The Daily Worker Newspaper, November 23, 1934, Page 5

DAILY WORKER, NEW YORK, FRIDAY, NOVEMBER 23, 1934 Page 5 CHANGE —THE—— WORLD! By MICHAEL GOLD ONGS are as necessary to a fighting movement as bread. A song is really a slogan that has been dramatized, given emotional depth that makes it sink into the bones. We need more songs in the revolutionary movement of America. If some of the readers doubt the revolutionary importance of Song, let them remember that great song, “The Internationale.” Chinese workers have gone out to be béheaded with this great proletarian anthem on their lips. It is sung in the banana planta- tions of Costa Rica by ragged peons. You can hear it in a thousand cities on May Day. Young French soldiers hoist a red flag and sing the Internationale when they are marching home from their term in the army. Every bourgeois knows what the song means; it is a threat to their power. And every worker knows what it meats; it is the song of world solidarity and hope. Surely no song in history has ever been sung by such millions of human beings of all the races. No song has ever gathered such @ Wealth of associations, or inspired so much loyalty and courage. But the day by day songs, that treat satirically or tragically of the life of the workers, are as valuable to the revolution, In certain memoirs of Lenin by the old Bolshevik Bonch-Bruevitch, it is told that while Lenin was in exile in France he particularly loved to visit the workers’ cafes in Paris, and to listen to the favorite singers of the working class. “They knew how to refiect in their songs,” says Bonch-Bruevitch, “the sharpest and most contemporary political incidents that had aroused the indignation of the workers. Often, too, they sang the verses of the older poets of the French working class who had created their powerful hymns to the accompaniment of cannons in the French Commune.” American Balladry A hort eats I had something to say of Comrades Ray and Lida Auyille, two Southern mountaineers who are proletarian singers like those French workers who entranced Lenin. I am printing more of the verses, to give some idea of the work of this revolutionary couple, who write their own words and music, ; then, with a guitar, sing to working class audiences. } Note how timely the themes are, how specific. Note the style, which has the true ring of American balladry. The lines might not be approved by an esthetic grammarian, but no intellectual poet could ever hope to imitate them. One has this folk-feeling or one hasn't. Joe Hill had it, and the Auvilles have it. + * The Ghost of the Depreasion I have a funny feeling in my bones From sleeping on a bed of sticks and stones; I'm on the New Deal plan I dine from garbage cans That’s why I’m blue, that’s why I feel this way. We're twenty million workers on the tramp All headed for a jungle nudist camp. There’s not a job in sight } Oh, what an awful night Till swear I’m getting madder every day: Chorus: Oh, the Ghost of the Depression’s sticking round this town Just see those hungry mobs a-hanging ‘round; WORLD of MUSIC Philadelphia Orchestra Plays Dawson’s Negro Folk Symphony Reviewed by CARL SANDS TOKOWSKI, indefatigable inno- vator, went in for a flock of academic novelties in his third pro- gram of the season's series at Car- negie Hall, on Tuesday night, salt- ing them down with Ravel’s “Rhap- sodie Espagnole” (now 27 years old) just to show, perhaps, where the professors got much of their stuff and where they still might get a lot more. Its sleek brilliance is like ;@ record of a gay party where everyone was very witty but no one can remember any of the hits. It contrasted strangely with the other works, but showed unmistak- ably the same basic pattern—chaotic jumping together of diverse and j label—Mexico, There’s mis’ry on the face of people every place, It’s the nearest thing to hell that can be found} Oh, see those skeleton forms move down the street With hungry looks and rags from head to feet; The Blue Eagle's picking their bones Feeding the Wall Street drones Oh, the Ghost of the Depression’s sticking round this town. At times I really think I’m going nuts From searchin’ round the streets for cigar butts; There’s nothing left to do But bum a dime or two And everybody broke what shall I do? They're feeding babies on a diet of hay So billionaires won't have a tax to pay They stole my home and socks They shoved me on the rocks How long how long must things go on this way? Chorus: “Oh the Ghost et the Depression’s”, etc. Painting the Old Town Red Come Workers and hear of Jimmy Revier who couldn't find a job Kept hanging round the shops of town