The Daily Worker Newspaper, October 30, 1933, Page 5

MAILY WORKER, NEW YORK. MONDAY, OCTOBER 30, 1933 Page Five WORLD! By Michael Gold A Soviet Literary Conference \ OTZKY, in his book “Literature and Revolution” denies the possibility of a proletarian literature. His thesis is that the period of the pro- letarian dictatorship and the struggle for it will be a military period, and one so short in time that literature will make one great historic leap from capitalism to Communism, with no intervening steps. 1 ‘This ultra-leftism, which in practice, becomes of course, an utterly bourgeois attempt to deny any value to the young proletarian literature, “has now been repudiated by life itself. A literature of the transition per- jod, a fighting culture of the class struggle, has appeared in many different Jands. In 1923, in the Soviet Union, this question raised by Trotzky was still in the balances, and a small group of Communist writers united in a group _ “‘to fight Trotzkyism in literature. They issued a magazine, “At the Post,” 1 and under the theoretical leadership of the critic, Averbach, conducted a “notable polemic. They also took leadership in the organization known as RAPP, the Russian Association of Proletarian Writers. This organization wieléed | < “Sgreat power and had a large role to play in the development of the new | * Soviet culture. Recently, however, it has been dissolved, the reason being, according to the decision of the Central Committee of the Communist Party, “that wthe success of socialist construction has resulted in the majority of the “intelligentsia, including writers, turning decisively toward the Soviet “power; that new elemefits have come into literature from factories and {pollective farms, and that as a consequence of all this, the organizational frame-work of the existing literary associations pas ee too narrow, sjand impedes the proper development of creative ai In other words, the overwhelming majority of writers have come over -* Sheart and soul to the Soviets, and it is no longer necessary to conduct a ‘“hattle in defense of proletarian culture. { j | i E vee Ab @ plenum of the committee to organize a broad mass association Of Soviet writers, that would be above all cliques, groups, and esthetic “Ipuperficial lies of the Will Durants and Max Eastmans, but it is only rivalries, three generations of Russian writers were present, from that sstrange author Andre Biely, who was writing like James Joyce twenty years before the great Irishman wrote “Ulysses,” to the youngest factory- ““Owriter, such as the novelist st the Putilov works, Tschumandrin. yhat Soviet Writers Talk About }{ERE are a few extracts from the discussion that went on at this plenum. There has been a lot of chéap slander to the effect that Soviet literary Many liberals believe the semeh are regimented and whipped into line. 37m Thecessary to Visit the Soviet Union or otherwise acquire a few facts to "mow they are lies. j cad some of the following statements. They are not the submissive of slaves, but the clear strong words of freemen and volunteers, the SE campiee of a new life. yelod Ivanov, author of the “Armored Train” and other remarkable some them translated into English: “What enormous tasks now face the writer! The epoch of the world war cod the Communist construction could not remain without effect on mind that can observe objectively and that wishes fo share in the e ef the world. 