New Britain Herald Newspaper, March 27, 1916, Page 4

NEW, BRITAIN DAILY HERALD, MONDAY, MARCH 27, 19 I6. = 75 = = — — ; CEUM} ‘ News for Theater Goers and ‘Women Readers heater of Distinction— T ELATIONSOF A WIFE, the Best Theator. By ADELE GARRISON | / pek of Mar. 27 : : = L Why Madge Braved Mrs, ham's ‘1 am afraid you are taking cold,” (TG Displeasure and Took Her Home. iaaid fecing MpRCORhct SRND oS vou think we har better leave the rest of ~ P Alf[’ed (JrOSS ——— == — As T followed my mother-in-law { {hege things for another visit?” Read these episodes, cach com- UMy Daniels! vou say that you had || mtosthe mall fof S Eratincestfiavenn, Her face as she turned it toward Playel‘s BB | picte in six insertions. See them | heard Mr. Pollock threaten to kill the :‘"“"' h'.:' ‘_‘”"l‘ ""””‘1“”" 1‘“ ::,‘:“:‘f’,”‘y'l‘\' we frightened me. It was gray ind W B defendant and himself. Will you tell | Uhe waiter, AL s drawn, and her whole figure was acted on the motion picture screen at o er attitude toward me would | (i e 3 A the court when that threat was made | I\""" her attitude toward n Dakins GabviRthci e el B | 1.0 1concy Theater. s i e ) e ‘I am afraid I am going to he ill,’ EDW. PEOPEL'S : ==y UMt wns htadel Lol meront an ot caz [y el tiashamed Rof SIMVEDARERE SR 8 |elie Saidirain Iy AT Ra mi S0l cola controversy over the payment of the 1 ACT PL. 4 EPISODE X. sion when 1 ¢ ost became g te s put her in a chair and dashed 1 ACT PLAY i g mostibecame an un Wit Ll but I alsonesented the fact Ahat i T o e St ing t t1 rosecutor was | ting accomplice 2 murde ing | - nstant the prosecutor was cn g plice in rder, during | . ieid . : In an i T e i she had scored in the matter It her “Please call a taxi for me at once, N g e the | the rehearsals of *The Seekers.’ . aaten \ v his feet, but, quick as he was .the o manner showed triumph.: 1‘\'{ htr(: and bring some brandy or wine up- -i jndge was quicker. The unexpected e it would, 1 felt w:nu I x\]m‘ll(l(‘I’lml;::\ tairs,” 1 said to the attendamni. *My L turn [HAD come in the evidence, and sl ser cauents il Maryiall o e tol keeDuticiabad el s e [ mothesincl i » with which 1 had resolved his honor briefly announced a thirty | throat at the words and, lifting her nend, she looked at Langaon with |5 {0 urprise she appearca o | “THE PRINCE CHAP” v such an expression in her eyves that g e course S— 5 5 been the stage 1 Faxeo 3 t I liave resolved upon the same ¢ . o e sor: o, Hod HII been tho stage IMANAZEH |for a moment he forgot the court | of sonduct that T had echosen. L do| A PLAY WORTH WHILE ith Spissell (6 yc rather than Daniels he could not have the judge and the witness on tne | ot think the elder Mps, Graham ss Violet Beccar B | chosen o more dramatle moment to [ stand, and kneiw only, with a lind- | aai ke o good loser but she is s Winifred Welli | bring the testimony to its temporary [ NS Tush of jov, that whatever hap- | iimost w gracious victor he Was e Sl 7" I pened—she lovea him That reali- | , e na he old” stalrcase lead*{ One of the most unusual drau close. And, while the recess v a|zation was surging thr i standinganedt s o | of the century will be presented at e 1 5 ging through Mary |ing into the hall, and she greeted me | : r 5 welcome one to Langdon, since it gave | herself at the moment, and s felt AAatly the Lyceum tonight by the Alfred Al New York Artists. him the opportunity to plan his ques- | as if she were seeing him for the. | -ivhere is the Long Room of which | (TOSS plavers in “The Prince Chan.”