and mingling with the mob; And when he would hear of comrades near just idling the time away This Jimmy Revier with voice loud and clear would march right up and say: Chorus: Keep painting the old town red! - Keep knocking the social fakers dead! Keep knocking the mugs off the fat fascist thugs And exposing the lies they spread! Keep mopping up the scabs and spies Keep putting the Workers wise, And don’t be mistaken you are bringing in the bacon ‘When you're painting the old town red. * * . I wish I had the space te print the other songs in full, but here are some excerpts: * Mighty Fine Country There are a million liars behind the bosses’ lines To hide the Soviet vict’ry and keep the Workers blind; You'll read lies in the papers, the magazines and books, You'll hear them flowing from the lips of all the sneaks and crooks. Not Blue Any More I'm not blue any more because I’m Red, Red, Red, On the picket line, the hunger march, the fight for bread ‘We're not blue any more because we're Red. Used to be I contemplated suicide ‘Now a plucky little comrade’s by my side Used to be my life was only misery ‘Now we're fighting for a Soviet victory I'm not blue anymore because I’m Red, Red, Red! . * . I’m a Civilized Man Now William MacRuth way out in Duluth went out on election day While walking the street a man he did meet who said, “Bill, come vote it my way, Tl give you a five, or maybe a ten if you'll vote it straight for the old party men.” But Bill with mistrust and a look of disgust just turned to the man and did say: Chorus: I'm a civilized man, I'm a Red. I have advanced thought in my head. Td rather by far enlightened be Than own all the land, the sky and the sea; I care not for gold anymore When others around me are poor; Of me can be said Old traditions are dead I'm a civilized man, I’m a Red! unrelated material, discontinuity, full of quick changes from one idea to another—one hundred men going repeatedly through evolutions of amazing technical display to por- tray the flip of a cat’s tail, the wink of a sophisticated play-girl, or the thunderous applause to a bon-mot, ‘We would like to know the reac- tion to McDonald’s “Santa Fe Trail” among the denizens of a hobo jungle anywhere along the present line of the old route. Brake-rods, hand-outs, forced labor, jail—we live in 1934, McDonald, and you missed 1849. Manuel Ponce’s “Chapultepec” is as little Mexican as the eclectic. pseudo-international mannerisms of which the bulk of it is made up. Any American professor could have written it. The recipe is: copy not one famous predecessor, not one na- tional style, but a number of them, mix them up together and attach a Napoleon at Elba, Congress Meets, Symphony in B Flat. . 'HE outstanding work among the novelties was William L. Daw- pee | son’s “Negro Folk Symphony.” The |‘ composer is a Negro, born in Ala- bama in 1899. He ran away from home to enter Tuskegee Institute, where he arrived penniless. He worked on the farm and was finally admitted to study. He learned many instruments, playing later first trombone under Stock in Chicago, singing in the Institute choir, teaching school in Kansas, in 1930 returning to his Alma Mater to organize and direct the School of Music. The Symphony is based upon Negro folk-music. It has three movements: The Bond of Africa,” “Hope in the Night,” and “O, Lem- me Shine.” It constitutes one more decisive refutation of the old charge that the Negro cannot attain dis- tinction in the culture of this coun- try It is not great music; it is not new music. It is, except at one point, very commonplace, not be- cause it is by a Negro but because # is by a professor, It shows that the same cultural forces are at work in a Negro’s musical life as in any white person’s, once they get into the same rut. But while the same cultural forces are here at work that can be seen in the composition of Pro- fessors Mason and Smith, there are, clearly, some forces that cannot be in the work of those men at all. Dawson is a Negro, a member of an exploited and humiliated race. The folk-music. of that race expresses most eloquently its suffering and its aspirations, its gayety and its vital- ity. But in Dawson’s symphony these qualities are sucked out of it, by the treatment, just as they are sucked out of the academic compo- sitions of most of the white men who exploit the Negro melodies, hoping to be able to infuse their dry counterpoint with the tears and Jaughtert hat the polite audience wants to have exhibited for it—com- modities they cannot produce for themselves. Misc .WSON’S “The Bond of Africa” is a sterile intellectualization of no moment. Has he ever