Evening Star Newspaper, February 6, 1928, Page 22

OPENING ATTRACTIONS IN WASHINGTON THEATERS BELASCO—"Broadway.” Transporting bodily to Washington the realm and color of the Broadway “10-minute egg.” Joe Harris brought to the Capital last night his conception of hard-boiled life behind the scenes in the hectic atmosphere of the “roar- ing forties.” If “Broadway,” the Har- production, which ran a vear and a half in New York, does not click in Washington it won't be because it hasn't been well done by the road com- appearing here. Nor will it be tal theatergoers are ot n versed in cabaret nomen- The audience at the Belasco it had no trouble in following v through the tor- ng and horse sense g the tortuous trail in liquor, a couple of sophisticated by- world picturizations are having Washington. We had k. and this week it only s with itch- two murders " while Nevertheless, ha: one. production for it v Yo a half ew York has eatrical world. And h brought it to the rained. Throughout iks on ihe heels of action with ift as th portr: “Lil", the ¢ what the ir parts like rmance out- T the t ¥ wh around the intru- 2 street of “Steve all's™ bootlegging activities, not at iked to “Scar” Edw leader of a 1 liquor gang. “Scar” comes to the adise cabaret to tell Crandall he t like it and gets a bullet in the k for his pains. Meanwhile Gran- v Moore, one of the actors in the cabaret, who airs e in an appealing way. and is love of Roy Lane, & “hoofer” in the cabar The two have a “big-time” e act in the offing. and Lane foul of Crandall. d’s sweetheart planted herself in the aradise to learn of his activities. Crandall ped Off” her lover. And gh the last act with the ster intent of a tiger, finally accom- ¢ her murderous mission with a enced “gat.” The play has punch, for wise detective from the homicide squad, knows who did the ndall job, and tells the erstwhile g:7] of “Scar” Edwards to pull herself together after he discovers Crandall dead and calls it suicide. ‘The love af- fair of and Roy is carried through the play in clever fashion. Loretta Shea is intrusted with the part of Biilie, while Walter Glass plays the hopeful oofer.” looking toward a double act in the big time. POLI'S—“The Student Prince.” Tried and tested and found highly worthy by a critical audience dur- active career of three years or more, “The Student Prince in Heidel- berg” came to Washington again last night for a week's return engagement and proved to be the same tuneful and charming production that it was when it first captivated American playgoers. The now delightfully familiar songs of this spectacular operetta, which is set o music by Sigmund Romberg, are sung by music lovers throughout the land today. and one goes to the production for the pure enjoyment, and has the satisfaction of finding it. “The Student Prince” is an opera of a type, and is presented by such a capable cast that can .be heard time and again to ad- vantage, As presented by the Shuberts here last eht. the operetta 15 well sung through- uming and settings action 1s speedy and studied technique of there is not an un- in the entire play. ¢ male chorus, which plays a 2L part '::1 ':1(— p.'od;x(flan 15 one °f altractions. It sings wit irit and fine shading, and lLsg m(-m}: bers have unusually good volces for pany, and their rendition of £mols Crinking song in the first s the procuction a rousing start, 2 Frazer, cast in ti It of “arl Franz, who falls E’A‘ love bezutiful and petite wait- the Heidelberg inn, only to lose the d in their Guate in o mbered the MEmbErs of the cart have port of two oid-timers of the vho long ago st thelr names 1i#1d of stardom. There is De- of Of & 5 the pa o o1 made amusing- his ¢ ¥ id “Dreep in y Heart - | worla |lrorhier of the crar helps 1 find e Peter bt at the | ed. | Meanwhile Ed- | sty anaer the rule | even the imperial bathroom, each seem- ed to give token of a home life so cruelly ended that the pictures of the proletariat at play in once stately grounds furnish none of the pleasure that most people experience when see- ing people having their happy times. The fountains of Peterhof were shown in their unrivaled beauty. These gar- dens, now nationalized, were property of the former Czar. Mr. Newman repeated his lecture on Moscow last night at the request of hundreds who were unable to see it when given at the matinee recently. KEITH'S—Joe Frisco. Vaudeville of the very best is being serverd this week at Keith's, with the celebrated dancing comedian, Joe Frisco, occupying the exalted top-line position, Frisco has picked up a great mangs things while with the big New York revues during the past five years and, while he was simply a clever dancer when last here, he is now quite a bright-witted comedian. He knows the value that goes with a good finish to an act and he certainly closed in | whirlwind fashion last night when he | put