— B 1s the one you have tioning along definite lines, and also | first time—truly and fairly ifereto- % G e eonl oot unusual because it requires ~ three came as a relief to the witness him- | fore he had been always the pro. X Would vou like Lo see it? | actresses to portray the leading fem x self, the murmurs of disappointment | tector, always the brave and {he TR s turned and as- | inine role. Throughout the first act me Prices, 10¢, 20c, 30¢, throughout the room almost veached | strong. and the thought of him in | .. ,(“ the staircase and 1 followed | little Ttuth Spissell, boasting of six PAY Matinees, 10c and D | oven invective. peril, the unbelievable horror of the | jep. :,,,N.,“l' hoting again, with @ | SUMNCrs on this mundane sphere, will 3 lvery man and woman amonz the idea of harm coming to him shook | quick remorsefulness, her slow step, i Play the part of the little child left “CHARGE 1T’ WEEKLY pectators was keved to the highest; her with & storm of intense emotion | the way she leaned upon the stair rail | 'Y the dyving model in the care —of tension by the swiftly moving events, ; which found expression in the sudden | for support, her quickened breathing | Young William Peyton, an American and to drop from these heights to the | flame of tenderness that leapt from | ns she neared the top. 1t was a little | artist in London. Three vears elapse flatness of mere waiting strained pa- | her eves to Langdon’s, {hing. after all, 1 told myself sharply between the period develoy in ‘he tience o ¢ wrealkir point. The protective maternal instinet { {o subordinate my individuality and |second act during which Miss Violet STYLISH SUITS AND COATS The raping of chairs along | that is always the r keystone of a | cater to her whin I resolved to he | Beccarria takes up the role of Cladia the the shuffling of feet, | women's deeper love came to the fore | more considerate of her in the future. the wonderful little girl of the Arti B o it G S i e S L S FOR YOUNG MEN i | pering question and comment—all the | a swift fierce gladness at 2 ake .servation. 1 would vield | merous occasions in this same vole MON., TUES., W 'l'“‘- f sounds of restless humanity repluced Pollock was :1r-.ull’f] W ):;:]{j»\,‘.«“lq\,‘,(‘]\ i :’,’,"),(,:,» . wr never . sslf 1o | having plaved the part in New York )""'l"“"J‘;':\{‘;‘;l“'"" L i_m} 1rn:\.“‘l:mv which had sone be= [tragedy: and the suffering that en- |ispect would let me do 50, T had a |In the last stages of the drami Miss clipations of appreciation from vour family and riends. Clothes fore—and when at last the clocik had weshed her, at least Philip was safe. | shrewd notion that @ person who | Julie Herne the popular leading lady Seliz Drama ., B | ticked out its slow half hour and the "and at the thought all the fear and | would cater to every whim of my |of the Lyceum will be seen in the SOCIAL DECEPTION’ 5§ hailiff broug Daniels back to tho the horror of the law left her, and | husband’s mother would be Jittle het- | part. Claudia has then reaclied the WED. AND THURS. witness stand there was an audille | she drew a long happy breath that | ter than a slave. magnificent age of eighteen. SUITS AT .......... $10.00 SUITS AT .......... $14.00 Anita Stevoart In sigh of relief from the spectators that | was almost a mute pacan of gladness As we reached the top of the stairs Alfred Cross should be at his hest SUITS AT . 2,00 SUTTS AT Y e Bl Four Feature der any other circumstances would | that it was she who could pay for | :he turned to me inquiringly in this powerful drama from the pen AND UPW ARD TO $30.00. BN Y ADY'S SLIPPER” have won a langh from Langdon. his safe “Which way 2" of Edward Peple who has writien = THE STHANGE CASE “P.’\.“ ‘I‘h(“::nislhli‘lityi‘r»s \’\h,m v]«:‘(; hv“\;;”:;. Langdon himself was equally Right herc. I indicated a door | many stage successes. The part of OF MARY PAGE- | Shaken by the wondertul littie inter. | within a few fect of the stalrway, [ the prinee chap, the sood fellaw of e 3 ] e Tenth Bpisode Daniels’ startling statement to be 'lude ihat had come liko a streak of {and in a moment we stood in the | e world, the man who although he | SAR ISCH i even conscions of the audience that sunshine through the dreary gloom of | room hallowed to all Americans by | pag not much himself is willing to 3 roducing the clever minute recess r. Frank Kimbell, looking for. Garments so perfect in IFit and so Stylish that they bring eéx- that give you the reputation of being a “swell dresser.’ | | | | | FRI. AND SAT. was watching with such avid curi)- the court scene, but those about him | the scene which once took place | chare his portion with his fellows, is Lou Tellegen In d ity the enactment of this drama. attributed the unsteadiness of his | within its walls. ;\‘x‘\”:-n(])“l‘in;': llm for an actor hecause 687—-6983 MAIN STREET STHE UNKNOWN" was more than thankful to the judze voice to excitement, and only Mary She drew a long breath of emotion | it gives so much opportunity to dis whose hasty recess had momentorily guessed the real rcason and flushed | as we stood side by side looking #t | 14 those characteristics near and | stopped the protest from the prose- ' rosily under her own thoughts ! the “Long Room.” which LTI || i ) T GE il Dot e cutor and it was with a rush of r “Mr. Daniel Langdon was : rightly from its dimensior Deings Willlam Teyton is the soul lief that he saw the latter take his ing in that strange. choked voice, “I have wanted to see this so many j 5¢ generosity. When Phoebe Pusk seat when court reopened and realized | “will vou please tell the court the | years,” she said. “T missed it wWhen jopo”the poor little waif of the rolony that, after all Danicls’ statement was ' circumstances of the—the attempt [ | Was in New York vears ago. And §.qmplaing of the bitter cold in the to pass without a legal wrangle It upon my life?” ihis is the very room! dingy basement where she lives, and made his first question an casy one. (To be continued.) There was absolute revercnce in | yic how the rats are the only ~om F O X g S /A her tone. 1 am an admirer and fang ghe knows, and that she is freez- «tudent of historical places I.nul Ob= | ing for want of proper covering, Wil- Now Playing P =E E > T Jects myself, but T Vo that my {jign Peyton gives her the blanket off Dandy Springtime Offer- EXTRA FEATURES ON ONE RING SUIT husband’s mother was the type of | e ped, the last bit of bed clothing bie. The Fine Arts, Present o S voman to whom anything pe ining |, 5 @ 2. - ~ e has to his nanie. What does it Wilfred Lucas, in BILL AT KEENEY'S LOOKS LIKE THIS | to onc or her historical heroes was | G iiod o) 1, 'vo long as he has an ACQUITTED.” ' sacred. overcoat? That is his philosophy, P Kintiment na Treart ey des That Linger and he lives it out in every act, every N A h . Sentiment and Heart ; i TR T CEN GERAS e Memories That vltul\'_uA . Endihe ”n||.~”>(:).,1‘m n evers act, evers | ever Anpther CroSs WOrd Interest. gram during the current week were | - T heara her mnrv‘nl'l*nn'- to ]yn;\n\”f :.';:"l";}l'\,'l"“,l.'l oy announced today by the management | g as if she were recalling some long A Roaring Keystone Comedy of the Wild and Woolly Woest. Special Added Atiraction act Saunders, in the >athe Natural Colored Plotodrama HARTFORD were more such characters in the The girl in the casy chair laid down 2eady to scream with nervousness Do . 5 - > orgotten lesson world, that they were mnot all con- her hook as the clock struck eight, [ ine girl took up her book again. Tie of Keeney's. Several aditional head- Seibi o 5 ot come to each of vou fo | fined to the land of make-believe, the | and looked up at it, frowning. first thing her eves fell upon Was } line attractions have been secured for 4 . fake my leave, but shall be obliged | “Where can mother be?” she was| guotation from Carlyle: “If you have | the photoplay bill and the show dur- > 5 to vou if each will come and take me iss Winnifred Wellington, who ! thinking. “She said she was coming | prothers, sisters, a father, a mother, | ing the week gives promise of out- 4 Ly the hand.” just completed an important engage- ‘home early tonight because she was | ojgh earnestly what claim lies upon ranking anyvthing seen here this win- . ] She was absolutely unconscious of | ment with “Some Baby” is coming to | tired, and here it is eight o'clock and | <o, in behalf of each, and consider i - the presence of any one else save her= ' the Lyceum tonight to make her debut = she's usually home by half past seven. | j the one thing needful, to pay i For o= T the principal numbers . - . self and the ghosts she had sum- ;as Phoebe Puckers, the one and only I should think sister would know bet- HHIm more and more honestly and “THE SHRINE OF | will ":- « hurmw."