heard the music of Africa? There are mag- nificent records of it. Superb music as complex, as masterful as any in the world—not “art,” but primitive music, It is probably as incompre- hensible to him as to any untaught white man. His “O, Lem-me Shine” is of the same texture, ending with a blatantly theatrical and optimistic fan-fare. He has chosen the servile, not the fighting, folk-songs. But the second movement, “Hope in the Night,” is a fine composition at the beginning and at the climax. It is beautiful, well-written and deeply moving music. It is a pity that this composer is still enmeshed in the love of old and dead gods. Perhaps some day he will hear one of the revolutionary songs of the Negro workers that Lawrence Gellert has collected (soon to be published by the Workers Music League). Perhaps it will awaken him. Perhaps he has it in him to make the turn and become @ true son of his people and give be an imitator of a lot itators. At any rate, we shall watch William Dawson. Little Lefty Football Paintings by two of the Soviet Short Wave this column EGINNING today, Contemporary Soviet Art tion of Soviet art at the Pennsylvania Museum, Philadelphia. (From Nov. 7th anniversary issue of Moscow News) A. Deincka | artists represented in the exhibi- Radio News nothin’ about it’ on the one hand, famous novel Jinterest in the life of Emma, the |and ‘WORLD of #e|7th World Con MOVIES | Discussion Transcription of Fameus Novel | MADAME BOVARY, American pre- | miere of Fiaubert’s novel of the} Fine same name, directed by Jean|THE COMMUNIST INTE Renoir, now playing at Acme <I Theatre. Reviewed by DAVID PLATT ES is a wholly satisfying tran. of Gustave Flaube; to | Reviewed by A. MARKOFF | JUMBER 21 of |N International, Pierre | sale, | portant scription the screen. film and bout the fi ‘Poil de Cai mtains a mirable performances by Renoir and Valentine Te Charles and Emma Bo y ng splendidly directed by t other time. In son of Renoir the painter—Jean 20) there already Renoir; and contains musical score by the Darius Milhaud. The scathing spirit of Flaubert’s | Communist Intern: book which was directed against ;Continues this discu’ the thousand fetters of bourgeois Sideration of problems of ti society in the 1840's ig in this film./import to Party members, members And there is much that is still of Of the Young Communist League every stud emotionally disturbed because ro- Leninism, every s mantically inclined girl who woke Communist mov up to find herself trapped in an! We cannot in t impotent provincialism which could;With an analysis of the artic not feed her desire for freedom and ; detail or even with all the article happiness, which she believed she |that appear in this issue, but we could procure through compromise wish to call to the attention of the —one foot in reality, one in |readers the following unreality. | Lessons of October But Emma Bovary, inarticulate | First, the article by Bela Kun on and mistaken as she was, uncon-|‘Zhtee Lessons of the October Vic- sciously expressed the beginnings of |tOry for the International Prole- what could only be completely |tafiat.” In this article Comrade achieved in 2 revolutionary society. | Bela Kun, in discussing the ac contains a articles H y app an excellent which dealt with the composer, {will come up for dis is brief space deal \the establishment of the Soviet that repressed her at every turn, both in her own provincial circle ; Union, shows that only through and in the upper world of which she ' Political power in the hands of the was too late disillusioned, and with- | Proletariat and the establishment of lout any other intelligible force to the dictatorship of the proletariat is Provide her with a purposeful ai- | it possible for the working class rection—suicide was inevitable. and the toiling masses generally to Fortunately today, there is a way |%¢t freedom which is the freedom out for the Emma Bovarys of the | for the greatest majority of the world, in class struggle rather than | toiling masses; that we cannot speak suicide. I heartily recommend this|0f freedom and liberty for the fine film, toiling masses without at the same time speaking of the necessity The Inimitable Fred Astaire % the seizure of power by the ij working class. GAY DIVORCEE, an RKO produc-| In this connection Comrade Bela tion, with Ginger Rogers, Fred Kun also takes up the question of Astaire, Edward Everett Horton, |the overthrow of the bourgeois class Alice Brady. |domination. On the basis of the IVELY, amusing entertainment ,experiences in Austria, in France, with the Carioca experts, Freq |and recent struggles of the working Astaire and