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THE EVENING STAR, WASHINGTON. D. oc 18, 1926. )JBER MONDAY, 19 Fias S ! : | stic acclaim as ted an pith o gnod dancing act. The regular | plaver, shows her familiarity with| The vehicle chosen for Grange, | METROPOLITAN—"Subway Sadie.” |talentcd assistants, the whole sup.|enthusiastic acclaim asx greeted o 1 § i house attractions round out the pro-|the game in song, whistling and a|while not so commonplace as an ice e coung man is employed ! sidig, % Gpladilt pro ' > ATTRACTIONS IN WASHINGTON gram. rough-and-tumble comedy stunt with | wagon, still could not be termed a | Because a young ma K oobway | PrEtty chorus. —Among the spec it { S | : ¢ y P o einality. of | as a guard on a New York sul jnumbers are an unusually well exe-| ppa current offering at this theater THEATERS. -~ |the comedian. " Victoria Youngman, | “chariot of fire” for originality 1of i irain does not necessarily mean that | cuted -Spanish Tango" by Cunnime | 1€, CurTent offering at this theater H EARLE—Ned Wayburn's Variety |a petite blonde, executes some good!structure or action. The story—that {ral Goc W0t FEReCORS IWCRE o |0, AParish fungor opening num. | Should not s Tobiit Bok ] 4 N lancy be: vhile Peggy Ray and|of a llege youth whose school b | . ® picturization, in which Hobart Bos | Show. T G I G S 13 lichted by an une |28 he may be the son of the owner |ber, “Sunshade.” featuring Margaret | bicturization in which Hobart ox § i & Challe outh.” 8 » » Iy : W Marle Ambray form a clever song | c is nearly 2 Lienl B subway. is is demonstrated | Irby and the chorus: a_duet between | Hatndan e b Talph { POLI'S—“TLE Challenge of Youth. NATIONAL—“Ben Hur. | o Ned Wayburn and his latest €10uD | and dance duo. A movelty acrobatic | sympathetic parent’s dictum against |Of the subway. This is demonstrated Iby and the chorus: a duet bet SR production was directed” by Raln! § This “Chilenge of Youth,” which| “Ben Hur” opened the fourth and | O Proteses are holding forth at the | dance on_skis Scored | playing foot ball—is _punctuated | e plecare feature at the | “Syncopated Night," with Dorothy | 1nce. who also plays the stellar part § ovened Iyt eve Poli's Tk final week of its current Washington | L2Tle this week in one of the besti,” hit. Other include | throughout with diverting college | G ot (hiECeat { Rae and chorus. URDOE e . § inpires Tho aners oo 1o, fhet o e | NEAGCmENT at the National Theater | 1104 P the season. Dancinig, comedy | oftsfioe dumces by Larry Kramer and | humor and typleal campus scencs. | Metropolitan Theater this Do The bill is completed by short films, | Wi N R ik | onver the query as to just how big | Meito - Ghldeyn Atk i Spmes charactorize e Severa!|Romeo Sommj, and an Italian num-| The remarkable feature, aside from | Sadie Hermann, as plaved by Dor-| 0t WIS eombleted b short, flims. | he e Wol omewtiat ke i 7 idea ought to be to justify its dra ation of Gen, Lew Wallac e e L0 emake, & {ber by Francis Byer and Lew LeRoy. | Grange's individual performance, is | othy Mackaill. is a saleswoman in a | BODIAT, averve nun S e e § atization. Th b H . oSl . Dleasant evening's entertalnment. The| “mpe chorus is mnot only attractive, | the clear-cut action photography of | Fifth avenue Store and her means of more recently achieved a tri i zation 1ere can be no doubt as | mortal story of the time of Chr production, though long, nevertheless |, ¢, < e e cut 4 pho iy ot S b el | | i he bdsic/clelenis o€ Sraiiin R e ot sre Commanded probably the greates SRl ol g but the members are ained. | the foot ball game,-which forms the | transportation Brons ! RN T e Wi st Aointier ssiste N oo iy [ R L e e D ot shpuld have: | The settings would do credit to a first: | climax. This game, as foot ball | place of employment daily is via the| CENTRAL—“The Sea Wolf." |are lie some and the same quality o [oesrted. Womistakably. the theatrl | 5o i B 208, WSO DS lend dtiisinever tiresome, WTHOUTIONE | Glass miisical coraedy, anilias a whole | cantals o iy nit. ael tho1lls: bt it She long has desired to £0| “The Sea