on the “Black Bottom" as danced by a Hebrew. It was the big spot for |Joe, and as a result he was repeatedly | called back for more, but he begged {off with an introduction to the closing | act. | Advance praise of Rosita and Ramon certainly came true, as they have one | of the cleanest and neatest dancing acts |on the stage. Both can dance as only | we are led to believe foreigners dance and they went about their work as | though they really enjoyed it. What made the act stand out is the fact they carry a clever orchestra of five and nitar soloist of ability. The large dience showed its appreciation by applauding so persistently as to bring | them before the curtain several times. | . The popular English comedienne, Ada | Reeve, scored a hit that would have | been more prounced had she taken up | American ditties and discarded her old English stuff. Not saying her sclec- tions were not good, but only lacked that up-to-date crispness which the | patrons of vaudeville demand. Miss | Reeve and Nora O'Malley, who accom- panied her on the piano, must have felt | gratified over the cordial reception. Petite Minna Marlan is back once | more with a new partner, Arthur Mil- lard, who sings and dances well, and as a result the turn registered strong as a laugh producer. Miss Marlan is one of those nervous comediennes who |gain instant favor with the younger |set, and the lights had to be lowered | several times before they were allowed to retire. | _The Jack Hedley Trio opened the program with a . good athletic turn, head balancing beidg featured. Bob and Margie Du Pont followed with a comedy juggling turn that was well received. A little sketch entitled “The Diplomat” was cleverly presented by a company of four, Miss Laura Loveli of this city registering nicely as the daughter-in-law. Two taking baritone solos by Arthur De Voy featured the act. Bert Shephard and Company, with the assistance of Frisco, closed the. pro- gram in good style, the feats with the long Australian’ whip being quite a novelty. Aesop's Fables, Pathe and Current News were the management's contribution. EARLE—“The Love Mart.” Both “The Love Mart,” the film fea- | ture starring Billle Dove and Gflbert Roland, with Noah Beery in the vil- lain role, and the stage presentation, Edward L. Hyman's “Down on the Farm,” are likely to meet with popular | approval this week at the Earle. They | did at the initial performances. Dove plays an unusual role in it.ms romantic story of New Orleans a century back. She is first seen as the {belle of the then small city, besieged | by suitors. The hero is a roving young | 2dventurer and finished swordsman. By | chance they meet on the muddy streets 1and he gallantly carries her |puddles. The heroine, however, is | baughty and spurns ' young Jallot (played by Roland) when she learns he has become the town barber. She later {asks his forgiveness, but is unsuccess- ful. Through one Capt. Remy (imper- sonated by Beery) the heroine is placed |in slavery and her father made.a pau- | per. She is offered upon the auction | block and purchased by young Jallot, llumy is forced to admit the girl was {found in a boat with her dead mother | when & child and was sold into slavery jas an octoroon child. Of course, the | romance ends happily. | Whitey Kaufman and his 10-plece | band is the central feature of the stage | presentation. Bob Stickney, who stands | 12 feet on his stilts, dances his way to six or s n encores, and Gus Mulcahy gets real music from a harmontea, Geersh and Rathov present dance that is unique, and La ) 1o his name, across the a burlesgue | Scala lives | “Wizard of the Banjo." ettes dance well in sev- eral numbers and Pauline Miller gives A pleasing soprano solo, Topical Review, showing views Lindbergh's recent fiights and the Fall River fire, and selections by the | Earle Orchestra, directed by Dantel Breeskin, complete the bill, | FOX—"0ld San Francisco,” The Ban Franciseo earthquake causes | #ood o triumph over evil, and happy marrizge 45 the outcome in “Old San Francisco.” the picture starring Dolores (:r,;v»uo at the Fox this week Th: tsory had its beglnning when, in 1848, the first Vasquez landed at the | Golden Gate and laid his claim s the land thereabouts fu the name of King Philip of Bpain, As the years go by there comes a time when only two Vasquez brothers remain to carry on the proud old Bpantsh name. ‘The discovery of gold drains the ranchos of their borers. It s during this period that (the elder Vasques, 18 killsd by the man o formerly was In eharge of his Lips. and the younger brother s the sole remaining member of the family Then, in 1906, when Ban Franeiseo Lis becomé the “fParls of Amertea,” there remain only an old man and beautiful gy ughter on the old cho, when s lawyer comes 1o pur- - the ey it s condemned and Vasquens. With comes hin nephew, who falls the Spanish