Ginger Rogers, now |Class in Spain, he shows that the doing the Continental, “the dance | Working class can succeed in over- which has taken the world by storm | throwing the bourgeoisie only by from Moscow to the Hague” (so|Preparing and organizing the pro- they say); also other typical Astaire |Jetarian revolution under the lead- dances over floors, tables, chairs, |€TShip of the Communist Party on beds, and anything in sight. The |the basis of the united front story which is incidental to the|Sttuggles of the workers against dances, concerns itself with the | Political and economic oppression. trials and tribulations of getting a| _ United Front divorce in the state of England;| The third and important ques- - tion discussed by Comrade Bela Kun ieve- | Living under standards of society ments of the October Revolution and | will be a regular Friday feature.|and unemployed commercial opera- Its purpose will be technical and|tors on the other, must get to- organizational assistance to workers! gether and produce new amateurs. interested in radio communication.| “With regaid to the legal aspects, The column expects letters from in- let me quote a radio law: dividual amateurs and-clubs 2ll over ithe country. The most active ones ,are expected to write at once; at least, mention address and infor- mation regarding activity, plans or ideas. It seems that there is a] Workers’ Radio Club in Cleveland, | Will the Cleveland club please write to this column at once with as| many details about the club as pos- sible? Ditto for all other clubs that may be in existence. To start the ball rolling with re- gard to clarification of ideas, we publish today a letter from a New York comrade. The comrade raises the question: “What kind of an organization does the worker-ama- |teur need?” | “It is with alarm that this fact) must be established: While there| are such splendid workers’ organi-| zations in existence as the National | |Film and Photo League, the League} of Workers’ Theatres, and the Work- ers’ Music League, at the same time there is no national workers’ radio communications organization, The, lately unheard-from SWRCA (Short Wave Radio Clubs of America) at its best was a group whose activ-, ities were mainly the building of individual five-dollar short wave sets and trying to hear Moscow. This, it seems to me, was misguided interest. While the organization is decidedly a working-class one, it} has not had a realistic program of action and goal. The writer hopes —on the basis of one New York club’s having installed a transmit- ter (last week)—that the SWRCA is going to be resurrected on the basis of a realistic constitution. “Now, as to the kind of organi- zation that we need, At the pres- ent state of affairs, a small group of workers (say, five) may be able to afford a short-wave receiver and transmitter. Possibly there are li- icensed amateurs among Daily Work- er readers already. A relay route is the first thing that should come into anybody’s mind. In New York several amateurs can be scrapped up besides the above mentioned club. It is now up to the other cities to get in touch with the daily to arrange a schedule with each other; this, of course, does not exclude New York Hams, So, comrades, forward to the first Red relay trunk line! * eateoe Te above stuff applies directly to licensed amateurs; those who are just interested and ‘don’t know Sec. 29, The Radio Act of 1927. Nothing in this Act shall be un- derstood or construed to give the licensing authority the power of censorship over the radio com- munications or signals transmit- ted by any radio station, and no regulation or :on‘ition shall be Promulgated or fixed by the li- censing authority which shall in- terfere with the right of free speech by means of radio commu- nications. No person within the jurisdiction of the United States shall utter any obscene, indecent, or profane language by means of radio communication. ‘The only other law governing the transmission of telegrams by amateurs needs no discussion; only a reminder: 373 of the Federal Radio Commission Rules and Reg- ulations, Amateur radio stations shall not be used to transmit or receive messages for hin, nor for communication for material com- pensation, direct or indirect, paid or promised.” 7:00 P.M.