11 of us must change our mentality, our perceptions and general on Hfe. I will not go into further detail to explain what the Soviet ament has attained in the formation of a new human being and in > establishment of new living conditions. We merely need recall how ahe streets of Moscow looked ten years ago, and what was going on in wien conferences such as the present one, with such a large ion of the general public, was simply impossible, and when , work was carried on only in small groups, in a restricted circle. ¢ this time I should like to stress only one point. I should like to have Gur new organization of writers direct its attention also to questions ~ee of PORM. It is extremely important to strive after form. In our pub- : fications almost everything is written in one and the same style. We now “°" have many Tolstoys and Dostoievskys, in the worse sense. But it is neces- | ~.Safy to surpass the old classics; in all our Soviet world new forms of life are being discovered, and we must seek for new form in Hterature.” M. the speech of N. Tihkonov, @ novelist: “I want to talk about love, about my love for these great times of ours, and for our literature, which does not yet keep pace with these times. If you travel over the Soviet land, you see tremendous changés from day to day. The whole ‘country is like a gigantic conveyor—everything is in tremendous motion— and few things and people and events are being produced. It is an ex~ ‘peedingly thankful task to live and to create at such a time.” “From the speech of Leo Nikulin: “I agree with the slogan of Socialist Realism, but hope it will not undergo the same fate as the old slogan of Dialectic Materialism in literature. The Rapp critics used to apply this in the most peculiar manner, abstractly and mechanically. Instead of adapt- fmg the work to the conception, we must let the werk form itself, and When search it for elements of dialectics, or Socialist Realism. “I have heard it said that non-Party people Were people in whose heads there reigned a certain conftsion, people without any clear outlook on life. When we look at honest non-Party people who have followed the banner of the Party since the revolution, we find that this confusion is overcome. “The time of Socialist construction arrived. The non-Party writers entered new and complicated situations. The non-Pariy writer saw the trial of the Mensheviks; he saw the campaigns of kulaks and other class “enemies against the Party; he was gradually transformed and learned to @tasp things as they are. Speaking for myself, this transformation has gone so far that when I am working on a book, I am no longer aware of any pressure of a Party line. I write what I perceive. Then when I read through what I have written I note with great joy that it contains nothing contradictory to the Marxian outlook on life, and then it seems to me I have written a book for the Party, and the question of Party adherence becomes clear to me.” onvee . . * . . ICHAEL SLONIMSKY: “There was a time when it was considered al- = 2™ most unlawful to speak of literary talent as a factor, and only in .aswhispers could Form be discussed. This had a prejudicial effect on writ- .<Sing, but now such questions are genuinely discussed, and we can face the 4 Suture boldly.” ~* §. Lebidinsky: “The questions of what is literary talent will now be «-,answered in @ variety of ways. We have dodged this fundamental question, errrbut I believe this fear will not make itself felt any longer. From now on we will struggle to solve the teal problems of creative work. Marxist “ eriticism, Marxist methodology, will show us the correct way.” ‘* M. Privishin, an older and deeply respected author of the pre-revolu- “tionary era: “I am of the solemn opinion that a writer should do more .q writing than talking. As for myself, I can talk only in the company of friends, and here I sée that I am in such company. They say I am a crotawriter of the old type, but I consider myself the youngest writer here, be- oot cause I have just begun to find a new viewpoint, and have just started a ew BOOK. \ bd “Formerly literature was a beggar’s trade. Now I can say emphati- ivao@ally that it is one of the best paid occupations. I do not think writers anywheré receive the rewards and social support from the state and the masses as they do here. “All my Mfe I had dreamed of seeing poets arise from the bosom of “She proletariat and the peasantry. The fact that this is happening har made a great impression on me.” a a elping the Daily Worker, Through Michael Gold Contributions received to the credit of Michael Gold in his Socialic’ “4 Jompetition with Dr. Luttinger and Edward Newhouse to raise $1,000 ix +,zthe $40,000 Daily Worker Drive: J. A. Bermes ........ TOG WOOK. ise .u erage we + $3.00 +9 Rhoda, Rose and Tony Ted Weeks (not previously ‘Olive Johnson listed) se e6eee 61000 V. Fantanuzzo « 2.00 Wyshkyn ..... » 80 . * “2Previous Total TOTAL TO DATE S12 $443.40 ary, 1932, to March, 1933: FLASHES and CLOSE-UPS By LENS The Film and Photo League of New York tosses its collective hat into the ring and challenges the Leagues throughout the country to) beat its fund-raising record by the} time the “Daily Worker” $40,000) Drive is over. . . . Our members have | already responded and contributions | will be listed beginning in the next) column. . . . (Hollywood Film and Photo League take note!) ‘The Harry Alan Potamkin Film School of the Film and Photo League will close its registers in a few days. . First session Nov, 13. | Warner Brothers announces that) it will close its studios ertot pepal in March. .. . How's business? . A Hollywood dispatch announces that producers have become convinced | that stories about “honest love” no} longer pay “good dividends” and| that the Mae Wests, Ed Robinsons, etc., are initiating a new era in pic- tures “all based on the more virile if less wholesome period of the last) century. Romance has little place in any of the stories which will fea- ture the more robust and less re- fined mode of living. . . . Now we're getting somewhere, as Ted Cook might put it... . * The Motion Picture Section of the Specialties Division of the Bureau of | Foreign and Domestic Commerce | (that’s the namé, for short) releases the news that “a report from the Polish Press would indicate . . . that certain changed conditions in Soviet Russia would tend to develop a demand for foreign films. The re- port in question states that the So- viet film policy is due for another change with @ view to admitting the production and release of films with so-called sexual problems and that propaganda ... will be ordered stopped after fifteen years of appli- cation. It is apparent that the Russian movie-goer wants more variety in his films and is particu- jJarly interested in their entertain- ment value... .” My dear Motion Picture Séction of the etc. etc. please quit kidding yourself. It isn’t Hollywood's kind of “sexual problems” films that the Soviet movie-goer wants. Your gloat- ing is both premature and in vain. - » “Love Me Tonight,” “I’m No ‘Angel, ” and “Song of Songs” will never find a market in the land of the Soviets, I’m afraid. . . . You'll never produce the sort of “sexual problems” pictures that Soviet work- ers want to see... . Do you recall “Bed and Sota?” ... That was B} Soviet idea on how sex should be] treated in the cinema. . . . Even from the standpoint of pure and un- adulterated entertainment it was a masterpiece. . . You censored that film in its entirety and American audiences never got to see it... .T know Soviet movie atdiences will disappoint you, Polish press fairy- tales notwithstanding. eis ia ane Upton Sinclair has added 5,000 feet of the originally discarded footage of “Thunder Over Mexico!” to the version which will be shown at the 55th St. Playhouse Tuesday. «++ I don’t know WHAT material he has added, nor HOW it has been cut in... . But we want you to answer the question: DOES IT PAY TO FIGHT? ... eee Arliss says that historical figures “were human beings before they became statues.” . . . And s0 this sweetest of Hollywood stars whose stiff upper lip is his main claim to artistio distinction, is going to impersonate one of the famous Rothschild capitalist pirates in his next film... . The Rothschilds, of course, were and are neither “human beings” nor “statues,” buth ruthless exploiters of the workingclass and whose fabulous fortune was ac+ cumulated by the sweat and blood of exploited proletarians. . .. ee Paramount is importing Jose Ortiz, foremost Mexican toreador, to show George Rafi how to toss a bull in his forthcoming “Trumpet Blows” A sheer waste of money... . B. P. Schulberg has been throwmg the horned beast for years now and fee be able to teach Raft a few cl . 