The Daily Worker Newspaper, November 7, 1934, Page 7

i} 4 DAILY WORKER, NEW YORK, WEDNESDAY, NOVEMBER 7, 1934 4 | WORLD of the! WORLD of the| CHANGE | tHeatre | MOVIES canta T HE ee They All Get Jobs Cagney in a Milk Strike WO RLD | LADIES’ MONEY—a new play a by George Abbot, produced by| By MICHAEL GOLD Courtney Burr at the Ethel Barrymore Theatre. Reviewed by | ‘ LEON ALEXANDER a (Pretty Boy) Floyd was finally killed by the federal detectives. The young bank robber had been hiding on a farm. He saw ten armed men approach, and ran behind a corncrib. A hail of rifle, pistol and Page LABORATORY cee ioietn saeee| ENE SELO P drvia scamey production, with James Cagney, I at the Strand. Sas Grtc Reviewed by DAVID PLATT IO ONE can handle the police force like James Cagney. Not| tive nature of presi even Chaplin. They never know! end scientific work. The when he’s kidding them until it’s | craft methods of the lone To the People of theSaar By ROBERT GAST. The Saar is German. But where is Germany? | On the globe it lies between the 55th and 47th parallel, | And if you search for Germany on the face of the earth, You find it right between the 55th and 47th parallel: A war camp. patient. Otherwise the ot be protected (7) ij | INVENTION AND MONOPOLY | The United States t Office | reports that between 75 and 90 per cent of all inventions are now pat ented by curporations. This rtant fact ill Where high-finance is king, And Hitler dictates Hunger, And spurs the beast of war. Where teachers brew the poison gas, And culture rears her brood of death, Stage’ Money” is built up on the theory that if the situation | of one married couple where the| wife’s work supports the family and| the man does the housekeeping and | place that cape ide decent machine gun bullets followed him. There were fourteen wounds in his back and one in his side. The young American bandit groaned and died. The newspapers had another sensational story. Bank presidents breathed easier, and Clergymen preached. It has happened hundreds of times in America, and it will happen again and again. The capitalists never learn. They blame, instead of themselves, the victims of their system. But if these Pretty Boy Floyds could find wisdom in the grave they would return to haunt the bank presidents and preachers. Night after night, they would say: “I am what you made me. I was a boy of 18, seening nothing but poverty and oppression around mé. There was no future for me, but slavery under your system. Your newspapers, books and moving pic¢- tures taught me little else but to covet money, success, and luxuries. I was ignorant and reckless. I did not know the power of your state. It is organized for one purpose—to protect private property. That is its most sacred law. Like a wild, foolish kid, I thought I could beat this law single-handed. Now I see my mistake. But I am not guilty. It is you who are guilty—you and your slave system, that crushes human beings in order to protect property. It is your system that creates poverty, war and criminals.” . * . Warped Children of a Warped System tainted ate g are not sentimental about bandits and criminals. But they recognize such as the warped childrén of a watped and evil system that can only be ended by an organized movement of the working class. Communists know that as a group, the criminals will be found in most emergencies on the side of capitalism. They ate really petty- bourgeois businessmen who use unconventional méthods for gaining wealth. Yet Communists, knowing that most criminals are less to blame than the system that fashioned them, never join in the hypocritical chorus of thanksgiving that goes up in the capitalist churchés and press whén a bandit like Floyd is finally captured. A neighbor of the Floyd family in Sallisaw, Oklahoma, sends the following letter about the case. It is an interesting light on the back- ground of this young American. . . . A Pack of Hungry Wolves Sallisaw, Okla., Oct. 23, 1934. Dear Comrades of the Daily Worker: I live in the home county of Pretty Boy Floyd. Not only that, I live next door to his mother. His people are my nearest néighbors and friends. What a tragedy his life has been! For weeks now we have been looking for the worst. When we met Mts. Floyd we ob- served, her careworn face, but we never questioned her about her son. It was too near her heart, the thought of her son whom the federal officers were chasing like a pack of hungry wolves aftér a deer. Charley Floyd. He bécarie what he never coveted, noted. Of