-WEAF—Gould and Shefter, Piano WOR—Sports Resume—Ford Frick WJZ—Amos 'n' Andy—Sketch WABC—Myrt and Marge—Sketch 1:15-WEAF—Gene and Gienn—Sketch Mildred WJZ—Plantation Echoes; Bailey, Songs; Robison Orch. WABC—Just Plain Bill—Sketeh 7:30-WEAF—Hirsch Orch. WOR—Mystery Sketch WJZ—Red Davis—Skeich WABC—Paul Keast, Baritone :45-WEAF—Uncle Ezra—Sketch WOR—Dance Music ‘WJZ—Dangerous Paradise—Sketch WABC—Boake Carter, Commentator 8:00-WEAF—Bourdon Orch.; Jessica Dra- gonette, Soprano; Male Quartet; Football—Groutland Rice WOR—Lone Ranger—-Sketch WJZ—Jewels of Enchantment— Sketch, with Irene Rich, Actress WABC—Easy Aces—Sketch 8:15-WJZ—Dick Liebert, Organ; Armbrus- ter and Kraus, Piano; Mary Court- landt, Songs; Male Quartet WABC—Edwin C. Hill, Commentator 8:30-WOR—Katzman Orch.; Lucille Peter- son, Songs; Choristers Quartet WJZ—Goodman Orch.; Frances and that you know involves moon- light settings, fashionable boudoirs, interminable ballrooms, Edward E. Horton and some of the most de- lightful musical comedy dancing of the season, A Howling Mystery CASE OF THE HOWLING DOG, a Warner Bros, film with Warren William, Mary Astor, Allen Jen- kins and others. GOOD mystery. A dog howls. #% Minority says he howls. Majority he doesn’t howl. Warren William is retained for a $25,000 fee to decide. Against heavy odds declares the dog does howl and for good reason. | Why, where, when, see for yourself. A Giddy Whirl \ SIX-DAY BICYCLE RACE, a War- ner Bros, film with Joe E. Brown. EATURING Joe E. Brown in some of the most curious bicycle riding ever attempted. Brown, who ap- | pears to know something about the | Subject, rides backwards, front- wards, sideways, underneath the wheel, with one wheel, without wheels, seemingly for six days and nights; and hardly stopping to eat, drink, rest or breathe while going through the grind he finally wins by chloroforming the rest of the field. 9:00-WEAF—Lyman Orch.; Frank Munn, Tenor; Vivienne Segal, Songs WOR—Selvin Orch. ‘WJ2—Harris Orch.; Leah Ray, Songs WABC—March of Time—Drama 9:30-WEAF—Bonime Orch.; Pic and Pat, Cemedians WOR—Lum and Abner—Sketch ‘WJZ—Phil Baker, Comedian; Martha Mears, Contralto; Belasco Orch. WABC—Hollywood Hotel — Sketch, with Dick Powell, Jane Williams, Ted Fio-Rito Orch.; and Others: Interviews with Al Jolson and Ruby Keeler 45-WOR—Dance Orch. ‘WEAF—Night Bus—Sketch WOR—Frank and Flo, Songs WJZ—Minstrel Show 10:15-WOR—Current Events—H. E. Read 10:30-WEAF—Agriculture Today — William Duryee, Secretary of Agriculture of New Jersey WOR—Variety WJZ—The Mes: Jonah B. Wise WABC—Kate Smith, Songs 11:00-WEAF—George R. Holmes, Chief ‘Washington Bureau I. N. 8, WOR—News ‘WJZ—Davis Orch. WABC—Nelson Orch. 11:15-WEAF—Ferdinando Orch. icale of Israel—Rabbi Langford, Songs; Oscar Levant, Piano ‘WABC—Court of Human Relations All Up in the Air! ‘WOR—Moonbeams Trio 11:30-WMCA—Dance Music (Also lis the question of the united front. This problem must be carefully studied by all Communists in order |to apply it correctly so as to be able to win over many of the Socialist workers. for the united front. As Comrade Bela Kun says: “The united front of the Communists and Social-Democrats in the struggle against the capitalist offensive is the path to the winning of the ma- jority of the working class to the banner of the consistent class struggle for the dictatorship of the proletariat, the banner of Com- munism.” In connection with the united front problem there is reprinted the appeal of the Communist Interna- tional on the Seventeenth Anniver- sary of the October Revolution. This appeal supplies clarifcation on the position of the Communist Party and its role within the united front movement. In the section for discussion of gress Continues In C.1. Magazine No.21 uggies against fas- basis portant c the article des in Great Brit< le lessons can be y comra: in our arty in t e . lessons which will help to prev or over= come some of our own weaknesses’ and thus help to strengthen the movement : First International A vel illuminating article ~on “The Historic Path of the First In- ternational” M. Zorky is ims ;portant in the sense that it throws light on the developments and the struggles within the First Interna- tional Comrade Z discuss¢s the meaning honism and the strugg ¢ Proudhon- ists in the Firs ernational; also. ithe role and activities of Bakunin and the struggle of Marx and Ens gels against B: lowers. In t article Comrade. Zorky oniy refers briefly to the Sec~ ond International. On the basis.of Interna~ tional we wi and sincere our hope that Comrade desire Zorky will contribute an article in the future issues of “The Commu-.. jnist International” dealing with the ;Second International in a similar manner. | Other important contributions, are ..a \“The Proposal of the Communist, |Party for United Front With th | Socialist Party in the U. 8. A, “The Latest Maneuvers of the French Trotzkyites,” by A. Boreau, jand a review of the pamphlets deal- jing with unemployment in the U, 8. A., by