Evening Star Newspaper, March 17, 1924, Page 12

C., MONDAY, MARCH 17, 1924. beauty go to Poli’ If Jeujofn. wp- things in life are paid for, In bitter-| G0, ] “Queens of Syn makes s hit with his pantomime and | Kate Toncray, Helen Jerome Eddy, o . derstand Russian_or ness and shame. It is a revelation of " | whistling and Noel Le: George Nichols, Edward Burns and Tonight ' thems avtléts will prement 3 S = Aad Moal Lestsr And) com. e SO ; -3y 4 will be Maxim Gorky's “The Lower|Eotten the women whom they have| At the Strand Theater this week |walking, magic and ventriloquism. 5 ! foCOughS 4 Metropolitan—Constance | Depths.” y might the|loved—heaven save the mark! Edith Murray and her “Queens of | The County Kid,” starring Wesley whimsical “Uncle Vanya” of Anton| .The Lullaby" 2 o . Barry; is the photoplay, and explol ey | | UsePisors—this prescription quickly | Tchekhoft will bo on the program, ,n,e,,!lm‘f by s dramatic: it 1| Syncopafion” head tho vaudeville of-lineo” ‘bova. W Barry, 5 Talmadge in “The Dan- | s S o e M A T}:eate Tsar that needed no further explanatlon | whilo on Saturday night /Dostoleve 34t p Eidnia s ° 1ith | 'Donnell - and Maid." Apleasantsyrup. No oscow Art K= —something cruel in his sneer and | sky's “The Brothers Karamasoft” wlill |the things we do must be paid for, | With her “blues” songs and tantaliz- | iy "an amusing story of three o gerous Maid. I5cand o0c sioes Fyodor I itch.” poison-smooth in his voice that went!be on the program. Thursday after- |sooner or later. But it also shows the | N8 costumes, 18 the bright particu-|phang, all alons on an old farm with | Constance Talmadge = yoclor 1vanovitc further than mero verblage. The|noon “The Tsar" will be repeated,|woman suffer! hego the man—. | 127, Star of the number, although the Wa Literature of the stage came to|third great figure of last night was|and those given immediately above OEIAE LR — | Caprice sisters go far with their Washington last night, when the| Vassily Luzhsky, us Prince lvan.| will follow In the same respective MR In this casc—apparently s per-|graceful duncing, The other eirls o Play - | leadet of the clan of Shaulsky. Ven-| order on Thursday and Friday nights |Mitted to escape at least the heavy |are g0od both s dancers and singers Moscow Art Theater Players pre. : .,, oy and the combined cfforts of the 3 e voder| orable but strong was this 'figure,| and at the Saturday matinee. payment meted out in her case. It|fnc ihe cemblact cf B sented Alexel Tolstoy's “Tsar Iyodor|yincere in tones and slow but sure- | & as trank in detatls as “Simon Call- | JOVRE TR 0T & ERROE SO0 Fouks Ivanoviteh” at Poli's Theater and | moving in his gestures. A strateglst| D o2 “The - Lullaby." |54 Feter” but, uniike the Jatter, it |35, 50 08,1010 10 08 W00 G recorded favorable reactions on two | and a fighter, sald the English trans- | Fresident— e ulla Y. |does not glority what we call im- | orlpiion are gtven in handaoma cos- distinct classes in the audlence. lation., And he showed it. “The Lullaby,” which began- the |™YPRIY "0l 0 o0 an admirable | tume One class included those who un- ou{l\g_‘}! "}Dml":_‘; afi::‘{fi;fl::‘g‘;’;s second week of its run at the Presi- | performance. Her acting of the part|, Mary Walton and Fred Brant in derbtood Kussian and appreciated tne | OFRErS 10, SuPPOTL, aitaling MOlERID ) dent Theater last night, was perhaps [of Madelon shows a roal grasp of [“Huh™ are entertaining with their ; e 1 ; g . 3 3 iven its name by Edward Kneblock, | drmatic values, hnd her characteri- |clever lines and rapid fire repartee. Russian = word artistry: the other} you have a vague and fleeting idea | &l name by Edwar noblock. | oo ¢ions of Madelon at various stages | If You enjoy a good laugh don't miss class those who did not understand | of what the Moscow Art Theater|the author, in a fit or ironic Pf"‘“‘lmm seventeen years of age to more [this chance. The King Brothers, in guardians, but out “for e e o Intonas | monma fo one who dossn't understand | LERIRG, i EeR MR s oon "mame any | LiaD, sixty-Hve, aro capital. ‘Tho work | “Thrills and’ Capers,” display streneth tions of a sroup (hat showed—cven | " "Fho soencs, which are reported to|theme is the contrast between the [0, 0 o0 CrOSbY, ekt | Loy in Melody ‘and Pantomimioalisg ave to those who could not undersiand | have come from Germany, seemed to [JOVINE care of a mother and the bUf- |and Ralph Maynard, members of versatile ‘and good singers. ~Bdith 2 ‘:::‘ilr l(h-.v spoke—that lhg*&_ Weie | strike home to those who knew Rus- h“"fmge‘: iy :1;7 M%?n Yo [eneater .zuuu. is also good. Kuchn 15 o fine violiaiet and Iurt T X at o sia and Russians. The stago ar-|&fayle to the Garbase O ol rangement, although a bit roush, it|pe g less euphopions but more de scemed, brought beauty.in its raw|gcrintive titla, eiving the Starting stato " fo the Poll = stage. Espe- [point and the finish of a plETimage o | vially, the last setting, the ~cathe-|through life that becomes more and e dral, ' was charming. It leaves a|more hitter. > audience, W mark that a spark of beauty does| It is the story of a woman good at called he cast | that 18 not blurred by ignorance of | heart, forced by circumstances to the in with its tribute of | language or non-understanding. of|depths of human degradation. It is diction. This may be said for the|the story of a first mistake—tault, if entire presentation. 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