all things he never coveted notoriéty. He was fighting for existence, not | desiring notoriety. Little did he dream of being known from one end of the country to the other when he was leading the life of an average country boy a few short years ago. Like most boys, he desired good clothes, and a good tithe. Unlike many boys, he was not afraid of the state, which he recognized as his enemy. He was in his most plastic age, about eleven, when thé United States entered the World War. His father was a member of the Work- ing Class Union, a radical orgatiization that made a real, organized effort to thwart the plans of Woodrow Wilson in plunging this nation into a war to make the world safe for democracy. The efforts of that organization were nipped in the bud by the seizure of its leader, H. H. Munson, and throwing him in prisén for ten years for violation. of the Espionage Act which was passed after Munson was seizéd. Walter Floyd, the father of Pretty Boy, was an active membér of thé Working Olass Union. He was thoroughly class-tonscious. The Working Class Unioh was ahéad of its time. It made an effort at revolution when the working class was not educated to the point of revolution. All active leaders suffered, Munson served ten years in a federal prison, and Walter Floyd was afterwards assassinated. Other members escaped punishment by dropping into inactivity. From my window I observed thé first swarm of newspaper re- porters swoop down upon the Floyd residénce after the killing of Pretty Boy in Ohio. Poor Mts. Floyd was distracted at the news, but that had no restraining effect upon the daring réporters. They asked her personal, direct questions. She refuséd to answer. And then they went off and pictured her as a cruel, cold-blooded mother, who did not even shed a téar over the tragedy. The report is shocking to us who know what an affectionate mother Mrs. Floyd is. I am sending you the newspaper report of the tragedy. Note how the reporters play up the citizens as Hill Billy settlers. It is true that the town of Sallisaw mourns the death of Charles Floyd, for he had many friends here, and no ehemiés. But as to his helping financially the people of the county, that is all in the minds of the newspaper reporters. Most of the loot that Charley Floyd got from the banks, I presume, was spent in trying to kéep from being caught. Your old comrade, P. A. OLIVER. * . “A Poor Man’s Fight” — Woopecw: WILSON is remembered as a gréat liberal and human- itarian. But hé was directly responsible for the ‘der of over a hundred thousand American boys in the late war to save the private property of J. P. Morgan and Wall Street; their European investment. And Pretty Boy Floyd’s fathér was a member of that band of militant Oklahoma farmers who took to the hills and fought the draft. They were isolated, had no clear program, but they knew, with sound class instinct, that it was “rich man’s war and a poor man’s fight.” : Perhaps it was the same hatred of the rich robbers who rule America that made a gunman of young Floyd. If so, he chose the wrong path. No individual alone can beat this mighty systém. It will take millions of organized workers and farmers, allied with the best brains they can find, to finally end this infamous system of legal robbery. . . . Contributions received to the credit of Mike Gold in his Socialist compétition with Jacob Burck, David Ramwséy, Marry Ganneés, Ann - Barton, del and the Medical Advisory Board, in thé Daily Worker drive for $60,000. Quota—s500. Sweet Sixteen . ++ $ 3.00 Tom James ... 50 Herman Spector . ory 50 Unit 148 See. 1 ..... 1.00 Hilda Zachana, Party ... 5.00 Previously received ++ 282.27 Total to date . + $282.27 Trotsky's “History” of Russian Revolution Refuted THE OCTOBER REVOLUTION ’ By Joseph Stalin Stalin analyzes the main periods in the Bolshevik Revolution since 1917 and appraises its intérnational signi- ficance. Speeches and articles written in October and in the course of the polemics with Trotsky refute the histori-ns of anti-Bolshevism. CLOTH... ... $1.00 TIONAL PUBLISH ORK AVENUE, @® NEW ¥ Intérnational Publishers, 261 Fourth Ave., New York 1 ' Tam interested in your publications 1 and would like to receive your i catalogue and news of new books. { ' Address... TERN OUR A TH E N ee f 4 e ’ dreams, is funny, then three such couples presented in one evening under the same roof of a theatrical Tooming house ought to be three times as funny. For good measure, Mr. Abbott has also thrown in a seduced