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THE EVENING STAR, WASHINGTON, D. C., WEDNESDAY, DECEMBER 13, 1922. 27 and “Beloved, It 1s Morn,” by Wint- | same easec and beauty that have|the National Theater, Thuraday after- | ing his final program here this also woven in with throbbing rel]-iHALTs RUNAWAY HORSES | ney Walker. happened to drive mast. ter Watts. 7 = made his popularity international. noon, at 4:30, under the management | son. At the next appearance of the | glous fervor. At the brilliant close of e i\'flh"- stopped the ear. dashed The club sang with its usual mel-| O Sleep, Leave | of Mra. Wilson-Graene. orchestra locally, Alert Coates will|the symphony the audience applaud-| Two runaway horses. with a wagon of | 4fler the horwes, speeding beside low tone and precision of attack and Miss Hempel will wear an exact|conduct the organization. them for a short distance, finally e & recisior e . i f ! Riley Lumber Company carcening | grabbi - > release, “Good Night.” by Rubims two Handel offerings, were |copy of one of Jenny Lind's gowns, | ““The pro z ed enthusiastically tn appreciation of | the | Erabbing thet- reins and placing them P Rubinstein Club Concert ! Spross; “Marriage of the Kos the cpening numbers. The tenor|which was made for her last fall in TG e e I hat many critics have classed as|from side to ale beh o A, Hh et | e e e YDt nstein cert. ; . ' | probably work of the|Parls, and her a tiste w. losrang ; « laza in fro on ed woman & Cesar Franck, “The True H y | probably id s best 8, o ssisting artis tions only, the Symphony No. among the great ccmposer's Xe!s!l‘lllnuon late yesterday afternoon when | little girl in their path | afternoon with Rachmaninoff's * the Children,” which he sang * Whe Rubinsteln Club. Claude Robe- | Vidal; “Maidens. Remember.” i rbed as fittng the time. INn|in £ Minor, and the Concerto, in B #0m conducting, inaugurated its con- | Weckerlin, which had o) L th nf and song the atmosphere of | et Minor, for piano and orchestra. compositions, although it is undenl'.~| Detective Sergt. Arthur Scrivener of | The horses haa Peen running for s 3 on- | e “Woodland Spirte rare feeling. Other numbers W on days will be preserved. | - |bly full of color and marvelous tone | headquarters, with Chauffeur Whit- ' distance of several blocks. @or¢ season last evening at the New and Sp Lo feeling \Other numbeskin Mies” Hempel has bacome one. of | Boil humbers were filled with the pe- | effects. _ ; —_— e Masonic Auditorium by introducing Bridges; “Desolatiol America's great favorites. | ed appeal of conflicting |~ Alexander Siloti, the pianist. who = : i > 1 Bontock; _* A Seats may be had at Mrs Wilson- |, —gay _and_somber—that i8 | numbered Tachaikowski among his per- | two American artists. Olive Nevin, 1 » Bo : ,4 J 3 y Russian. Yet the symphony | gonal friends, yesterday evinced his woprano. and Haroid e | L UIE Flane tek [ i by Cesar Franck: tThe Groene's concert bureau. 13th and G| yuy the more polgnant of the two in | aCtistry in an extremely sympathetic Poser-pianist, in a ih--rsrn:nlusx::m_n as 2 .:‘st;:{f:‘_l:(or(‘e';-, 5 E the almost gruesome fatalism that| jpterpretation of the soloisf's part in ontitled “Three Centurics of Ameri- | Unusual attainment Ne . | was the underlylng motif of even the| tne Concerto in B Flat Minor. Mr. ! can Song.” Mr. Mulligan is s v | = 5 A ew York Symphony and Siloti. |brighicst of the sometimes brilliant | Siloti” deserves to be remembered for | Speaker sand. was both ilium < John McCormack Recital. "The Prince | The audlence which filled the Na- PRSSISCC | his own mastery of the plano rather . o recedsaCeath Troup of John McCormack’s popularity with | Went A-Woolnkl I Athlone” 4nd | tional Theater to capacity yesterday allegro con anima, rose from very | maninoff how to play that instrument. ' called the atteation of the Washington music lovers was made | 08 ROMULS o Qe ST o plauae | 8fternoon to listen to the Tschal-|moody chords to a sharp-cut bril-| There Iy, indeed. quite a family re- To the ‘fact that in the movemeat for | e < v afte 5 At i % llance and then returned to an im- | gemblance between uncle and nephew, [{} o e\;:loi!n!laon u“‘\ movemeny for certain yesterday allnrnéon when, 'l."""