The Daily Worker Newspaper, October 6, 1934, Page 7

DAILY WORKER, NEW YORK, SATURDAY, OCTOBER 6, 1934 ‘Our Daily Bread’ ‘Social Film With CHAI IGE Limited Outlook -THE OUR DAILY BREAD, written, ai- | DETROIT—A charge that the/ | rected and produced by King| Infamous ‘“‘Protocols of Zion” Dragged Out | Michigan Department of Labor and Vidor, released by United Artists, A . jIndustry is doctoring its statistics| | At the Rialto, by American Nazi Agents jin order to conceal fatal accidents| a eee SSS, es = in automobile plants is made in the Reviewed by By JOHN L. SPIVAK | October issue of the Auto Workers |amount, but it was up in the mil- | New, rea shagibos prbgrnots ED KENNEDY 2. |lions. He bragged about it, I un-| pov." Monthly organ <: e fae | AS KING VIDOR'S picture “Our|] DON’T know why this head of | derstand.” | | Workers Union. } Daily Bread” definitely strives | { the espionage society should have |_ “Didn't Germany, whose govern- | The Auto Workers News states) | mm | ment hates the Jews and the Com- | that “the Department of Labor is to offer “a way out” of the present Page Seven Plotting the American (Accident Figures Girl Strikers Make |Faked,Says Organ. aay Pogroms Of Auto Workers) Stirring Defense In Li Atlanta Lynch Court Frightful Conditions of Southern Workers Are Exposed in the Personal Stories of Leah Young and Her Sister Bolsheviks. I don’t know the exact ——— By MICHAEL GOLD | ‘OHN L. SPIVAK seems to me about the best reporter now at work in the United States. obeyed my sharp tone unless me! ; : = with guilty conscience always try to | ™unists as enthusiastically as you, | suppressing from its records the) ATLANTA, Ga—Leah Young and! The woman continued to explaee Reporting is one of the great arts, and Was ONCE | depression, it seems to me that| void treabie ‘Ihe men’ sreasd | Slso Joan millions to the Bolsheviks | killing of six workers and wounding | po» sister. Annie Mae Leather: that the only way they could do recognized as such in America. Reporters like Richard | the first thing to discuss is its, bewildered after he handed me his|—iM the form of trade credi‘'s?”| of over 25 others in an explosion in was to organize into a rea Harding Davis, Stephen Crane and Lincoln Steffens were as famous in another time as the novelists and playwrights. But all the arts and sciences decay with the decadence of capitalist civilization, and reporting is no exception. The capitalist press no longer dares to allow its reporters to dig for the truth. A good re- porter has the nerves of a bloodhound, and is only at his best when he is hot on the trail of some new and significant truth. But what would such truth consist of in America today? It would be the story of the starvation of millions, surely a sensational fact that has never been reported in the capitalist press. Here is a famine under our noses, but reporters find it tabu. The preparations for an- other world war are tabu—the fact that in every shipyard and muni- tions plant a mountain of war-materials is being prepared, while every American ship carries such materials to Europe and Asia. Then the growth of fascism in this country, the vigilantes, and private armies of thugs paid by the bosses to crush strikes and labor. ‘Thousands of such facts are around us, they are the current history of America, and they cry aloud for truthful reporting. But they are also an indictment of capitalism, and so capitalist reporters are kept busy with the trivialities of the latest murder, kidnapping or divorce. Nobody can write greatly on a trivial theme. Reporters are no exception to this rule. There are scores of gifted men working on capitalist newspapers who are doomed to complete frustration. It is significant that the outstanding American reporters of the past two decades have been radicals—men like Lincoln Steffens, John Reed and now John Spivak, From Tabloids to Georgia PIVAK was for years a high-powered, brazen moving picture type of reporter for Bernarr Macfadden’s tabloid newspaper. The