The Daily Worker Newspaper, October 27, 1933, Page 5

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Sth wcities PP —_— oe Rs: arneme i “u."R Tyroler_ot ae iid TP aersnnaeecorai i eli Ss A er cM DAILY WORKER, NEW YORK, FRIDAY, OCTOBER 27, 1933 WHAT hl alt scat WORLD! By Michael Gold At the Wailing Wall NE of ‘the saddest things I’ve read in a long time was the editorial by ‘Paul Block, the chain newspaper publisher, which he inserted as a paid “adfertisement in all the rival press. He parted with real cash for the publicity, which shows how intensely he feels. Paul is the kind old gentleman who used to give Jimmy Walker big chieéks noW and then to buy himself something. The investigators couldn’t prove a thing. Paul said his little son had pointed out how shabby and hungry Jimmy seemed, and so the old man slipped him a few thousands for cake. That’s how it was, says Paul, and he swore to if on the book. Afivway, the investigators had to acquit him. , Paul aspires to be « great thinker like Arthur Brisbane. The literary trick developed by Brisbane consists of uttering capitalist banalities in the tone of &® Buddhist sage on @ mountain top. Paul tries to write about ‘real estate and the necessity of company unionism in this lofty manner, but-really never makes the grade. He feels too deeply; suvjectivism rises up and clouts all his dignity an awful sock in the solar plexus. And so, in this editorial on Nira, Strong Heart Block unloads his heart on the Nira bird because it has dared to challenge. the fabulous salaries pald to Hollywood stars, babies, police dogs and: white rats. “To interfere with and investigate the salaries paid to private indi- viduals is Bolshevism,” old man Block sobbed at the wailing wall. It was such a lament that even a hardened Bolshevik might have bust out cry- ‘ing, if he didn’t use the old self-control. Explaining It for Paul WILL explain tt all in words of one syllable for the venerable Block of Newark. Nira.is the prelude to Fascism. And Fascism is the united effort made by the big capitalists through more open, brutal dictatorial power to save their dying system. When feudalism was in decay it fluctuated between extreme terrorist reaction and constitutional concessions. Capitalism on its death bed combines both these forms of hysteria. Paul, some of your high-paid editorial advisors and flunkey brain workers should have tipped you off, even at the risk of dismissal: your Capitalist System is on its last legs. It must go the limit to save itself; like a ship in a storm, even throw over valuable cargo. * ‘The fine old capitalist principle of individualism and anarchy and million-dollar salaries to cloak models, monkeys, and child wonders may well be one of the things to be scrapped. Get wise to yourself, Paul. Capitalism has its back against the wall. Your little boy who wanted you to help Jimmy Walker may have to go to work Hike the rest of us when he grows up. The world is being recast jh‘a” bloody melting pot. Don’t you understand? ‘You sit around and lament, when the thing to do ts to help. ..,Get behind the President. Help him crush strikes. Help him fasten the shackles of Fascist company unionism on the workers. Help his cam- paign to help big business from its own follies. If thy hand offend thee, burn it off, says the scripture. .. ».