New Britain Herald Newspaper, May 6, 1916, Page 4

LYCEUM The Theater of Distinction— The Best Plays For the Best Peop In the Best Theatex. Tonight The Argyie Case ?Neek of May 8 The Alfred Cross Piayers —In— MUSICAL COMEDY M. COHAN FIRST GEO. HE TALE OFY NEW YORK § ol CATCHY SONGS AND ; WONDEREFUL (H()Rls i SHEFFIELD NIGHT TUESDAY ery lady will want a pic- ture of this popular player. fatinees at 2:30, 10c and 20c. Nights at 8:15, 10c, 20¢, 30¢, 0c. TONIGHT. “ONCE A THIEF” (With Dr, Washburn I ant ne Gail in “WHY MRS, WENT- WORTH LIED.” OIS HARTFORD rond Triumphant Week. POLI PLAYERS Owen Davis’ Masterpiece SINNERS” Brady's Playhouse Suc- Magnificent Play That Mother and Daughter la Make it a Point to See. Daily: Regular Prices ARSONS’ EATRE—Hartford K—FPop. Price Mat. Sat. mith's Latest Comedy Hit MOTHER MADE” se to §1 Mat. 25c to §1 S BEGINNING MONDAY, (Mat. Wednesday) MAY IRWIN NGTON it o1l K E ghts 50; MAY 8 SQUARE"” ¢ to §1 olic Choral Union Annual Concert ces. 20 Piece Orchestra EN’S SPRING AND SSINI'S STABAT i MATER F. I HARMON, Director SSWIN LYCEUM Evening, VIay 11‘ ROF: Charter 1026 | K OF MAY 8th Stars of Mystery | EVA FAY ' T LA FOLLETTE SH LING TOY | hw that is the acme of Daily Reg'ulari Theater Prices — daily matinee 10c. | baa —adon’t be a l-————_—é-&.;—w T e News for Theai‘er Goers and Women Readers REVELATIONSOF A WIFE | By ADELE GARRISON ! to Blame Dicky? about the first year of mar- riage telling the story. It's the first two or three months that sct the pace for life in most cases.” I was in no mood to challenge Mrs Underwood's conclusions. After our juncheon we had come back to the fire in the library, before which she had told me the secret which Dicky’s past life and her's shared, and in the telling farever banished wy resent- ment against her. I knew that her lit philosophy anent the first marriage was the openin warning she meant to gi cerning my life with Dic She*had already erted that Dicky’s un- | controllable temper'and jealousy had made a general mess of things, and T not contradicted.® . her, As I waited for her next wards I thought arimly that if the first months of my marriage were to set the pace for iife, T would never be able to keep up the pace. “Of course, where either hasband cr wife was a dominant, masterful personality and the other end of the matrimonial sketch is a human door mat, the problem is easy,” she said. “Dominant personality sweeps mag- nificiently through life, and doormat Really for “Spoiling” “Talk e & tempt at months of wedge of a e me con- trails along after, happy in being al- | lowed to breathe the same There are no complications there. But when Greek meets Greek, when two peaple of equal or nearly equal mentality and will power mar there are bound to be firewor until cach can look at things from the cther’s point of view.” “For ‘Greek meets Greek’ I may read ‘Dicky and Margaret’?” T tried to put the question gayly, but my voice betrayed the tension I was air. T suppose Mrs. Underwood 1ced sharply at me. “And in your the problem complicated by he results of Dicky's training. His mother and sisters certainly did their level best to spoil a naturally un- celfish, generous, thoroughly lovable chap. T don't like to see you con- | tinuing the process.” | Mrs. Underwood's Suggestion, ! | | “I" My amazement was genuine. T could not imagine how T was spoil- ing Dicky. Indeed T myself for not yielding whims “Yes, vou! way, but—'" She stopped, into the fire, abruptly. “May I be perfectly s a mother or sister )f course.” “Then take two little rules for | your guidance. Don’t take Dicky | seriously, as a general thing, and i martyr!” | I flushed resentfully, but said | rothing. She bent toward me, | “Don’t think me presumptuous,” | she pleaded. The earnestness in her | voice made me ashamed of my mo- | mentary pique. | “1 couldn’t do that,” T returned. | “Please tell me just what yvou think. | I need advice sorely.” i “Tell me,” she “Every time Dicky lets loase in onc of those tantrums of his yvou think your emotional world has about come to an end, don't you? I nodded, not