Wolf,” Jack Londd aring characterizes the vigorous cli { 41 picture demonstrates the existence | udiences have pronounecd 1t n bt [§""l‘lf"]l“lf_;’"',‘rfi‘\‘\,“l‘gti sk ey Powder Puff Frolic” is a good| could have been with a little more and is_ever living for that ! realistlc story of Alaskan whaling e o o e et ha ot { of fmmorality in the world. and the | eminent. trigmuh o nart Nt e e . | Attraction. | foot ball science injected into the feventful time. During a rush period | days and the | St i L G L R T § ot e fact that, according to | ilme : ke S onit e | scenes preliminary to Grange's great |one day she accidently meets the | seas of “Wolf . of ee ; . . ; : ¥ to ilmed on u ale, the | May in a clever little s { . 5 Ay, | : e 1S Balfie aiaw in photoplay | I O tworeel laughmaker H college youth is not. ex- | photoplay's autent | Doe.s febiFing songe | COLUMBIA—"Sparrows. | zetaway, which furnishes the real|guard, Herb McCarthy. as plaved by |a poacher, is being sho photoy o i S e bl T g o ¢ s = & g ok | i - | Jack 4 s a e »f love | form as chief feature for the first two | P St ) pathos and tr Suchiouriting | AnoMher foffering hy S | thrill of the plece. But the incom- |Jack Mulhall. Itss a case ¢ 116 by added hoet Teels of Laricd i e ask. “is it necessary to Al oty Of M6 tinie OF Chist Hag | and) Uire proves a Iatieh setter. | parrows.” the film. in which Mary 1, ,p1a pall carrier is there at | at first sight. Herb and Sadie be- of the week at the C LLELA L s R ; . ehwious thing with the : ST GenE: Lot il e comedy in their own | Plckford appears in her latest role. | hest, and_his famous zig-zag trail | come engaged when her opportunity | ter, and is eliciting the (Continued on Page Thirty.) . ¥ of players, e i piring story | inimitable way. " Farnell and | tries to mix Dickens and Dante. | through the enemy line is shown to | *a trip to Paris as buyer | H € ound and an or- | ah. Prince of the House of | Florence have different | The scene: A Laby farm on an iso-| perfection, As an action picture of employer. She decides to g | o) not true that one | fur, The consummate scope of the |kind of c For | lated spot of dry land in a Southern | foo¢ hall, “One Minute to Play” he cement. On the day | gfim ; ©r 1wo other ideas emerze in th fiiera diss Indesdliviaae )l the aorld Reason 3 dur. | swamp, an infernal spread of green.|never been equalled. A difficult feat I Herb is injured in a | ‘ And per oy s o bR S the intermiss nder | bottomless mud, live oaks, alligators| pag peen accomplished with s dent. A telegram to her | i % t that 1 roduction of “Ren H e beauty | 0f the show ken by eicained | audimue sable lagoons. dile MBI | Lyceess) sailing time makes her change her | i s S Smlovel | of the prologue portrayal of the |ReVUe” with the girls doing most of | Old Grimes, owner of;the baby farm. | " iReq’ ipported by mind and she goes to the bedside of | 9 g i the sober and re Nativity. the thrilling seax fight be.|lhe enter Virginia _Bacon, | who collects from the parents of the | yjjser, ot the |6t Tover: ‘Thtre snelearms WiEsirae g7 o ) utlelens |, ooV Khe sl el Helen Shapiro and | hapless children and when the pay-| “Raqie s Charle: tentity, andl thats honsSmoans s’ to i 1k t college hAShe i pe Bl re the outstanding iments stop throws the little ones into| (he role of the “dad & Wivio (0 Paxls: | ivoiensor, ha fither of ehé waywaa [ J550 00 B i i = of this production. The revue|the swamp to be swallowed by the | his dietum in the dying moments of ANl dbeieE ARG BT RS it fler sometimes academ- | (lenic eplaodes. Through the soins | is_presented in 13 scenes iagis. | Tud. The heroine: Molly. played bY| the allimportant fr Sen Hen- h Charles Murray, as the | A FASHION INSTITUTION ions t:lw luted the family it A il e photoplay attraction is “Mis-| Mary Pickford, who leads the little | qrickson, jr., who makes a realistic Alver. ik the leading | Pare Washington. Newlbrh wild party in the tempo Sx of the stors ie ol |mates,” a picture based on the play | brood out of their horrible prison | eoach. and a well selected cast of Hoe dli the g 1l g