¥ou are in danger, Paul, for even you yourself may be bankrupt if tbe whole.thing breaks down. So can’t you let the President go through the! gesture of cutting a few thousand dollars a week off Jackie Cooper's wages? You know, the millions of starving middle-class doctors, lawyers, students, Wer veterans, and the other millions of steel workers and coal miners don’t feel so good about the wages paid to Jackie Cooper. The meh on the breadlines talk about it. Really, Paul, it’s better to give up a little than everything. That’s what the bunch at Washington think. “It will help as little as the fake Duma helped the Czar, or as speeches and “parades help Hitler, but Paul, stick with your gan¢—go down like a man with. the filthy old ship that supported you so long—don’t welch at othig, saben hour,-but take Jt on the chin with the President. Helping the Daily Worker, Through Michael Gold ‘Contributions received to the credit of Michael Gold in hie Socialist competition with Dr. Luttinger and Edward Newhouse to raise $1,000 in the. $40,000 Daily Worker Drive: New Theatre, Tri-Cities ....$6.68 DM. J. . 100 Mary Ryan . Anonymous .. Section 5, Unit 11, Affair ..95.00 A Friend . TOTAL TO DATE . BATH BEACH Workers Club will hold lecture on “American Imperialism and Cuba” by E. Brendel at 87 Bay 26th St. LECTURE by Al Stcel on “What !s Hap- Faeyr in Germany” at 410 13th Ave, at MEETING of Tom Mooney Br. ILD. at 108 E. 14th St. Alice Burke will speak on ‘THE CHILDREN’S ART Class of the Jobn| Political Prisoners Relief. Reed Club School of Art will open Satur-| SPECIAL Rehearsal of Daily Worker horus Gay morning, Oct. = Classes for children | at 95 ¥. 12th St., 2nd floor, at 8 p.m. IMPORTANT Meeting of Photo Section at new headquarters of Film and Photo League, 116 Lexington Ave., near 26th St, LL.D. Chorus meeting at 41 Ohester Ave, from: § to 16 years; Tie per seaslon,, bbe a mcath (payable tn edvance), 480 Sixth Ave, 2 flights. up. TRE Orisis tr Oity Polities and Five Solu- eee rie Oe? Scumaciat: Morris Wx, | Brooklyn, near séth St. at 8:18 p.m. Pagner, Democratic; Jacob G. Schurman,| , VOU Oarpenters are needed to Pasion? David Kaplan, Socialist: Bynes Me. | build partitions for the new TLD. head- Donald, Recovery; Chairman, Herold Hick. | (#rters, 798 Broadway, N.Y.C. erson Will be heard at & symposium at Ca ee 4 aaission free, Ausplees B. 8. Current Events Saturday nb. FIRST ANNIVERSARY Banquet Entertain- ment and Dance tendered by the Cl-Grand Youth Club at 380 Grand St. Muste by ® Hot Band. Adm. 35¢. RED WEDDING given by Priends of the Workers School and 1.1.D. Harry Simms Br, at Workers School, 35 E. 12th S8t., 3rd floor. Entertainment, refreshments. Adm. 20c. VOTE COMMUNIST Election Banouet and Dance at Laisve Hull, Lorimer and Ten Byek Street. Leading candidates will speak. Auspices Communist Party fect. 6. Ad- mission 40c. To dance only 26¢, HALLOWE'EN Party at 323 W. 2and 8t., rd floor. Excellent entertainment, games, Tefreshments, dancing, Jarx Band. Proceeds to New York Comm. to Aid Vivtims of DR. REUBEN 8. YOUNG, well known Ne- 14th “St. near Second Ave, Admis- Auspices Downtown Br. F.9.0. STEVE KATOVIS Br. LL.D Sopweent membership meeting at 95 Avenue B at 8 pm. Bring books. ELECTION Campaign Rally Youth Br. 405 International Workers Order, 9 Avenue B at 830 p.m. A candidate of the Commu. nist Party will be the main speaker. Ad- mission free. ‘THE Vangtitird’ Scientific Society will hold & lecture on “The Laundering Industry” at | German Pascism. Coop, Auditerium, 2700 Bronx Park East, at * 2.30 p.m. Norwodd, Mase. DANCE and Entertainment at Finnish Mall, on Oct. 28. Don Polverer’s Orehestra ‘will furnish the muste. 2 # JEN.GOLD, Oakley Johnson, A. Dranow will, speak ata symposium on “The Mean- ing of the WR.A.” at Ambassador Hall, Sed:akives and. Ctaremont Parkeay, “auspices Faith Berkman Br. I.L.D. Adm. Se. LECTURE “The N.R.A. and the Crisis.” ve Club, 298 %. 