The Daily Worker Newspaper, January 22, 1935, Page 5

F AILY WORKER, NEW YORK, TUESDAY, JANUARY 22, 1935 Page 3 | Little Lefty SOQ 455 Sok Sad So a a a by del! HERES H RERDER SIGNED MJ. WHO SAYS HE LIKES US EXCEPT FOR “HE ONCE | SOCKED PEANUTS, | GOSH! “alg Wag Goto BE FIXED] ~ THAT'S THE STORY. WHAT'LL WE DO h ABour ir? OX | HAVE A SWELL _ 1OER/! WELL, M.J., | HOPE You'Re Sarisrieo /! | Questions and Answers This department appears daily on the feature page. All questions should be addressed to “Ques- tions and Answers,” ¢ /o Daily Worker, 50 East 13th Street, New York City. By MICHAEL GOLD (IN ONE of the lousy flophouses of our re- markable nation, in one of those dismal | sewers where millions, probably, of Amer- | cans groan and curse through the dark || ' nights, an unemployed worker was handed | | -a little circular recently. | He has forwarded it to the Daily Worker, and asked for our comment. The flophouse was not an | ordinary one, but was run by the racketeers of religion, our comrade informs us. Every hungry bug that crawled on the floors and walls and swarmed over the tired bodies of the unfortunate workers was not an ordinary bug, but had been blessed. by theologians. The slops handed out for coffee and stew was | Question: Is there any difference between the “imperialism” of Rome and the imperialist pole icies of capitalist countries like Japan, Great Brite ata, the United States, France, etc.?—STUDEN™. Answer: The difference between Roman “ime " we y ms ansbeanaes % =< = perialism” and modern imperialism flows from the WORLD of Yellow Hearst in Frenzy [Social Repertory | Sts pass’ cues THEATRE Theatre to Assist of Anti-Communist Hysteria Drama Groups Modern imperialism is based on machine produce tion and monopoly capital. In Lenin’s words it is a system of capitalist economy representing the | POLE ITS highest stage of capitalism, and its characteristic cae na iar esc Se egerentsiae A Tropical Melo-Drama | features are parasitism and decay. in the dormi a ight, anc you were INE. | By ALBERT PRENTIS Consequently, modern imperialism is not merely of angels, you could forget the foul air, the spit- |POINT VALAl ‘A new play by ¢ @ # P Noel Coward; produced by John 'O THE steadily growing list of C. Wilson, directed by the author; | revolutionary theatres which are Sink Hi nc I y a policy of the capitalist class which by force of s at n | arms subdues other countries to its rule. This pol- ings sleeping here. The lumpy, filthy mattresses ee s Fangs Into| | Sleekly Intrenched In P ak: at the Ethel Barrymore Theatre. | BY T 4 | z slowly establishing themselves in| icy of aggression and plunder was carried out by were carefully made that way feaaboite ee a ee eare Lenin an wists Hacienda of Immense | this country, must now be added! Rome and by many other empires. As Lenin points test for saints. The whole set-up, dirt, bad air, ‘i * * « m | another—the Social Repertory The- out “colonial politics and imperialism existed even mean, poisonous meals, charity and hypocrisy, was meviewe oP His Teachings California Ranch » atre. | The Social Repertory Theatre is jack, Hearst |a cultural section of the W.LR. of intrigues; Reelizing -ne tremendous need for crusades and bless- | more than one living theatre here ings for and against Tammany Hall.!and now before the latest stage of capitalism, and even bes fore capitalism.” We can have no true understand ing of bodern imperialism as the final epoch of capitalism, if we do not take into consideration the fundamental differences between the two social sys- LEON ALEXANDE) a good picture of the Church Militant in action— BOER the church saving the world from sin. | anal pease es edy manner, Mr. Coward has a tal- ent for lending a cheap, tawdry By MAXWELL BODENHEIM LOW against a yellow version of red—Hearst levelling his soiled, Hollywood fingers, in mock, for favor—mo: Slops and Propaganda A ; (and no: several years q IS BAD enough that the fat bishops and preach- | plot the appearance of depth and jholy anger and dollar-bill patriot- | Shouts against the futile League of | hence) this new theatre begins life, ‘ems. ers insult the brotherhood of man with these | meaning. This talent, however, fails | ism, to arouse the workers of Amer- Nations, in behalf of American, | with