‘ d_the singer before the curtain | kowski program prescnted by the pressive finale of muttering drums. | particalarly in the attitude they both 1] though compelled to share honors| numerous times. New York Symphony Orchestra was|The second movement, the andante|assume when folding themselves on a composer there seemed to be i gen- . . o T e e At the Amari- | with Alexander Siloti and the New |, 1€ Mr. McCormack's recent serious| ong of the most brilllant gatherings | cantabile, embodied an almost rell- | piano stool In preparation. After the gan composer Is 4 comparatively re- | York Symphony Orchentra, he packed | s e e e ot 'wpparent | Seen this year at any musical enter- Elous nong motlf that ia familiar Lo | aected posings of some other pianists : 3 y rove : : of the o oW o e o wharcas | Poll's Theater to the doors. X to the ‘audience yesterdsy atternoon | tainment. Many people prominent in | more popular With the gudience than S aertar. Hils bomectat toain e - sl i Mr. McCormack was placed more or | And it is only fair to at his | the diplomatic corps and other social |the first movement. The beautiful | is tremendous. | o B ar T Somarican composcr of |less in competition ith the e T | puiram® Sestorday, AR TaRdered ohreioe were. prewcrt a8 Well m8 the | bitone e Serieited Sy padiiray | 18 {TOMENAOUS, o opening choras o\ ClcaN Your Bowels! End Headache, Biliousness, Colds, oday Eots a hearinge—that it I3 only | guished Russian pianist, when it be- | despite a slight cold from which the | usual throng of those whose intereats |that suggested every possible mood, | the allexro mon troppe e molto maes- > £ - &S : cno for several cal. Y izzi e attience 'that T3 mew. not tha | tame necessary to move thu fiate of | {¢NOF has been suffering fo are primarily musical yet throughout the undercurrent of | tro 6f the concerto, Mr. Slloti showed - Dizziness, Sour, Gassy Stomach Am his engagement here ahead because | d4¥s. o There was a triple attraction to the basic motif of the symphony, | his strength of attack without losing fl?g:?dco::r!fi;: after wide re-|of the temor's desive ta return . to| [Rudolph Bachco is Mr. McCormack's | draw this type of audience, for this|which was introduced in \o frst{any roundness in his notes. The second Teh in evers available field he had | Europe. He did not suffer, however, Violinist. —He contributed a note- | is the last concert to be given by movement, was always noticeable. | movement, the andantino semplice, was Boathed the eonchiclon that the pop- | in the choo: Mise even (he worthy share to the program, hia orchestra in Waskington this The third movement. the valse, al- [ almost nastoral in its lyric beauty and To clean vut your bowels without ! will start the bowels acting. When e o Saston 'In the” darhe | theater attendants had dificultst ind | offerings Cinclyding The = Lark.| under the guldance of Waiter Dam.|legro moderato, was delightful and | the trilis and arpeggoiu were perfect. cramping or overacting, take Cas- laken &t night the bowels work @ays of this country was a musical |ing room enough in Poli's to move “Siliciano™ and Polonaise Brilliante.” | roach; Alexander Siloti a persona hlll‘u( whimsical romance in its sug- | The final movement, the allegro con | carets! ully in morning. center was without foundation in |around in the pursuit of their dutics. ifriend of Techaikowski was the gestlons 1In the finale, which was | fugco, was agaln fuil of the folksong You want to feel fine: to be Frdised Sl a e fact: that the Puritans admitted There was nothing unusual about Frieda Hempel Thursdsy. | ptano eoloist, and an entire program |almost funereal in its firat chords | notes distinctly Russian and won thun- | quickly free from sick headache, you next day like nilis, mausfc to their churches, h as it [Mr. McCormack’s performance. The pel 3 of the great Russian’s compositions, jand rose to a pompous precision of | dering applause. A flatteringly large | dizziness, billousne: colds, bad «: . salte or oil. T oy e aonaly. and Into their | same. old John MeCormack, an in.