174th at 2:30.p.m. Sam Irving and Pen and Hammer will « Newark, N. J. CONCERT and Dance at Daelgers Hall, 388 Morris Ave., at 8 p.m. Auspices, New- speak. ark Relief Comm. for Paterson Strikers, LOUIS, will lecture on “Tho| on Saturday, Oct. 28. NRA. and the American Federation ot ce 8 Labor” at the’ Brownsville Youth Center, Boston, Mass. DANCE Recital by Nafta Chilkovsky at ‘Twentieth Century Cl! Joy St. Beacon 105 Thatford Ave. JOYOR;' délezate to Paris Youth Antl-War, Opaterenge, will report tonight at Progressive Workers Onltire Club, 189 Sum- “Theatre of Action on Parade” to Give} Anti-Fascist Plays’ NEW YORK.—The joint presenta- tion being staged by the New York Section of the League of Workers’ Theatres on Saturday at the New School for Social Research will in- clude performances by the German speaking theatre-of-action, the “Prolet-Buehne,” and a specially or- ganized Jewish speaking troupe, each of which will present angles of the fascist oppression of the workers in dramatic form. ‘The “Prolet-Buehne” has long been known as one of the most active and militant of the workers’ dramatic groups and will be remembered by many for the 15-Minute Red Revue. The Jewish play will be presented by the same speciaWy picked cast which played at the recent National Convention of Jewish Workers’ Clubs, In addition to these troupes there will be the theatre-of-action of the Workers’ Laboratory Theatre with their already-famous election skit, the Theatre of the Workers’ School, and the New Dance Group. Tickets are available at the League of Work- ers’ Theatres, 42 E. 12th St. and at the Workers’ Bookshop, }) E. 13th St. The bosses don’t support the Daily Worker. Ite swpport comes from Rush contribution “Dally, 50 K. 13th St, Y¥. Ctty. Ba was past midnight, The kerosene Jamp in the half-lit shack was turned out. The meeting was over, and the farmers, gathered from many miles around, left one by one. Outside, near the door, stood & guard with a shotgun clasped in his armpit. His watchful eyes glared through the dark. It was in Alabama, not far from Camp Hill. Not many months gone since Ralph Gray, a Negro share- cfopper, was murdered, killed for joining a farmers’ union. They had to be careful, always on guard. The poor farmers and sharecrop- pers were in deep debi in Alabama. They were losing their homes and farms. Each year they slaved in the fields and each year their debts were greater. They wanted to fight for higher prices. The landlords were making all the money from their hard toil. A farmer raised 25 cents. The bosses were getting as high as 90 cents for it. That is why, during the meeting that just closed, Farmer Lawson said: “This here union’s got to fight so’s we can get more of that money for our corn. If we don’t fight, we and the little ones will plain starve tryin’ to meet the mortgages on our homes!” Farmer Lawson was the last man to leave the dark shack. He trudged oe Rae pasture and joined Russell sharecropper and close neighbor. They had six miles to walk for home. The dew fell heavy that night; Lawson's shirt was wet when he got home, He was tired too, after that six-mile walk. And after working in the hot fields since dawn. Too weary to undress, he dropped on his bed and his eyes snapped shut, But! TX on could not sleep. His mind was still abuzz with the words he had heard at the union meeting. Thoughts pricked him and made him restless. Sometimes he would move his lips and words would stumble from his mouth. He was trying to Scottsboro, Too, Is Worth Its Song | | A Poem to American Poets | Ds By COUNTEE CULLEN I said: Now will the poets sing, Their cries go thundering Like blood and tears Into the nation’s ears, | | the corner, a strike down the s| a demonstration at the City Hall— | Workers’ Theatre Dramatic School | Opens in Chicago] | | | | By ALICE ETTINGER | CHICAGO.