gir), and it is same Irizh lad who saves the squezs from Gestruction at the hunds of the Mongollan ezar of the undep- When Dolores, e granddanugli- Jter, s burted Lier last remmdning reln (live, ehoe goer I compsny wish her Irish friend down inv Chingtown | W the Chinese \hat thelr betrayer Mongolian. Bhe 15 captured by i erar wnd carried dto the " Inner e ot Chinstown. The dwarfed @irl, nnd the earthiquake destioys China {town P Bpautsh lsdy wnd her Irish sweethenrt retuin the 1anc Blgers and Juzz dancers, with the Fur_Concert Orhg THE “EVENING STAR, WASHINGTON, D. €. MONDAY, FEBRUARY 6, 1928. Opera vs. Jazz,” and the Fox Movie- tone News compietes the bill, RIALTO—"The Spotlight.” “The Spotlight,” a film version of Rita Weiman's story, “Footlights,” star- ring Esther Ralston, is the screen at- traction at the Rialto this week. The stage attraction is the Harry Krivit production of the condensed version of George M. Cohan's musical comedy, “Meary.” Esther Ralston is seen first as a girl whose appearance is as suggestive of romance and adventure as her name, Lizzie Stokes. But time, discipline and a stage director’s imagination and de- termination work great changes and Lizzie Stokes disappears, and, like most ugly ducklings, is not missed. However, before many months have passed Broad- way enthusiastically acclaims the new foreign actress, Olga Rastova (a new Esther Ralston), who speaks English with a charming Russian accent and is attended by Russlan servants in native costume. Russian immigrants crowd around the stage door to congratulate their famous countrywoman and a rich young American (Neil Hamilton) falls in Jove with her. Then begins the rebellion of the woman, Lizzie Stokes, against the successful artist and the unbending director, Nicholas Soussanin. Arthur Housemann and Arlette Marchal also appear in the cast. The melody of “The Love Nest,” played at frequent intervals by the Riatlo Orchestra throughout the pres- entation of “Mary,” and attractive stage settings form an appropriate background for the romance of a sweet, old-fashioned gril who is employed as secretary to the mother of the young man. FEdith Davis “shakes a pair of wicked hoofs” in clog dances and Joe Evans gives an eccentric dance num- ber so good that one resents its brevity. ‘The International News Service shows pictures of our Marines in Nica- ragua and other recent events, PALACE—"“Two Flaming Youths.” Comedy and color prevail at the Pal- ace Theater this week. Bernice and Emily, two female devotees of Terpsichore, dance as well as any who appear before the footlights and perhaps just a little better than | many, and two screen comedies keep the audience in a continual roar—the feature photoplay, “Two Flaming Youths,” headlining W. C. Ficlds and Chester Conklin, and a short ering titled “The Way of All Pants.” The stage presentation is termed “Milady's Fan” and wafts cares away with its wealth of color. A circus owner, down at the heels and | forced to play a side show for the yokels' benefit, but with a very pretty daugh- ter in the person of Mary Brian, is the hilarfous Fields in 'wo Flaming Youths.” Conklin is the sheriff and a rival for the hand of the former bur- lesque queen, who now is the owner of a much-mortgaged country hotel. Fields as an enteitainer and wooer is at his best, and the antics of the rival Romeos is a circus in itself. After many adven- tures with “the law. alias Conklin," Fields is content to find that a “dark horse” in the person of the mortgagee has married the burlesque queen, and the fade-out finds the erstwhile rivals happy thta they lost at love. Wesley Eddy, guest conductor, puts his youthful pep into the stage pres- entation. Rae Eleanor Ball, violinis for a space turns into that rara av a woman conductor—and in Eddy’s brief | absence leads the Palace syncopators through their paces. Harry Burns is a scream with his Italian act, and Doro- thy Neville was well received with her songs. Some of the vim of Sunny Spain is translated into the dance of Ojeda and Imbert. The Ada Kaufman girls are part and parcel of the production, but the greatest of them all ar> Ber- nice and Emily, dancers extraordinary, with their variety of novel steps and perfect timing. An educational feature of the screen is “Secrets of the Sea” The Palace or- chestra, under Harry Borjes, rounds out an, appealing’ bill. COLUMBIA—“The Last Command.” Emil Jannings' second “made-in- America” picture, “The Last Command.” 