two premises: one, that there It is manifestly impossible within the limitations him almost completely in Point | | Valaine—almost, but not quite. The play is badly written, a sen- sational, tropical sex drama, a Grand Guignol horror. The famous Noel Coward flashes of wit often sound like sententious humbug; his ica into a poisonous hysteria against the only party sincerely fighting and struggling in their behalf, the Com- munist Party, U. S. A. Hearst made a tour of Europe last. summer and, as all of the capital- istic newspapers admitted, staged a horrible flophouses. But with their stale crullers and chicory they also hand out their propaganda. The poor freezing hungry devils who are forced f to use these dumps rather than die in the street have to swallow a load of theological excrement. 4 Is there any one cruéller in this world than a | oi one answer to give all the distinguishing char- acteristics of modern imperialism. Everyone should read Lenin's “Imperialism” (International Publish- ers) which is the theoretical basis of Communist Strategy and tactics against capitalism in the pres- ent period of decaying capitalism. | capitalistic isolation. fake rantings | are enough plays and encugh actors against Wall Street followed by | available to create such a theatre: culogies of its leading figures—the |two, that the economic base for typical twistings and sauirmings of | such a theatre must be established a millionaire-demagogue veiling his|in such a manner that the group profits beneath every attitude of may integrate itself thoroughly in | ting, the coughing and snoring of the human be- i “public welfare and betterment.” reactionary priest, rabbi or preacher? Could anyone other than a varasitic Man of God write some of the phrases contained in the flophouse circular forwarded by our comrade? “Christ, you will remember,” the document be- Nothing spectacujar Just a simple old wooden box with a charred edge such as we've all seen as kids, down on the farm. Or maybe a crude trough of gins, “was born in a manger. about that manger. stone.” Fair enough. The blurb then gushes on about It was made by “calloused, sweaty hands, filled with whatever a poor man could find, field grass, or wheat hoarded bit by bit from for- gotten harvests,” and so on. These people are very this manger. | best drawing room talk has become what drawing room talk often is—a painful bore. The plot is slow to get started, loosely woven. This is the bald story: Point Valaine is an island hotel, off the coast of Martinique, a French sub-tropical colony, It is run by Linda Valaine, widowed, and for |seven years the mistress of her head waiter, a brutish, primordial Russian soul, out of Dostoevski. Martin Welford, a young aviator of 25, who has recently suffered a crash during a flying expedition in the wilderness, comes to the hotel secret interview with Hitler in Ber- lin. No stenographers were present at this conference to plot new, re- pressive measures against the awakening workers in Germany and America, but it does not require much imagination to report part of the dialogue as follows: HEARST: I will sell an anti- Communist program to the workers of America—how can I do it? Hitler: Well, you can’t jail and torture the Communists as I have done. That may come later, but you must pave the way. The first step is to make a filthy scarecrow —a whiskered, horribly leering fig- the minds of the workers and en- rage them against their own flesh and blood, against the Communists living in your block and mine, brav- ing police-terror on the picket-lines of one strike after another, lead- ing the fight of the unemployed for decent insurance against torment and starvation, helping the veterans in their struggle for back-pay de- nied to them bv a government able to exnend a billion dollars for war- preparation—the lists of workers’ When the government decreed the useless slaughter of American work- ers in the late World War, He: made a prandstand gesture of op- position, during the first few weeks, and then recanted and pepnered his lying sheets with little, American flags and _ frenzied against the “huns,” who, allegedly, were nlanning to invade and cap- ture the United States. ’ SR Cae @EVENTEEN years later, however, | this man journeyed to