8 Random gleanings from motion picture cuts ordered by New York State Board of Censors from Janu- ALONE—Eliminate all scenes of children when sex is shown, ... AIR HOSTESS—Eliminate indecent action of Miller’s lips in fight where they form “Son of a bitch.” ... GREAT JASPER—Eliminate “Why should Mrs. Daniel McDowd be in- terested in the ancestry of one Jasper Horn, an idle, shiftless working man?” ... I AM A FUGITIVE FROM A CHAIN GANG—Eliminate screen subtitle: “8:20 P. M.” (After allowing previous title “4:20 A. M.” showing length of working day for prisoners.) Philadelphia Workers’ School PHILADELPHIA—-A conference of “ll workers’ organizations to prepare for the opening of the local Workers’ “chool will be held this evening at 3 o'clock at Bostover Hall. All dele- Frank Feeney, A. F. of L. Misleader,| Gost of Living Rise Not Affected by Fourth Year of Crisis | | Cause Another Cut in Look at this luxurious yacht, Sts. wharf at Washington, D. C. No, Westchester millionaire polo-set. rupt “labor leader” of Philadelphia, Elevator Constructors. Feeney is one of the “Daily.” A Washington newspaper, which commented on the $200,000 “representatives of the wage-earners” tional Civie Federation, headed by Ralph M. Easley and Matthew Wol: whose attempts to suppress the Daily Worker were exposed in Saturday anchored at the Eleventh and Water it doesn’t belong to a member of the Tt is the property of Frank Feeney, cor- head of the International Union of in the Na- yacht during the recent A. F. of L. convention, has this to say about it: “Handsomely appointed, the Antonia (that's what Feeney boat) is the talk of labor circles—even financial circles small fortune to keep it afloat and in good condition. i8 80 well liked by the men of his orgatiization that they took up a go will offering and presented him with Men of which organization, Mr. Feeney? named his since it, costs a However the Antonia.” And where does the “small fortune” come from “to keep it afloat?” Cheap Movie-Hero Mars Novel of the Indians of Oppression By ALFRED HAYES BROKEN ARROW, By Robert Gess- ner, Farrar & Rinehart. $2. The Indians (with one exception) of Mr. Gessner’s novel are not the cigar store redskins in warbonnets, nor the picturesque “ugh-ugh” chief- tains of an Eddie Cantor musical. The colors with which the author paints the faces of his modern tribesmen (with one exception) are the realistic, cheap, ugly store grease paints of white “civilized” corrup- tion, The one exception, unfortunately, happens to be the hero and chief protagonist of Mr. Gessner’s novel of the life of the modern American In- dian. A mistaken necessity of fic- tionizing his material with a love story has destroyed much of the basic strength of Gessner’s book. The North American Indians are undrgoing a slow, certain extinction. It is “massacre,” but a bloodless, cun- ning one. Its strategy is starvation, disease and “assimilation.” Driven into the barren, sandy gumbo lands, the Bad Lands, the broken remnants of this once great race starve throughout the West and Midwest. Fertile lands are not for Indians. “You have 160 acres of land,” said the government agent, “you should be wealthy.” Horse-Afraid picked up | @ handful of dirt. “Here,” he said quietly, “feel it. Yes, Great Spirit get sick and he vomit up and this is the vomit.” ‘These afte the reservations the Great White Father in the Big House on the Potomac and his Wall Street | medicine-men have so generously! granted the vanquished. Levi Horse-Afraid knows that to} survive he must imitate his white| conquerors. All the young bucks| wish to be like white men. They | drink bootleg rotgut. They ride | broken Fords. They fill the tribal) dances with Jazz steps. The young Indian girls give birth to half-breed bastards, the heirs of Sitting Bull. They have become civilized. They chew gum, they learn the gods of the white men, they contract tuber- culosis studying the white man’s