daring to trust the steadiness of my voice “Then the sooner vou learn leugh at Dic performances, stead of weeping over them, the hap- pier you will be. Pardon me, my dear. 1 don't mean really weep—I don’t think you are a teary woman, but there are tears of the spirit as well of the eyves, and you are wasting them when you shed them cver those ridiculous childish out bursts of Dicky’s You may neec them in a real crisis some day, an have no autlet for your soul. temember this, Dicky has of a temper and the most aggravating tongue when he is in a of cne T know. But he never means anything he says when he is angry indecd, T doubt if he ever remembers the things he does say, and—he is a royval repenter, no doubt know.” Did 1 Dicky's But 1 Mrs This note had censured more to hlsw gazed a then turned to me rank with would be?” | said abruptly to ’s in- as 1 a a age you know? Memories of royal repentance thrilled me. had not time to visualize themn Underwood was speaking time h not voice held GV the Cards.” vour lif You on izer will come later tated, then not waorld love n will imagine times miore n stea stable per- s fancie “Dic son in the Eimself in he probably thing a dies. Don’t Ky is the mo He dc a the dozen before he misunderstand me,” as she caw the look on my face. *“I really believe you are the one grand pas- of the boy life. You have all the cards in vour own hands—but- I am wondering if you know how to play them. 11 the cards in my expression I heard ips of the woman in dressing room. I felt myself trem- Lling as T laoked at Mrs, Underwood, and waited for her next words. “Tll wager vou haven’'t offered Dicky three kisses in all your life to- sion hands!" from the the theater The Alleys Open to Ladies at Any Time. AETNA BOWLING ALLEYS Church Street, Not exactly the same ; long moment | | known | will devil any | gether,” she said abruptly. respond to his caresses, any advances yourself. She cvidently expected from me, so I made none. S ving fascinated and “You can but not make no response What she terrified “Dicky needs loving and and you give them to him, on. “I would not darc advise you thus if you were less poised, far of all men Dicky would be the quickest to tire of too much sweetness in his | daily _emotional menu. He nceds a dash of cayenme and a pinch of homely salt, but above all give him | the savor of good-humored, healthy liughter, with him when he is good- natured and at him when he rages. “Yield to his whims half of the time, the other half make him kow- tow to vours. But keep him inter- ested. 1If you don't somebody else will t ta. Artists Only Men “Of course if children come to you'—her valce softened at the mere thought of g child in a woman’s life |—"you will have no more problems. | Dicky is the type of man who would be perfectly daffy over a child of his own. Of course you would have to take a back seat yourself, but your baby would be a far more comfor- table rival than same blonde.” “But,” I stammered, | artist, temperamental, of course, not | domestic. Don’t you think the in- conveniences of a child's care might bore him and drive him away front | home?” She looked at me keenly. | “Where did vou get your idea of artists, my dear? There arc freaks { @among them just as there are among cigar salesmen and hod carriers. A | man’s domesticity and love for chil- dren doesn’t depend on his profes- sion, but upon himself. Take it from | me, Dicky is a regular fellow, a ! splendid man. Far your own sake, study him vou would any other | problem | She stooped and kissed my cheek. | “There, I've got it off my chest now.” she said. “I'll have to run along. Perhaps I'll be back before you go. I hape you'll have a long, quiet after- ncon. Good-by,” and she was gon petting she went ¥ | { “Dicky is an as CATHOLIC CHORAL [ UNION CONCERT | e Choral to The concert of the Catholic May 14th, previous efforts The chorus Union sur- all on promises this pass of well organization. eighty voices will be assisted by orchestra of twenty men and perb quartet of New York artists who be heard to great advantage in Rossini’s Stabat Mater, a