Evening Star Newspaper, November 6, 1923, Page 19

. (OFE of the most extraordinary weeks for legitimate drama that ‘Washington has ever known .was fngugurated last night. Seldom have 50 many eminent names been grouped Within 8o short a time limit. Changes in customary forms of theatrical ex- pression on the part of eminent fa- vorites make this brief but brilliant season the more interesting. Otls Skinner, who for a long time has, Deen appearing in a rather conven- tional play, “Mr. Antonio,” resumes the splendors of fantasy, and in Sancho Panza rivals his own emi- nent gelf as he appeared” as the whimsical Hadj in “Kismet” Ethel Barrymoro varies her paces In an interesting manner, which may or | may not satisfy her admirers as to ! its precise adaptability to her talents. | ALl in all, MENTS Her following here s large and has been loyal since the evening when she made her debut -at the National Theater in Clyde Fitch's “Captain Jinks.” The name of Eleanor Robson. which comes to attention in connec tion with “In the Next Room,” is also associated with recollections amongst this city's theatergoers through the production, with her as star, of 2 will's ~ Merely Mary Ann RobsGg now Dresents herself as au- thor imetead of actor. Another emi- nent name in authorship is that of | omerset Maugham, who is promi- nent on the billboards in connection with “The Camel's Back.” And, b: way of a reminder that the war amid its terrors had some gentl moods, Bairnsfather, the inimitabl droll exponent of type, is with it is ong of the bus weeks likely to occur during the se son for the playsc wish to run_the worth while things. risk of mis ————————— NATIONAL—Otis Skinner in “‘San- | cho Panza.” With all the fantastic gorgeousness | f the Moscow Art Theater, embel- | Hshed with cestumes well nigh gro- in this day and generation, in which the colors in va nt hue romp nd riot, r offending the surprised »ut mot startled eve; with the beauty music ¥ very mood; with sin- ular philosophy of 1ife and govern- ent, strangely attractive, even pop- | lar, to the present generation, and wbove all with the graceful charm and insinuating humor and gentle <omedy of Otis Skinner, the polished actor who mever seems to act, but t ive his mimicr Melchic eroic comedy, Sancho Panz rdes tasque | nev “Don_Qu by Ric! teynolds. knows £ Ram’s Head 1| with a curtain picturing th attack upon the w nd painted by Regi the judgment r with the is cubist art | given its first t the Nati 1 Theater ! vet not bewllder- as the laughter satire with: a 'mingly to make the that have se look of gentlene: .. Above all— | k to per- ! with but | le, eentle and, mast 1l 1s Don Quixo nd promis- | g nd | elf had lost forev for the sulitle art of And, however appealing | play’ and its fantastic . the four vigorously demanded tain calls after the sccond and peated after the third acts seemed an_irresjstible summons to Ot in- ner to receive the homage that Wash- gton is al pleased and proud o_tender him Mr. Skinner present engageme #gement of Russell program st: conquered hin; | furnishes | nzdom, then fine setti the pears during his t under the ma ¢ and. as t 5 arrangement vith Charles Frohman! a declara- : seems so appropriate, in the general excellence of the hat one might be for- | 2 it to he true. opens with a briet| staged prologue, in te on the attenuated his only appearance. we find the starving ng_for food, and his faith- | ost human Dapple as little| nted master with the ise of the governorship of an comfort. t act is lald fn the court of Duke of Barataria, with its in- tirigues of church and state, troubled over the demand for ‘taxes from the. king and the sullen discontent, al- most insurrection, of the people. Hera Sancho arrives wlith his donkey dur- ing the reading of Cervantes’ famous work and, 1 singular fancy of the duke, i with the office: of Governor a, loses the nor's -r d nnfolds the amusing ceremonie ti of the »vernor in cast- ide important clamation nd his rustic indulgenc ving for food, after he first s the physician whose orders might e pushed starvation to its ittermost limits unless checked. third act, a_cathedral scen Sancho, like Haroun-al-R: ng among his peopl their distress and to win ) them by his administration of justice, «nd the fourth uct n attemp d coup d'etat by the which Sancho 1 to the people, and his lermination to return to his faithful wife and children whom he had aban- domed to follow the fortunes of Don “luixote, now convin arn to be a r ause his heart feels t hose whose | ‘fhe cast that supports the distin- xuished actor'is quite adequate and its into tho fantastic story delight- “ully. BELASCO—“A Royal Fandango.” First-nighters at _the Belasco last night, when Ethel Barrymore came to town for a premier of Arthur Hopkins' presentation of Zoe Akins' latest com- ody, "A Royal Fandango, vith the knowledge that they ‘had not only seen Ethel Barrymore perform as only Fthel can, in a vehicle most hap- | pily selected for her peculiar, intriguing | Thesplanism, but also had been pre- sented with a distinct surprise in the person of Senor Jose Alessandro of the Argentine. . From the buzz of departing spectators ree distinct reactions were- recorded. e first was that Ethel Barrymore still sits high in her firmanent as the only fithel Barrymore. The second was that i Zoe Akins has furnished another high- type comedy, mild but satisfying, de- vold of vulzarism and slap-stick, but by 30 means anything extraordinary. The ihird was that Alessandro is in a fair way to walk into the hearts of Amer- jca’s matinee fans as the long-awaited sheik of the speaking stage. That Ethel watisfled her Washington, friends was demonstrated in the acclalm that Urought six curtain calls. That Ales- sandro's performance Was not over- ooked was shown In the distinctly en- thuslastic plaudits tendered him after the eecond act, when he responded a Uit in advance of Ethel Barrymore. “A Royal Fandango” is sedate. It has saveral fetching risque possibilities that 7all to materialize in 'gross vulgarism, nd the art of Zoe Akins is demon- «trated In the facllity with which she islimmers over such situations, neither overtouching nor avoiding them. The comedy is a satire on matrimony. His royal highness Prince Peter is a “very good friend” of his wife, the Princess Amella—FEthel—and the princess has ‘no secrets from my husband,” al- though she does love to fall in love and be whirled away on the magic carpet of romance. Nevertheless, when it is| suggested that she have her marriage annulled so that Chucho, the shelk matador, may marry her in decency, she asks—and it is only Ethel Barrymore who can ask a queetion in ‘such a tone -/‘And_make my three children illegiti- mate. What sort of a mother do you | think T am?" Such Is life in & royal Tamily. 5 At the end there is the feeling that this i8 only the passage of a ghooting star of one romance Across the ro- mantic life of the prircess. The star rises slowly with the advent of Chucho, reaches its zenith with the princess’ head pillowed on his lap and his hands clasped in hers, and de- scends beneath the horizon with the prince and princess departing from the mountaln castle of the matador in an airplane. Ethel Barrymore is quite satisfac- tary. So is Zoe Akins' comedy, de- pite its abrupt and vapid termina- ¢ion; Senmor Alessandro as Chucho hows clearly his experience on the onttnent—hy the way, he plaved at a maid, de Carrlere delicious! Camel's Back," the the facile pen of whi ern epic in every de: o profusely for emphasis, ril the Temps 3 P folerant Keightley protector of his wife, and Beverly Sitgray pious mother, renowned f for her saintliness, make a difficult _characterization mainder of th well to the come On the who The Royal Fandan- £0" would not be wished o | ed a “knock-out,” but it Is atisfying, with deep, veil punctures at n'tyy mony existent to it you wish to top and analy tis well selected, and, hel Barry- more is Ethel Orion in Prince the best of The re rdapted xt Room,’ r Pord, night present Shubert-Garrick cked ditions th MeClin A despite elimatie cc venturing abr itself, testitied to its hig So evenly eter in the select any choic ho t made ly deserved balaneed s every char- it is ditficult i particular stars, but if Krame Rida nd Claude King, Bach role is flawlessly n on the verge of Time a one fled that i ous collaps rst two a back, sat the veil next m until it solves its own supreme and final hattering suspense thing starts to minute Philip Vantine home a buhl cabinet. It has been in the ion room a scant hour whes st . who has been waiting to see the oc tor of antiques is found murdercd by n means. A’sccond murder, in wh woman seems to figure, follows immediately, both “in the next r How they are finally solved and subsequent tragedies wverted a hair's breadth play George Riddell h, of the nervou 2 moments by terization of an In direct contrast s Ankrum, neurasthenic