crimes he committed in this bourgeois past have been confessed amusingly by him in several articles in the American Mercury. But something happened to him a few years ago; probably his healthy stomach revolted at so much garbage. He went into the deep South to write an exposure of the chain-gang system. It resulted in “Georgia Nigger,” the first pioneering in this field. The officialdom of Georgia practically outlawed Spivak from their savage domain because of this book. For this daredevil had made a joke of them, in addition to having turned up some of their beastly crimes. Single-handed, a stranger from the north, a damn Yankee, the irrepressible Spivak had penetrated to their most secret torture chambers, He had got the goods on the Georgian inquisitors. He had copies of state records which told of whippings and murders of the unfortunate prisoners. With a little Brownie camera he had had the nerve to take actual photographs of the most terrific torture scenes, something worse than fascist China. He had the facts, he always makes sure that he has the iron- bound,- irrefutable truth. This the cavitalists cannot forgive, for to- day truth is revolutionary. . On the Nazi Trail PIVAK'S writing siyle is simple and unornamented. He has no tricks, nor any of those graceful subtleties which are the powder and rouge of many of the anemic intellectuals, their substitute for rugged health. All his effects are gained by the skilful dramatization of the bare facts. Sometimes there is a real magic in the way these simple facts will pile up into a heart-breaking sequence, as in his article, “A Letter to the President,” which he wrote for the New Masses on his trip last year around the country to study America under the N. R. A. Spivak is now on the trail of the Nazis, and their secret spy and Propaganda system in this country. They have formed an alliance with many American anti-labor scab groups, such as the Silver Shirts. This series of articles is now appearing in the New Masses and the Daily Worker, and I would advise every single reader of the Daily Worker to follow this series: Spivak is doing no ordinary work of exposure here. Many of the Nazi affiliations have already been touched upon by the Dickstein congressional committee. But he has unearthed facts which this Red-baiting committee would like to suppress. He is showing, and naming the names concerned, that quite a fey Americans who occupy high governmental posts under Roose- velt are in direct league with the Nazis. Some of them are high of- ficials in the State Department. He is also going to show how wealthy Jews are actually helping firfance some of the anti-semitic propaganda of these organizations, the same kind of “self-preservation” at the cost of their Jewish brothers that one has seen in Germany, where many rich Jews are still immune because of this bribery. * . . A Nazi on the Defensive ibs IS a joy to watch this exuberant and fearless reporter Spivak in action. He himself is a story worth somebody’s narrative skill. In the current New Masses weekly he tells of his interview with Royal Scott Gulden, of the mustard king family. This product of brown mustard monty has become a frenzied Brown Shirt, and is deep in spy work and organized propaganda. Recently he had a two hour conference with Fritz Duquesne, who was the chief bomb-setier and spy for the Kaiser in this country dur- ing the war, and who now does the same sort of dirty work for Hitler, Only these two big shots were present at the conference. But Spivak, with his uncanny skill at digging up’ strange facts, was able to tell Gulden every word that had passed between the two at the conference. The Nazi was amazed. In the course of the interview, he bent over, and Spivak saw a bulge on his hip, He patted it, and found it was a gun. And the irrepressible Spivak said: “Have you got a permit?” The mustard Nazi replied, “what the hell business is it of yours?” Spivak persisted: “Have you got a permit?” And the Nazi had to take it out