Ge-many \to arrange an interview with the blood-thirsty opnresser of the verv exhortations | the movement so as to demand |guidance and cooperation directly |from the movement rather than | |from that mystic “public” or “box- | office,” | To concretize the first premise, | the group has taken Hallie Flana- | gan’s “Can You Hear Their Voices?” | revised and brought it up-to-date | by centering it on the recent mid- | western drought. For actors, the | )@zoup is going to the thousands of | unemployed actors who are looking |for a chance to work and would | throw in their lot with such a co- | operative enterprise. | Imperialism is the monopoly stage of capitalism. It emerged as the continuation and further develop- ment of capitalism in general. According to Lenin its essential economic features are the concentra- tion of production and capital to the stage where monopolies are created which dominate economic life. (In the United States some 200 monopolies control the economic life of the country.) Another feature is the merging of bank capital with industrial capital, and on the basis of this “finance” capital, of ‘a financial oligarchy which plays the decisive role in the economy of the na- tion, (In America the Morgan group, the Rocke- feller group and one or two other combinations rule industry and the nation.) ¥ Z in need of rest. The inevitable) ure with a bomb in one hand, a x 2 neople whom he formerlv maligned. | The second premise. Anyone | The export of capital, as distinguished from the Ee ee Ee Manger in wee 5 child | jappens: the middle-aged _ hotel |knife in the other, and several testh Hikespenk. Gets ele’ oe This, too, is the man who dictated | familiar with the history of the| export of commodities, becomes of particularly great was born two usand years ago. But ey never keeper and the young flyer fall in/ missing. z Hee Wepcla . s) feigned ‘shudd of dis || Workers’ theatres in this country tance. The Id is divided betw few have a purvle adjective or a tear to shed for the the Empire State Building three to | feigned shudders sapproval | j, MapOreane besdtathen aMlecoc bth gas dake 4 aye ples eas love. The Russian headwaiter,| HEARST: Marvelous—and what | against the Soviet Union and ite|must realize the difficulties new! competing monopoly groups, and the territories of Millions of kids born today in homes that are | whom everyone had thought gone | else? fea elimination of a e i abs ’ : band of White | 8Toups necessarily encounter. While | And what is the answer of Hearst? , colder and dirtier than mangers—the homes of the unemployed of the world. Religion is like that. your own flesh and blood. wind to food, heaven to earth, death to life. * * . That Wonderful Manger wa says the pious author of the circular, this manger wasn’t an ordinary manger, however. It was more than a picturesque. setting for the It meant the starting of a birthplace of Christ. New Deal for_everyone on earth.” It seems that love, hope, courage, and a new chance for all were born that blessed day in the manger, according to the anonymous author. new deal for everyone,” no less, “Starting where? In a Royal Palace? No. That new deal started in a hand-hewn, sweat-stained wooden box—symbol of all that was rough and plain, hardy and COMRUERS, nubile and wholesome in life.” You “Greedy” iaansnoelt yas now we come to the whole point of the cir- cular, the moral that will burn you up, as it. did me. Tt is designed to turn your eyes away from your own real problems, so that a myth becomes more important to you than So that you prefer “A to the mainland, returns and finds them together in bed. He beats the woman, spits in her face; then when he learns from her own mouth that she has never loved him he cuts his veins with a pocket knife in full sight of the audience jand jumps into the shark-infested sea. The young flyer leaves the island, a chastened and wiser youth; the woman is crushed. ea) re these three main characters, Mr. Coward has added a philo- sophic and detached novelist who applies the salve of understanding to the young man’s heart in the last scene, and a number of insuffer- able, uninteresting, superficially drawn hotel guests who serve no purpose but to allow their dull, irri- tating talk to drag the thin play out for