Evening Star Newspaper, February 28, 1921, Page 9

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French Heels. or Baby Louis Special......... 1 % g | and dialogue, was in the nature of THE EVENING STAR, WASHINGTON, D. C, MONDAY, F AMUSEMENTS “SCANDALS OF 1920.” Selecting inauguration week for the second appearance of his “Scandals ef 1920” {n the National Capital, George | White inaugurated the engagement be- | fore a capacity audience last evening, in the New National Theater. This modern musical revue had its premier | in the same playhouse last year, It is far and away a more superb entertain- | ment now than it was the first week ! before the public. The fact that the machinery —hun nd mechanica is | now working perfectly is not alone re- | White has eliminated ' arseness, valgarity | only that, he | rvices of or +forts to amus: The result is an immensely | and more thoroughly enjoy- scandals.” s introduction of ' to Washingto n e has added a of | 3 S u(l mpany, ensconce - tra pit. during th be- tween the two n v can- | and artistically | scems to be no limit of costumss. judging | t changes. he 1 chorus {8 the hi orld. If that be truc money is being spent for psichorean ity on, La Sylphe and featured among the | while Leste Aillen works he most active | medians, He is ! looks and t Ann Pe Ethel Delmar u; dancers, have been eleval ion; George Bickel, George . Llovd Garrett, James Mil-| Lester O'K and Al Fox and 'y X latter instru- George White delays his ce until the final scene, in 'to give my actors a chance to ake a hit” Allin all, the offeriag is a prodigious production that, in its| seems well nigh per- AL JOLSON IN “SINBAD.” The drawing power of Al Jolson and bad” was aptly illystrated last evening, when the combination made its third appearance in this city at the | Schubert-Belasco Theater, which was | crowded to the doors. When the cur- | tain made its initial ascent it was no- | ticed that most everything connected with the production had been fresh- ened up, the scenery and costume having the appearance of a new o fering. This, with many new son the audience evidently looking chief entertainment to the comedian. Jolson’s first appearance signal for an ovation, the holding up the action of the entertain- ment for several minutes while he bowed his happy acknowledgement. He had promised new songs, and in his endeavor to make good, introduced “M Dixie Rose,” which proved to be exceptionally catchy as to the mu the words being on the order of h former hit, “Rock-a-By-Bab: Dur- inz the progress of the extravaganza Jolson added two more new songs to the list—"The Nightingale,” in which his expert whistling was introduced, and “By the Honeysuckle Vine'—both registering hits. In his comedy Jol- son was funny at all times, and when doing his specialty introduced his | quick-fire puns and stories that kept the audience in continual laughter. A severe cold handicapped him to only a | slight extent. Fritzi Von Busing,. a statuesque beauty with a splendid voice. led the | female contingent, with Leah Norah, | Virginia Smith, Sue Creighton, Helen Eley and Mabelle, the dancer, adding strength to the vocal and dancing | numbers. Franklyn A. Battie and For. | as the applause I and their splendid voices were appr ciated William Burns and Eddie Lynn danced their way into popuiarity | at frequent intervals, there being just | €nough of this style of entertainment | to add " to the production. 1 The opening scene, “The Amateur Dog Ow,"” started the extravaganz: on its way in splendid fashion, as a large canine circus added realism to the number not seen here before. As a wind-up of the scene, the dogs were sent over the high jumps, the exhib tion working the audience to enthu. siasm on account of the wonderful agility displayed by one beautiful ani- mal that worked as if it enjoyed the accompanying applause as much as the humans. Louls Kroll handled the augmented ; orchestra in faultless style, the techni- cal points developing when special solo | numbers wére introduced making ex- | pert leadership necessary. i 2 | “THE PASSING SHOW OF 1919.” . “The Passing Show of 1919” opene its second week at Poli's last evearee | before an audience that laughed | recognition of its