work that voices of range and pow The exchange of patrons tick- ets closes tonight, after which all seats unclaimed will be placed on pub- lic sale. JU an a su- requires ST SEE WHAT %\ REPLACES FURS i Bt ( AFRENCHY MODEL. { taf- features Mustard colored pussy willow withh «llk, evening wrap. The ¢ feta, lined wilie this gorgeous tto madeled replace wia’er ones hic with black vel s vibhon, a wider kind | being used for the quaint bow. This design may be reproduced in any be- coming material As the weather gets warmer the housewife should use more fish and salads for the main dishes of her din- i ner and cut out the meats, unknown | |'musical comedy and that the first ve- of | ruches of taffaua plaited are bordeved | aps The yon | convincing | Absolutely Pure’ Made from Cream of Tartar NGALUM~-NG PHOSPHATE MUSICAL COMEDY HIT for sh aid ha Do you a1 other ology e woman an didn't bravely done an a sorry. And er Jus or ot in She Won't The 1y log AT LYCEUM MONDAY Enthusiasm has been greatly the announcement that aroused over the Alfred Cross players are to put on hicle in which they will appear will be “The Talk New York,” George M. Cohan's greatest The many lilting songs contained this comedy asure its succe: with the capable chorus that is re- hearsing every morning at the Lyce- um there is no reason to doubt that the play will meet with approval. A big audience is expected to greet this show Monday night. “The Talk of New quel to “Forty-five Minutes from Broadway.” the play which first in- troduced to theater-goers that inimi- able character, “Kid Burns,” with his quaint brand of humor and his slang. In this later ver- on of “Kid Burns”’ career he is shown in more flowing light than on his first time out. Now, he is the pol- ished slang artist, the man who wears good clothes and hob-nobs with the best of society. But as cver he is al- ways master of every situation. “Don’t let 'em put anything over on Yuh, Kid”, is the way he figures life. Alfred Cross will assume the role of “Kid Burns". Philip Sheflield will have a number of songs to sing. Prac- tically the entire company will be re- tained in the production with a change here and there as necessity calls. Wil- liam Ennds who has won favor with local theater-goers for his admirable work is impersonating plain-clothes men will be given a part entirely new to him but one which is calculated to prove him one of the biggest hits of the season. One Tuesday night all the ladies who attend the perforr ance will be given a picture, an au- tograph, of Philip Sheffield. of ¢ one of successes. in and York,” is the se- WONDER QHOW AT GRAND THEATER The burlesque season at Hartford, Manager Moe Messing has proct the Grand theater, closes tonight and | red a show which is out of the ordinary the first attaction fo the summer on. is a mystery show pure and simple and those who to delve into the mysterious will ffled to | their heart's conient remark- able program which The visiting attraction big travelling three noted artists in thei lines and billed as “The Three Mystery.” 1 par Great tr: tion o i sea- 1t like be by the il con organization offered of a headea h respective Stars of be into he three the foremost imper 1e program is divided The opening will La Folletie, Hurope nsformist, in a unique of the world’s leading cians. He will first give his sleight of hand performance impersonatir Beautice D will produce the musical « Part two of the progr the hands of 1ava Fay well known to Hartford though it has been five was seen here. called the high turgy.” Mrs. I rapidly calls (he have written guestions swer and in a the a The third tertainment Ling Toy worker: the most world and Iin eral years, it Royal er to the Imperial Court at carries a most heautiful nese scenery which is an exac duction the throne room a Thousands of dollars worth of ful imported gowns and tons of gage and other equipment is carried Among the acts of mystery which he will perform are “The Burning Sac- rifice” and *Yoi Koi Yoi'", the Chines: immigation mystery The Grand plans this summer to give a series of unusual