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Sessue Hayakaw N “Hashimura Togo” Offers a Japanese Flavored American Toasted , Gloom DON'T MISS IT! CHARLES RAY KEENEY’S NOW SHOWING FRANKLYN FARNUM ST “ANYTHING ONCE” HERBERT RAWLINSON o “THE HIGH SIGN” ALD NEXT WEEK “THE WARRIOR” With the Giant Star of Jabiria” Positively the Greatest Picturs Ever Shown R T S R L ORI 3 “HARTFORD'S FUN GI‘N'I'FTR;' GRAND narTFOR This Week—Twice Daily “STEP LIVELY GIRLS” Big Chorus; Pretty, Sprightly Girls. Great Music: Big Buriesque Trinmph. Don't Miss It Maciste, FARNUM WILL TRY “ANYTHING ONCE” Franklyn Farnum is at Keeney's today and tomorrow in his latest fea- ture picture, “Anything Once.” You all have probably seen his brother Bill in pictures, as he a popular favorite in this city, and by the way people voiced their opinion of Franklyn, he going to be just as famous a star | his brother. The new chapter of “The Iidden Hand” is also shown to- 1d tomorrow with Doris Kenyon and Sheldon Lewis featured. Herbert Rawlinson is shown for the last time tonight in the five-reel Butterfly pro- duction, “The High $ " a beautiful story of love and romance, in which Herbert Rawlinson plays the part of a young college student who is made a prince through innocently giving a sign with his hands to some revolu- ticnists in a foreign country. It is fuil of action and plenty of excitement The management announces that all | next week the biggest photoplay sen- | gation of the season will be shown in “The Warrios Featured in it is Ma- ciste, the star of the “Cabiria” pic- ture. JIn this pieture he plays the part of a soldier in the Ttalian army whose regiment s holdi the Alps | against the Austrian invaders. His marvelaus feats of strength astonish all who see him in this big seven- reel production. The vaudeville this week winning approval with tho patrons, especially the act of Howard hompson, two colored entertain- who offer a very good singing and dancing act, “Rgeky Pass” is also on the bill with cowboys and cow girls from the 101 Ranch. Short com- dies and dramas conclude a very ECKMANS alcerbs | FOR WEAK LUHGS ®r throat troubles that threat. to become gbronic. this Calclum compound Will be found effective, The handicst form et | devised Free from harmful or habit- | forming drugs. Try them today. 1 50 cents a box, including war tax | For sale by all druggists and | with he Eckmen Laboratory, Philadeiphia NEW BRITAIN DAILY HERALD, FRIDAY, JANUARY ff, 161&: B T O o~ ws For Theatersoers and Women Readers that has Dominated the World - Ages I ony [gs addressed to me, and e and Katherine had kept or me until I had the opportunity to come into the city to get them mysel “Of course, she means my father 1 said, and the sound of my own voice startled me, so hoarse and unfa- miliar it was. “T am afraid so,” Lilltan said gemtly. There was no need for efther her or me to identify the pronoun I had used. 1e” to Lillian and me, and to Kath- crine Sonnot also, meant but one per- son, beautiful, malignamt Grace Dra- per. “Let me see thedast-two envelopes, the ones that Katherine just brought,” I asked. Katherine looked at Lillian, who gave a silent sign of acquiescence, and my little friend extended the two en- viopes she had brought from her lodgings. I opened the one of the earfier date first. There was no newspaper story in it, but something far mor disquiet- ing, the announcement of an under- taking firm advertising cheap funerals, in the center of which was the pho- tographic reprodaction of a coffin. “You Must Be Brave.” With a little shudder T passed both it and the unopened envelope over to Lillian. “You open the other ome,” I said faintly. I haven't the courage.” She tore it open, and I saw by the | look she bent upon me that fears of her own had been confirmed. “Oh, what is it?” I gasped. “You must be brave, Madge,” Lil- lian said, and there was an undefin- able something in her voice that made | me realize it was not thus ehe was wont to take the blows of fate. “Re- member, this whole scries of letters is designed solely to frighten you. There is a possibility that there may be little foundation for them. But in any event you must nerve yourself to meet whatever is in store for you. I stretched out my hand for the let- ter in reply. I could not utter a word, my throat was to constricted for speech. But I ocmpelled my hand to steadiness, for I made myself remem- ber that I was Lillian’s trusted aid in her work. She could have no use for anything short of steady nerves and stout hearts. The thing that met my eyes, how- [ ever was enough to unnerve any daughter’s heart. A broad black bor- der like the frame of a picture, drawn with pen and ink, surrounded words, the letters of which had been cut from a newspaper and pasted on the sheet of cheap note paper. There were two lines of these words, the up- per in capital letters