and show it to him. Spivak noted the number. He was on the offensive, and the yellow Nazi on the defensive. And this is as it should be; these rats will always run if they are faced by determined men who hate the poison they bring into the world. Spivak names dozens of Americans secretly tied up with the Nazis. He gives the exact minutes of their various conferences; he has files of their secret correspondence; he knows how the German boats smuggle in propaganda and even Nazi uniforms into this country; he has a wealth of facts that ought to blast these would-be butchers to hell. Fascism means war and slavery for the common man. It is the executioner of all civilization, wherever it prevails. Based on the worst features of the dark ages, it is a plunge backward for the human race. It can and must be destroyed, or life will not be worth living for the majority of people. John L. Spivak is striking a blow against them that marks him as a great reporter and a valiant champion of humanity, TI repeat, his series of articles in the New Masses will stir many a wide ripple in this bloody pool of American Fascism. DIMITROV By STELLA BLAGOYEVA A biography of George Dimitrov, the hero of the Leipzig High Treason Trial, by the daughter of the founder of Bulgarian Marxism and a fellow leader of the Balkan revolutionary movement. The best book out on Dimitroy and the trial. Cloth, 75 Cents Available in Workers Bookshops or direct from INTERNATIONAL PUBLISHERS 381 FOURTH AVENUE NEW YORK (Write for a full descriptive catalog) | Political orientation. | Although the scope of this film | is limited, I don’t think there can be any dispute that this picture offers the usual fascist remedy, (1) Back to the soil, (‘there's | nothing to worry about, as long as there’s the earth”), and (2), “what we need is a boss with a big stick to direct us.” One might say that with such an underlying theme the picture has very little to offer. That, of course, is true in respect to class conscious workers, but let us look further. While the picture has sev- eral lines that specifically advo- cate the necessity for a boss, the entire action itself tends to belie this. It is readily observable that the director himself is still some- what muddled politically. Howeyer, there are good points in this picture. For example, it does show, and quite convincingly, that collective will and labor does sueceed. And can succeed, quite | well without bankers, bosses, and | their bourgeois laws. It should also prove to many petty bourgeois scof- fers “at the will to work of the unemployed” that given a chance the workers could very easily run their own country and well, too. = sen ae 'HE story is about a young fellow, out of work (he’s married) who is offered a tumble-down farm to run. He has no idea of how to go about this, so he invites in a -pass- ing farmer, who, down and out too, is on wis way to try his luck in the gold-fields. Thhy decide to put up a sign inviting all passing unemployed, who want to work and have a trade, to come in and give a hand; thereby setting up a co- operative village of their own. Vidor has also included a scene of the farmers militantly bidding in the farm, when it has been “Sheriffed.” Things progress nicely until the drought and the inevitable Holly- wood blande threaten. But the hero comes to his senses in time and goes back to his farm and the organization of his dispirited fol- jlowers to fight the drought. I wonder whether Vidor was con- | | scious that the means his people {used to get water to their dying | corn was exactly the same method used this spring by the Commu- nist Party of the Soviet Union. | Everyone works frantically for five days and nights to dig a three-mile trench to irrigate their fields. Vidor rings his whole picture together | with this very thrilling climax. One can feel the whole audience dig- | ging with the workers and cheer- ling them on. And then to cap off this great struggle, the water, with la breath-taking swirl, rushes | through the diich and over the | parched fields. A very stirring finale, ; indeed, * | Q\N THIS program there is a shor> By Margaret Bourke-White called “Red Republic.” It has some very good photography in it, none of it very new, howover. The most important part of this picture is the narrator, who for the first time to my knowledge makes very sympathetic comment on the Soviet Union, and not only officlally tecog- nizes that the Communists are building Socialism, but also speaks very highly of what they are ac- | complishing. | TUNING IN 7:00 P, M.