—An eviction around bject mat- these are settings and s ter for the shock troops of the work | ers’ theatre. Finding their Like lightning dart jum ieee groups o a ion’: | gather, and giving their plays free of | Into the nation’ 8 heart. | charge, the revolutionary “theatres of Against disease and death and all things fell |action” present the problems and And war, struggles of the working class in Their strophes rise and swell dramatic form. | A vs , | ‘The Workers’ Laboratory Theatre | To jar | in Chicago is starting a new venture, The foe smug in his citadel. | Remembering their sharp and pretty | Tunes for Sacco and Vanzetti, T said: Here too’s a cause divinely spun corn, He was forced to sell it for| ny remember some of the phrases that were snoken at the meeting. Then his mind gripped one phrase and he re- peated it slowly through his grimly set lips: “Only a strnog union can fight the landowners.” “Only a strong union can fight the landowners.” . . . RE be ‘ARMER Lawson shifted from side to side in his low bed. He slapped his pillow into a ball, raising his head higher. Now he got a wider view of his farm through his window. The sky was a flood of bright stars. ‘The crickets in the field rasved on a single note. The willow tree was brushed by a clean wind. Lawson's eyes roamed over the small patches of land, Suddenly his eyes caught a flame flicker in the barn. And then, like a firefly, the lieht quickly snuffed out. Lawson jerked un on his knees and reached for his shotgun. As he bent over, he thought of the union, of the murdered Ravh Gray in Camp Hill, He stood up, his tall body mov- ing like a cloud in the room. The wooden stairs that curved down to the kitchen, creaked beneath his heavy shoes. A screen door opened toward a path that curved downhill to the red barn, Lawson walked down, holding his gun with fitm hands, aiming it at the barn. The moon was high and clear- white. A cool wind combed the corn. Farmer Lawson found the rusty barndoor lock broken on the ground. The door itself was partly open. With gun gripped tight, Lawson kicked the door wide and shouted: “Out of there, damn ye, shoot!” Not a sound came out of the dark, But Lawson knew alright that some- or I Hill, on Feitay, Oct. 27, #4 8 pamt,, sAnepioes at 8:30 p.m, John Reed Club, Adm. 35¢. one was in there, He saw, he was For those whose eyes are on the sun, Here in epitome Is all disgrace And epic wrong, Like wine to brace The minstrel heart, and blare it into song Surely I said: Now will the poets sing. | But they have raised no cry, And IK know why. “?’Way Down South in Dixie’ certain that he saw, @ light in the bam from his bedroom window. Standing flush in the center of the door, he shouted again: “Out, or I shoot inte that hay pile!” His strong voice boomed through the barn. But the dark only yawned back its tense silence. ‘Three quick seconds later, the farmer's gun blasted « load of shot square into the haypile. The shot rang and echoed. “Well, are ye comin’?” Lawson yelled angrily. From the corner of the barn, near the wagon, there came @ shuffling sound, and a voice said: “Tm comin’ sir,” The farmer stepped back into the Moonlight, into the grass, holding his gun low. “Well, come on out,” he said. Dressed in overalls, short and slim, looking nervous, a figure appeared in the doorway. As he came closer, Lawson noticed that he was a young fegro boy, about sixteen years old. “My!” exclaimed Lawson, his breath gushing out like through an exhaust pipe. “What are you doin’ through here at this hour, boy?” pe ie Negro farmhand was eager to explain, to talk quickly, But he was uncertain. The farmer is a white His mind shuttled with thoughts. His eyes stared deep into the white farmer's face, then shifted down toward the gun. Noticing that .