rollicking pokes at human nature, seasoned with dan, and song. “The Avon Four.” in anties set to music, and the reaily artistio travesty on “The Jest" with its abe | surd imitations of Lionel and Johm Barrymore, were the especially comie features of ‘the bill, while a spider ballet | and g were racefully sinister serpent writhings the stellar dances of a seemingly array of pretty girls, each ling the other in blithgsome Byrations of the light fantastic toe. Lon Hascall, Frankie Heath and the Haley Sisters’ were “in and out" with every change in the two acts and | eighteen scenes, and the environment conveyed, with the lightsome atmos. phere of burlesque, a series of epnche from Olympus to the present blue Sun- day Invasion—and that mes history of the world. B Nt “GIRLS FROM THE FOLLIES.” Washingtonians secking burlesque | of the better class found in the “Girlg | From the Follies,” at the Capital The. | ater yesterday, an entertainment | Which pleased. “The new equipment of | scenery and electrical efferes was an ;mm.u attraction in this new play-| house. { [Features at the house are Fred! Binder, u Hebrew comedian, clever in his act, assisted by Billy Kelly, | Lew Howard, Billy Walsh and Theo. | dore Murphy. Mabel White, a prima donna, gave several brilliant numbers and won loud applause. Lucia Are nold is an_ exceptionally talented in- £enue, with a_number of songs ren- dered acceptably. Pauline Graw, a character Soubrette, proved to be popular with the audience and Mae Kennis was a charming soubrette. The- chorus gave evidence of excellent train. ing in acrobatic dancing and singing. Photoplay Features: L “THE OFFSHORE PIRATE.” Two gloom-chasing specialties are alligned for fnaugural week at the Metropolitan Theater. Leading the program s Viola Dana, in her latese Metro release, “The Offshore Pirate " adapted from F. Scott Fitzgerald magazine story. about Ardita Fa nam, a debutante, who has an uncle, millions of dollars and score of Blackistone’s “Club” Centerpiece, $3.50 Solves the problem of dec- oration for the lnncheon, tea or dinner party. Blackistone 14th and H Main 3707 lowed by Lou Holtz, whose | criminals—and when her presence is ct d by discovered, she finds that by mas- | Palace Orchestra, complete the un- rivals for her dainty little hand. But | gagement at the Columbia Theater all are rejected by imperious Ardita. | yesterday. The fllm is produced by A notorious Russian saved her from | Robert Z. Leonard of the Paramoun a robbery and she tells uncle she in- | Company. The play is based on a|Turkey for The Sportsman.” his new | tends to marry bim. While aboard|story by Clara Beranger. The plot . s her yacht, a mysterious gentleman |shows the craving of a girl for a with six colored Jazz-bandsmen comes | home, a husband and a child. The | bocker, su aboard. “Up-anchor” and away goes | scenes present Broadway night life, the yacht. rom possibilities of a|with the actress as a gentieman crook with six colored [ hand is sought in marriage by two | With Mr. Semon's earnest e dancer. Her| "The Spo; aids, the unbidden guest proves to |cynical men, but a lad from the coun-) apprehend be Toby Moreland, 8on of an old|try finally wins it. Mi friend of the uncle, and the happy p g er costumes reflect S D O L ST AL e stage, as called for by modern plays. : s |Lowell Sherman, Charles Gerard, Ja- and a good musical program finish |son Robards and Leonora Ottinger | the bar off the bill. are among the excellent Laugh-getter No. 2 Is mon's latest comedy hit, m. Topics of the Day. Pathe New members of the cast. “THE GHOST IN THE GARRET." | nac scrcen nombers and the mu- | poct sical features make the entertain-| trap do ars in numerous dasxzling scenes Murray ap- | Seems to entertain a distinct objec- tion to being caught as weil as the last| being shot. It then concerns supporting | insu There were | The KNICKERBOCKER. ‘\ Larry Semon moves his locale to Turkey for “The Sportsman,” his new | time yesterday at Pirate,” Viela Dana's new picture. fort to bag an ostrich. i | Columbia Records 130 10-Inch Cut-Out ne RUARY 28, 1921 8 Another Reduction randall's Knicker- pplementing “The Offshore rtsman” initis a playful AN Semon's equally futil harem. a the upper poMhe - possibility of £Xtracting | mnt one of the best this week. patacertandiaionisiias v all X houses and their supposed phantom = gure in the developmens houses and their supnosed panthom «“ \ Al The Pathe News. Topics of the Dax umpla necor awellers. bbviously appears a bit une OUTSIDE THE LAW. and musical features complote tha S inclinations. However, motion pic- ture producers who have a reputation | be one of the great'crook dramas, which of doing the seemingly impossible |had its initial showing In Washington have proven conclusively that ghosts |at Moore's Rlalto several weeks ago, is rambling around {n haunted houses | the feature attraction at Moore's Garden can provoke as much laughter as the | Theater the first four days of this week best of screen comedians. If In | because, it Is said, of insistent deman week, | The picture, which features Priscl ney in roles of sp has already been re- doubt, go to Loew's Palace *hi where a brilllant double bill is being | Dean and Lon presentod. in which ghost scenes | did opportunit. mark the comedy crescendo of the |viewed in The Star. tured productfons—:* i scen tho star, and House," the latest comedy hit of the hilarious Buster Keaton. In “The Ghost in the Garre: sh {8 seen as Delsio O'Dell, an 1m- | Down poverished young miss who {8 thrown on the rather cold charlty of a rich aunt and un secretary fall in love, but her aunt's secretary, m crook, bungles a jewel theft and involves.the girl Delsle in [ noon at the agement by educ: ! bodles to set asid gullty, she follows him to a haunted house—a rendezvous of a gang of | o110 ons, querading as a ghost she is able to keep the criminals at bay until the police and her sweetheart rescue her. “educational night.” " Buster Keaton, the Irresistible, “THE ROAD DEMON. The Criterion Theater showed an- that finishes the humorous conquest |Other flue Tom Mix picture yesterday, of the audience in “The Haunted |“The Road Demon,” a Fox production, full of dare-devil stunts and laugh- {able situations. The picture is a com- bination of horses, cowboys, cattle and automobiles. The i come in for a big share of the thrills because of two big road races in makes up the other portion of the featured bill with a comedy effort House.” An array of short length screen subjects, and a fine overture by the usually good program. “PLAYTHING OF BROADWAY.” | which Mix takes part. Mix, a lazy cowboy, “The Plaything of Broadw. week’s attraction at the Rialto, a sensational dancer, who f: his poor patients than to the bright|on the desert. lights of Broadway. Being unable to lure him to her mode of entertaining and living, she goes down into the slums. CRANDALL'S. Norma Talmadge, pictured in S d decides to make her living | lect’s. “The Way of a ::"’T:?_Kmh”_s Justine Johnstone is pictured as the | Theater yesterday, inaugurating a At first disheartencd, he find a way to her redemption when she rejects her old life worth wl le. a potent attraction dancer, and her personal beauty is a | three-day run. K T Woma rong factor in the picture. ‘The Way of a W “Holy Smoke,” a mermaid comedy: | from the stage play. “Na ; the Fo: ws and an excellent musical | Which concerns the marital experi- e unE he program rounded out the entertainment. | ences of a young member of t FE southernjiariatocracy Swithiaiinerth “ 1 ern waster, who borrows money from THE GILDED LILY. }an old friend and threatens the good s vivacious and | name of those she loves when the in a long list | money proves to have been stolen Mae Murray, alway piquant, has appeare of vivid silver-sheet play but none | from a bank. held interest more closely than “The | “Ouija Did It,” a comedy, and minor Gil d Lily," which opened an en-' films complete t! One of the Adjacent to The Rialto %21 Ninth Street N.W. 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Sizes for both women and misses. (Apparel shop, second foor.) Fur chokers for further smartness, $17.50 Siberian Squi 5 Martens and Kolinsky Fitch. Selected pelts of Siberian Squirrel, Stone Martens a Lk 2 The Hecht Co. Seventh ai F e il ' Now on Sale HUGO WORCH A A b M SR MR A R B B R MMM M A Ml W ol i W M b A B MM ol A A A M B AT WM o [ 0 MM N UHH’HH‘HHHHH‘H’H‘H‘HHHUUUHHHHH'H_H'HHHHUUUHU R L A e S A s SRR A 4 RO KOS e