-WEAF—To Be Announced o WOR—Sports Resume Ford Frick ‘wiz—Flying—Captain Al Williams WABC—The Pony Express—Dramatic Sketch with Arthur Allen and Parker Fennelly 7:15-WOR—Maverick Jim—Sketch WdZ—From Honolulu; ‘Music 7:30-WEAF—Martha Mears, Songs WABC—Jack Smith, Songs 7:45-WEAF—Floyd Gibbons, Commentator WOR—TO Be Announced WiZ—Pickens Sisters, Songs WABC—The Lawyer Attacks the Crime Problem—Scott M. Leftin, President American Bar Association 8:00-WEAF—Concert Orchestra; Sigmund Romberg, Conductor; Byron Warn- er, Tenor; Helen Marshall, So- prano; International Singers, Mele Quartet; Girls Trio; William Lyon Phelps, ‘Narrator WOR—Studio Program WJZ—America After the Civil War; Whistler and Homer — Expatriate and Stay-at-Home WABC—Roxy Revue; Jay Sweet, Con- tralto; John Evans, Tenor; Sue Read, Scngs; Aimee Deloro, So- prano -WJZ—King's Guard Quartet -WOR—Organ Recital WJZ—Jamboree Musicale :45-WABC—Fats Waller, Songs :00-WEAF—Rese Bampton, Contrelto; Scrappy Lambert and Billy Hill- pot, Songs; Shilkret Orchestra WOR —Orchestral Concert, Augusto Brandt, Conductor WJZ—Radio City Party, with John B. Kennedy; Black Orchestre WABC—Grete Stueckgold, Soprano; Kostelanetz Orchestra : 9:80-WEAF—The Gison Family—Musical Comedy, with Conrad Thibault, Baritone; Lois Bennett, Soprano; Jack and Loretta Clemens, Songs; Voorhees Orchestra, and Others WOR—Gorodénsky Orchestra WJZ—Variety Musicale WABC—Himber Orchestra 10:00-WOR—Jchn Kelvin, Tenor WJZ—To Be Announced WABC—Dance Orchestra 10:15-WOR—Show Boat Boys, Songs 10:30-WEAF—Hollyw6od on the Air ‘WOR—Dantzig Orchestra WJZ—Danny Malone, Tenor WABC—Benjamin Franklin—Siketeh 10:45-WJZ—Kemp Orchestra 11:00-WEAF—Lombardo Orchestra WOR—Woodworth Orchestra ‘WJZ—Duchin Orchestra WABC—Sylvia Froos, Songs 11:15-WABC—Nelson Orchestra 11:30-WEAF—Whiteman Orchestra WOR—Winzt Orchestra WiJZ—Martin Orchestra 11:45-WABC—Haymes Orchestra 12:00-WEAF—Olsen Orchestra Hawalia The Daily Worker can Better Aid Your Struggles if You Build its Circulat*-, |they're authentic or not. | protocols are forgeries, how did they | the | statement of Mr. Schiff—” permit and for a space eyed me narrowly as though trying to de- cide whether he should answer questions or throw me bodily out of his office. Hemple broke the silence, “Before we go on with this in- JOHN L, SPIVAK ‘erview,” he said quietly, “I'd like to ask you some questions about The New Masses. Where does it get the money to carry on and pay you?” I leaned over secretively. “Are we | talking confidentially now?” Both of them nodded quickly. “Moscow gold,” I whisvered. “There's a special consignment of one million dollars a month for the New Masses to pay its large staff. I get one hundred thousand dollars @ week for my work—” “Come on! Cut the come Gul- den interrupted. “I don’t know why I should answer questions, but I} said I would, so let’s get it over with. I want you to get this straight. We're not opposed to the Jews as Jews, but every Jew is a potential Communist, and both of them are breaking down the laws of the land.” “How do you know Jews are breaking the law any more than the Gentiles?” “The Protocols of Zion prove it.” “T thought they were discredited.” “I don’t care whether they're dis- credited or not. I don’t care whether All I know is that they outline a pro- gram for the Jews to capture the world and that program is working out accurately and rapidly. If the guess what was going to happen today? I believe the protocols are