| from town this even’. | Son. lynch me! Down the highway, the headlights of autos were raking the sky. “Here they come!” “Run,” said the farmer. the cellar of the house.” ‘The farmer ran up the path with the young Negro at his side. They | both turned to the rear of the small | house and Lawson unhooked the cel- | lar door. Down the boy rushed, into the damp dark and mto the comer behind the apple cider barrels. His breath was fast and loud; and cramped up, he puffed against his bony knees. “Now stay quiet,” the farmer whispered. Theti he let the door drop and replaced the hook. | Roaring cars came swift. Five autos stopped. Men carried ropes and fin- gered triggers of reyolvers and guns. They were a crowd of rich farmers | and merchants from town. They prowled and sniffed around ike a lot of bloodhounds. With heavy clubs, some raked through the bushes, hunt- ing for a young Negro boy who asked for his wages. The leader was Red Randall, the realestate man. He ordered the miéfi-to stay near the road, while he and two others walked up to farmer Lawson's house, “Get into | EY found Lawson on the narrow porch, leaning ‘against the railing, smoking a pipe: “What's up, Randall,” asked Law- son softly. “Why Lawson, ain't you heard? Wiley’s nigger attacked a young lady His name's Len Hawks. Ain’t seen him? He was comin’ this way.” Lawson showed very little interest in Randall’s talk; He acted quiet, as if he were playing @ game of check- | ers, “Ain't seen nobody by here. Not this time of night,” answered Law- “What are you doing up this time of night, Lawson,” said Randall, eye- ing him with suspicion. “Well’—Lawson drawled— TONIGHTS PROGRAMS WEAF—660 Ke, Jise FM. Male Quartet etoh 8:00-Concert Orch.; Jessica Dragonetie, Soprano; Cavaliers Quartet; Grant- land Rice—Pootball Talk 9:00—Pred_Allen, Comedian; Grofe Oreh. 9:30—Lee Wiley's Bones; Young Orch. 10:0e—viret ighter Drama—Here Comes ide 12:05 A. M.—Weems Orch. 12:30—-Molina Oren. ee WOR—710 Ke 7:60 F. M.—Sports—Ford Prick ‘U1S—Wild West of 19$%—Bketch ‘1:30—Terry and Ted—sketch 7;:45—Golf—Bill_ Brown 8:00—Detectives Black and Blue—Mysiery Drama 8:15—Billy Jones atl Ernie Kare, Songs mn Recital; Stanley Meetian, ‘Tenor 10:15—Current vents—Harlan Eugene Read 10:30—Eatelle Letbling’s Music Shoppe 11:00—Weather Report 11:03—Moonbeams ‘Trio 11:30—Neison Orch. 12:00—Holst Orch, WJZ—760 Ke. P. M.—Amos ‘hn’ Andy Ethel :30—De 8:45—Red Davis Sketeh 9:00—Lesh Rey, Bouge; Harris Oreh 9:30—Phil Baker; Comedian; Shield Or: Male Quartet; Nell Sisters, Songs 10:00—U, 8. Army Band 10:40—Mario Comat, "Baritone; Concert Orch. 10:45—Headline Aunter—Fiyod Gibbons 11:00—Berrie Brothers 11:15—Stats of the Autumh—Professor R. H. Boker, Harvard Observatory ST bgt Day Program; Speaker, Colonel ‘Roopevelt, Assistant Seeretary ot tbe Navy} U. 8. Marine Band 12:00—O8lloway Oren. 19:90 A. M—Lowe Orth. tacky © WAR Ce 60 Ke 1:00 P.M Myrt a T:1$—Just Pisin ‘ein -axcta 7:30—Travelets Ensemble T:4$—-News—Boake Carter 8:00—Green Oreh.; Men About Town Trio; Vivian Ruth, Songs 8:15 —News—Beéwin G.. Hill 8:30—March of Time 9:00—Irvin 8. Cobb, Stories; Orch. 9:16—Tommy MeLaughlin, Baritone; Kus- telanets Orch. 9:90—All-American > Football Show, With Christy Walsh; Speaker, Gut Doris, Gcach at Detroit University 10:00--Oleen and Johnsen, Comedians; Sot- niek Orch. 10:30—Alezander Woolleott, Town Cvier Goodman | nesday, October 25, at Abraham Lin- | coln Center, | Marxian Theatre, led by Leon Hess, A Story by Martin Bank | about his chickens and sleep! which aims to train its members, and all others interested in the pro-| letarian stage, so they can carry out) more efficiently the work described | above. The Theatre Council of the Midwest Workers Cultural Federa- | tion sponsors the Workers Laboratory Theatre School, which opened Wed- 700 E. Oakwood Blvd. The school offers three courses to workers and students who are in-| terested: 1, History and Principles of the | every Monday evening. 