at least the prescribed hour and three-quarters. It all sounds almost like the work of a tyro in the theatre, and not of the experi- enced Noel Coward—almost but not quite. For, somehow, there is something | more in the play than physical HITLER: We'll get all the hacks in your country, pay them well, and instruct them to put their fangs into Lenin. Make them twist his teachings into a kind of anarchism. You know what I mean—claim that he told the workers to blow up the corner bank and assassinate the President, or kidnap him, Never mention the fact that he advocated mass action and an endless fight for the immediate, partial demands of the workers, to increase their morale, and rouse them to the final rebellion against the financial-mo- nopolists draining the blood of their lives—I had to be careful about that, myself. HEARST: O. K., Hitler, old sweet —l’ve got the Jine and I'll follow it, don’t worry. eo MUST be understood, however, that Hearst is only a puppet- figure. He is not waging a one- man campaign against the interests of the awakening workers of Amer- ica. Hearst is only the bad-boy, the rabid false-face of sinister interests. The finance-lords of this country Distortions, venom, the shriek of generalities, and foul vaporings, aimless incitings to hatred, to cover up the miserable lack of anything remotely resembling a constructive program to free the American workers, the plundered American middle-class, from the suavely veiled vicionsness of Wall Street and its cold-blooded attacks on life, liberty and the pursuit of happiness. ee aCe Ts man, William Randolph Hearst, sitting in the hacienda of his vast ranch in California, sleekly intrenched, remote from the tortured needs of millions in fac- tories, mines, mills. farms, and of- fices, pretends to be a staunch de- fender of American men and wo- men—the very man who opnosed the right of his own reporters to join a union advancing their interests, the man who spits sex-scandals and trivial divorce-cases into printed headlines throughout the land, the man who blazons the news of prize- fights and society-revels on his front pages and tucks the distorted report of a workers’ strike on page Guard mercenaries hired to as- sassinate a beloved Soviet leader, Kirov, and sabotage the hard-won freedom of the Workers and | Peasants Revublics—the man who has never lifted a whisner in sun- port of Tom Mooney, in behalf of workers shot down in_ strikes throughout the country, in the cause of workers jailed and_ terrorized | from Maine to California. | He does not dare to admit the| truth about the Soviet Republics. | where unemployment has _ been banished and security is the lot of every man and woman, because such a confession would rin the clothes | from his hypocricies and reveal a contrast overwhelming and en- lightening to the workers and the equally crushed lower-bourgeoisie of the United States. Hearst is not merely assaulting Communists — he is a menace to every vestige of liberalism and free- | speech still practised within our land, and to oppose him is to de- fend the right to breathe, the scant liberty which he befouls and assails | the causes of these difficulties are not many, yet they can and will be overcome if a practical program for action and cooperation with the organized workers is adopted. | Workers should help, not only fi- Nancially, but by familiarizing themselves with the first play, asig- | nificant portrayal of the rising | farmer, and the farm situation | (Farm Research is providing the group with facts and statistics), and | become acquained by writing and | questioning, pointing out mistakes, | etc., so that the class conscious | workers will come to understand | that this is their theatre, and their | guidance is sought and accepted. | Some organizations are already | offering valuable assistance to the | Social Repertory Theatre, such as | the Film and Photo League, the} New Guild, the W.LR., and particu- | larly the Anti-Nazi Federation, | which is helping in the raising of | funds by sponsoring jointly with | the New Guild a recital by Tamiris | some time in February. While in its general aspects some- | the world are partitioned by the leading imperial- ist countries. Out of the struggles by the imperial- ists to repartition the