genuine and events are proving their authority!” “You think there’s a conspiracy by the Jews to capture the world?” “T absolutely do!” “And that these Jews are financ- ing the Communists?” “Cer‘ainly. They are financing Third International and the, Soviets. And as evidence I give the | “What Mr. Schiff?” “The financier,” said Gulden vaguely. “This Mr. Schiff loaned , two or four million dollars to the Spee ial 128-Page Issue ? “Yes, but they did it as a war measure—” “They have extended since Hitler got into power.” eee credits 'ULDEN turned irritably from me. “I don’t care what the Germans do! That's their business! I’m in- terested in America.” “We'll get to that—” I started to assure him, when Mr. Hemple in- terrupted with quiet assurance: “The Jews must be destrayed. Even the Old Testament says the Jews must be destroyed. Jeremiah: 34: ‘Behold, I will command, saith the Lord, and I will make the cities of Judah a desolation without an inhabitant.’ ” “That seems to settle it,” I agreed. “But what do you do for a living?” “I smoke cigarettes around here,” obvious distaste. I turned again to Gulden. “It’s dawning on me that you don’t like the Jews. However, there are millions of them. What does your organization think should be done with them?” “They ought to be made to stop spreading their semitism in our faces. It’s just a question of how long our patience will hold out.” He hesitated, shrugged his shoul- ders and added, “I suppose his‘ory will repeat itself.” “What do you mean by that?” “I mean the good old fas pogroms!” “Your organization is in favor of pogroms against;ihe Jews?” “If I say that, I'll be liable to arrest, I assume,” he said slowly. “But I will say this: we're trying to prevent pogroms by preventing the Jews from driving people to start pogroms against them. We must defend ourselves. If the Jews keep sweeping on, then we will de- fend ourselves. You can depend upon one thing: if pogroms are and hang he returned, with forced on us, we will not run away!” | “Forced on you!” I looked at him with amazement. “Are the Jews making pogroms against you?” “Yes,” he said hea‘edly.: “The Jews are making economic pogroms against us. They are taking our businesses, our professions away— and if that continues pogroms will start. And when they do you can |bet the Order of '76 will be there!” He paused and added, “And I don’t care if you do say that in your Communist New Masses.” “Tl quote you But tell |me, don’t you realize that when this | story comes out Jews will cat their he dogs without Gulden’s mus- tard?” Gulden looked grave for a mo- ment. “In times like these,” he said very serious, rifices. (To Be Continued) Of October ‘Communist’ The October issue of The Com- | munist, theoretical organ of the C. P. U.S. A., is a special number of this magazine which should re- ceive wide distribution among all | members of the Communist Party and other revolutionary workers. It will contain Comrade Browder's | report to, and the resolution of, the Twentieth Plenum of the Central Committee of our Party, an article | on recruiting and fluctuation, an analysis of the San Francisco gen- eral strike, an analysis of the counter-revolutionary role of the Trotzkyites in this country as re- vealed in their betrayals of the} Minneapolis truck drivers’ strikes, | and an exhaustive critical analysis of the book, The Decline of Amer- ican Capitalism, This issue of The Communist is the au’horitative material to be | used in the Party unit discussions of the Twentieth Plenum Resolu- tion on strike struggles. It should be bought for every unit library. It should be bought and read by every Party member and class-conscious worker. A review of this issue, written by Comrade M. J. Olgin, will appear in the Daily Worker early next week. The full contents of the October Communist are as follows: The Struggle for the United Front—Report to the Twentieth Plenum of the Central Committee of the C. P. U. S. A. by Earl Browder. Lessons of Recent Strike Struggles in the U. S, A.