shows and next weelk's attraction been booked at eat expense. The usual Grand the- ater prices will prevail and, as usual, women will be admitted to the daily matinees for ten cents. ms own then Kolta, he melet will work am be in whose s people sin has ars ¢ Mrs ¥ been “Thaumi- performance those her to priestess of who an- ne names of " most ter inner rod and ormation part of will a nd his Oriental The Chinese adept ive last the Dby vonder to be provic Rush be the Ve are said ren of m h Ling Toy was for ertain- Pekin, He set Chi- a of repro- Pelcin. beauti- 2 When cleaning steel knives cork for rubbing the scouring on the knives. This is mu fectual than a piece | use a |1 powder | more cf- I of cloth, And apology he On mother to Iy sorry col What child! out bu as to 1t apologize. her's 1t emptied on one’s head. what woman “So am I that. to show was like sympatiy together. I to the in to blame. whos her and hacd hat she dly, That a True, the they at regretting do better takes a t know clously d unkind try do answered that penitence. ; Apologize Very Soon woman turned scarlet and shut anyone very woman that another o with a painful cffort said 1 Was cruel consequences least the next good Many Humb le Pie how to and 1 apologizing ay T happened to to thing she had and simply that unkind thing you Nothing she appreciate to tub of cold I fairly a had he if she will soon again who acceptec ungracious way who doubt 1 had was she was naughty, no good Brutal answer 1pologies occasion daughter what been does a Answer to cannot of a one on meaning time. deal of otherwise gooc put it and t cou accept 4 t | ¢ % to excuse herself, and suppose the 2 w il heard o generously hear another io sh Wi oth- soften it th ater sped Again apologized lips tight- apol- her wili v omo evident- very answer now.” rd give wromn: recod o ge 1 a wipn G 0 and hrave do hasa the courage wrong. [ especialiy, I Iy a masculine almost anything many people not scem to own that they have known people—men think this is particular- fault who would do rather than own in that they had been would try to make up being unusually kind and thoughtful, when it to sa: ing, “I was wrong: I am sorry,” thare absolutely balked Are Other People Who Depend Much On there to were words They by Wrong. to vou but came they There Too inologies. of of doesn't course is another type think it if he Over the to ays ho all the happen person who matter izes for scems to hat he afterwards offend in vou it he will does apolog and over same frecly is sorry time the again People selves to wears thin ungraciously they can »onse. But to gizing for reason again and then forgive him though vou same thing way expect when he know will only them- penitence apologies are They know more gracious like have when this blame and their received how earn a = is apolo- one has repeaied, who that be the an person offence to think will one a decent gracious re- sponse for one's own sake. To re- spond ungraciously is prove one's self a hoor Humble pie is the able eating in the world. Be sym- pathetic enough to help it down with the relish of your gracious re- ception. no owes to most disagree- ORIENTAL The outh s As church 2 last evening About all me six log evidently nsely. one- ue ct all Persiy ‘Four played Mohammedans, Harry col The chief by W )l e Interspersed the lish tai El sion, mi, ads > singing o by min, the asan on : own ned with isha Adam said ght be apted for dience, week of Dy estate towr lar ma 1 Persian-Assyrian Eastern Acti syrian 200 were « The X having of Robbers the tan Assyrian, I £ Abishag aged also musical L make that repeated in an English-speaking ENTERTAINMENT. ission mission of held an or their own in attendance, enjoved themselve program or character to do with £ th was of Ispahan,’ ne following cast: Samuel Isaac an; A Jew, Jewe Jewel setween the play veral songs in Benjamin and numbers by tambourine and strigged Joash rian minister the dances. of the As the | MANY TRANSFERS and Dacing. consisted life 1 Enjoys the entertainment members. and im- of dia- in entitled, was Two and Ja- Abraham. W