world to suit their special in- terests, develop the imperialist wars. The fight against capitalism today, the fight for the prole- tarian revolution, must be based upon Lenin's scien- tific analysis of imperialism. Basic Working Class Theory Presented in Engels’ ‘Feuerbach’ HE latest translation of Frederick Engels’ “Feuer- bach”—the only scientific, ungarbled edition of lish—brings to light basic axioms of working cless this classic study of dialectical materialism in Eng- theory in their most precise and brilliant formulas tions. Passages in this work, which contains a historical introduction by L. Rudas of the Marx- Engels-Lenin Institute, strikingly demonstrate the theoretical base which was for Lenin the starting point of his revolutionary activity. This is clearly employ him in t! | I “This new deal started where eyery new deal |melodrama, I will not dignify that ploy him in the effort to twist | twenty-seven, bottom corner. has started—at the bottom. Where this nation | Something by calling it a thesis. | started, on the ground level, where the going was | Rather, it is a mood, the desu tough, and where a man had to make his own aes goer teen eee | luck, out of whatever came handy. ivaguely, it is wrapped around the ‘And that's where a new deal will have to start people, the settings, the action. It in this country if it starts at all. An end to our | is a feeling that action, passion, ac- soft living, our greedy wallowing, our idiotic show- | tivity are stupid, vulgar, unneces- ing off. An end even to our desire for these things demonstrated, for instance, in the analysis of the state made by Engels in the chapter “Dialectical Materialism”: The state presents itself to us as the first ideological power over mankind. Society creates for itself an organ for the safeguarding of its general interests against internal and external attacks. This organ is the state power. Hardly come into being, lin every possible manner. | what similar to the Theatre Union | BE }and the Artef, the Social Repertory | Integrated within the Cultural De- | partment of the W.ILR., it is to serve as a focal nucleus to which | | groups being organized by the W. | I. R. will look for technical leader- | ship. Life and Teachings of Lenin | 2". 5 Sa aie ae By R. PALME DUTT | sary, messy. The thing to prefer is “i 2 | this organ makes itself independent in regard to that rot and waste life. Let’s start. Plain living. ihe fecal wastabhinent™ of EAs OVE CHAPTER Il. The Daily Worker is printing (generals and brigands; and sabo- | Seer aes society; and, indeed, the more so, the more it be- Straight thinking. A fresh start in a manger. That's | elist. Life of Lenin serially the extremely valuable | tage, conspiracy and assassination | International Offers comes the organ of a particular class, the more it what you need and I need today—to be born again | The play, however, is so badly xi. Por ial ere booklet by R. Palme | (on August 30, 1918, Lenin was shot directly enforces the supremacy of that class, The in a manger.” * * * from flophouse to flophouse, in rags, filth and end- less misery, this is good for you—it means you are being born again. Thus does religion serve its master—capitalism. The unemployed are told it is all their own personal fault—not the fault of the capitalist system, that twenty million Americans are hungry today. hand washes the other. argument against unemployment insurance. Well done, thou good and faithful servant. Every man the right to believe in any religion he wishes to, but when the hired hypocrites use religion as @ weapon against the unemployed, it is time to One God has become merely another puppet on the stage where capitalism lies to the masses. Preachers earn the wages the pious Morgans and Rockefellers pay them. And the man- ~ ger, which at its best, might be used by some honest believer as a symbol of the fate of millions of poor babies born in poverty, now has become a venal written that it seems far fetched even to look for a thesis. But you pays your money and you takes your Alfred Lunt and Osgood Perkins. The glow of Miss Fontanne’s acting Jends some interest and intensity to her part; the expertness of Al- fred Lunt gives physical excitement to his scenes. Osgood Perkins plays the novelist with