2, Stage Technique, Voice of Dic- | tion, led by Louise Hamburger, every | Wednesday evening. 3. Working class Playwrighting, | led by Bill Andrews, every Friday eve- | | ning. The entire work of this school will “What was that shot we heard down the road? from round here,’ of the men. Lawson puffed on his pipe, un- moved by the questions. He blew a curl of smoke and said smoothly: “Oh, that shot. That was for the damn chicken hawk what's been raisin’ hell with my chicks. Wish I hit him though. He’s been cuttin’ down my sleep lately.” Randall grew impatient; he felt like screaming at Lawson’s cool manner. Here was a man, a White man, who stood as calm as a cow in the face of the worst crime possible in the South, At such a time he could talk “Let's go,” said Randall to his two men, “Got no time for foolin’.” They turned, and on the way down, Randall muttered: “IT always claimed that man Law- son was queer, damn queer.” * * . 'HROUGH the pitch dark Lawson spoke, and his kindly voice made Hawks feel good. Hawks had met white men before and some of them treated him fairly well. But no one spoke to him like Farmer Lawson was speaking to him now. The other 'men, if they were not bosses, were friendly to him at times. But he did not feel then the way he felt now. Lawson saved his life. Lawson called Rim son, and talked like a father to him, Len Hawks wondered why. It was So new, so strange to him, “Now, son,” said Lawson. “I know ye must be wonderin’ why I wouldn't Jet them lynchers take ye. Well, the Teason’s plain. I hate the lynchers just as much as your people do. They | lave and starve your people as much as they do’ us poor whites.” Lawson was about to say some- thing more. He was thinking about the charge Randall had made against support his mother. It made him bitter. “And I don’t believe none of them lies about rapes either, son. why they tell them, too. That’s done to make us hate your people. To keep ye down. To Keep men and boys of my race and your race apart. The jandowners hate the color of your skin. But they hate you more be- cause you are poor. They want to keev you poor too. You're young yet, Page Five "J Sereen Henri Barbusse “Three Thieves,” New Soviet m4 } Film, In American Premiere 4 . ‘ 4 At Aeme Today “Three Thieves,” newest of Soviet films released by Amkino, will have fits first American showing tod: the Acme Theatre. The pic | @ scenario by J. A. Protozanov, who | also directed the production, which | was produced by Mejrabpomfilm, in the U.SBR. “Three Thieves” is a satire of in- | stitutions, morals and men, in a s0- | elety addicted to Mammon worship. Tt is the story of three thieves: Jerry Diddles, & miserable tramp, hungry, ragged, homeless, who ekes out a precarious livelihood by petty steal- ing; Art Dodger, perfect in speech and blameless in manner—a crook of @ much higher order, readily accepted by the upper set, and Robert Plutus, an international banker, a pillar of society, who thrives on crop failures and the hunger of millions. Aluminum portrait plaque of Henri Barbusse, which will be pre- sented to the eminent French author and anti-war leader om Sunday evening, Oct, 20, at Erving Seemed to come| interrupted one | I know | Plaga, Irving Place and 15th ™. The plaque will be Barbuese by the U. S. Canaeels Against War, the John Reed Club of New York and “Clarte.” = French Workers Club. = } | be directed toward writing, rehears- | ing and producing