The Daily Worker Newspaper, January 3, 1934, Page 5

A WORLD! By Michael Gold December 18 @ review of the New Masses concert of new Sovtet ¥ music appeared on this page, signed by George Maynard “for the Pierre Degeyter Club and the, Workers Music League.” The review, while praising the performance of the Freheit Gesang Farein under the leadership of Jacob Schaeffer, raised serious and fundamental ob- jections to the rest of the program. This criticism, as later events have proyed, was not shared by the Pierre Degeyter Club as a body. Numerous communications, both from members of the club and from other readers who heard the concert, take issue with Maynard's review. Among those who objected to Maynard’s appraisal was Ashley Pettis, Music Editor of New Masses. I cannot quote all of these letters, for obvious reasons. But the following communication from G. C., because of its complete statement and the wider implications coriterning all phases of cultural activity in the U. S. 8. R., deserves to be published in Sap entirety. . . , Section of Soviet Music ph review of the New Masses Concert of New Soviet Music, Com- rade Maynard has raised several questions that call for even more “discussion from top to bottorh,”than does the concert, “Though in part I am in accordance with his statememt that the instrumental part of the program was not fully representative of the trend in Soviet Music, yet I believe that the concert as a whole was & cross section of music in the: Soviet Union. Comrade Maynard seems to forget that the vocal part of the concert featuring the Freheit Gesang Farein was part of the program. Davidenko, Buglay and the others represented the younger composers of the U. 8. 5S. R. . . . composers wha formerly took a leading role in the Union of Proletarian Composers. The Miaskowsky is a beautiful ‘old quartet.’ It cannot be denied that the music shows signs’ of expert craftsmanship and genuine musicianship. Miaskowsky isa man well in the seventies, a man whose whole life is steeped in the influences of a past now rapidly vanishing. He uses naturally, a theme of old peasant Russia, a folk theme that others may have used before, but a theme he understands. This quartet was written in 1931, when Miaskowsky was still bewildered with new Soviet life, and dreamed of the old . . . but evidently Miaskowsky is no longer bewildered for his latest work is his twelfth symphony—Kolkhoz,’ a work dealing with the Collective Farms. What is important is that the composer wrote freely and unhindered what he wished to write— that his development was not a forced one, but grew out of the successes of Socialist construction and his growing sympathy with the Soviets. “Comrade Maynard completely overlooks the importance of this concert in exploding the falsehoods of the bourgeoisie .. . the pseudo- marxists, the Max Eastmans’and the Modern Monthly falsifiers who shed tears over the ‘regimentation of the arts’ under the Soviets. Here are works by Soviet composers ‘having no trace of ‘propaganda’ For instance, the sonata of Vitacek was written when the composer was but seventeen years old—at the height of the Rapp period. The sonata clearly reveals the infiuence of Ravel, Debussy and Wagner, and yet it was published by the State Publishing Trust and performed throughout the Soviet Union. Oswald Spengler, philosopher of Fascism in his ‘Decline of the West,’ in speaking of the proletarian state says, ‘The last Stradivarius’ violin, will ultimately perish. The whole enchanted | world of our sonatas, trios, symphonies and arias will be forgotten.’ ‘This concert clearly refutes such dogmatic statements as falsehoods. . . Freedom of Artistic Expression «TURING the early years of-the revolution, the young Soviet composers arganized the ‘Union of Proletarian Composers. Their extreme ‘Jeftism’ prevented the entrance into the Soviet Music scene of many of the older composers, who though not fully aware of the link of dialectics and music, were nevertheless, no longer opposed to the Soviet but convinced of the correctness of its’ line. Following the jon of the RAPP, (with which the Union of Proletarian Com- was affiliated) by decision of the Central Committee of the Com- j Party of the Soviet Union, those composers, artists, writers and other Breative workers again came forward . . . began creating, and were accepted by the Soviet workers as their own. Compare this with the artistic expression in Nazi Germany. The removal of musicians from) their posts on political, racial and religious grounds. This concert clearfy revealed to many, for the first time, the complete freedom of artistic expression in the Soviet Union. That is the great lesson this program of Soviet mu:ic teaches. “Comrade Maynard takes exception to Comrade Pettis’s program noies concerning the Chorale of Popoff in that the Chorale does not typify the ‘old, the revolutionary struggle and the new.’ It does not to me, either, but it does, apparently, to Comrade Pettis. I however, disagree that the music is jan... I believe I am familiar with the complete Liszt works for ‘piano and can find no trace of him in Ponof's chorale. — “To Comrade Maynard thé’Gliere quartette shows new influences and tendencies . . . to me it is artificial, banal and empty. It is precisely these musical differences that bring out clearly the greater degree of ‘abstractness’ in instrumental music than in vocal music. Music which We recognize as ‘proletarian’ és for the most part vocal in character. | Why? st . becatise, the undeniable linguistic link is what gives to it its rength of content. “‘Bome day, when Gliere breaks off his too regular rhythm and con- ventional hermonic schemes,’;says Comrade Maynard, ‘he may write works that will make us as proud of him as we are of Shostakovich and. Mossolov.’ I too am proud of Shostakovich and Mossolov, yet it 35 apparent from these lines that it is nob the Soviet Composer that Jf Mayvard admires, but the modérnist. It seems to me that his disappoint- ai ment is in that here was not a program consisting of the works of the Soyiet Union's experimental composers. I do not deny the importance of musical experiment, and in fa¢t the Soviet Union gives it the widest encouragement. Musical forums’ are held in which the composer, the performer, and the music lover! discuss new works. The concert halls, the opera and the radio are thrown open to new works of all types. Modernism in Musie must be remembered that even in America, most modern works are “ sient Ee heard by small audiences of ‘musical sophisicates,’ and that i to the Russian worker, who under ‘Tzarism’ heard little of any concert music, a steady fare of this type of modern music react strangely. Joshua Kunitz relates a story of a book dealing with the care of horses which was being issuedto the collective farms. The cover design was a mod- “ ernistle conception of a horse. .'The reaction of the workers was ex- pressed by a peasant who stated, ‘How can we believe this book, when you don’t even know what a Horse looks like’... I relate this only to show that the listener must travel through all stages of artistic apprecia- tion. a “TI feel that the New Masses’ concert of New Music was an important eyent. It is regrettable of course, that difficulties such as always arise - the working class movement prevented the use of a more suitable .. tuditorium, prevented the engagement of a symphony orchestra for the _ Performance of works by Shastakowich, Mossoloy, Kriens, Davidenko and other young Sovict Composers, and perhaps too, of the Miaskowsky ‘Kolkhoz’ Symphony. Va ais “What is usually forgotten is that there are many current active in the Soviet Union. A new. society is being built, a society utilizing, in oo with Marxian teachings, the best