dry, often keen humor, but he never convinces us that he is a “great novelist’— rather, someone of Noel Coward’s own stature, often piffling, but pos- sessed of a vague awareness of tragedy that reaches beyond the petty limitations self-imposed upon his craft. ‘Defense of Culture’ Topic of International Conference of Writers | es work of Lenin during this period outstrips any summary der towards socialism, of relations with the peasantry, of the Com- munist Party, of the new Commu- nist International, of direct partici- Pation and leadership in the work- ing-class movement of every coun- try in the world. Alongside the host of speeches, reports and pamphlets of this period, his two books, writ- ten during these critical years are, characteristically enough, devoted working-class movement, “The Pro- letarian Revolution and the Rene- gade Kautsky” and “ ‘Left-Wing’ Communism, an Infantile order: an Attempt at a Popular Discussion on Marxist Strategy and Tactics.” The victory of the Bolshevik Rev- olution in Russia was the opening’ the first stage, of the world socialist Dis- | “Life and Teachings of V. I. Lenin,” published by Inter- national Publishers, greater assaults on capitalism. these countries, with the aid of the Jingo social-democracy, was able to maintain control. Therefore the Brest-Litovsk Peace, the “robber's peace,” had to be signed in March, 1918. It was only after a long and livisi i to the guidance of the international | Seger a te ea the necessity to sign this peace was finally recognized as the sole means to maintain the Soviet power. The Left Socialist-Revolutionaries, who had entered into a coalition in the | Soviet Government after the con- quest of power, withdrew in the summer of 1918 on this issue, and endeavored to raise a fight against the Soviet Government, but only revealed their own lack of mass and heavily wounded; although he fought his way to recovery and ‘resumption of work, the conse- the depredations of German im- perialism; but the Entente attacks became only the more intensified in 1919. The Allied Powers at Ver- sailles recognized the dictator Kol- chak as Regent of Russia. The British in North Russia; the Brit- ish and French at Odessa in the South: all were armed and directed by western imperialism to overthrow Bolshevism. Nevertheless, all the millionfold efforts of imperialism to overthrow the Soviet regime collapsed. They collapsed, first, because of the mass resistance of the population in Rus- sia, not only of the Red Army and industrial workers, but of the peas- |antry in the regions the Whites overran, and for whom the White | restoration meant the loss of land: second, because of the refusal of | It will consist of a collection of es- Books on Proletarian Literature in Spring, drama, reportage, and workers’ cor- | Trespondence. It will be edited by | Granville Hicks, Michael Gold, Ist- | dor Schneider, Paul Peters, Joseph | North and Alan Calmer. A general | introduction will deal with the con- | tributions of proletarian literature in this country and the problems of | revolutionary writing today. Short | critical forewords to each section of | the volume will also be included. | International Publishers is also| preparing for spring publication al volume dealing with the theoretical | problems of Marxism and literature. says by Marx, Engels, and Lenin on | basic questions of aesthetics and the | relationship of literature and so- | ciety. Marxist studies of masters of | world literature like Balzac, Goethe, | | 1:00 P. M.~WEAF — Three fight of the oppressed class against the ruling class becomes necessarily a political fight, a fight first Capitalism’s Puppet choice. biography. It ranges in its volume| January 21 was the eleventh (quences of this wounding were in eee of all against the olicay dogssaties Cee ee y Saris is the religious mind in action. It tells the * * * over the whole field of world poli-| anniversary of the death of Lenin. | great part responsible for his early) AN ANTHOLOGY of | The consciousness of the inter-connecti ion between . starving unemployed (all of them former wage ON the trivial, careless theatric | ‘is, Of the civil war, of relations| During these ten years the teach- | death): these were the weapons literature will be issued early | this