learning inside the prison walls of @ government reservation school. But always the “color-line” drives them back. The inferiority of the colored and the conquered is written hich in; the tablets of the traders and the | tourists. In despair they turn ba to the desert, to doped revivalist re- ligions, or to drink. With this basic conception of the oppression and degeneration of the Indian, Robert» Gessner has a valid and poignant stoty to tell. How- ever, in the actual task of telling, this basic motif 4s obscured. In its stead appears “a great love story of the modern American Indian” as the | blurb on the jacket states. The tale| becomes a high-class “western” love | story of the full-blooded Sioux, Levi Horse-Afraid, and-the wanton mixed breed, Lily Hernandez. It is unfortunate that Mr. Gess- ner’s original theme has been per- verted into the type of racial novel of Van Vechten’s..\Nigger Heaven.” “Broken Arrow”...is a shaft that missed its mark. DETROIT WOMEN’S COUNCIL OBTAIN SUBS FOR “DAILY” DETROIT, Mich. - Women Council] Branches of De- troit are hard at work to increas the circulation of our Daily Work Seven new suberiptions were ob- tained by them recently, and they | are hard at work,to get additional ones. To keep up @ six-page “Daily Work- er,” the circulation must be doubled. Do your share by xetting new sub- seribers. TONIGHT’S PROGRAMS WEAF—660 Ke. P.M.—Dramatic sketch }0—Floyd Gibbons; Young Orch, Oreh.; Frank Parket, Tenor ith Captain Hugh Bar- at tt 10;00—Eestman Orch.; Lullaby Lady; Gene Arnold, Narrator 10:80—Seoret ‘Service Spy Story—The Road ‘That Was Cut 11:00—Seott! Orch, ‘ 1115—Jesters Trio 11:20—Whiteman Orch. 12:00—Sosnick Orch. 12:30 A.M.—Meroft Orch. we WOR—710 Ke. 7:00 P.M.—Pord Pric Tagrmerecabrie, Heatter :30—Terry and Ted—Hershfield ‘00—Detectives Black and Blue—Mystery Drama 8:15—Bjlly Jones and Ernje Hare, Songs 8:30—Morros Musicale 9:00—Variety Musicale 9:45—The Witch's Tale 10:18—Current Evonts—Harlan Eugen Read | 10:80—Alfred Wallenstein’s Sinfonietta 11:00—Weather Report 11:02—Moonbeams Trio 11:30—Robbins Orch, 12:00—Holst Orch, WIZ—760 Ke. 5:00 P.M.—Amos ‘n’ Andy T:18—Baby Rose Marie 7:30—Potash and Perlmutter—Sketch ‘ates are requested to bé prompt, “HEAP MOVIE HERO JIM MARTIN BEAT IT- FILLED | ‘1:45—Three Jesters, Songs 8:00—Morin Sisters, Songs; King’s Jesters; TUNING i Stokes Orch. 8:30—Conclusions “of' the Third Annual Women’s Confetence-on Current Prob lems—Mrs. William Brown Meloney 8:45—Red Davis—-Sketelt 9:00-—Minstrel Show | 9:30—PasternackOreh.; Melody Singers 10:00—Dancé Oreh.; Mary MeCoy, Soprano; Betty Bariliell, “ Sotigs; | Sports — Grantland Rice 10:30—Henry Deering, Plano 10:45—Planned Fer —George H, Detn, Secretary of War 11:00-—Leaders ‘Trie- 11:15—Poet Prince 11:30—Hahn Orch, 12:00—Bestor_ Orck, 14:90 AM,—Trint WABC—g60 Ke 7:00 P.M.—Myrt esd 2to~n) T15—Sust Plain “BOt—Sketch 1:30—Travelers Ensemble 7:48—News—Boake, Cater 8:00—Green Orch.} ~ About Town Trio; Vivian Ruts, 8:15—News—Eawih oe men 8:30—Bing Crosby, Sohits; Hayton Ofch 9:00—Agnes Moorehead; Comedjenne; Shil- kret Orch, 9:15—Kate Smith, Songd 9:30—Gertrvde Wiese. Sores: Luly Meé- Coritiell, Comediehhe; Jones Oreh. 10;:00-—Wayne King Orch. 10:30--Form Probittis 16 National Recovery Representative. Isabclia Greenway of Ariona: Rektord G. Turwell, As sistant Sectetary of Atrietitr=c Bevitone; Concert Orch, Orch: 280 AM—Papn Orch, 1:00—Hopkins Orch, The Jewish | || Workers’ RealW ages | NEW YORK —The price rais- ing program of Roosevelt made another dent during September in| the pocketbook of every worker and small farmer in the country, renerted today by the| | ans of the National In-| ial Conference Board. || The B reports that despite | certain Il cdvances in the | hourly wages paid in certain in- the rise in the cost of uring September completely | | whatever wage | were reported, | net slash in the real wages of the | workers amounting to 0.3 per cent. | PROTEST BEATIN | | OF “DAILY” AGENT |_ BOSTON, Mass., Oct, 22—The Eastern New E nd District of