New Britain Herald Newspaper, February 29, 1916, Page 4

NEW, BRITAIN DAILY HERALD, TUESDAY, FEBRUARY 29, 1916. T — News for Theater Goers and Women Readers away from her influence, not know- ing they are married. They armve SU[;[;ESS AT LYCEUM back to Peter's New York home, only to be followed by Katie. Once in the Cortlandt mansion, she h:'\l‘ GO | troubles of her own. Her husband's : | mother does not like her, his sister Mlss J[]lie He]‘ne Stars in Own does not lik her. nor does his sis- ter's husband. Not even the butler K likes her. And her husband, who 15 vemcle BeI()l‘e meded HOUSC somewhat under the influence of in- toxicants, is not overjoyous of her S M presence. After Katie flashes a re- | volver on the party they decide o ¢ Theater of Distinction— The Best Plays For the Best Peoplc In the Best Theater. eek of Feb. 28 he Alfred Cross Players SOME SNAPPY LINES FROM MISS HERNE'S NEW PLAY Soul-development,—that's the e: being's duty to cultivate the hi “THE STRANGE CASE | OF MARY PAGE” | (Copyright 1915 by the McClure publications) sential thing! It is every human her self. | | | CRr Devotion between married people is out of fashion ke no arrests, but just to get her away. DR | | plete in six inscrtions. Sce them a New Play by Miss Julic R | pay attention to her and the upshot People in earnest are apt to be absurd | acted on the motion picture screen at Yyl voLste Ll (b Syl erne, Entitled (A comedy-drama in four acts. By |of it is she is allowed to remain it g s o s g actly what happened when on i . 3 the Keeney Theater. . 24 Julie Herne.) the household and he educated while R . " reached the sanatorium +, o t g g 5 ’ e ‘Dr, Foster stoppec he automobile Mrs. Cortlandt Crandall........ her Dbetter half is sent on another I'm not an estate, I'm a woman! I need to be sympathized with,— Dr. Hoster stopped ‘the Automoii Read these episodes, cach com- l n | EPISODE VI. at some distance down the road an | 5 put out the lights. Then we all slip- | = she hesitated and her nervous | (| A LB CRICET Gl T e | ped into the grounds as quietly as fingers pulled at her gloves, but at 1ast | pogsible and the four men hid in the H .. Adelaide Hibbard ) business trip,—this time to South appreciated! { James, the Butler..Girard Patterson | America. Henry Gilsey. J. Irving White And while he is Edith Gilsey ..Dora Booth [ good, in e I e ow Katie makes fashion. she Get your fatted calf ready! Herc's the prodigal son. - “An te like @ diver taking a plunge she said | bushes while I went boldly up to the Hurray.” Some people never know when they're well off. Mr. Cross as “Peter.” Produced under the dirvec- ion of Kendall W PRICES—Nightts 10c¢, There are occasions that live in the | i, ST e | ing point in her career. The French windows which was al-| he was obviously suspicious of me Mr. Pol- 1—I told him, however, that I had This same infatuated with Dr. Barlow, to the utter neglect of her husband. She is on the verge of eloping with the physician and leaves a note to irving Barlow lEugene Weber | takes as her model, her sister-in-law, a2 { L] ” Peter Cortlandt Crandall......... 4 woman of the world. She dresses How does anybody come to marry anybody? | quickly: | door and rang the bell. T asked to : .Alfred Cross |in the height of fashion, attends =ll | sce either Dr. Zellars or Mr. Pollock l utsl Br il Katle Murray, m Pocotello. the society affairs, and soon becomes e i “I gave Miss Page a slecbiNg-| gnq way taken into an office where s S R ... Julic Herne | the belle of the town. She is going | I married her hecause she'd heen awfully nice about nursing me, draught at ten o'clock and then DUt poth men were sitting. Mr. Pollock b | aoaci Batioais et i along fine and wins over everybodv | and [ thought it couldn't matter much if 1 was dying. ;"" my own hat and Jaid my cloak | seemed relieved to see me, as he said A - ¥ “itiieiie.e......Philip