vir- gin, a horrible stabbing with a but- cher knife, a horse race and a per- son’s life which depends on it, a “deus ex machina” by the name of Mr. Ginzberg, and a two-story set showing four rooms, the hallways and stairways of the house. It is needless to add, I suppose, that all ends happily and for’ the best in the last two minutes of the third act, with the husbands going to work in the same department store where their wives are em- ployed—Mr. Ginzberg’s. The people of Mr. Abbott's play are primarily unemployed actors and vaudevillians. Some day, I would like to take the author of “Ladies’ Money” by the hand and show him how the unemployed actors and vaudevillians are ac- tually living in this fifth year of the crisis. If the critics think the rooming house which Courtney Burr had built on the stage of the Ethel Barrymore is unpleasant and chatacteristic enough, I would like them to see some of the rooms in| the cheaper boarding houses in the theatrical district, where the “pro- fessional” is starving in the grand Manner on the four meals a week provided by the Actor’s Dinner Club, while he waits to be evicted for non-payment of rent. * * * Entertaining Evening RED VODVIL NIGHT—Presented by the New Theatre Magazine at the Civic Repertory Theatre. re Sunday Theatre Nights, whatever their shortcomings as @ whole—and they have many— always manage to offer something at least once during the evening that gives the audience a genuine dramatic thrill. This time, it was the performance by the Ukrainian Dram Group of their satiric review sketch, “Oh Yeah.” In spite of the handicap of lan- | guage, they communicated clearly | the meaning of their play by their remarkable pantomime. I don’t know if this group is entirely com- Posed of amateurs, or whether their standing is semi-professional, but their ensemble acting, sustained and expressive, could furnish many points to the Theatre of Broadway which in this matter of punctillious direction is often sloppy and in- effectual. Outstanding in his part Was the comrade in the role of the priest. Of the Bunins and their puppets we have already spoken in a pre- vious review. Their new sketch “Bones and Feathers,” however, tailed to be impressive. The dog- gerel rhymés were stiff, a good line was Tare; with their two characters reduced to symbols, the puppeteecrs failed to imbue their little figures with that precious human quality which made last week’s sketches so dear to the heart of the audience. The 100 Percenter gave too much | evidence of having been too quickly | prepared. It is good, swift, vaude- ville, but except for John Brown, the rest of the cast almost com- Pletély failed to catch the style of acting which vaudeville requires. And now, in the language of this Same vaudeville, we pass from the sublime to the ridiculous: if Sophia Deélza’s performance proved nothing else, it did show the patience and the good nature of our worker audi- ence. Here and there, a guffaw did break through the astonishment that greeted this dancer’s per- formance. And deservedly so. There is no question here of esoteric mys- tery of the dance; Sophia Delaza’s choreography is shapeless, her movements childishly literal; as vaudeville, it wasn’t funny enough. Of thé rest, the contribution of the Unity Theatre, while of a higher political caliber than that of last week, still shows that this group is badly in need of good direction. The musical part of the program was furnished pleasantly enough by the Pierre Degeyter Club Quartet and the Italian Workers’ Club Chorus. Nor must we fail to men- tion the amusing stunt of the New Dance Group to boost the sale of the New Theatre magazine. Contributions receivéd to the credit of Del in his Sotialist competition with Mike Gold, Harry Gannés, the Medical Advisory Board, Ann Barton, Jacob Burck and David Ramsey, in the Daily Worker drive for $60,000. Quota—$500. Sec. 3 Unit 5........... LW.O. Rumanian-Cleve.. Previously =eceived . Total to date .. Litt. Tat Where steel mills turn the cannons out— This is the land upon the globe Which lies between the 55th and 47th parallel. Is this land Germany? No. And if it were, then we demand That Germany be changed. If now you seek for Germany, then ask For the land where the barbed wire begins, And where justice cannot pass. The direction, more exact than any map, is: / It is the land where hangmen—get the best paid work. Can this be our Germany? No! And if it were, we say: Germany must be changed. People of the Saar! To social freedom, peace and bread. For Germany, too, and not for the Saar alone, this fight is waged. Over 468,716 square kilometers Rule prison, rack and ax, 1880 square kilometers, Saarland soil, Are still untouched by fascism, Saarlanders, do you look for Germany? You will not find her, Germany is not yet born—Germany is still a goal, What is your fatherland to be Germany!