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ETTA KETT : By Paul Robinson Thuredey, February ?, 1052 THR MBY WEST CITIZEN — Page M1 Spahis In Tunis ‘ . THEY'RE UP TO SOME TRICK’ —SO WHERE LITTLE DARLINGS WERE ALONE or NIGH?” YOu OUGHT JO BE ARRESTED. ps 4 : ELSE CAN ov THEIR House ? ) THEY Be ar ie pesca THIS HOUR OF | 7 \ THE NIGHT? . / DAD,’ DEBBY WANTS ME TO ZOOM OVER — | ARE yOu AND MOM \\ USING THE i“? f— | GEE DAD, WHEN 4RE vou GOING TO BUY ME A CAR OF My VERY OWN ? Dad, q you SIMPLY AREN'T LISTENING -} VTTERLY aun. THE GIRLS HAVE THEIR OWN CARs.’ THEY ACTUALLY MANE ./” ANYTHING WITH WHEELS wit, OO.” TONIGHT ? | BACK HOME — AND SO a Wirephot THE i SPANIS., F « as native Algerian cavalry troops, ride through Tunis shortly aft KETT Tur the French government to quell riots in Tunis, they have HOUSE HOLD] i “ of the job and wear khaki service dress. Rioting has bebA Buributed HA! \ notive patriots who are seeking independence from France. SérrleD po _-—— — : -- = Bacic TO noRMaAL— |} y)! Bedlam In The Courtroom + ANGRY RELATIVES CREATE A BEDLAM in the courtroom of Judge Daniel A. Covell in Chi- cago os they protest Lfe sentences meted out to three youths for murder. The three, Joseph were convicted in the slaying of Criscione.@20, Welter J. Prati, 19 and Richard Marvin, 21, James M. Schaft during a $240 strong-arm robbery last tot . 2.om to quell the outturst. Identific ation of relat tf Lg j i YOU'VE STOLE My ~ GAL, YOU GOvOTE!_, | p LE v HOLLYWOOD ®—This week the stomdin for Michael Rennie, the ' nd the studio seur or & sub. assured Rennie '*r'm an old hand at standing in.” He wasn't kidding. Without por ing through the records, 1 would hazard a guess that be is the only stand-in to achieve starring status. | | Rennie, who has done a ‘number | Milkmen lof leading roles for 20th-Fox, is CALGARY, Alta currently playing Jean Valjean iy | ers of milk the remake of “Les Miserables.” | Playing opposite him is Sylvia, new Sydney. When she reported ” werk, Rennie said to her “You don't remember me, do you.” She | john f tel > sk allowed that she didn't 1 was the standip for J Loder in a picturé called * tage’ that you and he made England back in the ‘30s, ° he said. j Miss Sidney still didn! remem- | j ber, but the memory in a vivid) jone for Rennie. That was his first | “Tt wanted to be « film sector,” | he recalled. “I figured the only way to be one would be to wateh > meant wat | would only work @ day or © in every pleture. 1 were @ stand-in, | could wateh the | whole picture being made.” Se Rennie took the stand-in job, ‘whieh consists of standing under | the lights until everything is ready | and the star steps into the set, | olt was physically exhausting to be standing for so long.” he fe | membered. “But it wasn't mental ly exhausting because I had much | to watch and learn. The tidy equivalent of ee oy But thet was more than I would have made as an extra,” he said. 1 could have made mort per dey || as an extra. bul the work woe + sporadic. 1 | could hitch myself to a busy ster or two, I could he | Working 52 weeks a year The stond-in phase lasted » year We Are Prepared To Furnish You