pelitical struggle and its economic roots be- workers), that their former soft living and greedy concoction, Mr. Coward| With the imperialist powers, of| ings of Lenin have spread to ever | of world imperialism against the |this spring by International Pub-| comes dulled and can be lost altogether . . . wallowing are responsible for their present state, | wastes the talents of three of our eons ape new Soviet democracy, | wider sections of the globe, inspir- | young Soviet Republic. — lishers, This book will include fic-| But once the state has become an independent Itis a punishment from God. And drifting about | grandest actors: Lynn Fontanne, of building the new economic or-} ing the workers and oppressed to The German Revolution ended | tion, poetry, literary criticism,| power in regard to society, it produces forthwith a further ideology. . . . Since in each particular case the economic facts must assume the form of juristic motives in order to receive legal sanc- tion; and since, in doing so, consideration of course: has to be paid to the whole legal system already in eperation, the consequence is that the juristic form is made everything and the economic content noth- ing. “Feuerbach” is published in the United States by International Publishers. Some of the material not included in previous English editions includes “Karl Marx on the History of French Materialism;” “Engels on the Materialism and Dialectics of Marx;” “An Omitted Fragment from Feuerbach.” Oliver Smith, Tenor protest, revolution. support. Advocating the signing of | the British and French troops to | Tolstoy, Gorky, as well as analyses Scamps, Songs 9:00-WEAF—Ben Bernie Orch. ener | According to a letter addressed to| “ait the development of the world |the Brest-Litovsk Treaty before | cerry on the shameful war (revolt | Of historic periods in literatuze, are | WOR Sports Resume—Stan | Bill Robinson, Dancer the John Reed Clubs by Johannes the Soviet Central Executive Com- | of the French Black Sea Fleet, un-| mong the articles which will be) wyz" amos ‘n’ andy | + Wiz-—Grace Moore. Soprano MII J Tv A R I Ss M A N R. Becher, outstanding German poet | TeVolution was destined to prove | °F -|rest in the British t in North | Contained in this book. WABC—! and Marge—| WABC—Bing Crosby, Songs; D and secretary of the western sec- | {ar weightier and more complicated |™ittee in March, 1918, Lenin said: | rest in the British troops forth Sketch — | : ; FASCISM IN JAPAN By O. Tanin and E. Yohan tion of the International Union of Revolutionary Writers, an interna- tional conference of prominent au- thors is to be held in Paris during than Lenin and the Bolsheiks had hoped when they opened the bat- tle in November, 1917. At ‘he outset they had hoped for the rapid At present we are in a des- perately difficult situation; our ally cannot rush to our aid, The international preletariat cannot Russia, impossiblitv of sending more troops); and third, because of the | active struggle of the British and | French workers against the war of Complete reports of the speeches by Maxim Gorky on the develop- ment of world literature, Karl Ra- dek on contemporary European lit- Stoll_Oreh.; ers, Songs | 9:30-WEAF—Ed Wynn, Comes dian; Duchin Orchestra WOR—Motor Boat Show Mills Broth= 15-WEAF—Jack Smith, WOR—Lum and Abner— WJZ—M. Downey, Tenor; Sinatra Orch.; Guy Bates Post, Narrator 4, WJzZ—Canadian Concert . it will intervention. erature, and Nicolai Bukharin on| wagc just Plain Bill— WwaBo—J Oren; Grace Introduction by Karl Radek, who says: March of this year. The subject of bn ie ercaphea ata a ne Sit apcetaat Bey justified, The world revolutionary wave was | poetry and socialist realism, will | 1.30-WEAP—Tederal, Help in i rere stags is cre eieene wane 45, ot International Publish a capers : Goat with Ane next few months. In November, 1918, the German |Teaching its height in 1919. In the | soon be published in book form by ogee | panera are on SclenéAc and polite” )ast yourm Avenue, semlene of tase an sleeratuse The peace appeal to all the war- | Proletariat rose, overthrew Kaiser- ati es oe Ag naed. The ee ee eae ee, (ce acces ical value... . It uncovers | New York. ge re n les/ism, annulled the Brest-Litovsk ternational was founded. e in- if Guest, Poet; hi Paganini, with fhe fuse which leads to the | Gentlemen: .