—Hitler Germany? No!— Germany will yet be changed! From out your soil Hacking the black coal and iron ore Were nursed the great haters of fascism: And to all men who toil belong the right ry ‘Impartial’ Newspaper Publishers Propose Anti-Strike Legislation By HARRY KERMIT Pasa a liberals who still nourish illusions about the im- partiality of the capitalist press and conceive of fascism as a phenom- enon reserved for Central Europe, will probably be surprised to learn that a definitely fascist anti- working class campaign is now being conducted by the Pennsylvania Newspaper Publishers Association. Details of the campaign are out- lined in the current issue of the Guild Reporter, news organ of ,the militant American Newspaper Guild. They disclose that the pub- lishers, without taking their em- Ployes or the newspaper reading public into their confidence, have been working toward the enact- ment of legislation this winter de- signed to Mmit the workers’ right to strike, The association is circulating among all publishers a series of pamphlets entitled, “The Newspapers and the New Deal.” These pam- phlets, which are published in Nashville, Tenn., carry no union label. They take up labor legisla- tion “from the standpoint of the newspaper employer,” according to the introduction to the pamphlets. | This is a different viewpoint from the “impartial” interest which they recommend for the Guild, the em-| Ployes’ organization, As outspoken a statement of fas- cist creed as can be found any- where is the association’s conten-| tion that: “In the opinion of many who have given careful study to this situation, no measure will be ef- fective to settle industrial disturb- | ances until ILLEGAL [emphasis | mine—H. K.] strikes are made | unlawful and until some obliga- | tion is placed upon unorganized labor not to strike whole con- } ciliation is in progress.” | What interpretation can be placed | even by a liberal upon the request | that illegal strikes be made unlaw- ful other than that it is one with the policies of Hitler and Mus- solini. The series of pamphlets, while) not hiding the fact that the pub- lishers’ point of view is repre- sented from the standpoint of Profits, Irges legislation requiring that workers’ organizations act in| what the articles call “the pub- lic interest.” Can it be that what the publishers really mean is legis- lation in “the employers’ interest’? Events Confirm Stalin’s Stand on Building Socialism in One Country, pa of the possibility of build- ing Socialism in one country degenerates “directly and openly to the position of the Mensheviks,” Joseph Stalin shows in a chapter on “The Party and the Opposition Bloc” in his latest book, “The Oc- tober Revolution,” off the press of International Publishers. Stalin’s article is extracted from the political report of the Central Committee to the Fifteenth Con- gress of the C. U. S. U. in Decem- ber, 1927. All that has inappencd in the Soviet Union since then— the successful completicn of the first Five-Year Plan, the tremen- dous drive for a socialist, classless society which is being made pos- sible through the second Five- Year Plan—fully confirms the point of view advocated then and now by the Communist Party of the Soviet Union and its leader, Stalin. “Such a line taken by the op- position” (Stalin refers to the op- position led by Trotsky who, at the time of Stalin’s report, had not yet been expelled from the Soviet Union as a counter-revolutionary— Ed.) “on the question at issue is not new, for its present leaders, Kamenévy and Zinoviev, started with this line when they refused to proceed to the Octcber. uprising. They said outright in those days that by raising the insurrection we were heading toward ruin, that it was necessary to wait for the Con- stituent Assembly, that conditions WELL 1m GOING “To SEE FoR MYSELE WHRT “THE REASON 1S FOR ALL “WS UNREST AROUND HERE — | were not ripe for socialism and would not be ripe soon. Trotsky started with the same line when he proceeded to the uprising, For he stated directly that unless the vic- torious proletarian revolution in the West would be in time to assist in