18 attracting a great many to Loew's | Columbia this week. The name of the | great German actor carrfes an almos! magic appeal and excites in movie pa- trons a confident expectation of a rare | treat in cinema art. Unlike other con- | tinental screen ‘celebrities, he seems to have escaped the dangers of miscast- ing, weak vehicles and faulty dircction. “The Last Command” reveals Jan- nings {n another superb characterization equally as fine as anything he has pre- viously done. He is scen as a former general of imperial Russia, a cousin of the Czar, broken and impoverished by the revolution, who is earning a meager existence &s & movie extra in Holly- wood. The Russian story affords him | opportunity to impersonate a general of the old regime. It becomes a vivid, | colorful retrospection of the proud profiigate days of aristocratic Russia when luxury was his and his every wisk # command 'hen follow the bigody | days of revolution, of a tragic love af fair and a complete reversal of fortune, | which reduce him from the pinnacle of dignity to an impoverished, abjert crea- | ture, able to earn only e necessities of life as one of the aty of sereen extras. 0 Hollywood. The spirit of | drama in_ fheme and’ mcident of- | fers the great actor wonderful oppor- tunities, none of which are overlooked, even to the glorfous climax, Jannings is & dominant screen per- sonality, possessed of remarkable his- trionic ability. He employs the un- Mmited resources of make-up with ar- tstic skill and is pre-eminently the master of facial expression. No human emotion or passion seems beyond hi power to rggister. ‘In “The Last Com- mand” hin physiognomy 15 magnificent in its display of the range of mental states wh{v-h the vicissitudes of fortune produce, The Last Command” also is note- | pact 17555 m koo think | Embarrassing! Yes,and dangerous worthy for excellent direction. The col- orful life of old Russla and the chaos of the revolutionary days are vividly screened, and the many mob scenes are realistically pictured. Evelyn Brent, as the young girl revo- | lutionist, and Willlam Powell afford ex- cellent support to the star and seem to have caught in some measure the con- tinental poise of the featured artist. An overture, the “Blue Danube Waltz, and news reel, showing the dirigible Los Angeles effecting a landing on the giant airplane carrier Saratoga and views of Uncle Sam' Marines in Nic- aragua complete the program, METROPOLITAN—"The Jazz Singer.” Al Jolson returns to the Metropolitan ‘Theater this week in “The Jazz Singer,” a film notable for three things, the un- usual scenes in the interior of a syn- agogue, probably never before screcned, coupled with the solemnly beautif music of the cantor and Hebrew choral singers recorded clearly by the vita- phone, and a certain originality of plot which sets it apart from the average production, If the black-faced comedian were as convincing in the early scenes, where he appears in his own features, as the is in his customary disguise, “The Jazz Singer” would be one of the greatest of pictures. The Broadway star, with pathos in his voice that could wring a heart of stone, apparently finds it casler to register when wearing his mask. This is due no doubt to the fact that he is more accustomed to playmng behind his black-faced make-up and his difficulty in “letting go” with- out the protective covering. In the final scene, however, when the Jazz Singer turns cantor and his rich tones with their suggestion of tears well with the old Hebrew melodies, Jol- son touches the heights. It is one of the most stirring ccenes it has been the privilege of this reviewer to witness in any production. An exceptionally well chosen cast sts the star. May McAvoy is her usual charming self the little dancer who assists the Jazz Singer to gain a foothold on the ladder of fame. War- ner Oland, the old cantor, father of the Jazz Singer. does an unusual bit of characterization. ‘Three brief vitaphone offerings arc included in the auxiliary features, a comedy skit. “When the Wife's Away": a vocal quartet “In a Monastery Cellar,” and Rogers Wolfe Kahn's orchestra in cabaret sclections. LITTLE TH ER—"Merry-Go- Round.” ‘The Motlon Picture Guild is to be | congratulated on obtaining a picture | rare not only in point of arti of existence, lerry-Go-Round of Vienna before the war, which is the leading attraction this week | Norman Kerry as a royal bon vivant | and Mary Philbin as a little organ grinder form wellnight perfect princi. pals in a cast which is of uniform ex- cellence. Pictorially the picture is exceptional, while the portrayal of the story by the actors and actresses leaves nothing to be desired. George Sejgmann as “Boss Huber, proprietor of the merry-go- round, gives an outstanding character performance. E The picture, withdrawn several sea= sons ago after it had won a reputation | one of the few classics of the films, s obtained by the Motion Plecture | Guild through the courtesy of Carl | Laemmie, who loaned it from his per- | sonal files. It is the type of picture that is worth seeing again and again. | Another carly Chaplin film has been exhumed by the guild, “Easy Street,” | which provides a gencrous quota of laughs. Chaplin, with his drollery, re- straint and flair for the ludicrous, is a figure to be remembered. An up-to- date news reel rounds out the program. GAYETY—"French Models.” The R_O slgn, for the second Hotel Embassy | Broadway at Seventieth Street New York City D. D. PHELAN, Manager Here 'you find comfort, exclusive- ness, good food. Away from New York's noise and confusion and yet but five. minutes from Times Square and the theaters All Rooms with Bath $2.50 —_and up a; Luncheon "Dinner $1.25 Quick Relief for that Cough— PISO'S is & pleasant, effective syrup used since 1864. Soothing—contalns 0o opiates. 