Sheffield |to her side, with the exception of her | - [0 A slave EntEaow o the | Miss Page was very much excited and Miss Herne as “Katy B | ! sister-in-law. Then comes the turn- | e ::' :lim,,,’]\(|.::'_,:,' B e B P8 4l boon n5BInEndlmosearin g ok i memories of men, that refuse to be | Katie, x o | most immediately opened by | Jock. He followed me back to the had a fierce battle with Langdon to hedroom. and picking up Mise Page N0l him back from pursuing them had carefully wrapped in and that it was he who had fired the forgotten. Such was the reception Maniouring s refined folk ferent kinds; n't bad as trades go. The main thing is, you meet If you're a telephone operator you talk to lots of dif- but you don't see 'em. As for stenography an’ type- tendered the premier of Miss Julie | whom [ 20¢, The unconquerable quartet,—loneliness, propinquity, booze, and delivium. whim. She meets and upbraids ‘he sitting on the edze of her bed, in a | Langdon, who was spending the night NArrow room whose windows werc | at the sanatorium and had already !eavily barred, while the door had | aiscovered Miss Page’s absence. He— 10t only a lock but two bolts as well.” | ho caught me by the arm and de-" Was Miss Page locked in when you manded to know where she was [ Eot to her room tried to get away—because-—be e 'I\4~ and Mr. Pollock would have | moments were precious just then, but locked us both in, had it not been that | he wouldn’t let go and finally 1 told I protested., saying that if Miss Page | him. that Mr. Pollock had just car- Brew violent in the night T must be | riea Miss Page off. At that he free to get out and call for help. B | rushed out of the house and down Ve though he left the door unlocked ng onto the run- ' lingered just outside for g Pollock’s motor, 1ime, and T was unable either to soothe rting up. Mr, Miss Page or give the signal, for fear ats at Crowell's. ferne’s remarkable play, “An Out- | (o effect i e = | that effect with her e i et e 1 i 0 ! d ARdche s beimho 80c, 50c; § sider,” which greeted its first audi- | after consoling ol mother) 1“]‘“ writin'—like as not a girl'll be cooped up in an office with some old blankets he carried her out to his a hots; so at last h m onvinced Matinees 10¢, 20¢; ' : 5 { S S he grief stricken crank for life | tomobile. As soon as he was on the and took me up to Miss Page's room 220 ence last night at the Lyceum. It [ mether, goes out ¢o prevent {he PR e i e o e ind Blie was hysterical aad Teverish 'and il S i p i | foolish woman . from f ving her i a T closec L el 3 Serit il i gl S AR B | started to run to the front of the lung to me desperately. She was | house, but T was stopped by Mr. 1, in a, cay of old. Society was there M| ypaway in the doctor's apartments. force. Every seat in the playhouse was | While they are there Poter Cortlandf occupied even before the curtain arose | and his uncle appear. From then on the first act and standing room | ON there are more complications, | U A : S 0 N Katie is branded as untrue, shields was at a premium. For the first time | j¢;. gister-in-law from an indignant NI since the halcyon days when the old | jyshand, and is almost made the sub- | 2 \ plays and actors pabked the house to | ject of 'a divorse . But the truth | AN the rafters people Were turned away | comes out, Peter and Katie are at the box office. So it was that this | prought back to each other's arms, new play was welcomed by one of the | .13 the play ends happily AT i brilliant and sympathetic audi- | 411 it js a very beautiful story that that ever gathered in the his- | yequires the three hours of 156 Cldelhyhol telling and not the hurried sketch of % = Don’t bother so much about your soul. It's morbid. P It is through suffering we grow. PR B WA Men are the same everywhere. They'il always kid you if you let yourself be kidded. TONIGHT Elsie Janis In “« ) TWAS EVER