effective reyolu- tionary plays to be presented before | working-class audiences. The use of a fine stage at Lincoln Centre is one or the features of school. No special stage experience or training is nec- essary. Anyone interested in taking these courses is urged to register at once by sending name and address to Workers Laboratory Theatre, 700 E. Oakwood Bivd., Chicago: Minute Movie Review The Wrecker (Columbia) Barly in the picture Jack Holt, | Professional Housewrecker, asks the fair lady: “Well, yes or no!!” “Yes, | of course,” she replies, pointing to ' the company sign, “when your name jis in bright letters on that door.” So] of course the boy goes ahead and makes good and takes along with him a poor architect and a heavily- accented Jewish junkdealer whose life he saved and who has become his devoted follower—that is when a house crashes he follows and picks up the useful pieces. Jack becomes the biggest House- wrecker on the Pacific Coast. The junkdealer becomes a classy Salvager but still a Semite, a little unpopular with the Gentile element. The architect under political pressure from the Housewrecker gets the big- gest construction jobs until one day he is caught in the act of wrecking the Housewrecker’s home and fam- ily. Exit our hero to the flophouse and demon rum. Amateur house- wrecker keeps on building until one of his schoolhouses made out of cheap stucco collapses in aon earth- quake, trapping him and the missus! —the ex-Professional Housewrecker’s wife. Our hero, however, happens by and sees an opportunity for finishing the two of them, but the Jewish junk- dealer, his pal, arrives in the niek of time and persuades him to save them instead. But the two sinners have to be disposed of somehow, you can't sin in the films and live, so God sends down a second earthquake. Presto—finish. D. &. Around these three the author and director has built a satire which makes the film an exceedingly inter- esting and thrilling picture of con- ditions in present-day soctety. The cast, which includes some of the best actors of the Soviet stage and screen, is headed by Olga Jienivay, B. Ilinsky, A. Ktorov and A. Klimov. As an added feature the Acme will present the latest Soviet newsreel, which includes a close up of Maxim Litvinov, People’s Commissar for Foreign Affairs, and other important items from the Soviet. Union. The program will also include pictures of an interview with Henri Barbusse, who is now visiting America. Lestie Howard In “Berkeleg Square” At Radio City “Berkeley Square,” with Leslie How. ard and Heather Angel in the lead- ing roies, is now having its first pop- wiar-priced showings at the Radio City Music Hall. The stage show, directed by Roxy, includes “Serenades of the World,” presenting Schubert’s Serenade, with Jacques Gasselin, violinist; ‘Toselli’s Serenade, sung by Jan Prerve and the ensemble; Sertano’s “Marinella,” with Boatriee Belkin, coloratura; and Lou Alter's “Manhattan Serenade.” Other musical items are “Williem Tell” overture; Tschaikowsky’s “The En- chanted Lake,” # ballet with Helene Denizon and Nicholas Daks and Paul Remos and Company. Brownsville L L. D. Asks Delegates to Convention Friday NEW YORK—The Brownsville Section of the International Labor Defense is holding its section con- vention tomorrew night at 1176 Pitkin Avenue, Brooklyn. All work- ing class organisations and Negre churches and organizations ara urged to send delegates, in an in- vitation sent out by the I. L. D. Have you contributed? Has your organization donated? Have your friends, your fellow shep workers donated? Rush all funds today to the Daily Worker! Put the 340,000 drive over the tep! ra hk MOSS MENTS “THREE THIEVES” Added ai and perhaps