—Resolu- tion Adopted by the Meeting of the Central Committee of the C. P., Sept. 5-6, 1934. The San Francisco Bay Area General Strike—Report to the Twentieth Plenum of the Cen ral Committee of the C. P. U. S. A, by Sam Darcy. Problems of Party Growth, by J. Peters, Permanent Counter-Revolution —The Role of the Trotzkyites in the Minneapolis Strike, by M. Childs. Leninism Is The Only Marxism of the Imperialist Era—Review of Lewis Corey’s The Decline of American Capitalism, by Alex. Bittleman and V. J. Jerome. National Negro Theatre Forging A Weapon io Fight Negro Discrimination in the Theatre @ First Time in America All NegroClassic—Folk—Modern—African Recital TOWN HALL 123 W. 43rd Saturday Oct. 6th, 8:30 Tickets 99¢, 50c, 40¢ CHAUNCEY NORTHERN Dramatic Tenor. Received high critical ac- claim for his “Othello” and other operatic roles at La Scalla, Milan, Italy, JAMES BOXWELL Weill known Dramatic Baritone. OLIVETTE MILLER Noted Harpist. EUPHONIC STRING TRIO Popular Radio Performers. THE CHAUNCEY NORTHERN ART GROUP CHOIR Songs in Jewish, German, Russian; Negro Spirituals. CARMEN DATES Popular Lyric Soprano. CECIL MACK CHOIR Outstanding Popular Choir in a Group of New Songs. ALICE WATKINS Lyric Soprano, JACK CARR Noted Basso and Broadway Star. HESHLA TAMANYA Abyssinian Hebrew, Coloratura Sonrano, re- cently arrived from Africa. Songs Representing Eight Nationalities. AFRICAN DANCERS In ® Cycle of Authentic African Dances. On Sale at Town Hall Box Office; New Masses, 31 E. 27th St.; In a Group of Workers Bookshop, 50 E. 13th St.; Negro Liberator, 2162 Seventh Avenue Sponsored by the New Masses re “we must all make sac- | the die-cast foundry at the Ford|@rrested on the picket line before River Rouge plant on June 18.” | the Exposition Cotton Mill during The June accident statistics of| the textile strike. They are being the Department of Labor list only | held in $5,000 bail, on ihe charge of four fatalities for the entire indus-| “circulating insurrectionar era- try, the paper maintains, not one| ture.” The literature they were dis- |of which was due to an explosion,|tributing was the Daily Worker, the| fif and |In other words, the deaths, and|Rank and File Federation: | probably the injuries too, in the| ther working class material Ford blast are entirely omitted. The two militant youns Women ar |news of this accident was published | i& defended by John H. Geer, in the entire capitalist press of De-| 5° atorney for the I. L. D. troit. At the hearing on Wednesday, | s 0! The October issue of the ‘Auto| 82 Young was on the stand for Workers News is its first in a new i ‘ ¥ |8ave a moving account of the ter- enlarged format and contains for| Fible cannes confronting the jthe first time a number of popular] southern worker. She spoke of her | features, among them a doctor's col- |tubercular husband who had to | umn, a sports column, a short story,| leave for a sanitarium five yea satirical. cartoon comments on the/ago. He had continued to wo news and other features. The ad-|even though he knew it might k jdress of the paper is 4210 Wood-| him, until the day he was fired fo: ward Avenue, Room 15, Detroit. | union activity in Thoma Ga | Scraping together a few dollars, they came to Atlanta with four of their five children, to live with her folks. Since then, Leah Young has, been the sole bread-winner for her | | family. | Stage and Screen | | Feuchtwanger’s “Power” | Comes to the Music Hall Had to Sleep on Floor “Many nights I had to sleep on the floor, in quilts borrowed from vere sixteen of The Gaumont British Production of Lion| ReIgHDOTS. ‘There were sixteen o Wausk "s “Power” started its first| US in a three-room house. We had at the Radio C: |no food and the Salvation Army Starring Conrad Veidt, | refused to help Frank Vosper and| _,, aa wicke in the supp ce The children began to suffer was directed by Lothar Mendes. | from malnutrition and exposure, but | . | “A Lost Lady,” we were too po to get a doc Toepa rans ele 5 ark | Our friends, who were