«;-r‘_»}\\\(.1..1 and Sid- 5 - moned from the past. I knew she | Phoebe, the English maid of all ' ter than to keep her so late!” nobly what you owe.” The paragraph e | 1 Grant in “Jane:” and the Selig | . was visualizing the room as it was [ work, who stars life by taking care With a final frown she went back | (ubo out at the girl accusingly ve Story. A Rare 1“ ma, “A Social Deception in | when Washington took leave of his | of artists’ apartments and finishes by | to her book. Ten minutes later she| . feoling came at her heart. How | | | Photosraphy. palchl Dusenicplossenenliingstansd gy : . Cfiicers there, and that as she re- | marrying her ideal, a balloonist with , threw it down, restlessly had she paid these claims, especially o it KA, mic PR g . peated the words he had used in bid- | a ane-tent civeus. There is plenty of She went to the telephone. Her | (o her mother? inner” and “Hum And The Hermit's ding them farewell, she had brought | comedy in “The Prince Chap,”——plen- line was busy. Instead of waiting én her mother Daughter.” a screaminz farce in the long-vanished scene back to her |ty of comedy and lots of trazedy. a She went k to her hook, prom- | . AFEET che had let herself be walle : 62 | which Ham and Bud play the lead- i G goodly Dlending of sunshine and , ising herself to read two pages before | o¢ upon. And how often when sae ARSQNS ing roles. These films will also he P8 1 knew better than to disturb her, | shadow, of joy and sorrow, in all, an | she tried again | came home from work had she vent- l kept for Tuesday and Wednesda : i she s i ek o : v - | nesday 4 but waited patiently until she should | emotional drama. But the best part ¢ o Lue Jrer Nervousness Into Her | ed the day’'s pent-up irritation in a HEATRE—Hartdord i q, return to the twentieth' century.of it all is that the play is a clean gl Shict of 1l tempek at the uncompisin~ : ; 4 - : : Finally she said abruptly: play, one that appeals to the hest in- - B n s retons s divend b and Satorday. Mar and | program, which ix fo he shown Wed- DI R e it v | s e e R This thne her own line! was va-|in€ little mother—the one she Iarag . " H“l“"' ‘I‘“‘”'""" nesday ;',“' 1“”‘"'['“” el ; 5 : restored this room, have they not?" | g¢ the sordid semi-melodramas of |cant and she gave the number in| X5 B o FU0 0 T Fache more Javid Belasco Presents tion of the great French drama & ’ e S antire . Mo ofi hilahoo at tone of suppressec satience!| F2 s 3 : ot only the room, but the entire | the day. It is a play of childhood | that tone of suppressed impatience | MOTM - WAY ModR " SRS TONC B rta FRANCES STARR | Laay lipper. Earl Willian md o S i, building. and the land of childhood’s dreams, | Which we all use so often and [ er more little gifts? Oh, if only mother were all right she would never speak anothep-cross word, she would— Big FFour contribution to the most Widely Discussed Play of | Anita Stewart, two of the Vitagraph 3 5 “Then this must look very much as | with stories of Santa Claus and bed- | Which must add to the nervous Y ny's most celebrated sta ; : Then t c S oa d SR e N Wt 3 y it did on that day.” time prayers and all the little touches | strain upon the operator. A mo- “MARIE-ODIL} Ehe Dacerion the cosiWwhis IDIgeehty g “I believe it is supposed to De an | (ha¢ carry grown-ups back to the land | ment of waiting, then “The line is Bara Knoblauch i d the play before the footlights. On Chap,” is | busy.” How She Put Her Resolutions Into L 2 exact reproduction of the room as it | of vouth, “The Prince ese days the tenth episode in “The . tenth eps : : ) was then, Ohe of the chairs at the | worn seeing. She slammed on the receiver and Practice, SLangsguage o "‘\'\j “‘ S ‘1"‘!' g : table was here in Washington's time, — - ment back to read two mote pages | e door bell, This time it g te 5 ayo and enry altha Mayving 4 ‘e copied fro Z s g @ rvals e she P N . Spe playving ¢ 5 : 4nd the others are copied from it WILFRED LEWIS IN stopping at intervals when she | o U Tiaine in smiling. A ms Bargain Matinee, 25¢ to $1.00. | the Teads will also be featured. An- ¢ A “I wonder which ene it is™ my thought she heard footsteps. The | .pine \as whirring away from the sk 21l Oeders | other notable number will be “Mad- iohE o > steully o b v . St t sale Wednesday. Mail Order ‘ N R ’\““ | : Vll”!v!'