of the old enriched by [IM ALL For | IT! WE WEED ALLED YOU ComRApES ‘ TOMEETA FELLOW WO | J OFFERS GIS SeRuICeS’ AS A YRAINER~ IT MIGHT HELP US WIN THIS RACE ~ DAILY WORKER, NEW YORK, WEDNESDAY, JANUARY 3, 1934 Stalin’s Speeches on Lenin Issued in NewPamphlet| Among the most important of the mew pamphlets issued by In- | ternational Publishers for the Tenth Memorial Anniversary of Lenin's death is “Lenin,” by Joseph Stalin, @ collection of three hitherto un- published speeches. The pamphlet contains “Lenin as Leader and Organizer of the Com- munist Party,” a speech delivered , before the Congress of Soviets five |days after the death of Lenin; ar | Stalin’s “The Mountain Eagle,” | Speech delivered a week after Lenin’s, death, in which Stalin gives his rem- iniscences.of Lenin and depicts his great qualities as leader of the Com-| munists and the workers, | This pamphlet, issued as Number | ,16 in the Little Lenin Library, sells; {at 10 cents, and may be obtained at | Workers’ bookshops and in quantities | from Workers’ Library ublishers, | Box 148, Station D, New York. MUSIC | Joseph Szigeti Soloist with Philharmonic Orchestra Joseph Suzigeti, violinist, is soloist | | a} Tilustration for “Marx’s ‘Capital’ The end-papers by Hugo Gellert for his new book of lithographs illustrating Karl Marx’s “Das Kapital” which Long and Smith will publish Inte | this month. | | las the Philharmonic Orchestra at Carnegie Hall this evening and Fri- day afternoon, Hanse Lange will {conduct the following program: Over- ture from “The Betrothal,” Dela- marter; Violin Concerto in D major, Reflected in Growth of Workers’ Drama By IRVING LER Brahms and Symphony No. in E minor by Sibelius. i The Students’ concert on Saturday evening at Carnegie will include the “Concerto Grosso per il Santissimo | Natale,” Manfredini; Concerto in C ‘major, J. 8. Bach; “Winter-Spring: Two poems for Orchestra,” Bloch,| The reorganization of the maga- and Symphony No, 1 in E minor, Zine, which is to appear monthly, is Sibelius, Ethel Bartlett and Rae, the result of an ever-broadening con- Robertson, pianists, will be the solo-| ception of the theatre in relation to |ists. The Sunday afternoon concert | the workers’ movement, will include the Sibelius SympNony,| “The workers’ theatre now under- the Overture, “Meeresstille und/| stands that it must study the tech- | Gluckliche Fahrt,” by Mendelssohn,|nique of the theatres of’ the past, ‘and the Piano Concerto No. 2 in C/ adapting the best of the old to the minor by Rachmaninoff with Poldi| service of the masses—experimenting, Mildner as soloist. studying, criticizing itself,” declares “New Theatre.” | Fred Coolemans, assisted by Cath- rs lerine Marcus, will give his dance Luce sayleat yebeines recital at the Forrest Theatre this} The magazine had its inception in | Friday evening. April 1931. It was called “Workers Theat The first of the three Gabrilowitch-| Laboratory Theatre. From a mere ; Spalding Beethoven sonata recitals bulletin, representing several scat- will be presented this Sunday evening| tered theatrical groups, it has de at Town Hall. veloped into a full-fledged publica- tion, representing the League of Workers Theatres of the U.S.A., the | Workers Dance League and the Na- tional Film and Photo League, Its history bears the tradition of being the first revolutionary magazine of the theatre arts in America. It has blasted the theory of “pure theatre,” demonstrating that propaganda does not kill art, but rather infuses it with new strength. | Since from its start it served as a medium of contact among workers dramatic groups, it may be regarded as the basic impetus to the national conference of workers dramatic groups which took place last April in New York and resulted in the forma- Widespread and vital growth in the revolutionary theatre arts is revealed in the reorganization of “New The- atre,” formerly called “Workers The- atre,” whose second issue under its new title is to appear early this month. Bae ion of the League of Workers The- atres of U.S.A. Enlarged Issue Of Left Front Wide Response to Nagazine Appears Today At the conference, the policy of printing the publication rather than leaving it in its mimeographed form | was evolved. Lack of funds and in- efficient management, however, re- sulted in its threatened collapse, ‘Its present reorganization, there- fore, is the result of pressure on the | The enlarged January-February sue of Left Front, the regional |i lerary magazine published by the , midwest John Reed Clubs, will ap- | Pear on the stands today in New York and other cities throughout the country. Many features mark | this is an excellent issue. Fiction, poetry articles, art work |and book reviews are included. A short story by J. S. Balch, St. Louis writer, tell of the lynching by a mob. {of a homeless ,boy, a hitch-hiker. | Tom Butler, a young Chicago worker, | writes a short story of a miners’ strike. The poems include two by Richard Wright, 20-year-old Negro boy who recently joined the Chicago John Reed Club; the first of a series of 100 revolutionary poems called “North America,” by William Pillin; and a poem by Henry George Weiss, who has appeared in numerous work- ers’ publications. TONIGHT’S PROGRAMS WEAF—660 Ke. 2:00 P. M.—To Be Announced 11:5—Billy Bachelor—Sketch | %:30-Shirley Héward, Songs; Jesters Trio | %:43—The Goldbergs—sketch 8:00-—Jack Pearl, Comedian 2:30—Wayne King Orch. {R. Chaplin, Michael Blankfort, Anita & ” and begun by the Workers | TUNING IN The second installment of Edith Margo's history of Negro strugg*s in Chicago, “The South Side Sees Red,” tells dramatically of the evic- Brooks and Ben Field contribute re- ports on the midwest farm struggles. Book reviews are competently written by Alfred Sinks, Jack Conroy, Orrick Johns and Marvin Klein, ‘The art work includes a full-page drawing by Mitchell Siporin from his! series on Haymarket and the fight | for the 8-hour day in the 80's. Other| contributors are Gilbert Rocke, Ray- mond Breinin, Abraham Aaron and | Bill Jordan. { | 1 iF fat Greet the “Daily” on \[ts Tenth Anniversary «January 6th! 10:00—Hilibilly Musio 10:30——Problems tions in 1931, during which three Ne- |, 2"® epee gro workers were murdered by the jj: “t Royee, Tenor | police and white landlords. Obed 11:90. :n Orch. 12:00. 12:30 A, M.—Sosnick Oreh. es 10:45—-Pauline Alpert, Piano 11:00—Weather Report 11:02—Moonbeams Trio 11:30-—Seotti Orch. x 9:00—Troubadours Orch.; Helen Ford, Songs 9:30-—Fred Allen, Comedian; Grofe Orch, Confronting Congress -— Henry T. Rainey, Speaker of House of | siarris Orch. WOR—710 Ke 7:00 P -M.—Sports—Ford Prick 18—-News--Gabriel Heatter i 30—Terry and Ted—Sketch 45—Harvy Hershfield—Talk 00—Detectives Black and Blue—Mystery | Drama 8:15—String Orch.; William Hargrave, Baritone 8:30-—To Be Announced 9:00—Sigmund Spaeth; Heywood Broun; Jack Kofoed and Gilbert Seldes 9:30—Dorothy Miller and Garfield Swift, Songs; Ghackley Orch, '0:00-—-De Marco Girls; Frank Sherry, ‘Tenor 0:15—Current Events—Harlan Eugene Read 0:30—Jack Arthur, Baritone | 11:30—Madriguera Orch. 12:30 A, M.—Scotti Oréb. | rear ‘6 > ew Theatre’ | re | QUEEN CHRISTINA, a screen part of the members.of a developing | drama by S: i and M. P. workers’ theatre plus ‘the entrance of | fresh forces in every branch of the , Magazine, B | The fact that it appeals to theat- | | rical workers, not only in class-con- | Tews | Scious groups, but to those of the oy seaport ought bourgeois theatre, has brought an un-| Stone, C. Aubrey Smith, and others, precedented response from varied circles of the theatre world. | Noted Group Contributes es sige was an i | Among the contributing editors are |“ Michael Gold, Joseph Freeman, Emjo | aires nya’ le Basshe, Virgil Geddes, Alfred Kreym-| sii) in the makin borg, John Howard Lawson, Hallie pointed o + Flanagan, Mordecai Gorelik, Stephen the Eist Karnot, Robert Shelley Hamilton, | i Evelyn Gerstein, Samuel Brody, John s of “Henry the| | S. }_ The financial suc “Queen Ch: would hay | Block, Nathaniel Buchwald, Lee : Peon) Strasberg, Alfred Saxe, and Paul and ;2@¢ M-G.M. dared to , Claire Sifton. As is, the G ‘The magazine is not only national |More than in scope, but will be represented in- |the most p: |ternationally by correspondents in Jow Am Moscow, London, Paris and Holly- | Mamoul 0 film is nothing} her and for! wood. (Diet: “Queen Sie | pompous film abou : Questionnaire in January Issue _| love affair (manufactured exclusively Among the features of the January for Greta) issue is a questionnaire (second | series), posing the question of the | “Prospects for the American Theatre,” Paul Green, George Sklar, Lee Simon- son, John Howard Lawson, J. Edward Bromberg, Joseph Freeman, Alfred Harding and Emjo BassHe state their | opinions. | | Mordecai Gorelik contributes an | article called “Scenery, the Visual good Machine,” (part 2) and Edith Segal | +. interviews Kurt Jods, whose ballet | “The Green Table” caused such a! sensation in New York recently. The ! editors promise an abundance of | features, reviews and special articles | for the future. | e | century Swedish Qu There, 17th . however, a certain glamour about the “ th about n to Garbo’s re after an 18 months ce. | was no lack of| docent film. The} certainl, art of the Germ den became the leading Protest- ant and imperial po' tinent. C. tina was not the “good” ruler this film would have us believe. |Her financial extrav |flated the flin empire till it shook at its very base. She was compelled} to abdicate her throne for a number} jof reasons. she wanted jto be with lover, but} because m the verge of bankruptcy. This brought about serious political agitation that threat- ened to throw the country into civil war. Help The Fight For the Workers Unemployment Insurance Bill.—See “Peace on Earth,” Jan, 11, Thurs- day evening. Tickets at. Unemployed Council, 29 E. 20th St, Send your greetings to the 24- page Tenth Anniversary edition of the Daily Worker. When Christina left Sweden she} went to Belgium and was converted to Catholicism, The film in s she} left the country with the body of jher Spanish swectheart, who had been killed in a duel. But that's one jinstance where M.G.M. and History| don't agree. Rugged Sweden and icy ni in’t suit Christina, WIZ—760 Ke ate 200 P, M—Am: Andy S—John Herrick, Songs v icism. nd ritual of Catho! 30—Potash and Perlmatter—sketeh From Beigium she adventured in’ 45—Hollywood—Irene Rich ‘ance and thence Rome, where 8:00—The Mikado Murders—Sketch bets oon 4 ag tetas the | 8:30—Dangerous Paradise—Sketch she die er neal ey 8:45—Red Davis—Sketch j pope, 9:00—Warden Lewis E, Lawes in 20,000} Years in Sing Sing—Sketch; Sing Sing Prison Band 9:30—John McCormack, Tenor; Daly Orch 19:00—Meroff Orch. 10:30—-Eyon Petri, Piano; String Ensemble 11:00—Pickens Sisters, Songs 11:15—Anthony Frome, Tenor ‘Pen & Hammer Club,' | Chicago,to Reach CWA Workers With ‘Daily’ | 12:00—Mol! ¥ | RBAy. “Orch CHICAGO, Il—The local Pen} | WABC—860 Ke. 7:00 P. M.—Myrt and Marge and Hammer Club placed an order for 250 copies of the 26-page, ten | he Daily h 7:15—Just Plain Bill—&ketch anniversary” edition of Hl ae Sahay Ensentble Worker, in answer to the challenge | :45—News—Boake Carter atts ay SER et) eatery ret 8:00—Green Orch.; Mep,,About Town Trio;| issued by its brother New York Vivien Ruth, Songs { Club. "8:15—News—Edwin C. Hill H 8:30—Albert Spalding, Violin; Conrad Thi- nock briga ault, Baritone; Voorhees Orch. 10 Vv? A 9:00—Philadelphia Orch “Tans eV e 9:15—Stoopnagle and “Budd, Comedians; | eS eee Vera Van, Contralto;'Renard Orch Copies wii be 9:30—Lombardo Oreh.; Burns and Allen, Comedy ions," 10:00—Waring Orch, pons o—Martin Orch. Where Have I Seen That Mug HE'LL BE GERE ay MuNUTE {OW AMP SINCE WE BOY J KNOW AQY TAING GRouT AUN WE'LL KEEP CUR PLAN TO OURSELVES, EY? Before? HERE 1AM PaL- Rack | com RACES, TO GET Tue OFFERS To TRAIX You FREE —~ 30—News Reports j issue wii s—Kostelanetz Oreh.; Evelyn Mac- | Paign to sec more Gregor, Contraito; van Evans, Bati- | and supporters for t tone; Mixed Chorus l wratean 11:15—Jones Orch. : : ah wi oe The Club challenges Pen and tae A. ieee Hammer organizations in other 12:30 A, M.—Hall Oren.” 1:00—Redman Oreh. + cities to organize similar campaigns. $e By QUIRT Veor! waat a Wowuere TAS 18S COMRADE) TouGd Looninc) HAVE XT CHICAGO WHO Rr article _|den” and “secret” are applied. Tens | ning "| here in C of this war)” r OD @ con-| = on th re ee had in-| {gunn destined (o} . Plymouth Thea, W, 45th St, Eva. 840 ty Page Five’ The author writes lf until three years ago, Catholic Charities of Chica: the St. Vincent de Paul So. of—Parish, woke up and | o} threw me into the ranks of the | Communist Party, which, I am now | perfectly sure, is the only true friend of the working people of the United States.” Worker Corres nt) ponde: hes so hard ai t sounds have a y Pe Y| fect on our nerves. imperialist) old son is~ still too due to malnutrition, rickets general poverty conditions. T! hei of the rest of the famil barely “above water.” Three ‘ye zo, before we got on the reltef lict we were all strong and healthy If, then, according to the “Ow Sunday Visitor,” our life of poverty is “charming” and “beautiful,” the let me shout out loud: “Oh. deatt where is thy sting,” for surely su @ life is not worth while! Another quotation from the arti- cle reads as follows: “Poverty, that dreaded which chills the soul of its and is dreaded by al was on by St. Francis, and in his it became one of the most bear ful things in all the world. it came @ beautiful lady full of gr of charm, and of spiritual beaut ; making the world sweeter and wholesome for her dwelling t it About ten years ago, I spent freshmen year of my c cation at the St, Viator’s College, Bourbonnais, Til, This coll | operated by the Viatorian Fa’ j monks of the same line as f . Although these vows of poverty, nevertt have always envied their of living; ‘they are en from worry about food, article is a shining example of hameful e being made by holic hierarchy to quiet down Tying, underclothed, i, underpaid, en- Ameri¢an work-; lowing quotation h is used as a term and contempt in the} ti have some hidden charm, ! uty.” the words “hid- of millions of starving American} workers will readily agree with me t beauty” in pov- idden” and “se y are not even there words “hell” and “murde: synonymous with poverty the words “charm” and nm imagine our feelings on, day when we read th aper, which my brought home from the local Cath- olic church, The main dish of our Christmas “feast” consisted of canned mackerel and sardines, of the very cheapest variety, delivered to us in ration boxes from the re-| thing, medical attenti Hef stat. The fish were so old other necessities of life. and p ed that none of us could|low very easy and light eat them and had to throw them|tions: have plonty of time for out. It seems y were canned ly every brand of during the days of the Civil War fact they have ever: (we should demand a law to force, hearts desire. canneries to st: But the “poverty” of t on all cans!), rest of our meal consisted only of coffee and a few half-rotten prunes. We could not do any better because ago the unemployed re. lef clients are allowed only abou 5 cents per meal for each person, and nuns, if it can erty at all, is far poverty with w! 2T are now afflicted! Tt only in the’ imaginatio while our poverty is i eal ‘thing! WHAT'S ON |“Races,” New Anti-Hitler Pic orkers School last week! Acguired by Theatre Guild 5 E 12th St., N.¥.C % Sacco-Vanetti Br, TL. Wednesday WINTER TERM at 8:30 p.m. Lec- A tale of two The Theatre Guild has added second play dealing with the. Hitle regime to its production list.sIt titled “Races,” and is by Fein: Bruckner. - The play wasf répet produced in Zurich? “Tfig sther. Hit rr SOENEGR. $e ephese te bid play aequired by the Guild is “ Center, 4046 | B100d om the Moon,” a dramia by z” Workers Center, 4046) aul and Claire Sifton. No date hax been set as yet for either production, | “Bh, Wilderness!”, the Bugene O'Neill play at the Guild Theatre, in which George M. Cohan plays the leading role, will give a special matinee performance this afternoon for the benefit of the Stage. Relief Fund, Kenneth MacKenna, Dorothy Gish. Howard Lindsay and Ernest..Gi denning will play leading roles in “ Your Leave,” a new comedy by Gla. J, Stone °) FILM showing of * anged by League ot F a , Brooklyn, From 1 p.m, to ui D course nd Photo League, on Ave, at 28th St. INOLLY Br ILD., 603 E, 136th ° by David Schrifman on Lynch Ter- and Beottsoore case. al of Daily Worker St., 5th floor, at 8 d members are urged us at 35 E. All applicants an p.m to attend. OTTO KORBIN Br. LL.D. open member- Hurlbut and Emma Wells, which wil be presented here the week of Janu- ary 22, ship meeting at 642 Southern Boulevard at which Edward Kunta will lecture on Tale of Two Cities—Leipzig and Scottsboro. WINIFRED CHAPEL will speak on “Lynch- ing and Fascism” at Clarte, 304 W. 58th Bt. Admission free. Thursday POYNTZ will speak on “Condi- the Needle Trades Workers in Newark PROF. KE. H. ZABRISKIE of Dans College will lecture on “New Youth of Soviet Rus: sia” the Jack London Club, 230 Court St. at 8 p.m. Admission 15¢. AMUSEMENTS LAS? FOUR DAYS FEDOR OZEP’S “M RAGES” : De PARIS “Definitely Recommended for Charm, Wit and Tactfulness.”-Daily Worker “Brilliant Performances—in the manner of EISENSTEIN or PUDOVEIN.” ~Herald-Tribune. (French Talkie—English Titles), A i 14TH STREET | added EIN’S ACME THEATRE “Qustn te (tattle “mona ee ct | *° Jefferson ' 8. * | Now -RADIO. CITY MUSIC HALL-) , 30 St. & 6 Ave—Show Place of the Nation “CRADLE SONG” Direction “Roxy’ Opens 11:36 ax) with DOROTHEA WIECK also:—“THE CHIEF” with DOLORES DEE RIO ~ FRED ASTAIRE in|) & DOROTHY MACKAILL ti Europe” and the attempted wage cuts the iress industry at Memorial Mall, 344 W. 36th St. at 5 p.m. “FLYING DOWN TO RIO") ‘Wb 12:35, 2:44, 5:81, 8:18, 10:27 (2d week! || & “Roxy's” Supreme CHRISTMAS SHOW!| Roland YOUNG and Laura HOPE CREWS in “Her Master’s Voice” THE THEATRE GUILD _presents~ EUGENE O'NEILL’s COMEDY AH, WILDERNESS! | | | with GEORGE M. COHAN: | GUT - 2 24 St 8. or wees 2 Ev.8.20Mants.Wed,,Thry..Sat MOLIERE'S COMEDY WITH MUSIC The School for Husbands One of the Mightiest Films f1 psfian bi) aye nayl tasuae im 3 les 8 from we 0 5! 5 the Soviet Studios | EMPIRE "Waonecther st cs 30e T to @ p.m.; 4c Eves. (English Titles) shh neo ee |] MAXWELL, ANDERSON'S New Yer MARY OF SCOTLAND with HELEN | PHILIE ELEN | MAYES: ‘ALK MENKEN | ALVIN iiitionauae: cor | a Mats, Thurs. & Sat, 40 TH AVE, PLAYHOUSE. near 13th St COHENS’S 111 ORCHARD STREET “Nr. Delancey Street, New York City ryes examen ™™ — By Dr, A.Weinsteln Tel. ORehard 4-4520 PLAY—ath BIG WEE | PEACE ON BART tre, 1ith St. & oth,! Optometrist Factory on Premises || Evenings As. Wea. & Sat, 247 WA. 9.7450. ‘Be to $1.50, No ta Come Away From the Noise and Rush of the Cily FOR REST, QUIET - ~ AND A LITTLE FUN AT CAMP NITGEDAIGET BEACON, N. ¥. PHONE, BEACON 751 Hot and cold running water tn 60 steam heated rooms—plen| , muteitions food—See the newly decorated social and ining ‘halls ; ALL TRE ee FUN WITH WINTER COMFORTS ‘ports—Parties—Lectures, ¥ + Come for the Week-end—You Will Want foes the Week! Rates: $14 per week (inelud, press tax); $13 for I. W. 0. and Co-Operative Members Cars Leave Daily at 10:30 A. M. from Co-operative Restaurant 2700 BRONX PARK EAST TEL ESTABROOK 8-5!‘1