f moment of hap. brings | his the Arthur Alb porter; Olive nd M POLI'S—“The Camel's Back.” h domesti , despite its t . has provided the s refreshing h opened last night at Pol “The Camel's Bac threat- d into the ultr: cighte times to tre; era. An Wwho use ening mo Dpe mother approachin period, the ho steps out not intreque 1y with her ism of the Maughum into his new play those with of the Avery Hopwo Ithout overstepping the convention- bounds of propriety. acetious dialogue, brilliant fatire nd humorous philosophy abound in 'he Came ck, all hut talented its effectively. There too, is the in table love theme, but it 1s a wea supporting pillar to the base of the production. Throughout it all the author fun out of mar. love, psycho-analysis, and taken a clever wallop a nt day moralist. ry oven around an Eng- , an ardent advocate of cencies of the soclal structure he is accustomed. The anncr in which he is forced to take another slant on life is the essence of the comedy. Dissatisfied with her husband's ap- parent self-satisfaction and stub bornness, the barrister’s wife pretends to have & love affair with the fiance of her niece and subsequently denies ever having admitted such a_situa- tion. The husband naturally is con- departed | fronted with a dilemma, and in the | meantime the family physician is ;alled in to convince the barriste that his mentality is not up to the standard. Through the three acts the barrister is constantly Jjolted from his conservative ways—Air: when his ward departs from the path he has laid out for her; second, when his mother refuses to leave the asso- ciation of her friends of a shady rep tation, and again when his wife re lates ‘her fabricated story of In- fidelity. Charles Cherry portrays admir- ably the character of Valentine Le- ferve, the barrister. As Hermione, the scheming wife, Violet Kemble Cooper displays excellent _ability. Joan MacLean is the vivacious flap per, who with Gavin Muir, an easy- going philosophical youth, made an excellent match in the too few love scenes. Weo Ilked the way Muir ad- dressed his prospective law as “Old Bean.” The crescendo of the humor came in the final act in a love scene be- tween the barrister and his cook, the latter character belng portraved by Margaret Moffat. ' Miss Moffat has the ability, ‘and the audience appar- ently regrétted her brief appearance before the footlights. Arthur Lewis as Dr. Dickinson was a Dickens character to perfection, and .Louise Closser Hale is destined to linger long in the memory of Poll’s first nighters for her remarkable portrayal of the grandmother with ‘“flapper® e d _down'_ t mmere: lown 0 the actual foundation, “The Camel's Back” is for the blues. a sure relief B. F. KEITH'S—Fritzi Scheff, Richly gowned, as pretty as ever and in good voice, Fritzi Scheft heads the week’s bill at Keith's, “Wildwood” and “A Kiss in the Dark" are her new offerings. In addition to being unusually melodious, they were sung with the proper féeling ‘that fits Miss Schefl’s pleasing personality. But there is nd getting away from “Kiss Me Again” from “Mlle. Mod- iste," which was received by the au- dience with tumultuous applause, Harold Triggs, at the plano, also scored with intricate .solo numbers while the star was changing gowns. Many overseas boys were in the audience, and when Capt. Bruce Bairnsfather came on he was made to feel at home by the spontaheous and tremendous applause. The cap- tain, who is a good talker, apologized for going back to “the big scrap” for his material, but said that his char- acter sketches were the outgrowth thereof and-lie- would be lest with- » r who does not | ng | father-in- 1 | 1 thrilling enough in | leton of a land justly | | | | | | i { i | H f i { THE EVENING B —— out the sensational and awe-inspirs| ing background. Scenes ac the fron from old prints were thrown ®n ther screen, mostly of the humorous sort: and then in conclusion he once mord used the charcoal to displéy th& well _known features of “Old BilL's In response to many curtain callst the captain thanked the audierce for its splendid reception. 