\( n-law d \\.l..lll::’\ w | “ACQU]TTED —AFOX.S‘ ‘lvll”l ”1"“" nevy l. fails. Her »l .“ I door All this worry for nothing! It 2 i el This one, madam.” The colonial- ! = rough — and her sISter's | \,q {00 bad! It had tired her all out ; costumed attendant who had met ug voice came on the line. “Where's - it Satur | k- | “Where have you been, mother?” she SR u‘m.\ and Saturday there will | A4 at the door spoke softly behind us, mother? Why, she started an hour f . gt S S : asky production, “The Un- L ‘ ) o . laid_his hand upon : Sl Haanit got ihera vets e | AoEed sk : ey { T 4 e e S SR ; - Yo and passing 1 i With the advent of spring when R ae o 5 The smile died away Why ent for Tomorrow 7 with Lou Tellegen. the fa- | L B oF e e e G R L e Sl el von | S0G e LGRS e E : | mo lway star, cast in the title | i i i My mother-in-law advanced with a | e 8 ST ter, ox's thea. | KNOW what those cars ar i ity aEaed T bk he photoplay is based on ¢ 2 ¢ look of actuul reverence upon her S s ind he The girl went back to her boolk | “tb #0¢ S - 1 o R £ e 5 ter having this in mind has booked home.” she explained, hurriedly Wylie's novel, ted Mirag 1 ; tace and put her hand upon the arm vale T s fi { atter an anxious glance at the clock. " g el : i : 1 4 gala array of the finest productions “But all this time? top position with it will g S ith old lchuix: obtainable for the delectation of its | Quarter of nine. Mother had never ittt bin contribution, “The Vo i ; ¢ oy “May I-” she said, and withou been so late. Suppose she were sick Rt Ao i tho Night : . 5 further permission slipped past him and had been taken to a hospital un- "‘“\_ un 8 ‘} in addition the manazement has ar- | & . g 5 and sat down, a look of childlike conscious and nobody knew who she Xou might have telephoned anged for a vaudeville hill of ex- ¥ Lot s pleasure upon her f: ‘\‘“" "‘";‘_‘:““\“‘ Sty 1eIBonE ‘You mig? have found some way .« This : to let me know." six interesting acts, lis Teature is | The doorbell rang. The girl rushed “Why, I'm sorry, dear, Breakiast Cereal h Milk Broiled Ham patrons and today’s program _is an exceptionaily fine example what the patrons m expect in the future nd Ri Stional nerit . ; e % : . | The IFine Arts present Wilfred 1. Jell ; i 2 4 4 had to turn aside my head to hide } ¢ in “Acquitted” a pretty story in And It Was Only the Tailor's Boy. = ' . ¢ 3 @ smile. 1 had met enthusiastic Lunch wers of antiques before, but neve 5 R : said the Toxe antigue ut T rairly alive with suspense and sup- | (o the door. It was the tailor's boy | little mother with an anxious sigh Dinner h, - : : 1 Fad d F ane who seemed to make the religion | Lo fodq emotions. The thrilling and . omato adas an ashions el et Ganaaan D e o neaand il st e thons sk The smile was quite gone now. She : BaRs i 5 teed soaledld b 1 Surely something must have hap- | looked frightened. Queer that moth- She sat silent for two or three ar N s o i 3 3 eart strings as you watch the kind- | Ong Violet faille and violet tulle em- minutes. She was so evidently en- }' Eibieaies Uil il e l, pened. Ought she to telephone the | ers never get used to being scolde s 3 y old man and his rme €T | newspaper or the police station? Poor | when they get s sta ? Poo v get 8o much of it | broidered with silver make a charm- joving herself that T did not wish to |} : | 4 ving 5 his unexpected troubles. Your warmi- . mother! S ot sect Ing dinner gown, | disturb her. Finally the attendant | cat sympathy is aroused as sou gage | LU mother! She did altogether too But not any queerer than some