THUS” A woman of the world may do as she pleases, and it is right because she does it. It's the way you do things that counts! lon | the drive, and | ning hoard of oo 5 There were present friends and ad- | pewspaper rociow. | which was jus &Engl‘ifil‘x‘;‘&g‘(‘gx’i,‘LL ors_of Miss Herne who journeyed | afio 'rtorms ay’ Katie Murray is You will find there are few things as satisfactory as cating. T e et i Byut Bio hung Of arousing his suspicions. At lasti from New York, Philadelphia and |immense. It is better than anythinz | Especially if your digestion is zood. on, and kept on fighting till the motor Neard him go downstairs and 1 told WED. AND THURS. Boston to attend her greatest effort | she has done since coming to New | " swung around the curve and into the Miss Page that Dr. Foster and Mr Ethel Clayton In in theatricals. And they were re-|Britain. The vast number of out-of- | Don't ruin a man’s life for a silly whim main road and then the force of the Langdon were outside, and when she, “THE GREAT DIVIDE” warded; for “An Outsider” proves | (own {heatrical people and critic b AT : turn flung Mr. Langdon offt. By had sunk back crying with rellet T carried the lamp to the window and o e iteelf a play of exceptional merit, one | present at last night's performance mrflobf«‘ f&i‘?giuf“‘; :‘x('be((lle(](:’:::..;lx‘rne.?nfhf“m?\-mo i‘,“fe"f branded Katie Murray a _character Men are the easiest things in the world to manage—just show road and fired after the car but it »'i‘"""‘“ ,*,’f",;,',:(; mTfi““”"'”‘__*""”' down Uin el drv ey S i o U e cbve G il oy ety OF S e a little human interest in the things they like, give them plenty to didn’t stop—"' < o at succeeds in getting away | and stronger than many others. A eat, and they'll lie down and play dead dog for you “Detectives! What detectives? - ~ rom the morbidness of criminal at- i peter Cortlandt Crandall, the young R Langdon’s question spapped like a (To be continued.) FRI. AND SAT. Marie Doro In || “THE WHITE PEARL” mosphere and engenders the purer | rake who marries Katie Murray, Al- spirit of real American comedy,— fred Cross scores his biggest triumph. clean, wholesome, invigorating. He was accorded a at reception Because it was the opening night, night and gave with all the attendant enthusiasmg whip lash. i ou can always win a man back when he's jealous. Where there’s jealousy there’s love, and when there's love there’s hope. “Why-—wh- she tammered, | confused by the sudden inte; | 'I'H]’l'i‘fl”‘ ’ r—————‘——‘ T sent for. T wanted Mr. Menu for Tomorrow I | : 4 }lh:d time the detectives were in the i | | | on his appearance la ul support to the actress- | “The one | Pollock « wonde iught in the act of kidnap- | it w away after 11 o’clock be- | gramatist in making her play a suc- | | ping Miss Page, but Mr. Langdon held fore the curtain W rung down on !,1,_\_ In fact, Alfred Cross is better e e e s = “~ | me back too long and prevented my | Breakfast - the last act. After that the many |in this character than cven as John 5 is wig. | giving the signal agreed upon.” | 7 acmirer ! vaudeville, who appeared in Hartford | first turn, when he removes his wig. | siving t! al ag . Fruit of Miss Herne rushed to the | storm in “The Christian,” or Robert | AN f s d that was the com- back of the stage to shower con- | Stoddard, in “Bougdt A wave of sound tha | theaters for many seasons, and James | Part two of the show is the biggest t n Creameq Dried Beef posite exclamation of those in the | and Paid For, | sratulations upon the star. An in- | parts in whic! e Tenbrook. Both men are equal to |feature in burlesque that has hit the J I'ried Potatoes 5 g parts in which he ecxcelled. - 3 fi 5 & il YOU A CHILD? formal reception was held. There | - 7. Irving White has the ihird best |ibe task given them, and do it well. | theater this season. It opens with | room swept like a h:t-lflffll' “”i'lll