of large tvpe, read: “THE LATE ROBERT GORDON, ALIAS CHARLES SPENCER.” The lower, in smalier tvpe, and low- or case letters, was still more terrify- ing, for it hore the sinister legend: “Better Not to Guess How He Died.” And down in the lower right-hand corner of the sheet of paper, in smallest type of all, were these words Au Revoir for Two Weeks.” T sat gazing at the thing before me, my hands clutching the table for sup- port. I was determimed that 1 would not betray any lian, so I kept my head down as stndying the hideous captions upon the paper, a pretense almost subcon- | For I dldn’t even scious on my part see the words, that is with my physi- cal eves, although they were burned into my iron, ready to come back to me at any moment when I should dare to think of them. The immediate effecct of the hideous threats, however, was to numb and to bimd me, while my brain, as I have heard that of a drowning person does, flashed back- ward over the tragic vears of my fa- ther’s life. Until after my little mother's death and my own marriage I never had seen the father, whose probable pass- ing out of life me in so sinister a manner. wrong to my mother and to me the reason for this. deserted my mother, had run away dearest friend when T was 4 years old. How bitterly he had and expiated that 1 A great w: but repented wrong the | weakness before Lil- ! it! brain as if with a branding | My tather had | OF A WIFE P GARRISON knew from the things he told'me when he came back into my lfe after searching for me the world around. Thoughts That Terrify. | He had always been a mysterious figure, Robert Gordon, “The Quester’” of Broadway, as he was dubbed for his eternal searching of faces, and never more so than when, after he had found me, he returned to South years. I knew that Allen Drake, who, Lillian said, wes a member of the secret service, although in a capacity unknown to her, was searching for him. That the two men were cross-purposes I suspected from the fact that Drake’s attitude abpeared to be hostile. Yet even now, secreted in the wrist watch upon my arm, was a note dubbed by my father's mes- sage one of the highest importance, to be delivered to Drake in case of a code cablegram from him. But his work, his sins, everything lzation of his fate as imaged by fearsome paper bfore me. remembrance of his parting kisses and his tears as vivid as if he had but just left me I felt that I could the to me. JAP OFFERS NEW PLOT AT LYCEUM Hitting the comedy curves on two wheels and roaring down the stretch on high, giving everything he had, Sessue Hayakawa, the greatest Japa- nese actor in the world, wung | my fither’s death, or upon recelpt of | else was dwarfed for me by the reali- | ‘With the | not endure the horror that had come | | Hartford at Parson DREW AT PARSONS Pelistied, As Ever, in “The Gay‘ Lord Quex” Somotimes, even when a men wants | te, his asseelates will not let him ro. form. So it was that circumstances | threw everything in the way of {he Marquis of Quex. Under the caption “The Gay Lord Quex,” the play - dealing with the | aforementioncd subject, opened ip | theater st ni, 1 Wwith John Drew in the title rolo,magxl\fi Margaret Illngton playing opposite | him. It is a comedy in four acts frem the pen of Sir Arthur Wing Pin- ero who has given to the stage many substantial plays, In this vehicle | he haw admirably suited the demana of John Drew. Even the late Augus tn Daly, Mr. Drow's first manager, could not have picked a more fitting 8setting for his star. As a rogue, bent | on reforming and then winning the hand of a young and beautiful girl, Mr. Drow is at his best. Miss Illington, | whose style of acting has undergone quite a change since her memorable trlumph some decade ago, contributes a8 much as Mr. Drew to the success of & very remarkable performance. As the self-appointed protector of the girl who s to marry the gay lord, and as | the one who consequently is respon- sible for causing all the trouble in an intricate romance, Miss Illington is forced to rise to dramatic heights. She does this with all the fire of her his- America, where he had spent so many | | ab at | | across the finish line last evening in | a burst of dramatic glory at the Ly- ccum theater and incidentally chalked up another great victory to his long list of successes, cle was one of the funniest pictures that has ever been seen in the city, “Hashimura Togo,” which was re- leased through the Lasky company with the assistance of Wallace Irwin, author of the famous ‘“Letters of & Schoolboy.” The story is based on those letters to some degree, with the film version being altered to give the best possible results. First be it understood that Hashi- so do not order one the next time the boys get together. Rather, he is a young Japancse, and a ‘“‘pretty smart smellow,” too, if he has to say so himself. His one big hope