oth- much. Why hadn’t they been more [er things. I'll leave you to gue n Custard careful of her? what, Comog | e O G s R 1 Wy g e Cotta is one of the new shades | 'Poke: S with filling eves at the tender scenes. Wash half pound | .o S Sieer (e At each ine |and this silk suit is put up in taffeta 5 An So Cold. and the story of the brave fight which ipe then boil up in water, drain, || b . i | Would you like to see some of the | the man puts up for his life forins e e i R S| things exhibited in the other room, [a play vou will like very much and is AT Eveathn rushe S 8 1 with one cupful milk, one cup- b | collar, vest and crushed belt of white | nadam? There are some fine speci- | one you should not miss. fl Bater two slices omion, season |, Dlue taffeta and pink velvet is a | gegrgette crape. A handsome enamel | mens of colonial trinkets in there.” The comedy feature of the \arxm!} c_‘__‘\_\-' i | | | bilea Tripe | waist line In the back of this color. The coat takes a roll | favorite combination reminiscent of “Yes, T should like to see them gram in the Keyst frer 5 buckle at the waist line and white s a like to see th program in the Keystone offering of the Pompadour period. ! nd - white | 4 usual, she decided the question | Charles Mur: and a typical Key- | ball buttons serve as fasteners, while pepper and sait, and let simmer o hours. Mix one heaping ta- Ipoontul flour, with little cold , add to the tripe, stir until it £, let it simmer for another thirty —— T —— N sl by the wealth of natural coloring | Beef fat can be very well tried out throughout. in a double boiler Several single reels of careful se- T ’ before frying’ t without so much as a look in my di- fstone company of comedians in *‘His A great deal can be done with bias | @ patch of white embroidery on the | yection. Hereafter” a roaring two-reel bur- bands of contrasting color in trim- | pocket of the irregular peplum gives She spent so much time over the |lesque comedy on the wild and wolly T ming a little girl's dress. | & smart touch. The skirt is cut good | o1d letters in Washington's hand- | w hE T e e e Bozen Custard—scala one quart of 5 and flaving. writing, the snuff boxes and keys and |of film. . in a double boiler. Beat togeth- Children’s coats —are very full. | coins with which the cases were filled Booked as the added attraction me and one-quarter cupfuls sugar | The ripple frequently starts from the that I was alarmed lest she should | Jackie Saunders will be seen in “The | . ¢ eggs, add a little of the hot |neck line, swinging freely to the bot- By Have “our Eyes overtire herself. But I did not dare | Shrine of Happines a five-act nat-| — - Never forget that fruit is a very and pour it into the double boil- { tom. In other cases the fullness is o 0 venture the suggestion that she |ural colored photo-drama, should | — = valuable part of winter diet. Stir untfl the custard will just {drawn in by a belt or sash. Examined and should postpone her inspection until [ meot with the approval of all who the back of the spoon, then e S Glasses Fitted another time, see it. The famous Pathe colored ’ f{oyseho[d in ana cool. When cold add flz The old-fashioned balayeuse, or & 3ut when 1 saw her shiver and |system is ever evident and through- | | B s thicmoontul vi_ Lwhite:pleated flounce of Tace beneath by A. PINKUS ; But when T acw ngr sbiver end{myetesn ix cver ovidont end throvoh || T T : b or two tables fuls extrae the skirt is an attractive finish to Y ESIGHT SPECIALIST her, I resolved to brave her possible [is gripping and extremely Interest-| Chicken fat is excellent for /caké-'{ ~ Never faks.the Ha off the kind—an y jseveral of the new spring models. Over 30 Years ISxperien dizpleasure. ing, one is veritably held spellbound ! making and shortening generally. while dumplings are cooking. lection will frame the balance of the Roll sausage in flour splendid offering which will draw big | it. It will not burst. | audiences to this payhouse. 3‘{0!65 | One fried food at a meal is should ever be allowed