35¢ and 60¢ siges. Use P1SO'S THROAT aad CHEST' SALVE with the syrup. Applied externally, it ly penetrates. 3Sc. IF YOU HAD A CK ABLONGAB THIS FELLOW AND HAD SORE THROAT ALl K13 WAY DOWN TONSILINE TheNational Sore Throat Remedy SHOULDQUICKLYRELIEVEIT ALL DRUC w what those avownd you ave WORKMAN COMPENSATION| PLANS MIXED MARRIAGE. |BIBLE GRADUATE HELD HEARING DUE TOMORROW Senate Subcommittee to Study Leg- islation for D. C.—Two Bills Before Group. A subcommittee of the Senate Dis- trict committee will hold a hearing at 10 o'clock tomorrow morning on work- men's compensation legislation for Whshington, ‘There are two bills on this subject before the committee. One 1is the Capper bill, which would place the administration of compensa- tion under the United States Employes Compensation Commission. The other is the Bruce bill, which would permit em- ployers to arrange for their compensa- tion insurance, subject to rules and regulations of the District Insurance commissioner. Senator Blaine, Republican, of Wis- consin, will preside as chairman of the subcommittee. time this season, was in evidence at the Gayety Theater last night, when Viola Elliott presented her “French Models” for approval. The revue is full of pej snappy dancing, singing and comedy— and is lkewise a bit suggestive. Eliott, known as “the modern Venus, is an_ entertainer of type. A big cast includes Edna Bates, Edythe Bates, George Grafe, Hap Moore, George Man- nings, the United Burlesque Quartet and a chorus of 20 girls who put over the musical and dancing numbers. The show 18 in two acts with 18 scenes ap- propriately staged and costumed. Connecticut Girl to Wed Colored Man Tomorrow. ROCKVILLE, Conn., February 6 (#). -—Beatrice Fuller, 19, who claims to be a direct descendant of a Confederate general, and who says that her father's ancestors came to America on the May- flower, will marry Clarence Kellem, col- ored, here tomorrow. Miss Fuller and Kellem have filed their fintention with the town clerk, both signing the record. The five days’ notice of intention to procure a mar- riage license will expire today. The wedding ceremony is to take place at the Union Congregational Church. ‘The girl's mother, Mrs. Helen Taylor, although she signed the license applica- tlon as the legal guardian of her daugh- ter, a minor, said last night that she is not in favor of the marriage, but that she “thought it was for thelr best interests.” . . LEAGUE AIDS RUSSIANS. Monarchist Exiles in Turkey Get Year More Grace. ANGORA, Turkey, February 6 (#).— Russian Monarchists who sought refuge in Turkey after the bolshevik revolu- tion will have another year of grace to remain here in safety, due to the inter- ventlon of the League of Nations. ‘Their period of grace was due to ex- pire today. The decislon came as a surprise to many persons, who belleved that Soviet pressure would compel Turkey to expel the white Russians. IN CAMPUS ROBBERIES Petty Loot, Ranging From Gold Tooth to Typewriters, Found in Chicago Rooms. By the Amsociated Press, CHICAGO, February 6,—Clarence C. Uhl, 32, Divinity School graduate, was held in the Evanston jall today on charges involving a long series of thefts | from his alma mater. § | His arrest, police sald, #olved rob- beries over a period of sevgral years -tl the Garrett Bible Institte, on the | campus of Northwestern University. Of- | flcers who raided his rooms. said they | found articles and objects ranging from | & gold tooth, pots, pans and aluminum | ware to typewriters and cheap watches. | There appeared to have been no ef- | fort made to dispose of the loot. Uhl| :«aldk he had planned to return it this | week. URGES WOMAN VOTERS TO ATTEND CONVENTION Miss Sherwin Announces National League Parley to Be Held at Chicago April 23. Calling on American women to at- tend the annual convention of the Na- tional League of Women Voters in Chi- cago on April 23, Miss Belle Sherwin, | president of the league, declared wdayl that woman's chalienge to vote is now | | “more Insistent, though less clamorous, than in 1920.” “Eight years ago, on the eve of & presidential election,” Miss Sherwin's call declared, “women throughout the United States were entitled to vote for the first time in the history of our Nation. 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