all mill work- {nto a pictare ly ‘Warner ‘Brothers ana a | eS, were in the same condition, and |now on view at the Strand. Berbara|CUld not help us. Then I got work | Stanwyck, Frank Morgan, Ricardo Cortez|in the mills, somtimes two and| j-and Lyle Talbot are featured. | Sometimes three days. I would get . bd . }as high as three dollars a week ® Paramount produe- novel, is the eurrent fair, |Sometimes. The household furni- ture was a table and one dilapidated bed.” | | * . . | offering at the 3 | * . | ‘Can You Hear Their Voices’ ag sf | HE day Leah had been arrested on | At Civie Repertory, Oct. 7 | : |4 the picket lines, she had been |to a relief station, but had been re- |fused aid. She knew her child | were at home, hungry. Mitk to them) was an unknown commodity The greatest moment in her lite, | 1 | The Jack London Group of Newark (of whom George Sklar wrote so enthusiasti- ly in the Sep’ er issue of New Thea- ) ih ‘Can You Hear Their lapted from Whitaker alle Flanagan, cn ing at the Civic | She testified, was the day she heard| Theatre. The play deals with| @ woman explaining that the work- he farmers’ struggles for bread. Abbie ers had to stick together. | “When we go for groceries, we | e-| have to pay the price that is set We can’t get it for less. The same} thing we must do for our labor.| We must set a price for our labor, and refuse to take less.” | | Mitchell and Esther Hal from the cast of “Stevedore” will sing revolutionary and spiritual songs. Lillian Shapiro | sent a dance entitled “Good Mor: olution’’ based on Langston Hughes’ poem. Elmer Rice, now at the Be! Between Two V opening whose “Judgment Day” Is sa new play, | for an. October 35 | | vids," Alfred Hesse, James Spo’ ‘ond Anne Tonetti, all of er eee | Music Notes “Jayhaw A | a New York Hippodrome é Opens New Opera Season| | in rehea: | have Wi Cc. Kelly in the role of etal Philemon Smallwood, cficer in the Civil War. membered as the for his part in | stone will be a Confederate Kelly will be re- Virginia Judge" ‘Both Your Houses.”” starred in s 8 and Fred ‘Jayhawker.” . The Cosmopolitan Opera Associa- | tion, with Max Rabinoff as manag- ing director, opens the new opera 3 +2,,.| Se@s0n at the Hippodrome on Mon- Harry M. Cooke with Unity | day night, October 8. “Carmen” will Theatre |be the first offering, with Coe Glade in the name part and Armand Harry M. Cooke, who was recently seen| Tokatyan as Don Jose. Other sing- “The Bride of Torozko,” has been ers of note, who will appear in a seq x, Daity el — "te | repertoire of many popular favor- be a new play by the German play .|ites, include Sigrid Onegin, Anna | Friedrich Wolf, titled “The Other Road.”| Resslle, Nanette Guilford and Bruna * * bd Castagna. roup Theatre, having complet mmer rehearsals, will le: t week for a six weeks’ ‘There it will present ALTER HUSTON in SINCLAIR LEWIS’ Max Gordon | presents “Success Story’ and for two weeks each at 7 } the Majestic ‘Theatre ODSWORTH, i} * * * Dramatized by SIDNEY HOWARD | SHUBERT, West 44th St. 400 seats $1.10/ w Dill at the Roxy Theatre| gvs, :40 sharp. Mats., Wed. & Sat. 2:30 Cooper back to the screen | jad Boy.” Short subjects on include “La Cucaracha,’ , and a Mickey Mouse cat- The new variety r on the stage Philharmonic-Symphony KLEMPERER, Conductor AT CARNEGIE HALL Tomorrow Afternoon at 3:00 | | toon. | stars Irving Kaufmen, ae “Continental Varieties,” an evening of BACH—SINDEMITH—SIBELIUS i European vaudeville, has commenced a|| Thurs. Evg. at 8:43; Fri. Aft. at 2:30 Umited engagement at the Little Theatre. || Sat. Evg. Sun. Aft. at 3:00 | Presented by Arch Selwyn and Harold B. BRUCKN ymphony No. 9 Franklin, Lucienne Boyer and Vicente Es-| BEETHOVEN: Symphony 5 cudero are the f. (Steinway) | Balieff, of “Chau ARTHUR JUDSON, Mar. These! ¢ |over two hours, during which she} | to arouse m |.all working class orga | send protests to | 'GOCD MORMING REVOLUTION” which would fight f betray them the w man did,” added Leah. EFORE a courtroom containing hundred and union. one working class unity “They tell us about dirty Negroes, yet Negroes cook for the white folk, and work in thei: bring up these ri children homes. Many white people's y call the Ne- y just to keep se off. And he is wo: he loin with the t their common te bosses profit keeps thet ¥ workers ing t instead of with the bosses No Day of Rest Leah had always been taught that one day was the Sabbath, for rest. But mill workers never have a day of rest. The sev must be used to wash the clot and do all the other chores about e house they are too tired to do during the week. Plenty a day I was too tired even to eat.” HE fir: seveniy-year old m also told of a life of lab ery. During the entire the four children sat an while their mother explai: thing she did was becaus | wanted to make life a little easier for them. Ill from Rotten Jail Food Annie Mae, Leah's younger sister, also took the stand, corroborating her sister's st She described th frightful ns in the jail claiming t ood was so rotten she had contracted a pa Annie Mae’s brilliant s¢ forced ge Howard to promise that she would be examined by the county doctor, and sent to a hos- pital if necessary. The International Labor Defense has redoubled its efforts in Atlanta 8s support for the two pickets. Protests are being sent to Hudson, who is prosecuting them, as well as to Judge Howard. The In- ternational Labo: Defense calls 6n tions ‘to Judge Howard at County court house, the Pulton j Atlanta, Ga. Amusements ONLY 4 WEEKS to see The Most Thrilling Play in N. ¥, stevedore Special Reduced Rates for Parties Civic Repertory Theatre, 14th St. & 6th Av. Eves. 8:45. Met. Tues. & Sat. 2:30 Prices: 30¢ to $1.50. NO TAX Sceaeiguctanaesaataceeeantdlineamabantamestma’ NEW THEATRE MAGATINE heh bale CAN’ YOU HEAR THEIR VOICES” thr JACK LONDON CLUB oe JE WRK - A PLAY By HALLIE FLANAGEN ADAPTED FROM THE WHITAKER CHAMBERS STORY. id @LILEIAN SHAPIRO Wa pave | DABBIE MITCHELLand ESTHER “op STOVEGORE in SonCSactSO RTC | Two FORMANCES AFTERNOON -R.f8§ EVENING BAR SUNDAY O¢T. 7 = y pe eneneaey 387 Seats Available for Afternoon Show 135 Seats Available for Evening Show Cal Civic Box Office: WAtkins 9-7450 metnber of the company. aa “Dance With Your Gi play which Laurence Schwab presents at the Mansfeld tomorrow night, having been postponed from Wednesday. is the new BOMBSHELLL —— ANOTHER STEP — in the progress of the WorkersBookShop 50 East 13th Street, N. ¥. C. We Will Now Be Open! Daily 9:20 A, M. till 19:39 PL ML Tues. till 9 P. M. Sat: till 6:30 P. M. Note: Max Bedacht will speak TODAY 2 || P. M. cn THE LIFE AND TEACH- INGS OF MARX and ENGELS at the Friends of the Workers School, 116 University Pl. Admission 15¢ in advance. A free ticket for 75¢ pam- phlets in all Book Shops. everyday life 9 Now Piaying RIALTO This Week's Specials: miis aad RL ‘The Molly Maguires ($1) now $.49 Storm Over the Ruhr (8.75) now $.39 “QUA tie themes which are exploiting in the new American literattre.” KING VIDOR’S on BROAWAY! THE SOVIET COMES HOME . . . RED RUSSIA CAPTURES THE AMERICAN SCREEN! The New York Times says: “Dips into profound and basic problems of our ... the same fundamental drama- young proletarian novelists DAILY BREAD’ Barricades in Berlin ($.75) now $.39 S. 8. Utah (§.75) now $.59 f the 5-¥ Plan— jet’ Mitshior (139 mew a0" ©” |{2nd Week—Soviet’s Greatest phe it to the Second 5-¥ Pepin ce BislA NO tore (GL30) Ostrovsky’s now $.69 Azure Cities ($.75) now $.49 Are the Jews a Race? $Li5 Modern Russia ($1.50) now $.99 ($2.50) now “Thunderstorm” Directed by Petrov With A. K. Tarasova Honorary Artist Moscow Art Theatre Hailed by Paris—London—Rome Cheered in New York LCRAEO) N25 Join Our Circulating Libraries 50 E. 13th Street New York City 699 Prospect Ave., Bronx 369 Sutter Ave., Brooklyn 25 Chauncey Street, Brooklyn Write for Catalogue Telephone ALgonquin 4—695% THU EXC SAT SON EHO “Worthy addition to Soyict art.” — DAILY WORKER. Dostoyevski’s “PETERSBURG. NIGHTS” (English Titles) Moscow Art Thea. Cast ACME 11th street & Union Sq.