M. Davis. | We wish to emphasize again the... |very importent material contained jin No. 21 of “The Communist International” and we wish to stress | that every student of the Workers School, every Unit and member of the Pasty and the Young Commu... nist League, every. -revolutionary. worker should purchase and read this number and help to spread this” magazine in large quantities so that major sections of the working class will be in a position to acquaint themselves with the experiences 6f the Communist movement and the problems facing the labor moyes | ment as a whole at the present time, | MORE TO BE PITIED THAN SCORNED! Today's barometer registers a new low for Science—Comrade Ramsey gets nothing! Oh, if he only had a friend! - $86.28 i } Total to date ........ LABOR DEFENDER, November is- sue, published by the Interna- tional Labor Defense, 80 East 11th St., New York City. Price 10 cents. Reviewed by NICHOLAS WIRTH ‘HE treatment of criminals in the Soviet Union is sharply con- trasted with the treatment of polit- ieal prisoners in the United States and other capitalistic countries in the November issue of the Labor Defender. From the I. R. A. front comes news of the torture of hundreds of militant workers in the Fascist dun- geons. In our own United States the organized effort of the boss class to burn the Scottsboro Boys, to railroad 18 workers in Sacramento on trumped up charges, fits well into the picture of the’ offensive against the growing militancy of the working class throughout the capitalist countries. In an article by Louis Colman, “As We Go Marching Through Georgia,” we find sufficient evidence of the terror directed against both white and Negro workers. Joseph R. Brodsky describes the tactics used by Samuel Leibowitz and his allies to slander the defense of the ‘boys and to weaken the mass pres- sure in their behalf. WEAF, WOR, WJZ, WABC, WEVD) And there are victories. Mass all ser LEFTY 2 HERE we Go| “he wry LOOK HOW “HE Ricit RIDE RROUND - AND OUR LIVES WITH WE RISK Graphic Bickere of World Class ~~~ Struggle in Nov. Labor Defender _ pressure frees two workers in Con-" necticut. U. §, Supreme Court orders new trial for Tom Mooney. ..- Helena Stassova reports for the So-_. viet women at the International — Women's Congress Against War and Fascism: “We Have Already Won ~~ Our Freedom.” The third installment of “Free Thaelmann,” the life story of heroic leader of the German wi ing class imprisoned and torturéd by Hitler, is continued in this issue.~ This story is the outstanding fea= ~ ture in this issue of the magazine, ~ There are also letters from our own political prisoners. John J. Corneli+*~ son, No, 37287, writes from San Quentin, Cal. “The future shows... signs of change and it is these changes that will then allow us to express ourselves in written wordg —words that will express thoughts... —the thought that is now gripping * the brain of every living toiler.” _ Tom Mooney, No. 31921, also from San Quentin thanks the I. Li D, for its effort to gain permission for With its usual array of pictures from the firing line of the Class war, the Labor Defender from its- front cover which portrays the ap-~ peal of the Scottsboro mothers for the lives of their boys, to the back - which carries a call for prisoners’. relief, adds one more to a lone“tist “>” of documents of American history. in the making. BLACK AND WHITE, UNITED nuts is so good,” writes Mrs, J, Brown, N.Y.C., “I can think of no | better way for my tiny son and’E' | to celebrate his father’s birthday-to-——~ day than to contribute the most we can to your excellent comic strip kunin and his fole~ =- him to attend his mother’s funeral, _- “Your picture of Lefty and Pease --- OUR HOME-MADE to win a copy and make him a DON’T BREAK YOUR TEETH GNASHING, BOYS! aon ~ THAT'S present of it. His father isa Negro, Michael's hold on his followers is causing Burck and the Medical RPITRLISM FoR Tam white, and our infant son can * Board to plan getting him out of the way, our operatives tell us. The only make fists, but they already = villains must be foiled. (Quota $1,000). |hold a death blow to this lynche = $ 1.00,E. Christenson 1.00 mad capitalist system and its Scottse =)” $1.00 |G. Holm ke 1.00 horos, Pan 1.00 (W.. TR... 31,00 Ji Brown... 52.54: . $ 1,00 tee | 1.00 |A Friend and Admirer. 10.00 Previously received . $197.24 i f 1.60 | Previo: ived © 562.24 ee ae ~ 2.00 Teal ba $612.84 Total to date ........ $198.24 ef tribut h day, Mike Gold will tan auttogreph ee copy, of his orl, ewe, Without Money," ‘or an original “autographed, manuscript ot Meee ele Poot enh ees = every day to the highest contributor,