| and cultural heritage. ig governments and peop { ternational working class defeated vsPivsives in the Far East hidden in the cause of peace ... reveals concretely publications I am interested in your and would like to receive your cata- logue and news of new American authors who will be in France during this time and would like to attend this gathering of men of letters of all countries, should which was one of the first acts of the new Soviet power in the first hours of its existence, no less than the public conduct of the Brest- Treaty and ended the World War. The world revolutionary wave of 1918-21 began. + # 8 the war of imperialism on the So- viet Republic. By the end of 1920, with the de- Workers’ Theatre | Formed in Baltimore Therles Sears, Ten Concert Orchestra WABC—Jerry Cooper, itone | | 1:43-WEAF—Vaughn De Leath, Gladys Swarthout, So- prano; John Barclay and Others WOR—Sid Gary, Beritone WJZ—Managed Conservation Bar- WABC—Concert Orchestra; | 10:15-WOR—Current Events— the roots of the military | books. z ‘i feat of Wrangel, the main counter- rs WOR—Comedy and Music rold L. Ickes, Secre- fascist movement in Japan, | Name lucene | |ComMmunicate with Orrick Johns, |Litovsk peace negotiations with stat ending of the imperialist war revolutionary and interventionist | _BALTIMORE.—Liberal and rad- ae Carter, Com- bo cane and the phases of its devel- care of New Masses, 31 East 27th |German imperialism during Decem-/* only gave place to the series of | forces were all defeated. The cli-| ical groups in Baltimore interested | , meme a Oren: Bavheyivanis < ) epment; acquaints the | address Street, New York City. ber and January were all directed | civil wars and interventionist wars | max and turning point of the direct | in the prolotarian stage have joined | °"’bni) Ducy, Baritone WABO—Gray Orch.; An- Teader with its ideology, —_——— to awakening the masses.to end|with which western imperialism|war of revolution and counter-| forces in the organization of a| wor—Eddy’ Brown, viella nette Hanahaw Songs; | organization and the place it occupies in the complex Street units: Workers in your | the imperialist slaughter. sought to destroy the Soviet Re-| revolution was reached in the sume | Workers: Theatre, whose first pro-| WJZ—Descent Into Hell— Wee system of forces which determine the basic problems of Japanese imperialist policy. territory will respond more readily to organization fer relief, against A powerful strike movement de- veloped in Germany and Austria public, and which had already be- gun on every side during the last mer of 1920 with the Polish War. | Poland with military supplies and | duction will include “God's in His | Heayen” by Phillip Stevenson. This | Frank Munn, Tenor; Hazel H. EL Read Glenn, Soprano 10:3¢-WOR—Wallenstein Sine during January, 1918. But despite|year of the imperialist war. Ger- guidance from Britain and France, | was the play which won first prize | 8:30-' Peay oa King BE tooo a ee CLOTHBOUND, 326 pases, $1.75 | evietions, against the high cost of | the growing unrest of the war-|man invasions and devredations | had launched an offensive against | in the 1934 competition sponsored bse Ngee Shee ee ae living, etc., if they read the Daily weary masses in Germany, France. during 1918; British, French, Amer- | the Sovict Republic in the spring by the Theatre Union of New York. | INTERNATIONAL PUBLISHERS WJZ—Lawrence Tibbett, WABC—Emery Deutsch, | | | | | WOR—Variety Musicale | | | | Worker. Strengthen your unit and, Britain, reflected in the rising|ican end Japanese invasions on | of 1920, desnite the repeated Soviet) Finished productions will be | cartes sot - cre ie Ane of the strike movement and military re-|every fron: during 1918 to 1920; | cflers of an armstice and negotia- | “toured” through the city, playing | nedy, rator; Concer! ; Grusaders HL FOURTH AVENUE @ NEW YORK, N, Y.| work and bulla the cireulation of |vors the more strongly ognized |the e-r= ne, anning ane gaeete | eee before union and other organiza-| wane trman orch: Vic | UWORCNeR umm LLL AA | he Daily Wor ruling machine of the bourgeoisie in, dizing of counter - revolutionary | (To be continued) tional groups, > Vienne Segal, Soprano; WuZ—Lyman Orchestra,