the International Labor Defense yesterday wired the Chief of Police of Lynn, Mass., denouncing the bruta! beating and frame-up of Tom Torigian, arrested for selling | the Daily Work Torigian has been found “guilty” and fined $45 |by the notorious labor-hating Judge D. demanded the ir n e withdrawal of the cha and fine, and the removal and pro: on of Officer Broadbine, who of ad Torii The November “Labor Unity” By I. AMTER The November issue of Labor | Unity is the second at the new five | cent rate. It proves that reduction in price (Labor Unity was formerly 10 cents) does not necessarily have to cheapen a revolutionary magazine, for this issue marks the biggest step forward yet for the fighting organ of the Trade Union Unity League. | Most of the strikes of importance are covered in this issue, written by | those who are right on the scene | of the strikes, Besides giving the dramatic aspects of the big struggles, Labor Unity analyzes these strikes }and as a result gives the workers | Valuable lessns in strike strategy. Fro mecover to cover—a struggle magazine. Daye Doran writes -of “Ambridge—A Militant Steel Strike,” nd tells what led to this historic ugsie;, tells how the Steel | Metal Workers Industrial Union | gained the confidence and leadership | of the Ambridge steel workrs; tells | of the terror that defeated the strike, but also tells of the fact that the steel workers, far from crushed are, on the contrary, girding their loins for greater ggies. The strike’s achievements and shortcomings are given. This being a November issue, there is an e article by N. M, | Shkvernik, head of the Soviet trade | uaions, entitled, | in the World ‘This is the first article | of its kind we have seen in an Ameri- can workingclass publication—a sim- | ple, full-of-fi | how, what, why of the Soviet trade unions—how they get how they function, are electesl, ete. Jack Stachel tells in his » cle \ ‘The Miners Fight On,” how the he Western Pennsylvania revolt of rs against the NRA code and machine gained momentum, tells how the min re taking the | leadership themse and tells of | the role of the N: finets Union in the great mi Bill Dunne Gabfest” write: “the Pot-Bell in of the tecsnt cc tion of the A, F. of L.—the co: tion of the fat-salaried offi decided no support to the miners Oo} es; shows how it was do 1 ovérnment; how iclals ignored unemployment in- surance; he also télls of the n Militant element in the arnk and f lead to. L. Toth deals with another A. F. of ion--that of the rank and in the Carpenters Hall, ington, at the samo time as the article tives of the milit and file; here NRA wes exvo: in addition th are articles on e Steel Corte, the Auto Code, the | Los Angeles Hunzer M the cal! | ot the T.U.U.L. to the AFL Ran jand f rt story, gotten 3 i 2 jand Aswers, and other features. The articles dre all change for Labor Unity is reo)'v a handbook of revolutionarr struggle. increases | | causing another| | and | “The Biggest Unions | t article describing the | their funds, | how the leaders | | of the A. F. of L. and what this wit Leslie Howard Stage Notables to Be at the Theatre Union Ball Nov. 4 NEW YORK. Mic key Mouse and | Mae West are only two of the celeb- rities who will appear at the Cost e | Theatre Ball, which will be given by |the Theatre Union at Webster Hall next Saturday evening. Mae We | who is detained in Hollywood, will | send herself in substitute, but Mickey | Mouse positively will appear im -per- | son. | Other stars who will be guests of |} honor at the ball are Lloyd -Nolan, of “One Sunday Afternoon,” Tonto Selwart, who will appear in his third j act costume from “Pursuit of Hi | |piness;” Mary Morris of “Di le | Door” as Juliet; Victor Killian, of “The Divine Drudge” as Abraham Lincoln; Rose McClendon as a hula girl; Cissie Loftus as herself in “ | “Party,” Lois Davidson of the Chi- In “Berkeley Square,” now |cago Civic Opera as Anna Held; praying at the Radio City Music | Walter Abel, Jacob Ben Ami, Mary Hail. | Blair, and others. Casts of many of attend