the none too distant future, it would be stupid to imagine that revolutionary Russia could hold its| own against conservative Europe.” Stalin contrasts the reservations | of Trotsky, Kamenev and Zinoviev on the uprising with Lenin’s rev- olutionary approach. He cites Lenin’s article, “The Military Pro- gram of the Proletarian Revolu- tion,” published in September, 1917. Lenin wrote: “Socialism victorious In one coun- try does not by any means at one stroke preclude all war in general. On the contrary, it presupposés wars. It inevitably follows from this that socialism cannot be vic- torious in all countries simulta- neously. It will be victorious first in one or in several countries while the others will for some time re- main bourgeois or pre-bourgeois. This ought to give rise not only to friction but to an outright endeavor by the bourgeoisie of other coun-)| tries to crush the victorious Pres) letariat of the socialist state. In such event war on our part would! be legitimate and just. It would be) a war for socialism, for the libera-_ tion of other peoples from the bourgeoisie.” None So Blind —’ Look ay arr !! PROBABLY ~1O0 LAZY “% Go HOME AND Go’ SE0/ | Veals too late. Maybe that’s why most of | gator have become ob: Cagney’s time in “St, Louis Kid” | have been replaced by is spent behind the bars of a tow that has been hard hit by the m trust, for whom Cagney and his | in entor friend Allen Jenkins do the truck-| research halls of gr driving. And thereby hangs a tale that|able technical skill and corpo! for a moment looked as if it was going to be an important story about how the farmers, led by Cag. ney, outwitted the milk bosses and|under the thumb of big b ‘ch | The inventor and scientist hay It soon gets off the track |Ccome integral their hired thugs. luck, But no trying to set it straight. He tries hard—but the picture is against him all the time, lively and amus- ing as it is, what with Cagney’s head-butting and Patricia Ellis’ face-slapping tactics all through the evening. For once, however, the farmers are shown with some truth and militancy in them. They actually look ‘as if they mean business on the picket line until the armed thugs start riding the milk through. Then what might have been an in- teresting social analysis becomes an unbelievable underworld shocker. Somewhere in the middle of the film Cagney and Jenkins are or- dered—against their will—to haul a load of milk through the lines set up by the farmers against the bosses. As a result, they are mauled by the farmers, sentenced to jail by the magistrate friend of the farm- ers, and fired from their jobs for befriending the farmers. Later one of the militant picketers is killed by a milk thug and Cagney is held for murder. The rest of the story is banal. Cagney escapes clutches of the law, finds the villain, thumbs his finger at the milk trust, gets back in the good graces of the farmers, marries the heroine—and fade out! One of these days Cagney may find a film really worthy of his talent! A Dull Western WAGON WHEELS, a Paramount Picture, with Randolph Scott and Monte Blue, at Loew's 86th St. Theatre. t Hae sae" A SLOW moving and dull-witted Western about pioneering in the 1840's. Telling in a manner recall- ing the cowboy-Indian thrillers vin- tage of 1910, how the Kansans, Nebraskans and Missourians made the long trek to Oregon in spite of cold, hunger, drought and mas- sacre; but not telling why they were compelled to leave, Kansas, Ne- braska and Missouri to go off to Oregon in the first place, An in- teresting sidelight of the film re- how the master traders played off the Indians against the whites to keep the pioneers out of the fur country, knowing that settlement of the country meant interference with wild animal hunting for profit, Sep * One Glimpse is Enough ONE NIGHT OF LOVE, a Colum- bia production, with Grace Moore and Tulio Carminati, at Loew's 46th Stand Broadway. pages esl IST one glimpse of Grace Moore standing in the middle of the stage singing Carmen as though she was about to be hit by a horse- shoe is enough to lose one’s faith altogether in films with titles like this. She is totally devoid of stage presence, personality or voice, One hour of generous boredom. as Curiously Bad DRAGON MURDER CASE, a First National production, with Warren William, at the Savoy Theatre, 34th St. and 6th Ave. ae ek. CURIOUS house party. A cu- rious swimming pool. A curious murder. A curious detective. A cu- rious clue. A curious conclusion. Result—A curiously