Eng- Alfred ten and nine respect- >hilip | Jz instrument Elisha enter- D acob of Rev mes entertainment near future, au- ARE RECORDED t Week in May She Real Realty wing the Mil 1d and builc M. H. ( n et al mwealth Richard i et al., H Myrtle strect nd and Frank [l Charles 1. Samucl ow bu The on George 1. Norton t it Matl ini, nd 1da on itz land cet v Brite ildings on Title City avenu land and Frank H Estate activity May shows a marked increase. past transfers clerk’s office > Gumbis lings \mp et al. land land \llord buildings on 1 \ Wortowitz Velinsky and | John Park itc Alforc ws Letivity in Britain. during the days twent recorded They six were ollow to Sophie Fre Hurlburt s to Ernest T Erwin to Frank ind to Ired Hart to Jons G. street Angelc 3arnc Vooster Daly street to Samuel dings on and Hmedber str H lanc it buildings on to Louis Hec 1d buildings on Curtis street. Charles ba ing he str William lax Ul A stian Pinto Lydia B3 vz, land cet. H. nd on Main Estate inski, Estate land of ris Schupack, Hartford avenue. M. ing: m ings on Walenty Hig Lstate H. on Ellis Andrew J. ( e-fifth inte Henry a on Allen Wicenty h strect. \ of 1 Patrick of Michael Donnelly Chestnut Hatsing to \\ Cmuchowska et Lech, Vickstrom et ux et ux., land and 1< on Belden street Stecle et al. and buildings on Hart street. forace Booth on Silver street. McGuire to and building: to George land et ai., and and reet, asassa to in and street Teresa oF land ifam J street ux land and buildings v at buildings J ) Wask- Villos Building Development nd and building Kensington , lana to Se- build- .to John Smed- Park I Increase in New first real | the | tericka reet Nor- d buildings on Com- At Frank, | fle-"" reet. ohn- i i i 1 | - | | | and | | Nor- sevin Mary Donnelly build- Mor- on to Ighnia, build- Farley, 1o on | | AN ENGLISH LASSIE WEARS THIS SERGE DEMURENESS] London the design coat's is put peplum Black silk flounce effe natty corded and it interest military This navy serge, ing a double up braid t and toush this rows trims ht in cup huttons give a waist line is Rus cross lends TF ian trim i Straw ing gives a air to t e 2 | Menu for Tomorrow | Breakfast g Sliced Eggs isananas Poached Ryemeal Muflins Dinner Beef ken Broth Mashed Potatoes salaq Ice Cream Cabbage Pincapple Cofiee Su Vegetable Cake ad Caramel Stewed Fruit Tea Caramel Cake—Cream together one cupful butter and three cupfuls su- gar. Add alternately one cup milk and three cupfuls sifted flour then add one teaspoonful vanilla. Cut in the whites six eggs whipped to a stiff froth ,and lastily stir in one and one-half tea- spoonfuls baking powder. Bake in four layers, IFilling—In a clean one cupful granulated over a moderate fire becomes a a saucepan sugar, until the sugar rich coffee col- Add quickly one-half cupful het water and cook until as thick lasses. Take two cupfuls fondant, put in a double boiler and mash and stir over the fire until soft enough t» pour. Add to it two tablespoonfuls of the caramel, and spread between the layers of the cake. put melts and ot mo- PICTURES Your theatre should VAUDEVILLE SHOW OF HIGH CLASS their New vaudeville p aining all appearance ass attractions and there in every number sn the will appeal The patrons, of the perform are enthusiastic markable feats performed eduacted ponies The well educated and they the paces with almost gence. Ziska, the magician, does a of clever slight-of-hand tricks and the Flying Keelers give bushels of ti during their sensational aerial spec ty Tonight's photoplay features will “Once A Thief—", an Essanay ed by Bryant Washburn and Nell and “Why Mrs. society play in and Jane Gail Closing ments, the have been enter! ences at Kenney's their final Britain week tonight A1l have features program that the variety. attended any far given, ar, to lov thug the re- Davis® animals are through ance over by human intelli- nuinher ills drama Wentworth which Matt figure prom 2 Moore nently. There will be some other good film attractions on the program tonight Low, drooping shoulder lines re- vealing the top of the arm is a become ing old Victorian style.