Vienna Rolls Coffee HAVE - TOVE YOUNG- was a wilderness of flowers banked | part, playing the character Henry |1Tety Eileen Sheridan’s work brought | “The Passing Review,” introducing | through the comy and fud T DO YOU high in Miss Herne's dressing room, | Gilsey, advisor of the youghtrul |Per into instant favor last evening, |impersonations of Caruso, hy Mr. |ence, and Tangdon asked: =~ Lunch TERS? -\ vl A’ MOTH- tokens of the esteem in which the | Peter, and husband of h ster. | lier swect voice being the cause of a | Tenbrooke, Charlie Chaplin, by Harry You had a special reason for w e 2 p po_YOU TRYE A3 clever little lady is held Dora Booth plays opposite Mr. White |umber of encores, particularly her | Van, Julian Eltinge, by Martelle, Nora | ing David Pollock caught by the po- I-w'-'<r.z tisotto ERING HEARI { So well did the audience receive the | and gives a good characterization of [£inging of My Little Girl,” in which \.‘E I |\h‘(n .|n|‘n n and lm.rj th'(‘!v_\ n n?\. ,\}L} ‘\\\f\t l_\m - Oranga Boi fad ; hea See play that after the third act, when | a petted and spoiled woman, one who |$he was accompanied by the audi- | 2 Schef by Snety Eynes Bilhe Teslygahsiotled BRA ner holtaok ocoa . iy Ma Louquet after bouquet was sent over | never has been crossed, who has her |€nce at the close. i ling number of Mendelssohn's.| on a sudden fierce note of suffering 5 e ey anc £ the footlights to the author, she | way in eversthing. With the excep-| A clever dancing act is staged by | Spring song by Ameta Pynes, Bert | and anger. “J wanted him punished dinmcr it 1n \ was called forth for a curtain speech. | tion of a few scenes when she tended | Pynes and McCarthy, showing the \‘ e DR PO s B L D B e Chicken Soup “LET KATY DO IT. \nd M Herne responded in good |to overact her part Miss Booth did |various styles of —modern dancing, | pany ‘_nr l>;n'(‘lm::e(l dancers. The set- | that had been put into my hands!” Roast Leg of Lamb Mint Saucc {he most delightful stor? style. Her voice choked with emotion | great wor! J. Trving White but lives | which is followed 1:’\k:x nnl}nlo, intro- | ting for this act was handsome. “Why? y Coh v Mashed Potatoe: Peas ever picturized for thet as she told of the appreciation she |up to the reputation he has already j ducing a southern cake-wa 5 i ! BorTER g S g e “Because he .-\»n\"d my little 1\} ') Grape Fruit Sherbet . 2 e o S1LWGE hor thanis it thoitzor e w Britain—one of the| Probably one of the finest female | ¢ voungsters’ idea of a really | and left her to die of shame and Cottee sereen in 5 charming acts, felt, er thanks for the good |secured in New Britain, a Hartford | useful child welfare conference i B0 ! {ishes expressed, of the support the | finest character actors that ever |impersonators secen on a artford | useful child welfare conference is a [ peartbreak! JOHN SHEEHAN. Hl‘&ny accorded and the work of | trod the boards. He has many things |stage since the dayvs of Jullan Eltinge, gathering of mother, grandmother, “Your Honor!” It was the prose- [ Orange Roll—Make a dough as for 3 : Tnagement | roducing her and does them all well. FHe lis Martelle. This performer has a |and maiden aunt in the kitchen to | cytor's voice. “I object to that ques|p.c ... o : o (MILTERN) the mNAE n producing her jto do and docs S S5 enis a e SR scuit of one quart of flour, three 1: B helps materially in keeping th play [makeup which completely fools he | plan for a batch of mince pies— | 4, and answer. 