ineffective non- thriller in spite of Philo Vance and his theories about dragons and Japanese water colors, me san Puritan America Again THE PURSUIT OF HAPPINESS, @ Paramount picture, with Fran- cis Lederer, Charles Rugglés, Mary Boland and Joan Benneit. oe Pursuit of Happiness” pokes fun. at America’s puritanical heritage, which accepted bundling while rejecting milder pastimes. On the screen, it is an innocuous com- edy with a few mild jabs at the hypocritical jingoism oi the De- claration of Independence. The cast is about all that relieves the dullness —B. H. ann | Fooo WHTKOUT. WORKING fRIT, EH? WELL, I'veé SEEN ENOUGH! GUESS I'LL Ger MYSELF _P A BYE AY “HE GILYMORE - the | jand stays off, with ell honors to| making machine, and they c: the inimitable James Cagney for |WOrk at those things that | work of huge labor: ig factories cannot c with their large finances lawyers. t the sew form that as taken has put it all tk parts of the profit- profits to their company. When they complete a job, there is no assurance that it will be used. It the company decides to bury it in the files, the invention disappears and is never heard of again. The inventor does not profit from his discovery. The patent rights belong to the company. He con-| tinues to work at a miserable wage, which is often as low as $15 a week Because big business dominates the flow of invention, it can sabotage all discoveries that ao not make for war and profits, and keep the re- search worker a harassed and un-| derpaid employee. FOREST FIRES AND INSECTS Foresters have found that forest fires are a frequent aftermath of large-scale insect outbreaks in the woods. Large areas of timber are| attacked by defoliating or boring insects that kill a high percentage of the woods that are often swept later by conflagrations that cannot be controlled. One of this year’s worst forest | fires, a 15,000 acre fire inthe Col-| ville National Forest in Washing- | ton, burned through a stand of Douglas fir that had been killed in} 1930 by the Douglas-fir tussock moth. In 1929, a forest fire swept through a large area of beetle-killed lodgepole pine in the Chelan Na- tional Forest in Washington. Thou- sands of acres of hemlock and spruce on the Orgeon coast which were killed by an outbreak of the hemlock looper were subsequently destroyed by tremendous fires, The dead branches both in the| insect-killed trees and on the ground provide plenty of fuel for sparks or chance flame. The de- foliated trees offer little resistance | to the sun and the litter on the} forest floor is more readily dried | out. Some insect outbreaks kill) from 50 to 90 per cent of the tim-| ber in the stand where they 9c-| cur. And even a 50 per cent kill opens the forest canopy enough to} keep the material-on the ground| in a highly inflammable state. In; addition, the dead timber supplies numerous dead stems which aid in| starting lightning fires, in supply- ing fuel for the flames, and in throwing burning twice or pieces of | bark across fire lines. A RICKETS PREVENTIVE Until now it was believed that Vitamin D was the only substance) that could prevent rickets. But| Professor Lester Yoder of the Iowa State College reports in a recent is- sue Of Science that he has found another preventive, which differs/ from the vitamin somewhat in| chemical composition. The new substance has the name} —cholesterilene sulfonic acid. Ac: cording to the professor its rickets- preventing power has been tested in the laboratory, but it will not be put out as a substitute for the vi- tamin. He gives the rather disin- genuous reason that he must first New Theatre Group Organized in Phila. PHILADELPHIA, Pa—The New Theatre Group, recently organized on a workshop and studio basis, has already enlisted 75 actors, di- rectors, playwrights, scenic design- ers, musicians, dancers and stage-| technicians. The Production Coun-| cil has begun work on the first presentation, which will be “Too Late To Die,” a four-act play, by a local playwright, Christopher Wood. Mr, Wood is the author of “The | Cow Jumps Over the Moon,” “a study of the family life of Jewish} immigrants, which was produced in| 1933. by the Sutton Theatre Play- house of New York City. He is also the author of a dance-pantomime, “To The Manner Born,” which has yet to be produced. * The New Theatre Group an-} nounces thai membership is still open to those who desire to par- ticipate actively in dramatic pres- entations, as well as those mem- bers of the play-audience who are interested