3 Other taking acts on the progrant embraced an original smart offering by Wilbur N and company, thé patter being clever and the dancing neat; Kelly and Birmingham, In & sketch entifted “Picking a with excellent dancing and medy clean and taking: Smith vho sang their way to harmonizing original Donald Trio, that rode: Bert Yorke and Ed. t away with a lot of and were the laughing: and the wonder-: Shelk, in pretty] usual house at- foolishness hit of th posing horse with th the A Bairnsfather Aftermath. Following the performan, Keith Theater last evening an} ate reception given in they promenade lounge by Manager Foland Robbins to the organization ofs Ove! iters Bruce ather, tions featured the nd British flags intertwined. uctions to the guests of honor made by Mr. Robbins, follpw-3 h @ buffet supper was scrved 3 usic was furnished by a special chestra during the reception Droper 3 and for dancing which concluden the s of the current Keith] : among the guest: 3 Introd u 1 with vig. Four Collegians. e times when the ¢ 108 Theater Ml seems to greatly out- class its charges for admission, and this week the is such a entertainment of the patro: Avenue playhe 3 First of all, is its photoplay fea Pola Eri's Paramount screer siv of the fa the sto fich ird w ne; up ked her own because ing limi her not With fine s pecially of its sto : times thrilling be the best of the Fola have been The vaudevil her ancis and offering ris a is by dance s by the pre ans that w puiar dancing rwey, the musical closwn New Yor podrom with his autitul ing f pretty sc lation in’ ch. h songs, includi country ind the with fami no more. outstand the quaint ch wind ¥ with » knows hw n an complete Urban N ¥ for laughte ram GAYETY—"Monkey Shines.™ T ln»)';“ “\‘ : v iwdust van a a4 saving it the old lu can never be same 18 true in s at rair were burlesque p obby Cla n of many. the rdern burl one of great trohs, was, -l best come- These t&o of a Bi r spirit 1 vety this w ingly new, nd scene lines a the opin n in m s Tow Broadway returned” to The show § th ok bath uations of the is well named N ZZN R Never more than onc AR, Shines. man, in a 3 lish High-8 Eregation: of ep ¥, and vleasing. CENTRAL HIGH SCHOOL—Dill- serious and threo-part bits of rhy Among the entations was the adagio mov ‘sap?’ make-up. 18 mede in unison. its dance ing-Devi Recital. An appretiative audience last night heard the harp and song recital by Mildred Disling and Ratan Devi, Central High Sehool, under the aus-! i pices of the Washington Society of Fine Arts. Miss Dilliyg revealed a control over Ler beautiful instrgment which was satisfying rpt only.through the more mbitious gumbers of her rogram, but in delightful amic and tinkling beauty. 50 vital to success In a nd yet there sult the wad positive, pressive variety theme. more to béautiful from: Beethoven's Sonata;s" into which she infu toveline Saint ‘Her and ‘Bource,” b; “The cksmith. group consisted of WASHINGTON, D. C, Ao chief shiner among the girls is Minnie_“Bud” Harrison, who Is_rather flarge for a soubrette, but who has 411 the pep of the smaller type. Sarah Hyatt made with goo: songs and May liberally £pplauded last night at the conclusiorz of a yodeling specialty. A ever eccentric dance turn was put on by Jadk Thomas and ClNff Hay- and Hugh Wilson was laughable The Six En teppers are a graceful ag- dancers. whose every - uite a hit yers was o chorus has been well trained numbers were very of her Harmonious by Handel, were rend rous, sure expression. The Reni C, TUESDAY, NOVEMBER 6, 1923. HOLDS ECONOMIC INTERESTS SERVED Coffee and Sugar Exchange An- swers Government’s Action to Re- strain Price Quotations. The reply of the New York Coffee and Sugar Exchange and the New York Coffee and Sugar Clearing As- soclation to the appeal of the govern- ment to restrain them from making sugar quotations has been filed in the Supreme Court. Referring to the government's con- tention that thero was no economlic justification for the sudden and ap- preciable increase in sugar prices on the exchange last spring, and that the increase resulted from a con- spiracy to establish arbitrary prices “to the enrichment” of the members at of the public, the brief said the ex- change was organized on substantial- ly similar lines to the Chicago Board of Trade, with the exception that practically no spot sales or sales for immediate delivery are made, “The exchange, by affording a mar- ket for future’ transactions, under regulations which prevent fraud and unfair dealing.” the brief stated, “ful- of the exchange and to the detriment | bill for I GGG % ation” a true “harmony of s od de Guillot ) sprightly, deltghtful, Pierne's “Impromptu Capric; numbers weére Debus ra hesque,” “Le bon petit roi d'Yvetot,” {and a romastic, blustering, bravado, prinkled €fth brightness, Ballad