is ‘to some day be able to speak that wonderful American language as should be spoken, and to grasp the hand of th famous American, George Washington. This latter am- bition will never be realized on this earth, but nevertheless the droll, un- consciously humorous native of and of cherry blossoms nurses the imbition and hoped some day that it would be fulfilled. Life is just one whirl after another { for this Jap, but he balks when his father, not knowing that he was in- ! nocent of the charge that caused him | to leave Japan, suggests that he com- [ mit suicide to save his honor. “Honor are noble,” was the way he fignred it out, “but it are also ! Therefore there is no suicide | Hashimura sticks around long enou to see wro made right. The pi and h i than most stories, an rstwhile dramatic star in vehicle than is his wont. | are the scenic effects and scores of other reasons for making it than wsual. - The picture will be seen | today and tomorrow. Several other | pictures will also be shown. Don’t miss the massive program. PARSONS' THEATRE —Hartford— NIGHTS Tonight and Saturday, Mat | JOHN DREW and MAK | TON | In Pinero’s Greatest Comec | “THE GAY LORD QUEX i : Matinee, a lighter Then there ad been heralded to | NIGHTS 14 S N 1 Mat 2 “DE LUX With JANE GREY | Prices A and to York e .a0; M nee, 25c¢ inconvenient.” ture from the start to end is diffcrent because it presents better | | are | the | did Friday and Saturday program at trionic ability, an art that is distinetly associated with her past endeavors. Supporting Mr. Drew and Miss II- lington is a cast of more than mean ity, including the daughter of the co-star, Louife Drew. George Paunce- fort, as the companion of Lord Quex, is exceedingly good, as is Miss Irby | Marshall who portrays the siren, the | Duchess of Strood. The scenes of the | play are laid in London, the action taking place within the space of twen- ty-four hours. GLADYS BROCKWELL AT FOX’'S THEATER Gladys emotional s Brockwell, “tress, that peerless 11 head the splen- | Fox’s theater in one of the best pic- tures that this popular star has turned out yet. We have had every kind of story conceivable about the German | stem as it operates throughout | | spreading their message of This time his vehi- | omewhat | mura Togo is not @ food, nor a drink, | | count, it} the | | that T T T e P JECA IIIIIIII|llllIIIIIHIIIIIIII|||IIIII""I|IIHI!,:‘ E R T e T T T T TS l:,\/gv PAY A DOLLAR A WEEK BQNEY SR “CONSERVATION” OPPORTUNITY! A Sale chance to make your dollars do DOUBLE duty. A Qualities—TLowest Prices. NOT “stagnation.” usual Unreserved Mark Down of Women'’s Remember—*Conservation Muffs, Scarfs, Etc. Etc. BIG JANUARY MARK DOWN that provides And best of all, the merchandise offered you, is the latest and best the market affords. High means You must keep the wheels of business Coats, Suits, Dresses, Hats, Fur Sets, the Caution— MOVING as and Misses’ | SAVINGS OF 25% TO 33% BAr—608 AN STRRERE HARTFORD. AND GARMENTS .}‘\\\ll|ulIulullllllllllllll“lllflII"NIIJII T TR A Gy SIDE TALKS BY RUTH CAMERON Sloppy Statements I do hate careless over-statements. They are such a stumbling block to anyone who wants to find out the tea room’s profit. They reckoned ab- | solutely nothing for rent, heat, light, service, waste, and also for certain | ments | harm ,but there is something sloven |19, small incidentals, such as sugar, salt, etc. You can imagine what a laTge profit the tea room made according to them. They Douw't Always Do HAarm, They Are So Fautile. Of course, loose, inaccurate state don't always do any actehl Bul something not clean-cut abouf them. They offend one as an ill-mada bed, a crookedly hung picture, dust on the clock, affects the careful houses keeper, as untidily kept books offend the good bookkeeper, as inharmonions colors offend the artistic eve They are sloppy, they are filtfle, There is no place in the world tof them. truth about anything. People repeat them, making them perhaps a little more careless and in- accurate than they were in the first place, and they go abaut the world | misinfor- mation right and left, Why talk at all if one is not going 1o think first? That is the sort of thing I mean. A boarding house told me that she had not made cent all winter. I Felt Most Sympatthetic. I was really appalled by that. To ; think of all it must have cost her to fced and clothe herself and children, I thought, and if she isn't making a cent she must have to draw on her reserve fund. How terrible! Later I heard another woman make the same statement. As it happened, she went on to amplify it. I haven’t been able to put a cent in the bank this ve she said. This gave me inkling of truth, rau ing expenses “Oh, ves,” she said, small balance in my but that's all.” How Many Men Make No More! | In her case that meant that she | | Lerrons woman who keeps a By Pictorial Review n the mean