in __ | the current shows wil costume. Although guests are urged [wars on] favorite role in the theatre, costume WHAT r@) to come the costume of ‘some is not req BY workers’ groups [we will attend in bod | Music for this unique party will ae Ona be furnis fey Bene. Carter thir TRAVEL TALK on | teen pi tra, one of Harlem’ g most W. C. Handy ;’ | compos ouis Blues” will ;] conduct several numbers. Othet feat | ures including _ the amusing t Surprise” are be« ing planned. The Theatre Union, which is giv+ in is meet jing the part has been oirganized 19t mily | 0 prese! s of working class ins terest, and will open in November he next war, called ing at new | 8:15 p.m. | Ust All comrades who have Daily 8 please turn them in. RNATIONAL REP. of | e Reljef and Anti-Pa-| the W.LR, on 8 cist Work. All and leagues as com: ecun at. 6 pal |Chicago Conference CHORUS GROUP—Led by S. Meidman | meets at Pr oife Workers Culture cius,| TOMOrrow to Prepare 159 Sumner A’ | | Female voices especially | | invited.” Brookivin, Soviet Music Concert | Chicago, Hl. HALLOWE'EN BALL by Section Two of | CHICAGO—The | Friends of Rus~ Young Commiunjst League, Oct. 3ist 4 | sian Music will hold a conference to~ 2981 Wentworth Ave, Admitsion i0c. 8 P.m.| or ow evening, at 8 o'clock, at the Philadelphia, Pa. | City Club, 315 Plymouth Ct, to dis- “MEDICINE UNDER Se eee. = cuss the problems of the concert Cet sonatas Wrantiela Br, | Scheduied for Nov. 26 at the Masonic Temple, 32 West Randolph &t., to feature the celebrated dramatic sop- | 10,000 APPEALS FOR MORTGAGE | rano, Sonia Radins. RELIEF All language mass organizations, WASHINGTON, Oct. 27.—Approx- | workers’ clubs, cultural groups, wom- imately 10,000 appeals for Lageel pong hed council, are urged to be repres- | relief have poured into the offices | ented, either through delegates, or of the Home Owners’ Loan Corpora- | through officers, The session will last tion this week. | until 9:30 p. m. AMUSEMENTS FIRST A Dr 5480 Gaynor Road, WIR. (ERICAN BHOWING (English Titles) Cont. From 9 AM. [UTossureor institutions, mo: als and men, In society S00) dicted to MAMMON worship! ACME MTH STREET AND | Produced in the U.S.8.R, by Mejrabpomfiim UNTON SQUARE |] Special | Soviet Newsreel. Views of LITVINOFF im Aston | sronrre gHOW. | Added and other scenes | Ate | | Also: HENRI BARBUSSE. interview Every saToRDar | JACOB “THE BEN-AMI [WANDERING JEW’ ADAPTED FROM A STORY BY JACOB MESTEL i} | | | i “Graphic account of the tribuistions of the Jewish people from Pharaoh to Ritle ¥. TIMES. neo CAME! 25¢e | 42ND SREET | gxp BiG AND B'WAY To1Pr M1 WEEK MON. to FRI. EUGENE 0" NEILL’S COMEDY AH, WILDERNESS! with GEORGE M. COHAN GUILD THEATRE 4 St. Weit ot Brosaway. Matinces Tharsdey and Saturday MOLIERE’S COMEDY WITH MUSIC THE SCHOOL ror HUSBANDS | with OSGOOD PERKINS and JUNE WALKER EMPIRE THEATRE 22032037 324, imm Street Matinees Thursday and | | Evenings 8: 2 | Evenings 8:40 i JOE COOK in | OLD YOUR HORSES A Musical Rina in 24 Séene y & 50th st #90, Mate I RKO Jefferson 1 ue a «| Now BETTE DAVIS and cewis 8. sli in | au Missing | Persons | LW. inter Garden —.| Phursday and Saturday at 2:30. ADIO_ MUSIO HALIn | —— MATiOM, PACE EN MINUTE ALIBI SHOW PLACE of the NATION | Direction “Roxy” | Opens 11:30 A.M. A Now Mele LESLIE HOWARD vis he ia ns ARE” e_ highest in “BERKE SQUARE’ nannvsont rns, and & great “R stage show “ je to 1 Bie to 6 (Ex. Sat. & Sun.) | | "Breathe Your Cold Away | with VILOPEX Obtain bia) DR. JULIUS LITTINSKY | | 107 BRISTOL STREET Bet. Pitkin and Suttet Aves, Brooklyn || PINONE: DICKENS 2-301? Office Flours: 8-10 A.M., 6-8 PM. Your Neighborhood. gist OF THE KAY. FRENCH CO. 984—39th Street Ambassador 2-4287 Brooklyn, N. ¥. Intern’ Workers Order DENTAL DEPARTMENT 80 FIFTH AVENUE | ee = me ten ISTH FLOOR | . Mass., pledges to send $6 yearly All Work Done Unvler Petsonal Care of | for sustaining fund of the “Daily.” Dy. C. Weissman | This is aside from collections for |) the $4,000 Drive, Court's What’s This? IF tt PLEASES YOUR HOMOR, THE ORFEMOANT WISHES TO