in attending lectures on the drama, and helping in the or- ganizational development of the Group. All such are invited to communicate with the New Thea- ter Group, office address — 2313 Walnut Street. by del - 15 NOTHING BUT “hosge DAMNED REDS WHO ARE BREEDING | “be-| 4 j candles. | hundred yee tal problem M. Luckiesh, ms, times for oved perform- s that we them work of the pre- candles, unit fo! By compa an illumina room or factory around thr Dr. Luckiesh points out that de= spite the advent of electric light- ing, the customary light’ today is not much ago. In those days; a worker put the candle right next to his job. Today he uses a light from a ceilin; at a distance, This is not really illuminating the spot where he works any better than a candle would. Modern | lighting practice indicates that -at least 100 foot-candles should be the average illum: ion. This wotld save wear and tear on the workers’ eyes, but of course nothing will be done since it would cost the cap- italists more money. HEAT ABSORBENT GLASS Technicians have now produced absorbs most of the in sunlight, yet passes almost all the visible part of the sun’s spectrum. The new glass will have great usefulness in skylights and windows in the industrial plants of the south during the hot- test months of the year. In addi- tion, it will be very useful in the field of air-con since “1% keeps the cold in by keeping the heat out, The characteristics of the heat- absorbing. glass were described ~ |the recent meeting of the Optical Society of America. Solar energy, it was explained, as it seeps through the atmosphere of the earth, has only about one-third of its rays in the visible region of the spectrum. The-rest.of the sunlight consists 6f the invisible ultra-violet light on one side and the unseen, infra red, or heat on the other. The heat-absorbing glass cuts down the heat ray portion of thé spectrum. Small amounts of in the glass act as heat catchers. Some types of glass will stop and absorb about 52 per cent of the heat rays. Another 8 per cent is reflected off the surface of the glass. The remainder consists of the visible rays. While the heat that is absorbed by the glass must be re-radiated, much of it is carried away by the proper design of ventilation around the window or skylight. What remains after this process, is radi- ated, half to the inside and half to the outside. The part coming into the room is spread out in all direc- tions. A person sitting in a beam of sunlight in the room feels little if any heat from the beam. Contributions received to the- credit of David Ramsey in his— Socialist competition with Jacob Burck, Mike Gold, Harry Gan-~ nes, Ann Barton, del and the Medical Advisory Board, in the Daily Worker drive for $60,000. Quota—$259. Hy Leeds & M. Sheppard...$ 50 Lab Worker . Previously rece’ Total to date .. ++ $29.74 [TUNING IN, 7:00-WEAF—Family Welfare Talk WOR—Sports Resume—Ford Prick WJZ—Amos ’n’ Andy—Sketch WABC—Myrt and Marge—Sketch ~ 7:15-WEAF—Gene and Glenn—Sketch WOR—Marion Chase, Songs s WJZ—Plantation Echoes; Mildred Bailey, Songs; Robinson Orchestra, WABC“Just Plain Bill—Sketeh 7:30-WEAF—Uncle Eare—Sketch WOR—Heat Waves Male Trio WJZ—Red Davis—Sketch WABC—Paul Keast, Baritone 7:45-WEAP—Prank Buck's Adventures WOR-Dance Music WJZ—Dangerous Paradise—Sketch WABC—Boake Carter—Commentator 8:00-WEAF—Micheel and Mary—Playy with Mary Pickford, Actress WOR—Lone Ranger—Sketch ‘WJZ—Revenge Is Neat—Sketch WABC—Easy Aces—Sketch 8:15-WABC—Edwin ©. Hill, Commentator 8:30-WEAF—Wayne King Orchestra WOR—Variety Musicale WJZ—Lanny Ress, Tenor; Salter Ore chestra WABC—Everett Marshall, Baritone; Elizabeth Lefinox, Contrelto __. 9:00-WEAP—Fred Allen, Comedian WOR—Work of the Women's Trade Union League—Mrs. Franklin Dy Roosevelt ~ WJZ—20,000 Years in Sing Sing— Sketch, with Warden Lawes, WABC—Nino Martini, Tenor; Kose telanetz Orchestra 9:15-WOR—Fcotlight Echo 9:30-WOR—L1 ‘chestra 10:00-WEAF—Lembrado Orchestra; Pat Bernes, a WOR—Sid Gary, Baritone W3Z—Dennis King, Songs fe WABC—Broadeast to and from Byrd Expedition; Warnow Orchestra 10:15-WOR—Current Events—H. E. WsZ—Mme. Sylvia, Narrator 10:30-WEAF—Regimentation and Recovery —Secretary of Commerce Daniel C. Re WOR—Variety Musicale WJZ—Denny Orchestra; Harry Rich men, Songs WABC—Mary Eastman, Sopranos Evan Evans, Baritone 11;00-WEAF—The Grummits—Sketeh with “Senator” Ford WOR—News Bulletins WdZ—Kings Guards Quartet WABO—Belasco Orchestra 11:15-WEAF—Robert Royce, Tenor WOR—Moonbeams Trio WsZ—Coleman Orchestra 4