1t defames the char- i et " the best of the local school ""15]'"0 iNE the vast audiencel| sofag full tilt * | audience until near the end of his I)o\\ Haven Union. Betor of & dead man, and has no bear- | teaspoonfuls baking powder, one te rougho’ o i 2 2 ¢ i =t | awoonTin. ot SRR ©f 'actors, ir | there “,N.Q‘:},wrou\ echoes of Miss use of the way the play is con- ing upon this case. ~What is more, it | Spoonful salt, two large tablespoon | Herne' Xt. Never before has | structed Mrs. Adelaide Hibbard has cannot be proved.” fuls butter and sufficient milk to roll Herne's sentimen' str “You are perfectly right” said the | 4 half inch thickness. Have pre- Judge sternly. “Let the evidence of | pareq four large oranges, pared, se the witness be stricken out from the | mented and pared of all membrane { words ‘signal agreed upon.’ ” . possible. Sweeten with one half cupy Tangdon bowed his head submis- |yl sugar, add a few bits of butter | sively, but there was a gleam of tri- | ay in biscuit dough, roll up pinch umph in his eves, for he knew that | ends together and put in a deep bak though the words might be stricken | jng dish. Sprinkle another one-half out of the record, they could not so | cupful sugar on top, add one-half tea- casily] be erased front e minds of | upeal water and balke a halr houe is those who had heard them They a play, even fresl from a metropo! not much to do this week: but the tan run, been put 6% iN such elabor gned her calls for all tne F—'—m that must be em- ate fashion as Outsider.” | grace and dignity Through the co-opers®? ©Of Man- | hodied in a matronly wife and ager Lynch, Kendal Wed0n the di- | mother of fifty years, a woman raisc il rector, Maurice Tuttle, {he'SCenic ar- |in ultra-refinement, 2 mpathetic. | tist, and Alfred Cross and WS €omi- | good-natured soul. And Mrs. Hibbard pany, “An Outsider” got {he Penefit | succeeds in conveving this impressiox ton who has produced plays for mily [ A newcomer to the local stock com- j . 7 the " ONEW YORK” 5 acts of gripping action, at FOX’S Last Time Tonight. part a DA, SN seasons has never in all his careda|rany is Iugene Weber who pla ! a moderately hot oven ‘ . approached the infinite success he\rart of Dr. Barlow and succeeds in D Y z H Ch had, in fact, laid bare another trag- . Tomorrow and Thursday. attained in putiing on this play of [aking a good impression. He has o ou ate ange? edy, and the words of Miss® Walton Grape Fruit Shorhet—Cut the fruite faNE DAY 5 the cold-blooded man of ! carlier in the day, “T began by nurs- | in half; carefully American life. The extract every seed, settings in all | o POrtray Rest White Jin the four acts are superb. They are |medi§ine the one who lavishes hi “1 am natwrally, beforehand, shy [ Sentimentality likes to preserve | ing my sister through a terrible ill-} and scoop out the pulp from between CHAZEL KIRKE" gorgeous, sublime. The scenery | offectONS ON Women in the same Wav e voiini” naw hooks, new faces, | anything that is old just because it | ness when she scemed likely to lose f the white skins. Squeeze out all the painted by Maurice Tuttle represents | aigienses his medical advice,—a P R e e e her reason,” gained a poignant mean- ! juice into a deep howl and allow on e the fruits of special labor. The com. |, matte},Of fact. Fe is the uny 0 FEON N aifficult for me to!ye Was Sentimental Over Poor | N that made more than ono jury-)half of a pound cut loaf sugar to each FATTY AND MABEL | pany manifested its hearty support of | cmotionalnd0¢tor- — Mr. Webep—&oes | o0 "iyo prospective.—Charles Lamb. | e man move restlessly, and brought a | pound of fruit. Stir asd pour into the ADRIFT. its star and playwright by the man- | well N o e e e 1 e e e | Plumbing. whisper of sympathy from the spec- | freezer : B Koistone screams. {ner in which the lines and situations | philip shefield is glverthe part of | 0 O resentful because a cer | 1 once lived in an apartment which | tators. i | were handled. Only once or twice |, gapanese b&!T SHI more than | .;\ (ojephone number which Iam in jwas part of what had formerly been | The court clerk monotonously read > o otE )'\'""'“ o ”"'l"“]‘“”'“ manifest, | cycceeds. He WSOIY a few apPear- | ine papic of calling frequently had L ine ola mansion. To the antiquity | the corrected evidence z\n)(l then Tang- PHEN]X seorge Fawce A and then in ftrivial places. Not a |,nces, working in but one act; bu enilic zed. A i | don, after a moment’s thought, said: George P‘I“;[(fll("k‘,ui‘l‘\l fWallard cue was missed. Instead of being o= Lvery how 1 cause for s laugh, h"f‘f“"_(,_z‘ \‘\j‘,‘f ol many ) nlcasamitast| o RtnalRid e R eRowed §thelid [enifad “Miss Walton, when vour plan mis- the result of five day study and |}is every word @ mirth producer. | oo o0 T ik th rehearsal it looked to the old-timers fgeldom does on> sec a better depics | poa"onioued giving it to the operator 5 as if “An Outsider” had been on aranic rard Patterson Seiaas g 3 a draw- £ tion of characicr. L e bacatine it was the prelude: tola fewiir 5 SR do the boards for months. The Japan- |gives u good impersonation of the }mmm“ e e i ik o o f‘:\’ f,(\l.qumml bathroom, “I ran back to the hospital veran- ese setting in the third act is a scene | Sonventional butler. In ail, «An | MBUEeS 01 O much to me, | dinEY and with the unsanitary old | g\ \here Dr. Foster was standing. | ilculated to go down as one of the | (ytsider’ 'is @ show worth while. Of course the hew number would |PIUMPIng | having been drawn out by the sound t old number—I CORNER.” spaciousness of the rooms and the | ... icq and Mr. Pollock succeeded in at blessing of fine old fireplaces, | i (ine ofr Miss Page, what did you but on the debit side was the 9 prettiest ever painted or set forth b R e b rpose k i Ghta We ected ver strenuously to s, and told him as quickly as T 4 P e b or. serve the same purpose but I didn't s Y R . > | of shots, and told him as a ARSO e G L e il o e 5 like the idea. of a change. “Why are | thS feature N “'I""“‘”i"‘liln t0 24 | could what had oceurred. and where edanesaay Vemng . LEEE linutes the audien ap ed et oo landlord’s agent our zness to e e . THEATRE—Hartford S b cen e s LEW KELLY IS BACK they always changing the numbers? & they had taken Miss Pag JR. 0. U. A. M. HALL, pay a larger rent if the bathroom | | H “Did he make any comment upon EK As for the play itself, Miss Hern Doy S s g L O Wi i | { | the address you gave him?"” | | 1 thought to myself with illogical re- pr ADMISSION 2 cted by Prof, Phil Mo “h's Orchest gerford Court.) TONIGHT AND ALL W (Matinees Wed. and Sat.) indeed written something tha AT GRAND THEATER |*¢705, cver reel like that, reader | Plumbing. — Whereat we were told elwyn & Co. Presents the Unsur- | will live. She has gotten away from i 1O i | that other tenants had asked the - friend b passed War Dra ces the narrow confines c same privilege, but that the land- a0 WA Dl Succes nines el Dia you ever resent a chanse, mot | {0 u & a Yes. He gave a sharp exclamation when T handed it to him and said ‘Great heavens! I've heard of that Music by Lcteristic of AR “UNDER FIRE” { some present day efforts and produc | ) el was unwilling to make the | re8t ! DL Kok any Roi Cooper Megrue, Author of |ed a drama ete with goed lines | Lew Kelly and his Behman show |Dbecause it did you am ‘;]‘f' Sovice but | hange, not for financial reasons, but | P12 ""“' end o ”“,” Ry “Under Cover” and It Pays to | and situation stirring - episodes, |are back at the Grand theater, Hart- | just because it was Ly change because he had lived in the house s “flmmv rut m{v‘-ll Lae Ty s Kavertise” with | happy comedy,—a real ' American |ford, this week, and the opening per- | Don't Sympathize With Me: 1 Dow't {4 hoy and didn't want things | [€CUVeS ‘_"“]* ! G Plnes tad Willari €otrtonay | play. “An Outsider is the story of |formances vesterday corroborated the Deserve oo | changea. :‘ ”1" “’f‘l’“\‘(“‘(“l"“ll{ - “‘_“““ e 3 < f Teste 1 of s Junceme of > anagement 5 " . > X n f0d, we'd better follow p ¥ quick, | QL Nl aud SAC Madnee, 35c | Kano Murray,is iWesterdycreationSof apnouncements ot thaimanagsiuon It vou have, you will know how to {Be Logical in Your Attitude Toward | ;(¢o "CO P B o the girl. We've | to $1.50: Bargain Mat. Wednesday, | femininity, what Kasterners call a {that the production was one of the | 1o i i ST AR | if you wa souGithe slel S e ¢ Seats selling for Entire | cow-girl, straight from the town of lest on the road. Scenery, costumes, | sympathize —with = me—but pleasc anges. | G G r‘vnl‘nwr jolnetor fomg al Pocotello in Idaho. Katie Murray is [girls and comedians are the bright jdon’t. To love change not because it is|time.’ At that Dr. Foster sald, *We | — character so clearly drawn thut !features of this week's hill, and the I don't deserve sympathy, and |improvement, but just because it is| will follow aquickly, for my car w‘”- TURNER HALL - ; 1e goes out of the theater with ‘ou |show should be greetted with attend- therlaolvon change, is the fault of the young. | be here in a minute He then told For Your Insurance and vhen the show is over, she lives in |ance causing the S. R. O. sign to he |Meither do vou To object to change not because it | me to get my cloak, and putting on TRADING POST Surety Bonds your heart, you fall in love with her. {hung out at each performance. We both ought to shake ourselves |js a retrogression, but just because it | his own hat and overcoat he led the > “An Outsider” shows all the vicis Lew Kelly in the role of “Profes- and “T won't let such sentimen- |is change, is the fault of the old. way out to the garage and we started Avold trouble by having your insur- = 3 : n r o 11 3 111 | and Bce written by & man who knows | tUdes that come up in Katie Murray's |or Dope.” characterized the part as | talities get hold of me. They are the | When I say youns and old, I do not | for Ortonville | By, Qo to life, tells how sktie overcomes them {(nly Kelly can do it. For many |first sign of that stagnation of the |mean in v necessarily. Some “Had yvou any plan as to what you ! 1 . i # 4 ” er | with her rugged philosophy of thc ‘sears he has portrayed the role of a |heart and intellect which is the true |people (Like Charles Lamb) are tem- | were going to do when you arrived GRAND CARNIVAL DWIGHT A. PARSONS, | piains, how she comes info contuct ‘hinger” in an inimitable way. and |old age.” peramentally averse to change, others | at Zellar's?" 3 Booth’s Biock. with uncongenial spirits and in the Jike good wine his work improves | Sentiment is a beautiful thing are restlessly eager for change, even “Yes. It was arranged that T was | Given By e end conquers them. You cannot helv 'cach season. The bulk of the comedy Sentimentality is its cavicature after they s no longer young in | to go right in. announcing that I had Mattabesctts Teibe, 110, K. 3 PERFECTLY PASTEUR. | Vvt admire Katie Murray. he meets s left {o Kelly, and he never fails to Sentiment likes to preserve a beau- | years. come by Mr. Pollock's orders to take | 1z % | peter Cortlandt Crandall, scion of a | and from the time that he |tiful old custom because it is beau- [ You know which way your leaning | charge of Miss Page, and then when Indianolo Council. ED MILK w:r:\_lth,\' E:\alfi.!'” family. who is on his initial appearance on the ; tiful. Look out for it. T had located her room T was to sig- Entertainment and Dancing SEIBERT AND SON business in Pocotello. During a ser- 1 the set, until the final nal the othe who would be wait- y ious illness, \ through which she Jurlesque on ‘“Shenandoah,” there is | | ing outside. and later let them into No Canvassing. i Park Street, Near Staniey, |nurses him, they are married. His 'yot a dull moment. Supporting Mr the house. We-—we all felt that Miss ADMISSION 10¢ . ¥ amily physician, Dr. Barlow, who Kelly are such famed comedians as | &d( : wr Page had suffered enough publicity 5 ' 6 teams. Tel. connection. | \liers a nurry call to the youtn |on Hascan, known by all lovers of ) = A s STl iioubls andiit R e tesenin s ‘ {