the room. Accord- | deserted corridor, the remembranc R | ing to him—and her note—Lillian had | that at this time e e 0 ncementithat ,advised against delay, and knowing trustwor- | her, I could imagine the. stringent in- structions she had given s to I hot delay. I will ex- | tions which it would go hara ) feuTs Ak must | to disobey. tions of danger ne: ngly vour friend, | He turned and walked a r ways found it wise | step or two behind him until we had 'me L ached the stalrway leading to the | My faotstops lag thle 1 refully be- taxi course of the hig railway station : lace Reid was to be n in a { photoplay, was suffici to pack um yes ¢ ilenc photoplay wa ving production, all was evi- on paid to and which s T tried to an- itk Iyze the fo tha a5t taking 1t 1 put it in There he halted me as I put my foot v certainly Lillian's. ypon the first step e the chauffeur nhead turned ,d note paper, S0 W Prrdon, madame, but the taxt 18wt | o fob 4 coibils aad cast b slan Shroat blays even seen absorhing- put further questioning I turned up there. Tf you will, please, come t Ir L the waiting ch “I am res steadilv, squar HIGH-CLL BIE Originator of Ragtime. DANCING FOUR. HENRIF/ BIG DOUBLE MARGUERITE note which if completed would have | “BAB'S FRANKLYN FARNUM { And yet I reallzed that I had no “THE EMPTY CAB.” This man was also a service operati b “THE me in which I read suspicion He had been counting my footsteps | keeping pace with then Vhat it all | auffeur @ ss to the Thirty-first street en- | weait | , looking ely habit of . C1 Cew neant 1 ‘Why not not to expression of his eves subtly | conveyed to me that he thought m stupld and obstinate woman in- But his manner was most re- | spectful “Go Ahead, Then!” e “Mrs. Underwood was most inslst- ASS VAUDEVILLE. 1 ent, madame, that I should not take N HARTNLY. the usual entrance. She herself sug- gested the Thirty-first street entrance, and—1 did not presume ta question | her.” TTA HENDRICKS I distinctly resented his last words The manner in which he spoke them | was irreproachable, but I recog da a note running underneath them, a like echoed. in astonish- 11 rio = sounded this message MATINEE IDOL? | “And how dare you question her, poe either?” i ! right ta resent the implied reproach iSodeior lalso under Lilhan's direction. Lilljan LION'S CLAWS.” had se n for me. It was not m to question. It was mine only to 0% But T could not keep the frigidit from manner as I turned aw Optometrist from the stairway. “Go ahead, then,” 1 coldiy am not far ar with the entran here.” 1 That he understood t} rebuff [ was certain by the manner in which he | B s g straightened his already erect figure | ¢ I and marched down the long corridor WALLA—CE Q “Wait o Momenits - A Panamount Picture 327 Main St. Optician ! and turnings, which seemed intermii- AT THE LYCEUM, 8. STANLEY HORVITZ, I followed him through many doors l L | every motion picture goer who sces { Jowel Carmen in the role of the weak | Tomorrow also mar the fifteenth | agraph rial, ‘“The Woman in the | “BAB” RETURNS TO beaux and trims her pretty wings for flight when the ills of life become in- | supportable, only to find that life in a village may be rendered quite en dur once thut village becomes the abode of love. The story involves Iris Lee's deter- mination to seek her fortune in York, her encounters with theatr managers who desire to - her at price, her romance with Jack Colwell, millionaire who turns out to be regular fellow, her return to Dalto as a successful soloist with the mil- lionaire in hot pursuit, and the ge eral happy ending of a little girl’s dreams that looked dangerous in the beginning. Admirers of the works of Gouver- neur Morris, the popular ter of | magazine stories and best selling fic- tion, will probably flock to Fox’s thea- ter, tomorrow, to =ee in “The Fallen Angel”. s hased on Morrls' famous story, “You Can't t Away With It,” which caused a sensatio short time when it was published in the nopolitan magazine In the screen production Miss Carmen portrays the role of Jill Cumminge, the girl who entered into an unconventional domestic arrange- ment with her employver in order to ob- t the Tnxuries her feminine heart eraved The dramatic rights of ““The | Ien An 1 we ecurcd from th author at a ecolossal figure., So great was the success of the story in book and magazine form that motion pic ture producers made flattering bid for permission to show it on the | sereen But Willlam Fox. after months of negotiations, finaliv suc- | coeded In securing it for production his Special Features Series. Jewel Carmen, as the girl who | loved luxury more than honor, has never risen to such passionate dra- matic heights in this stirring pic tfure. “Phe Fallen Angel” is pie- | ture that will be long remembered by Vet strangely-appealing heroine. In scene after scene