ye don't unde: well, But soon ye will learn, heed each other, got to be together So's we can be strong. For so: a | We must ad together and fi lynch Now I like anybody fights when he’s being s And I'm glad ye sh that you hate tyrann, @ new way of fightin’. why I belong to a union. That's why men of your race and mine are gettin’ together. Know what a union is, son? No? cu'te young yet. Well, let me tell you Bia And Lawson told him. He care- fully expleined everything. And the words were terribly strange to the boy’s ears. But Hawks liked those words. He showed it by constantly nodding his head im approval, and often saying: “That's right!” “That's 1” “Sure I'll do it!” Lawson spoke for hours, until it to leave. ‘The sun was up and it was near noon. The horses were still in the barn, The plow | partly furrowed field, have been at work for many hours by now. But he was in bed instead, with shoes and all, sleeping a deep, hard sleep. The whole farm seemed to be slumbering. Len Hawks s on a freight train, j Tiding home to his mother. In his heart he was carrying a new message fot his people. The tha yson should 10:44—Sympheny Oreh.. 11:18—News; Dance Oren, white farmer had g: ¢f-ar the night before. In the Name of “Taw and Order” by QUIRT nd it so | was time | unhit hed in the, Feature Alec: Int cE THEATR Mth UNE orEING TOO. this young, small boy who worked to|{ A Satire of Institutions, Morals and Men in a || Society Addicted to MAMMON Worship! FIRST AMERSCAN SR OWING OF AMKINO’S PRODUCED IX THE 0.5.6.2. OF MEJRABPOMTTLE RNACTED BY A BRILLIANT GROUP OF SOVIET STAGE AND SCREEN STARE |} spectra LATEST SOVIET NEWSREEL presenting MAXIM LITVINOV other itnms from the Soviet Union band ~~ tne BARBU SSE CONT. FROM 9 A. M. MIDNITE SHOW SAT. STRVRT & ON SQUARE | JAC OB “Graphic pceonnt of the t **? CAMEO 42ND SRERT ano wway | “RADIO CITY MUSIC H SOW PLACE of the NATION Direction “Roxy” Opens 11:00 A.M. LESLIE HOWARD in “RERKELEY squane” and = ‘great “Roxy" siage show Ske to 1 pan.--O%e to G (Bs. Gat. & Sam.) ‘Ipen AM in WANDERING JEW’ ADAPTED PROM A STORY BY JACOB MESTEL people from Pharaoh to Hitler? = —N “THE tivelations ot te sei MES. Qe TOt PM. | guy mo MON. to FRI. WEEK ~ JOE COOK in HoLD YOUR HORSES A Musiesl Bw in % Scenes . n Winter Garden san eaeey and Serartny at & = BNO Greater Show Season (Keneher of Moteninllst Dislectles and Literature) will leetire on “Granville Hicks and Dialectic Criticism” FRIDAY, OCT. 27, at 8:30 P.M. In Coop Auditorium, 2760 Bronx Park E. Admission 15 Cents Auspiees Li Granville Hicks has reeently compiled a book which 1s s first attemat at nm Marxist Interpretstion of American Literature, THE THEATRE GUILD _ presents— BUGENE ©'NEILL's COMEDY AH, WILDERNESS! MOLIERE’S COMEDY WITH MUSIC The School for Husbands Osgood PERKT PEN MINUTE ALIBI A New Melodrama “Is herewith | reo! the highest RTHEL BARRYMORE THE. Bves, 8.49, Mats, Wed. Sat., 2.40. CHT. 42839 PEN & HAMMER presents Daily Worker Benefit Party, Sat., Oct. 28th from 8:30 p.m. to dawn Dancing to a a informatty 114 West 21st Street, N.Y.C. ADMISSION a5 CENTS Only your support can help the daily Worker continue. You like he enlarged and improved “Dally.” Support it with your dollars. Rush them today, | Now TEE TRACY ond MAF CLARKE In ‘TURN BACK the CLOCK’ and “GOODBYE AGAIN” with WARREN WILLIAMS @ JOAN LONDELL [F Feferson ve 4 ROBERT MINOR Communist Candidate for Mayor wit be the main speaker at the “GRAND CONCERT fiven by the BRONX SECTION of the “ICOR* at Coop Atditorivm, 2700 Bronx Park B, Sunday, Oct. 29, at 8 P. M. Program: Artef, Prolet Pen, Joha Reed Club, Violin Solo, F.5.U, Orchestra Melodies BENEFIT OF DAILY WORKER

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