| Fricda Hempel, the famous soprano, | well-nigh irresistible in appeal. Mr. | treatment that gave a brilliant, mil- | group clapped on in hope of & possible | breath. a sour, acid, gassy stomach. Children love Cascarets, too. 10- iomes not at all, and that w York, | spiring, old-time McCormack program | is giving a presentation of the Jenny | Damrosch directed a program i hat | itary flet'rfl, the basic theme reap- | encore either by Mr. Siloti alone or constipation. - 7 cent boxes, also 25 and 50 cent sizes. 3 oL &g Cnarieston werd | and that same fine McCormack spirit | Lind concert in Nomof of her prede: | will long be remembared in Washing- |peared predominant, although the|with the orchestra, but they were One or two Carcdrets, any time, | Any drug store. e ploneer musical cities of Amer-|in the audience. e sang with the cessor, tho Swedish Nightingale, at'tor. and that was fully worthy of be- notes of the sccond movemeit were doomed to disappointment. fca, and he produced many facts to Gubstantiate his statements. The first American composer, accord- ing to the 1 as Francuis Hop- | N . Xinson of Phil: \§ he-way. of the well known writer, Hop- | N 3 who wTote between th 1 = Mr. Mulli- ast eve- friend. from knowledgm nt | fon of that | letter \\‘&si i 222, weritten day. yead ast evening. part of tie lecture con- 72227 N terned Stephen Foster, to whose © N tive genius he pald high tribute—: \\\\ bute ampiy justified the charm ‘N numbers gi A Nevin. The sus 1 N cess of h . were not ouly | - i merit. but be- ‘universai ap- Etheibert Nev notables of Mr “HIS MASTER'S VOICE’ REG.U S. PAT OFF among_then: nd “April. . which wera rep of dramatic Nevin, With Mr. Mul- piano. she gave also! enting the century. | omes to The Hecht Co. Complete stocks of Victrolas and the Victor Records are Now on Sale in The Music Store at 618 F Street. Vietor “Jeanie second__ century, W both by Daybreak” by Nev- ! jn: “Exaltat rs. Reach, and #The Lark ves His Wat Nest,” by o Parker: third ce tury. “Moonlight,” by Philip Jame: Damascus steel, Cordovan leather, The Hecht Co. is now a duly ap- Venetian glass, Toledo blades and the pointed dealer in Victrolas and Vietor VICTROLA. : Records--and tomorrow is the Victrola opening day in the music store! = EST. 1879 1110 G g As Damascus excelled in the flexi- , bility of its steel, the Cordovans in the All other phonographs have made richness and beauty of their leather, way for the Victrolas. tllle Ven:;tl:ns g the c()fl?r 1 dOf.t t‘;l In this connection it is interesting glass and t _e artisans ol loledo ll.l € 10 know that this is Washington’s newest Vic- edges of their blades, so have the Victor rola shop; that the variety is complete, the se- People surpassed in the production of lection large, the machines and records new. talking machines and records. "SEE THE | GIFTS HERE | Qur stock contains use- ful and attractive things that would prove most pleasing. Field Glasses Opera Glasses Pencils 7 2 7 % 7% Some day you will own a Vietrola. ) g : When that day comes you will realize why there This supremacy of the Victrola was s no other instrument which brings so much long since established; today it is uni- real pleasure to so many people at so little cost. versally acknowledged. Why' not make that davy Christmas? 4 It is only natural, therefore, that Victrolas should come to The Hecht Victrola prices are $25 to $455. CO., Washington’s leadmg dlgtrll.)utors Complete stock of Victor Records. of nationally known merchandise, to e ot . . . . . or daemonstration purposes we ave pur- take their Place 1.n.0ur music store with chased and placed in booths six of the largest the other celebrities. electrically-driven Victrolas. 614 Sth St. N.W. Pmx*71211th St. NW. The Music Store is open evenings until 9 P.M. Victrolas and e ¥y " . : i ] 1@ Hecht Co. S Exclusively 7th at F Victrola No. 130. Price, $350 I /4 72 3 3 . > : v L .