it tugs at the ehart. and then ends with a powerful smash that will raise you from your seats and last episode of that thrilling Vit- Web."” and it moves With the rar of & trip-hammer from bes 2 to \ > ove at the Anist e with act lore at th h KEENEY'S THEATER | Do big fealures mre fhe attractic Jov's theater taday and tomor raw, “Rab's Matinee 141" With Mar ite stap, and gnerite Clark, as Jyn Farnum in “The t all-known saving exisfs fo fhe that the best goods come in the small- | of life at the seashore and the m Say | Charge It —89E MAIN 3TRERE HARTFORD Pay a D@Elaxz a2 Weekf And Select Cool, Summer Clothes From Our Large, Up-to-Date Stocks Don't swelter in the heat, when this store stands ready to supply cool, comfortable garments and let vou pay the bill in such small payments Come today! FOR WOMEN AND MISSES PALM BEACH SUITS .. ... ... $14.75 Valllcbo saat DAINTY SUMMER DRESSES .... $5.98 Up Voiles, Organdies Ginghams, etc HUNDREDS OF PRETTY WAISTS, $1.29 Up Everything. in Voiles and Silks TUB SKIRTS $1.98 Up In white or sports stripes SUMMER SHOES TRIMMED HATS LARGE SHOWING OF MEN’S SUITS $15.00, $20.00, $25.00 to $37.50 In Blue Serges, Fancy Mixtures, etc Fine qualitie: easonable prices. Shoes—$4.75 SIDE TALKS BY RUTH CAMISRON. Are We Funny Too? triend of mine has recently ar- can just make myself feel that it rived at an exceedingly wise con- !doesn't matter so much I can carry clusion it off. And I kept thinking that till She had planned a very special ;1 got calmed down, and after all, i | dinner for four people about whom | went ite smoothl My two brands she was ra particular. of guests cottoned right to each oth- At the last moment the green peas, | er; and the canned peas were so which were to be the pi de re- | good that they all thoug they v sistance of her first course, failed to |fresh; and the people 1 ed abo appear and she was obliged to re- | the most don't ever ta amn with sort to canned ones; the grocer for- | their strawberri 4 1 zot to bring the cr m for the straw- | right But anyw \ ) silly berries, and crowning mity, two | ] s to fuss over, and 1T'm so ad casual guests who she did not think | I've come to realize that little things would fit in at all with her special | like that don’'t matter so much if | party turned up vou just won’t let them The Grocer Forgot the 5 When one stops to think how | was Just going to be all wor much the unhappin of the world up.” she said “and then I thought, wonld be lessened if we could all get (fter all what d matter? If hold of that truth and hang on to Lit, one both glad and sorry est packages. This applies to dia-|And There Are So Many Like Her. monds and food stuffs—under ws Glad that so much unhappiness is time conditions—and to Marguerite | preventable. Clark under any conditions at any| Sorry that we don’t make up our time in any place. Marguerite Clark | minds to preven{ it is one of the tiniest of all the small Martha is a class xample of motion picture stars of the film firma- | the woman who doesn't get hold of., ment—and it bas long heen a notice- | that truth. There were so many little able fact the greatest ar re the | things that mattered excessively to | small It was with the Aborn Op- | hier that she forgot the big thing: era company at Baltimore, however, | she s the spiritual ancestress of all that the full butterfly Marguerite | the housewives who make entertain- Clark emerged into popular - e e ever since then she has been indeed a | rather than happy over “butterfly,” tlitting from one succ i another, both on the legitimate sta Tho Joke of It. Sndl il pic v o e ot B As one grows older one often looks | known stage successes were: “Tim, the | back and wonders how one could Penman,” “Baby Mine,” ‘Lights of j have thought one’s petty interests London,” “Snow White,” and “Prunel- | When one was younger so vital, how 1 | one could have fretted so about them The otF feature is Franklyn Far- | But the present, one feels, is quit num in T smpty vhich a different. And the poke of it is that peals to the s of adventure. Ior | it isn't ] the benefit of those who have not szen We have a dog who is very much {his wonderful picture, it can be said | excited over his game of fetching the | that not one important ail was | stick. He will bring vou a stick av omitted in the making of this great | set you to throw it and then he productian | triumphantly retrieve it so that T Ol comeay T ek tans e hrov it in. His stic constantly on his mind. he will even amusing situations conwulse the au- |leave his food for it and it is plain | dience with langhter he thinks it the most important con- he vaudeville bill includes {hree | cern in the universe. the host acts seen anvwhere, There | We often laugh at his concern and R e e sometimes the Universal weekly, we stop to think,—are we funny too?