vou paid all your run- nd T have a checking ac- had fed, clothed and lodged an in- valid husband, herself and a child, also given the child expensive music | ons: in fact, paid all the expenses | amily of three out of her prof- Think how many heads of fam- | there are who do no more than | When she said she hadn’t made | nything, she meant anythi living for herself and doubtless was what woman meant. We had eaten a ilie; that! the other dainty meal at a | tea Toom one day and paid according- | ladys Brockwell Dhgection Williamn Fox: | | land, | is the the width and breadth but in “For Liberty,” which title of Miss Brockwell's vehicle, iven a new kind of thrill dventure of American rvice nt ope ting in Berlin, aid that he is even Kaiser's own pdrsona of our we ren it is ber of the we can begin to in big do! Althe that we have some t idea of wha was in Berlin tim ar dcel tur that our knowleds m“l shows most no limited sort, and t had real insight into the intrigu dif- | and tragedies that were be- | enacted there. Miss t of a who rlin on United States decla perial Germar Ities ing play part is in B the the > Trm- and the 1 | German military «Llhn’:hcx d war on rnment gove the wha is recogni | The recent episode loft Tima i | Mut | Pathe | the two of the crowd | they could have for, hence the lv. Going home were reckoning what gotten that meal up of ) standing. The ori al in its treatment tions with which it d tifully set and finely cas attributes are necessary marks of a Fox production. And there is another subject of intense interest on the pro gram, and that is the final chapter of that thrilling serial, The Pearls,” in which Mollie Ki Creighton Hale have been drawing asps from Fox pl ot and | all of quite aqu beau- which A pretty litile dress of cotton voile, eapabdle of development in two dis- tinct styles. It is trimmed with but- tons and machine stitching. In the height of fashion is this 1it- tle dress of coiton volle trimmed with machine stitching. It has an ap- plied front, closing to the left side of center-front, with square neck and collar pointed in front. Deep cuffs fin- ish thp one-piece sleeves. The skirt is in ‘one piecs, gathered at the top and attached to the waist under a straight belt. In medium e the model requires 33 yards 36inch material. A complete knowledge of the con- struction guide is the first reqaisite, because it shows one every detail of putling the dress together. Close the under-arm and shoulder seams as motched, then turn hem in front at notch; large “O” perforations indi- cate center-front. Gather lower edge of waist between “T” perforations and 1% inch above. Adjust stay un- Gerneath the gathers with center- fronts and center-backs even; bring small “o” perforation at upper edge of stay to under-arm seam. Large als, rious 1t the factorily is not position myster; in but n we can be cleared chapter without tuntion accomplished some z arc artoon in in comedy ng and the hews p-to-dat s the latost the 1 vorld in i v sho will ter p also manner. tures shown THERFE ARE TWENTY LADIES BOWLING CLT IN HARTYORD Ladies are Welcome oeive Conrteous the and will Accommodations AETN i at &ary &Practical G Dresr Making Prepared Specially for This Newspaper | Little Girls Will Adore This Dress. “0” perforation indicates centes front of stay. Sew the collar to neck edge, nob ches and center-backs even. To mak¢ the applied front, turn the upper and side edges under on small “0” pep CONSTRUCTION GUIDE 7 5G1 sy couLars ve forations. Arrange on front match- ing the single large “O” and double small “oo” perforations; stitch % inch from folded edges on right side, and finish left side for closing. Next, take the sleeve and close seam, also the seam of wrist cuff. Face cuff and sew to lower edge of sleeve, notches even; bring small “o'¥ perforation in cuff to seam of sleeve. Sew sleeve in armhole as notched with small “o” perforation in sleeve at shoulder seam easing in an ness between notches. Hold thel sleeve toward you when basting it in armhole. Then slash the skirt to the left of center-front along the double small “00” perforations and fin for closing. Close back seam. Form plait creasing on line slot perforations lap to small per- forations and press. Ga upper edge of skirt hetween “T"’ perfora- ions. Turu hem at lower edgze on small “0” perforations. Larze “0” perforations indicate front of po adjust skirt stitching upper ed upper row of gathers in v t fronts and center backs even small “o” perforation to und seam, and bring the inner e pocket to the single large <O’ ation in stay. Arrange the belt around the waist with upper edge at single small “o perforation near centersack g d close at side-front. The appiied front may be omitted, if desired, and the sleeves made elbow length. of pirs ey ” ~ Flctorial Review Dress No. 756l BOWLING ALLEYS -Sizes, 6 to 17 years Prios. 20 cun'.: