The Daily Worker Newspaper, November 20, 1933, Page 5

10:00—Eastman Orch.; Lullaby Lady; Gene Ww H AT WORLD! By Joseph Freeman Jpg betes the correspondence which I had a year ago with the very gifted and very honest Sherwood Anderson. In behalf of the New Masses, I asked him to review a novel dealing with industrial and social conflict. His reply, which I do not happen to have with me at this writing, ran something like this: He appreciated the intentions of the novel. He supported its revo- lutionary viewpoint. But he had lived and was then living in the region covered by the novel. He knew its people intimately. And he felt that the novel's characters were not true to life. He could not praise a novel which did not represent people as they are, and he did not think the New Masses would accept a review which criticized a novel politically correct but artistically weak. Those were not Sherwood Anderson’s words, but that was, as I recall, the general sense of his letter declining to review the book. At any rate, the chief points in his letter are touched upon in the reply which I sent him on November 18, 1932, which ran as follows: ° ° * | think I understand and sympathize with your viewpoint. And this viewpoint is not very different from that of the New Masses. We, by no means want to praise books whose intention may be good, but whose execution is poor. “I have myself not read X. Y. Z.’s book, and so am not in a position to discuss it; but in regard to the general question of ‘representing people as they are, I agree with you. I would add that a book is not only bad art, but bad propaganda when it fails to represent people as they are. “The bourgeois writer is compelled to lie about people, because to represent them as they really are, would in itself be an indictment of the capitalist system. “THE REVOLUTIONARY WRITER NOT ONLY CAN AFFORD TO TELL THE TRUTH, BUT MUST TELL THE TRUTH. THE TRUTH IS ON HIS SIDE. “Tf he falsifies character, it is often because he lacks that skill which differentiates the genuine writer from the amateur. But while this may be an excuse for the writer, it does not improve his book. Therefore, in our reviews we never hesitate to say that while a writer's intentions may be of the best, he has nevertheless, failed as a writer in giving those intentions the truest, hence the most effective form. “The material about which a revolutionary writer can write is world-wide, It includes all of humanity, all aspects of life. The ideas of the revolution animate millions of workers and intellectuals. But not every worker or intellectual who holds these ideas and secs human life from the revolutionary viewpoint can write a genuine poem, story, novel or play. MMUNISM does not automatically confer upon all of its adherents artistic talent any more than capitalism or catholicism. Therefore, when we judge a work of art, we judge it only in part on the basis of its clarity of understanding (its ‘ideology’), but also in part upon its artistic merit: “As a matter of fact, it is my own belief that the two are inseparable. A good work.of ari, it seems to me, is produced by a writer whose vision is so keen, whose understanding is so deep, that he is able to ‘represent people as they are’, and in doing so, naturally represents the relationships * . of those people to each other as they really are. “And if he does so thoroughly, his form will be as good as his vision, and the result will be true art, which is, when we come to think of it, one of the most moving forms of propaganda, since it conveys a vision of the world that moves people strongly by its verity, and may therefore— if the material is that of social struggle—move them not only to modify their concepts, but to take action. “However, though I do not think we disagree on this general point, “ig is obvious from your letter that you do not feel like reviewing X.Y.Z.’s book. In that case I agree with you that it would be better for you not to, For to ask a writer to conceal his real thoughts and feelings is not only an indignity, but should be willing to compromise, the result will be poor work.” ‘ * . es tR WOOD ANDERSON’S reply—written on November 22, 1932—was tremely kind. “I do not know,” he wrote, “when anything has done me as much good as your letter of today. A writer gets into a curious situation as regards present conditions. I am very sure there are others like myself +» I read somewhere lately, some letters from Lenin to Gorky, and it seemed to me that Lenin’s comprehension of Gorky’s curious rights as @ writer were so clearly thought out and so sensible.” Sherwood Anderson's reference to the Lenin-Gorki correspondence struck a responsive chord in me. It was reading these letters in c German edition some years ago, that first clarified for me certain important problems affecting the artist in the revolutionary movement. Helping the Daily Worker through Michael Gold. Mrs. Karstensen. $100 AG . Unit 512. House Party 4.25 Previous TOTAL TO DATE TUNING IN TONIGHT’S PROGRAMS WEAF—660 Ke. 1:00 PT, M,.—Shirley Howard, Songs) ‘Trio 7:15—Billy Bachelor—Sketch 30—Lum and Abner s—The Goldbergs—Sketch 00—-Dramatic Sketch 0—Young Orch.; Talk—Floyd Gibbons” 00-—Gypsies Orch.; Frank Parker, O—Ship of Joy, with Captain Hugh Bar- rett Dobbs WJZ—760 Ke 7:00 P. M.—Amos 'n’ Andy | 7:15—Baby Rose Mario 7:30—Potash and Perlmutter—Sketch 1:48—To Be Announced 8:00—Morin Sisters, Songs; King’s Jesters; Stokes Orch.; Cliff Soubler 8:30—Paulist Choristers Male #90—-Paaternack ‘Orch. Phil Duey, Bart- 10:00—Symphony Orch.; Bariton, 10:30—Henri Deering, Piano 10:45—Planned gacrny secretary of Com- merce Daniel C, Ro 11:00—Leaders Trio 11:15—Anthony Frome, Tenor 11:30—Hahn Orch. 12:00—Bestor Orch. 30 A. M.—Dance Orch. Conair ienae 7 WABC—860 Ke 7:00 P. M,—Myrt and Marge 7:15—Just Plain Bill—Sketeh Tap—treveloca Bote) 45—News—Boake Car 8:00—Green Orch.; Sten About Town Trio; Vivien Ruth, Songs 8:15—News—Zdwin C, Hill 8:30—Bing Crosby, Songs; Hayton Orch. 9:00—Dance Orch. 9:15—Alexander Woollcott—The Town Crier 9:30—Gertrude Niesen, Songs; ae i acorn nell, Comedienne; Jones Orch. 10:00—Wayne King Orch. 10:30—News Bulletins 10:45—Deep River Orch. Han—era as ea aes, Bongs Marcel Rodrigo, Arnold, Narrator 10:30—The Mine Trap—Sketch 11:00—Scotti Orch. 11:18—Jesters Trio 11:30—Whiteman Orch; 12:00—Sosnick Orch, 12:30 A, M.—Meroff Orch, . WOR—710 Ke v0 P. M.—Sports—Pred Frick 5—News—-Gabriel Heatter 0. —The Witch’s Tale —Current Events—Harlan Eugene Read 10:30—Alfred Wallenstein’s Sinfonietta; Mina ; Heger, Soprano 11:00—Weathier Report, 02—Moonbeams ‘Tri 1:00—Little Oreh, JIM MARTIN [rs NOW TJIMPRESEATS HIS CASE To THE JURY LADIES AND GENTLE- MEN OF THE TURY, T PROVED EAR UN MY CASE THAT::¥ DAILY WORKER, NEW YORK, MOND/ AY, NOVEMBER 20, 1933 Potamkin Operetta To Be Performed dren will appear in a work of ma- jor importance. It is the operetta by Harry Alan Potamkin, “Strike Me Red,” to be presented at the City College Auditorium, 23rd St. and Lexington Ave., Saturday epene | ing. Nov. 25. ‘The occasion is a memorial even- ing in honor of Potamkin, interna- tionally known movie critic and teacher, under the auspices of the John Reed Club and the Young Pioneers of America, Wilton Bar- rett, chairman of the National Board of Review, Hiram Motherwell, Freeman, Editor of New Masses, will be on the program which ~ri!] include the presentation of a bust of Potamkin sculptured by Adolf Wolff. One of the outstanding icatures of the show is the singing of the “Starvation Blues” by Ben Robeson, 14-year old Harlem boy, wio is sup- ported by a chorus of 50 Negro and white children from all parts of} the city. ‘Will Lee of the Workers’ Tabor | atory Theatre has directed the op- eretta which will be given for child audiences during Ch.istmas week, and which will be used as the start of a Potamkin Children’s Theatre. THE STEEL AND METAL WORK- 238, 80 E. lith St, N. ¥, C. ee os By CARL REEVE The November issue of the Steel and Metal Worker, official organ of the Steel and Metal Workers Indus- trial Union, reflects the sharpening of the fight of the steel workers against starvation conditions. Stories from Ambridge, Buffalo, the Calumet Basin, Weirton, W. Va., Pittsburgh, ‘Youngstown, and many other steel centers, tell of strikes which were either led by the Steel and Metal Workers Industrial Union or in which the industrial union played an influ- ential role. In some of these strikes victories were won, as in Buffalo, where the union won a 16 to 31 per cent increase for 300 steel workers. The fight against the bloody terror inaugurated under the N.R.A. against the steel workers, notably in the Am- bridge strike occcupies, of course, prominent space in the Steel and Metal Worker. The statement of a delegation of discharged and black- listed Ambridge strikers to Governor Pinchot lists the terroristic acts of the employers against the Ambridge strikers and demands that all dis- charged workers be re-instated. Other stories describe the killing of one and wounding of 100 strikers. The work- er correspondence shows that the Ambridge workers are re-forming their ranks and building the union in spite of the terror. ‘The two full pages of workers’ cor- respondence and other stories and editorials indicate that importance is correctly placed upon work within the A. F. of L, union, the Amalgamated Association of Iron, Steel and Tin Workers. The magazine also reflects the growing organizational activities, in reports of regional and local con- ferences and conventions. The strug- gle against the A. F. of L. leadership is further related in the story of the strike of the 4,000 shipyard and dock- yard workers around New York City. One of the shortcomings of the magazine, which is one of the best of the publications of the revolution- ary unions, is lack of news regarding the struggle against unemployment and for the Workers Unemployment Insurance Bill. A stronger leadership by the magazine in this field, acting as an organizer, giving the line and activities against unemployment, would strengthen the Steel and Metal Worker and the union. More shop experiences of individual shops, showing examples of how the organization and struggle was car- ried on inside this shop, should be encouraged, especially from worker correspondents. There are not yet sufficient articles summarizing and generalizing the political and organ- izational problems of the steel indus- try and the union as a whole national scale. There is also fe cient political news, or articles, draw- ing the political lessons of the eco- nomic and partial struggles. Short news items and articles covering other industries, particularly related indus- tries, such as coal, and some inter- national news, are lacking. The Steel and Metal Worker is a fighting paper, which is well directed toward the reporting and gullding the struggles of the steel workers and their organization. All steel workers should not only read the pa- per carefully, but should write cor- DIA HEAR THA OCE ABOUT THA SALESMA respondence for it, on November 25h! NEW YORK—For the first time| in America, Negro and white chil- | edi- | tor of Stage Magazine and Joseph | Mikhail Kalinin ER, Vol. 1, No. 4. Nov., 1933, Room | Chairman of the Council of the People’s Commissars of the US.S.R. tion is a poor basis for any theory, even if its intent is above reproach. |Member of Freiheit | | Staff Cites Error | in ‘Daily’ Film Review | Editor, Daily Worker. Dear Comrade: In his review of the Soviet film ‘Laughter Through Tears” Comrade Francis Antico speaks about the pro- | gress of the Soviet cinema, pointing | |to the current feature at the Acme as an example of the “startling gains made in the past few years.” It hap- | pens that this film is one of the antique items of the Soviet cinema It had been lying on the Amkino shelves for at least four years before it was shown here. The reviewer also waxes enthusi- astic over the acting of the Moscow Art Theatre actors in this film. It; is true, that the actors of that fine theatre are a very talented body of performers, but it is also true that they do not play in “Laughter Through Tears.” As you see, the review by Comrade | Antico does not square with the facts. | | Perhaps the reviewer will dismiss this objection with the well-known “so much the worse for the facts.” But I still maintain that misinforma~ —B. FENSTER. | —Drawn by Morris J. Kallem | Soviet Life in the Making Olgin’s Saturday Lectures on “What-Is Happening in the Soviet Union” By IDA R. | Moissaye J. Olgin, editor of the| Freiheit, has undertaken a new ex-! periment. He is speaking at the Work- | ers School every Saturday afternoon, | at 3 p.m., on “Recent Events in the US.S.R.” He gathers his material! from Soviet newspapers and maga-/ zines and, placing this information | against his background of knowledge | of the history of the Revolution and of Socialist construction, he draws vivid p‘ctures of how life is being | built under workers’ rule. The experiment is new and, accord- | ing to those who have frequented the | lectures, it is successful. We are used | to talks about the Soviet Union “in| general.” We are also used to talks attempting to “explain everything” in| one lecture about the Soyiet Union. ‘This naturally cannot be done. Life in the Soviet Union has become vastly complicated, There are so many as- pects of it. So many problems have arisen, So many kinds of activities | are going on simultaneously, To un- derstand Socialist construction and to appreciate its achievements it is nec- essary to know the facts in their proper setting. The facts are numer- ous and in Comrade Olgin’s presen- tatiqn they acquire their real revo- lutionary significance for us here. Comrade Olgin deals with the most recent happenings. The school year began in the Soviet Union. Comrade Olgin gave us not only the number of | pupils in the primary and secondary schools, not only the number of s dents in the higher institutions of learning; he not only showed us the | composition of the student bo which is overwhelmingly proletar and peasant, but he gave us also an} analysis of the educational system in the U.S.S.R. and a comparison be- tween the pre-revolutionary corey tional system of Russia and that of the present. More than that- he | | | Scene from “Laughter Through Tears,” the Soviet Yiddish comedy now in its second week at the Acme Theatre, | be credited | solution of the national problem. But { Mordva, of whieh we know nothing quoted to us descriptions of the fes-| tivities that took place in every city of the U.SS.R. in connec the beginning of the s could almost hear the the feet of 20,000 bo; marching through the Pa ture and Resti on the eve opening of thé schools. We have heard from the press that the situation of ‘the collective farm- | ers (kothozniks)) has imiproved with | the new harvests-How much has | improved? What»does the improv ment mean for the future? Who is to! witit the improvement? Comrade O) quotes definite exam- ples. He givesthe names of villages | and districts inthe Ukraine where, |@ year ago, thefood shortage w: most acute. He’ takes individual peas: | ants, members of the collective farms, and shows how’muth corn and ‘wheat | and rye and potatoes the family got this year, how*much is needed to} cover the food requirements of the | family, how much remains to cover other expenses; ‘The figures are start- | ling. You but conerotely;—why we have a right | to say the kolhozniks are becoming | “affluent.” and girls | k of Cul-| of the And how about, Socialist construc- | tion? The Chelyabinsk Tractor Plant, | the Ural Machine Plant, the Azov Oil Fields, thé’ Stalin Aautomobile Plant, the Coal’ Mihé Ivan and dozens of others are presented not as names only, but as things real, throbbing | with life, where problems arise every | how and are being solved by the creative efforts of the workers under | the leadership. 6f the Communist Party. Comrade Ojgin, here as else- where, gives us_not only the achieve- ments, the way they are being overcome. We have albheatd about the na- i 1 equality within the Soviet We know about the Leninist i U when we hear-about the Republic of the Chuvach or the Republic of the here, when we realize the number of schools, colleges, research institutes, | theatres and other cultural institu- tions in possession of those minority | | nationalities, all conducted in their own tongues which 15 years ago did not even exist as written languages, |—only then do we realize what the cultural revolution means to the peo- ples of the Soviet Union. Perhaps the most impressive thing | that the writer experienced in Com- rade Olgin’s lectures were the biog- raphies of average workers and young workers now occupying positions as shock brigaders in the various in- dustries. Here we see the new man in the making. Comrade Olgin has also dwelt con- | siderably on the foreign relations of the Soviet Union, in connection with Litvinoff’s arrival in the United States. The most vivid was his con- trast of the Genoa Conference of 1922 and the Washington Conference of 1933, The lectures are held every Satur- day at 3 p.m., and are open to every- Things Look Pretty Dark... AA~ AB- I DIOWT CARRY A GUN GOR. INCITE TO RIOT - PROVED— AaND- THIS Was WELL HELL!!! | songs, dramatized by Howard Lindsay, | Heyman. alizeé—not in the abstract, | — but also ihe difficulties and | 2! lout correctly that all workers, whe- ANO WHEN THINGS LOOKED BAD THET.L.O. LAWYER caLcs! Stage and Screen “She Loves Me Not” to Open Tonight at 46th St. Theatre; “Growing Pains” Due Thurs. Five new plays are scheduled to open this week on Broadway. A sixth play, “The Scorpion,” by Ber- nard J. McOwen, may also open, probably at the Biltmore. ‘The list follows: “She Loves Me Not,” a comedy with from the novel of Edward Hope, will have its premiere this evening at the Forty-sixth Street Theatre. The songs are by Arthur Schwartz and Edward ‘The cast is headed by John Beal, Polly Waters, Burgess Meredith, Charles D. Brown and Florence Rice. “Birthright,” a play of “life in Germany under Nazi rule”, will open Tuesday night at the Forty-ninth St. | Theatre. The players include Sylvia | Field. Thais Lawton, Montague Love, Harold Elliott and Alan Bunce, Aurania Rouverol’s comedy, “Grow- ing Pains,” will be presented by Arthur Lubin on Thursday night at the Ambassador Theatre. The cast includes Junior Durkin, Leona Hog- arth, Jean Rouverol, Johnny Downs and Charles Eaton. “The Drums Begin,” a new play by Howard Irving Young, will open at the Shubert Theatre on Friday night, under the sponsorship of George Ab- | bott and Philip Dunning. The cast is headed by Judith Anderson and includes Walter Abel, Robert Gleckler, Jose Ruven, Humphrey Bogart and Moffatt Johnston. “The Dark Tower,” a melodrama by George S. Kaufman and Alexander Woolcott, is scheduled for Saturday night at the Morosco Theatre, Basil ydaney, Ernest Milton, William Har- rigan, and Margalo Gillmore head the cast. Two productions will be transferred this evening, “Champagne, Sec,” which moves from the Shubert to the Forty-fourth Street Theatre and “The Curtain Rises,” which will move from the Ambassador to the Forty-elghth Street Theatre. MUSIC | Amato in “La Traviata” at the Hippodrome Tonight In honor of the » twenty-fifth an- niversary of the American debut of Pasquale Amato, the Chicago Opera Company will give a special perform- ance of “La Traviata”, at the Hip- podrome tonight. It was in this opera that Amato made his debut at the Metropolitan Opera House on Nov. as of the week include " on Tuesday night; Wednesday; “Tristan and .” Thursday; “Rigoletto,” Fri- “Cavalleria Rusticana” and “Lucia iacci,” Saturday matinee; di ammermoor,” Saturday night; “Aida,” Sunday afternoon and “Tosca,” Sunday night. NOTE: THERE 1S A MINIMUM CHARGE OF 25c FOR 3 LINES FOR AN INSERTION IN THE “WHAT'S ON" COLUMN. NOTICES MUST BE IN THE OFFICE BY 11 A. M. OF THE PREVIOUS D. Monday LECTU! ON NEGRO PROBLEMS, by James All at Antl-Imperialist League, 33 East 20th Admission 15¢, 8:15 P.M, ALTERATION PAINTERS SUP- PORT DAILY WORKER NEW YORK.—Members of the Al- teration Painters, Decorators and Paperhangers Union, working in the Bianche Shop, raised $16 for the Daily W er in response to the ap- peal by William Z. Foster to save our fighting paper. These workers challenge other shops to collect more than they w They expect to raise much more than the $16, and point of the Communist ought’ to support the ther members Party or not, Daily Worker. by QUIRT Page Five Penal Admi inistration In the Soviet Union e democratic form of the dicta- tors! of the bourgeoisie endeavors, | as regards penal admi t conceal the clas grant: administra aside every “Crimes” are “atoned for” under ¢ barbarous prison regime. “ are not to be educated. The theory that fear acts as a deterrent tri- umphs. Political delinquents are the | worst, for these “crimina menace the roots of the capitalist order. The newspapers in all countries publish reports of the ill-treatment and tor- ture of political prison: the fas- cist prisons and cone! ‘ation camp: of Germany, Italy, Poland, Yugo- | slavia, etc. The Soviet Union, the country of | the dictatorship of the proletariat, | the country of socialist construction, | has imparted a new meaning and | content to penal administration. The basis of the penal law is the cl | policy of the working people. Justice | is @ means of power for suppressing | the class enemy, but it is also at the | same time @ powerful instrument for educating the workers in self-disci- pline. In the Soviet Union the form of Punishment and also the penal ad- ministration is determined from this standpoint. In imposing punishment one does not proceed from a feeling | of revenge; sentences are imposed | not in order to punish the prisoner, | but to educate him. No tortures, no| death penalty, no prison regime, how- ever cruel, will enable fascism in the capitalist countries to destroy the revolutionary movement. The Soviet Union endeavors to convince even the political prisoner that the inter- ests of the community and his own interests demand that he plays his| part in the common life, that he sub- mits to the Jaw of the proletarian state. Soviet jurisdiction seeks as far as possible to avoid depriving the indi- vidual of his liberty. If it resorts to| | | | depriving a person of his liberty, this | deprival of liberty is limited, as the Soviet authorities are convinced that every member of society can be edu- | cated so as to become a socially use-| ful being: the longest sentence may | not exceed ten years. It is, however, very seldom that this longest term is served. The re-| sults of the education the penal sys- | tem provides are so good that most of the prisoners can be discharged | sooner, often after having served only | half their sentence. In the prisons the chief importance | is attached to work; not to drudging, | useless work, as in the capitalist pris- | ons, but to useful production. The penal institutions resemble modern factories, in which the prisoners ac- quire skill and training, which they can make use of in the process of production after their discharge, Ev- ery prisoner knows that even while in prison he is taking part in the| building up of Socialism, that his work is.of benefit to himself and to the community. Work is carried on in the penal institutions according to the same principle obtaining in the works and undertakings outside. The unskilled worker is instructed by a skilled worker. Every brigade, every single prisoner has his plan; social- ist competition between brigades and between individuals are quite usual. are in no way free time c i the quali train and educate the pr u In order to promote the sense of re- sponsibility the system of self-admin- istration has been introduced in the penal institutions. The majority of cases of breaches of discpline come before a Court consisting of prison- ers themselves. Far more than half the prisoners | are placed in institutions which are not locked, while at the same time the number of overseers is ridiculous- ly small. There are institutions where there are only four warders to 350 prisoners, But the educational influ- ence of communal life and common work is such that attempts to escape are yery rare. The open institutions of the G.P.U, are particularly interesting. Only ha- bitual criminals are placed in these institutions; as a rule such as are under 25 years of age, They are first selected by a commission consisting itself of “criminals” who have proved their worth in many years of work in the institution. In making the se~ jection it is a firm principle that only those people are to be chosen who have shown a certain solidarity and fidelity to the band of criminals to which they belonged. It is found that in these institutions for so-called hardened, habitual criminals, from which it is very easy to escape, not more than 8 per cent run away. A further 8 per cent are removed on the decision of the prisoners’ meet- ings as unsuitable, while 84 per cent make good. The building of the Baltic-White Sea Canal by prisoners working as free laborers is a wonderful achieve- | ment. Former sabotagers, murderers and thieves have not only taken part as unskilled workers, but | earned their early release and some of them even received rewards and a ctions from the proletarian Re- public. In order to gain a clear idea of penal administration in the Soviet | Union one must realize that people who have served a prison sentence at a disadvantage, as | in view of the big demand for work- ers they are sure of finding work im~ mediately after their discharge from the penal institution, and that, thanks to the training they have re~ ceived in the institutions, they are able to secure a better material and social position than they formerly enjoyed. Penal administration in the Soviet Union proves the superiority of the socialist principle over the methods of capitalism, which destroy human life and human dignity. WORKER COMMITS SUICIDE MOUNT MORRIS, N. ¥., Nov. 19. Deranged by poverty and misery, John Ruffo, an unemployed worker, attacked his wife and five children with an axe last week and committed suicide. AMUSE MENTS» THE THEATRE GUILD THEATRE EMPIRE THEATRE EUGENE O’NEILL’S COMEDY AH, WILDERNESS! with GEORGE M. COHAN 52nd St, West of Broadway, Evenings 8:30, Matinees Thursday # Saterday 20 P.M. MOLIERE’S COMEDY WITH MUSIC THE SCHOOL rorHUSBANDS with OSGOOD PERKINS and JUNE WALKER Broadway Matinees GUILD Presents 4 40th Street, Evenings 8:46 reday & Saturday 2:40 P.M. “The Moscow _. AMERICAN PREMIERE OF NEW SOVIET FILM, ' SHOLOM ‘ALEICHEM’S Yiddish Dialogue — English Titles — 2nd BIG WEEK Art Theatre actors caught tho essential spirit of Sholom Aleichem’s ACME THEATRE “LAUGHTER THROUGH TEARS” '§ representations,” — Dally Worker, 1ith STREET and UNION SQUARE SRD BIG WE “You'll get plenty of thrills.”"—World-Tel. “EAT "EM ALIVE” “Pull of drai “Fascinating. nxo CAME RADIO ‘CITY MUSIC HALL HOW PLACE of the NATION Direction “Roxy” 42nd St./25 to 1 P.M. & Bway|Mon. to Pri. Joan Bennett Paul Lukas and an unusual “oxy” S50 to 1 p.m.—dse to 6 (Ex. Sat. & 51 Roland YOU nd Laura HOPE CREWS in “Her Master’s Voice” Piymouth { ‘He hea., W. 45th St. Evs. 3.6 jats. Th Sat, 2:40 JOE COOK in LD YOUR HORSES A Musical Runaway in 24 Scenes Winter Garden 3% 25%n S* _ Thursday and Saturday at 3:30 11:30 AM. KATHARINE HEPBURN. In It RKO ‘Jefferson ae i. ©: ae “LITTLE WOMEN” Claudette Colbert end. Wicarde Cartes “TORCH SINGER” in added feature: “DELUGE” with PEGGY SHANNON & SIDNEY BLACKMER | ON THE APARTMENTS CULTURAL Kindergarden; Classes for Adults and Children; Library; Gymnasium; Clubs and Other Privileges NO INVESTMENTS REQUIRED SEVERAL GOOD APARTMENTS Take Advantage of Workers Cooperative Colony 2700-2500 BRONX PARK EAST has now REDUCED THE RENT (OPPOSITE PRONX PARK) AND SINGLE ROOMS ACTIVITIES & SINGLE ROOMS AVAILABLE the Opportunity. Lexington Avenue train to White/ Plains Bond. Stop at Allerton Avenue Station, Tel. Estabrook 8-1400—1401 | Office open daily Oa.m. to S pm. @ am. to 5 pm. 10 a.m. te 9 p.m. Friday & Saturday Sunday