Wil i PRy s madn |of the same nam Several changes|ith u1l the thrills easily imaginable, | ¢ollegians and unive sity char- | ol Tantural iHix wesks 1 100 much suggestion in the | have he he e but \Klflv wding through the sucking mud with ! geter | upolican. the Metropolitan { decds that have no r St i v interest. Doris Ken- | gne chubby baby on her back. | More college life is depicted in the b ¢ : Place dn Ui tield of amsement KEITH'S—Theodore Roberts. i starred. with Warner Buxte e film is & masterpiece of pho-| added comedy reel, “The Collegians,” | i hatitane, who renders several | - Lol r ).m.,"; fons in whis reception ten Ao abie n EIVINE good SUDDOTL | jozrphy nd the audien “.‘,,(Im,m}:‘. Al fhe. ocihesteil orerene Bl S reliy o Ly 0ty herts, who is headlining this wed Hse o S wlding its collective breath as the the general theme with i medley | Danjel | Brecsk - | relay it the iveBecn ik ing this we B » iy Alexande & i e Janiel Breeskin. conductor of the | ot lemahy |4t Keith's in Man Hizher Un.” | rons coniete tre bt P aliizators and the swamp itself, which | of campus The usual news reel | grhestrn, has selécted as the concert | 5 ment onily in_hopelessly ) izher Up." | Arons complete i like some foul, hungry, cosmic rep-| completes the program i i g e e A It is empha ally true | mu: have warnwed the cock snap at the children i g b 49 Woek PUSMIECIECE " Jhch an ineldent 1s not entitled | his heart, as /it was fully five mute Revue. “The trouble. to be critical, Is that | ;”'. Kid Boots.” The Metropoli | estitie phise fn this dyaniatie o Koot nding on Wilson, o bt i ay- | Orefbulange of the Romsiiie, CamBRted ! Bie Motion: Pivtare @il coING | pecd progrars. i 5 Phase in Iraama ing canE betors e wid who presents a revie with Grimes' farm, Old HRE [l Ea o e [ nSedsRroEEt | he expericnee of Pro pher : t Lo nesting work which it undertook a couple et A deseribed Ty b thor as vith i and three helpers heir | w homelike, comfor place. | " al materialist, sure of e Y old phiy Drifliance and zood juds: | The saurina swamp doesn’t literally | of months ago, is presenting at Ward | PALACE—“You'd Be Surprised.” | o M cin i stops of « to what conscltutes “real | swallow the children, but it swallows |man Park Theater a pleture which is | AFe plent o uett bl ved by ¢l W e 0 veany, t fare o AR L el Ch 1% remarkable in many w although Palace: Thi this week. | . e it t the time ity of and subtitling | supposed to carry the film. The ad- Waiomnel l,,, Clalinl to ereatneeR Aty 1o Eemond. Gt Lis of thal To Her Ma]est\' the ot & et man comes to him picture, “The Waning Se | vance notices of the picture compared DR A o sreatnenisiile el G G T i i > second act he is prosted b Lis nerves. The doctc delicio 1 1w fit with ittle Annie Rooney,” the | its superb delineation of the Teutonic |y, ¢ is the screen star of “You'd Queen Mal'le scovery that, despit glory of o carly crime and savs ] areeious. photoplayCiin licn Masy| mind. Practically a ewin to fsed.” Tt is a rollicking com- | % oing o blow everyrhing to! woman e oand N Pickford appeared. This “kid deama’ | ey e iy which burlesques a_murder mys e o With an infernal mac : liKewise a baveister, Yre hard of the New York slums does .-«or}(b“"“” Gr Dl Chil G| Qniche g m the time the first policemun | 8 o (] b he ol finishe to ext themseives. They con- (o good comparison. Somewhat marred | $hown at the Wardman Park a on the scene until the hand yelcome: he hi tred her too_ zrest test in court, in a swimming pool, at Ly 4 lollypop ending. it was essentially | he (iolem” has an in- [ cuffs are slipped on the surprised vil- {he ‘auils o e m dinners and danee h determined | " well halanced composition of tear ed. But it | lain’s wrists. The story opens on a . et ™ has veally been 5 16d by o Kin to best the other by hook or cun-and laughte It was perfectly na », paradox n element of | sumptuous houseboat. Into this scene & voted care and by Higed | AT Roberts® chars | ving The denouemcent comes with | yral. But it is extremely difficult 1o | tYDe that makes it univers <s the host, who announces the by fr A