Poenitz. An inkling, tiny tones of a maneftsta- by Perilhou, an Dev with accomp banjo: in East Indlan songs, nt of the tall or| instrument, which ike ved while seated on the floor | an artist with Zast India cla. luding an invocation, a ain song and a mid o filled with mysti- . sweet Melancholy, and for the part fdllowed u chanting, un- expression, at tim but haunting intervals, Ea rare off 1 song: nosphere constantly land whence such The artist's voice w liquid tones and mar- iissimo effects. Her Songs were charming. usic came. That's a fact—when you;really Paint! to spread on—it’s Ara- | | fills a great e tating the marketing | crop, eping th | suming public of th | prices few gr which with their vast capita otherwise be able to la c v notoriously ha the Speculat transactions, is sistod, have been relatively The government's bill was dismissed by the lower f acking in equi declaring th Cconspiracy, cc restrain lin no facts | hination or to a_ very simple, to be a very way of ermining the nonedible _quali of arieties of fish they n run across. In th what water | sliver coln. If the coin natural color _during proagess, the fish is But if it turns dark, jected. the good the foo you paint with “Murco”™ urco™ isn't just a preparation | Protection—lasting protec- tion; and it comes in colors and sizes to suit every need for every job. Be sure that in purchasing paint you are care- ful fo specify « “Murco” Liquid Paint The Lifelong Paint I€ is scientifically compounded of 1009, pure ingredients—Linseed Oil, Turpen- tine, Lead and Japan Drier. Plate Glass Table and Desk Taops make most acceptable Christmas Gifts—get our prices, théy’re interesting. E. J. Murphy Co. 710 12th St N.W. Main 5280 Your Choice of Formerly $5 to $25 e a season can’ such a wonderful chance b} hoped for. And women know it! Haundreds are selecting new hats to go }with their: winter apparel at exac one-halfé . what they had expected. sDon’t missi this opportunity—choice o¥ Fall Hats, Meadowbrooks excepted, Kalf price. . Hats for every océasio?—hau forf; women—for misses. Think of the de-: cided freshnéss one of thes, to a costume. Dashing and turbans for bobbed medium and large shap wear. VELVETS rich becomingly trimmed. . Here $5.00 Hats, half price.. $6.75 Hats, half price: . $8.75 Hats, half price. . $10.00 Hats, half price. $12.00 Hats, half price. y hats gives lijtle cloches, hai¢ wear, also; es ¥for dressy: and colorful—; Panne Felts ... $250° B .;......54-371 $6.00 -$22.50 Hats, OFF Regular Marked Prices Lovely Trimmed Hats of Lyons and Velpet, French ~ and Velours Meadowbrooks : Not Included How You ‘Snve—'— $15.00 Hats, half price........ $16.50 Hats, half price... $18.00 Hats, half price. .. $20.00 Hats, half price. .$7 .88 115900 ..510.00 half pgice.. ..$1125 $25.00 Hats, half price.........$1250 v domii edible any v_happen to retains onomic function, fac e sugar ducing and con- | dvised of the trend of | | world opinion with respect to prices | preventing the control of | refineries, | al might ate ave done was in- few. properly al courts the brief showing | ert- con ed ract or and effective or new BREAD-PRICE “T00 HIGH” AT 150 BILLION MARKS | Berlin Food Controllers Order Bak- | ers to Accept Receipts—Card System to Come. By the Associated Press. BERLIN, November 6.—Bread priced at 150,000,000,000 marks a 1. yesterday, but none was available even at that price at noon. The food con- trol commission denounced the price as too high, and ordered the bakers to take receipts from those unable | to meet the figure. Great confusion | exists pending re-estaldishment of the bread car The little bre Business 000 rks, but peop Th i MEMORIAL TO TUTTLE. i, St. Louis Building in Bishop's| the 19 {in the morning went for 140,000,000,- majority of the were unabie to pay this price. banks were also without pa marks this morning, but were prom- | ised small amounts for the afternoon. Honor to Cost $1,250,000. ST. LOUIS, Mo. for_the erection rial to cost $1,250,00 b late Bishop Daniel Sylvester Tuttle, bishop announced presiding church, were Very Rev. Willl Christ Church C: orfal will take the form of | VERY DEEP CUT IN' PIANO AND PHONOGRAPH PRICES---T. P. CULLEY AND SON INAUGURATE TREMENDOUS | FACTORY COOPERATIVE SALE Noy £ of am thedral. mber 6.—Plans national memo- in honor of the the | @ building to be used for community social service and diocesan and ma- tional church work, according to Dean Scarlett, who said two-thirds o? a million dollars would be spent In construction of th building and the balance would be used in endowling A campaign to raise the funds will be started early in 1924, the an- nouncement added. —_—— LONDON, November 6—The min- ! ister of agriculture has received in formation .from the International Agricultural Institute that Germany's | potato crop for 1923 1s estimated at 31,000,000 and the sugar beet crop at 8,400,000 tons, as compared, | respectively, with 40,000,000 tons and 10,600,000 tons in 1922, r tons, 22 Years in ' Business i TO CELEBRATE THEIR 22D ANNIVERSARY ,‘ The Factories Forego Their Profit on Eighty-seven (87) Pianos and on One Hun- dred | | ! Cost of Production, n which | the fish is bolled is placed a bright | its boiling 10 « 0d is re- IMPORTANT—There is one thou; phonographs that we would like tc else, and that is, the RE. i3 an offer we will scarc friends and the musiclovins LISTEN—B dealt with fo ington 2% year Now we want tlon. We are do our part to ny vears, Compri; e sold literally nice by ac help you in this sale This is what they altogether did: They shipped us 87 Plan (100) Phonographs—Culley & Son Cut Their Profit to the Vanishing Point, Thus— 3, MAKING THIS THE MOST MEMORABLE | PRICE REDUCING EVENT IN THE PIANO SELLING HISTORY OF WASHINGTON Grands and Uprights. || THIS FACTORY CO-OPERATIVE SALE MEANS A SAVING TO PURCHASERS OF 1 AT LEAST /+ TO # USUAL COST OF GOOD PIANOS AND PHONOGRAPHS Terms—Factories Also ‘Co-operating on Terms, Thus You Can Suggest and Make Your Own Payment Terms—That Will Be Just a Heart-to-Heart Talk With the Salesmen. BIG SALE BEGAN YESTERDAY AT 1119 14TH STREET N.W. AND WILL LAST TEN DAYS OPEN NIGHTS TILL 9:30 & 2% > have on to make al take lea to put on this 2% what we and this is thousa nds t-price sale adv Birthda of ¥ d r product. ple down there, ot and we Sale we to them: We cannot do mu What can you do for us?” “Well,” This Anniversary Stock of Pianos and Phonographs Which the Factories Supplied Us With at Their the Best of Makes Including the Celebrated Kimball le of good pianos, players and if you forget everything prices and the very easy terms. It shall be anxious to have old patrons, ntage of and secure the great benefits of this sale. visited our factories that we have ‘We have been in business in Wash- We have prospeved and so have you h without your co-opera they said, “we will at THEIR COST OF PRODUCTION and the phonograph factorfes shipped us 110 phonographs at THEIR COST OF PRODUCTION. Concrete Examples of Big Sale Savings on Uprights, Grands, Players, Phonograp.s—All Standard Makes, as Noted Akove. Example No. 2—Grand Example No. 1—Grand VLG LG GG GGG - LANSBURGH & BROTHER :420-430 SEVENTH STREET N.W. BPPPEDEEECRBYP PRERBD DD DD BEAUTIFUL BABY GRAND —Established price, 8675; fac- tory discount, 8114.50; our dis- count, $03; sale saving, $207.50. . ““‘“‘ . $467-50 price Early Call Wili Pay You ‘10 Example No. 4—Upright HIGH-CLASS NEW UPRIGHT ~—LEstablished price, $875; fac- tory discount $67.50; our dis- count, $46; sale saving, oo $262.50 rice. . $125 Now $62 Now $49 sale. of pianos. - 1119 14th St. N. $3 $135 $68 ARTIST BABY Established price, $1.050; fac- tory discount, $167.50; our dis- sale ... 8789.25 MAKE YOUR OWN TERMS DURING SALE Buys Many Pianos, Players. Up to Three Years to Pay. count, $93. $260.75. Sale price, . Down saving, At this sale we will close out all used Pianos at half their value on payments to exactly suit you. $350 Upright $550 Upright $400 Upright $375 Upright $325 Upright $600 Upright $400 Upright $300 Upright $275 Upright Teed Cut to Used Cut to oed Cut to Used Out to Tsed Cut to TUsed Cut to Tsed Used Cut to Tsed Cut to $69 $245 $137 $165 $87 $327 $110 $93 §75 $1.50 to $2.50 Weekly Payments ALL PHONOGRAPHS or More Down $1 Week Up Al $145 Now $72 | 75¢—$1—$1.25 Per Week and Up. Act Ouicklv to Get One Out-of-Town Folks—We are sure it will pay Railroad fare for 100 miles around W.ashi e | i' L1 A $75 Now $37 No. 3—Player Example PLAYER PIANO, Highest Class ablished price, $650; factory discount, $117; our dis- count, $98; sale saving, $218. i $437 Open Evenings Until 9:30 USED PLAYER Other Used Players Some Like New -$550 Player Cat to $348 $650 Player Cut to $385 $750 Player Cut to $467 Get One Now On Your Terms. AT HALF PRICE $175 Now $87 $225 Now ' $108 u' to come many miles to attend this n will 22 YEARS IN BUSINESS w. 1. P. CULLEY & SON 1 be allowed on your purchase Phone Franlli~ R74¢