chal “wha ou | SWerves from the true st ing Dy or ery over yws.”" There| The story of the picture of the “Sultana necklace.” In L i & = “Comedy fque Dance” |5 gne touch; for instance, of typical | Yelopment of the old F) hand he holds the empty jewel ; e form_the offerinz of the Marcuse sis- | <[ {ttle Anmie . Roon artistry - | legend, which to the Anglo-Saxon mind which he shows to the surprised ; : » fers and the two Cavltons. but their | whove the children write a note to | % Merely gruesonie. but to the Ger. |guests. Then he tells them he is goine . biic hit dance. ot God Tezuing Lo be released and sent | DN iS ohe of fantisy & well. It has |10 have the lizh switched off. he wil e \pany v ar by don ward by means of a kite, | MDY characteristics that are vepel. | place the jewel case on the fioor and | Z o RS . iy i . assisted Ve it hecome tangled in Tive | €0t but back of it all lies & moral. | when the light goes on again in a fow | 2 Ly Gy . ‘nches. Here is something just | the 01d moral that all of the German | moments he cxpects the necklace to be | : y | N cizhtof « 56 betivesn hibmor 4] tales possess, that of the (!'mn\p'nlmlx!- -u.;;q?uuid place. Fhis in d;m. | : . i 5 Yates and Carson show i ; of good, es of childish inno- |only when the light goes on the host | 22 2 . . as a child a should be. good 5 - \v onian . 3 : soaled” has its advantages and other- | ho i (5.6 ShIG drana stould e [ cence ama srace, over. the evi Tactrm |15 found Tyving dead with & lon kit ! 07/' mdr ashingtonians! ol ; wise 1 Gl Ao B ke of everyday life. The sr elay | in his hack. O course, the poiice are | i ) Mr. Manvell's musicians round out b s evnd by e statue started on its career of de.|ctlled. who in turn czll the coroner Sidne G : the performmce oty Gi struction and fury by a man is finaily | ho is none other than the silk-hatted ros of D : | stopped through the heroism fith, In his usual sauve manner| ‘ 2 GAYETY Fi | o power of a child. To those who have | N !.lm hold of the situatich, which | : i 4 ne Minute to S ; : . develops one surprise after inother Vi comed | not el O E ho ; i S el ey S s aainag | es Sot comISty ceosmubinaains ST T INE FURS are more than a > 2 : R o Gt R 4 e e R Site TR e e s S sed” s gooc srtainment. and | s : 2 L iy Sl b B e S L o b Fani carving b T bt tradition with Jelleff’s . . . : 5 : eate L Durlesque S¢ : i | . {of his ow he comedy picture line. | i Phyllis S Willin T veturned to the Gayety | vinced that Harold “Red 1ge x| hefore going to bed. and then all night | 71,"1 Qh N the comedy pict s ptard and dosepl Soms I pochuzemnict | Mite sioable of camving ather |lon one sew it enacted over and | LIS i, 55 SO by, Borctty S} i ko S Biether o not this production has | Lennie put over their foolishr this ghow. the pro. | things than foot balls e is | over. e v limE s : 2 2 any wholesome effect depends upon | whout a sundae in London. ol 4 s éntertin. | il competent o bear the hurden The Golem” is another triumph in | e+ i, 1o 1 e that takes pri fi :—jfl pfiesentmg'f the lic question whether essential vulear- | Chisholm was weil received in ¢ the former edition. | of leading woles in film drama_with | the history of the Moving Pleture | yhe of te’ b SUEe isti i i I e wh loved to re. | matic baritone solos. Ken Mu FiSis, Iniinie xble of & vagn. | iU nOGIAIlieRK (ind|dke el TNt of| GUIIA; And {¢/13 one whICH Wil dOITHICh | fivns. vat: ahbwn Hevs i the mifin most dls;“nguls 2 e ZC}:IOHO t ; eal tion toward hetter things, |and_Charlotte had lots of nonsense | comedian, - provokes constant | experience and akeen dramatic [ to aid the work of the guild in “re: | hanses 1t o ies he i and i i i - t 4 - i 2 uses eatures zham anc 1 or whether its contamir < force is | to offer and scored a hit, and George | liughter. Mubel Slone, famed as the | sense, or whatever it is that kes | viving an intellectual interest in the | Clements, two clever performers. who | season, Iashioned in authentic an Without Griftin and company closed the show ! world’s greatesi female base ball u fi'm star shine. { photoplay.™ i T in turn surrounded by Fashion with value exemplificd in our smart selection! Misses’ Coats Women’s The great coat R floor teeming "? oats with business today ! . A FASHION INSTITUTION Paris Washington NewYork Temorrow—A Style ond Vatue Event That Smart Women ond Misses Cannot Afford to Overlook New Lress2s—1,000 of Them—All at one | 00 rice! ! All decidedly New satin afternoon frocks New tailored street frocks New velvet daytime frocks inches are also remembered in this event. For Every Woman : New jersey sports frocks ~ smart and 200 Little Women’s PR — Ny oo i ke | - respankably . ew taffeta evening dresses | . i Frocks! For Every Occasion, gew flat crepe tailored frocks i pric ed! ew georgette frocks 400 Frocks for Women carefully interpreted to fit the frocks that adapt to her own fig- AI.I. small women in Hllustrated— the new Paris mod b 5 i frock in satin ure, eliminating the showing the Jenny Iterations pleated tiered skirt and Sl new basque girdle. 25.00. Misses' dance frock in soft taffeta and metal embroid ered lace. Charmingly pic- turesque. 25.00. 3. Misses' velveteen frock. in- spired by Jane Regney. showing the paneled jumg er and pleated skirt. 25.00. Martial et Armand in- spired this charming black crepe frock, with velvet flounces and the new side- lacing treatment. Misses’ frock. 25.00. Women's tailored flat crepe frock. reproducing a Patou jumper treatment, the new pleated skirt and grosgrain trim. 2500, Women's aton crepe froc interpreting the tiered skirt and sur treatment, with love { — s i 0. i Iy embroidered band. 25.00. . Velvet brocaded georgette and plain georgette com- bine in a charming after noon frock of clever sim- plicity. % Women's frock 00. Another sion of the new <kirt in a lovely satin afterncon women. 25.00. fascinating ver- tiered black frock for b entirely new and decidedly desirable, all representing a triumph in quality and style. - All made in the fastidious manner that you are accustomed to look for only in merchan- dise at considerably higher prices. A very special group of dresses selected to inaugurate the Fall season in our women'’s and misses” simple frock shops. Many exact replicas of Paris successes, clever adaptations, many in- spirations of leading American designers, but all authentically fashion-right. A fascinating diversity of silhou- ctte. of fabrics, of color harmony, of elaboration. . 3 JL’S'[' consider this—1,000 new dresses all 1 grain rib- women's wear. 25.00. Misses choose from 400 distinctive models! Wemen choose from 400 distinctive models! de 1 broca prliqued treatime takes " Premet. A ated on Little women choose from 200 distinctive models! Little Women's Simple Frock Shop— Second Floor Misses’ Simple Frock Shop—Third Floor Little Women’s Simple Frock Shop—Second Floor individual modes, of richest pelts gathered from the remote fur marts of the world . . . and now await- ing the discriminating selection of Jelleff’s patrons . . . the smartest Washingtonians! JELLEFF'S—F Street Every Woman Who Wears Extra Sizes Should See Our Revue of Fashions Designed Lxclusively for Larger and Taller Women And Displayed By New York Mannequins Tuesday and Wednesday, 10:30 A.M.-2 P.M.-4 P.M. TING collection of the love preted by specialists in the design « parel for the larger and taller woman and displayed by rdels wh car siz 38, 1o 5217, A style display that is a revelatisn—showing how smartly the jarger woman appears when correctly gowned in apparel made specially her. Frocks for every daytim d evening, asion will be dis played. No matter what type of a irock vou ‘4 d. we confident you will be sure to find it in this presentation. The collection range from formal evening, dinner and afternoon frocks at 95.00 down to the simple frock for all-occasion wear in the smartest modes of the season at 25.00 each. Therefore, we suggest your atteridance at one of these revues which will be quite informal but decidedly illuminat ing. Sizes 38 new Paris modes, inter Every dress displayed by the mannequins will be available in our stocks or ordered in siezs 38Y; to 521/,. Shop for Larger and Taller Women—Second Floor