The Daily Worker Newspaper, October 11, 1933, Page 5

ee ter WH AT WORLD! By Michael Gold Daily Worker Finances ELIEVE it or not, I know a great deal about finance. It’s more than ten years since I began worrying over the finances of the Masses, the Liberator and the New Masses. One of our comrade accountants, a good guy, named Jonah Gold- stein, used to go over our records once a month, and his favorite crack was: “Well, accorditig.to the figures this magazine has been bankrupt for two years. But it’s still alive. Which shows that in the radical move- ent you can’t prove a thing by bookkéeping!” Bookkeeping is necessary," of course, but how can it list or tabulate that greatest of all assets of every revolutionary journal, the faith and will-power of its readers? If this collective spirit sinks low, the paper dies. i 4nd pure; the paper lives, Pes: If it burns strong * * Daily Worker has lived for over a decade. I wonder whether some of our comrades realize what.a miracle this is. The Socialist Party, whichgets a fairly big vote each year, been able to sustain an Englisi{ daily. ‘The Prohibitionists (don’t snicker), though controlling America, tried to start a daily and failed. Other organizations would-dike to have a daily, but know what a formidable task it is and give up. But hungry miners and blacklisted sytextile workers send their nickles and dimes; school teachers in Indiana gd without lunches to help ‘ftie Daily Worker; fishermen in California contribute through their unig, and Southern share croppers, black and ‘white, unite to give the “Daily” the blood of their hearts. 4 * * * hasn't Getting Calloused RIENDS and Comrades, we all get too calloused. “The world is too -much with us.” We see thé°Daily Worker every morning for years, sand get to accept it like the weather. But it’s a lot more important than the sun or rain. It is the Of the oppressed American working class —thé ONLY voice. Z «g It is the voice of the oppressed farmers and home-owners, the bank- rupt middle class people—their-ONLY voice. It is the voice of the Negro, the. foreign-born worker, and: the veterans of the last war—their ONLY aiweice. = 'The Daily ‘wotker is the ONLY newspaper that rings the alarm bell “dgpinist this strange Nira-bird. which Mussolini and Hitler have so quickly cognized as their own. The Daily Worker is the°ONLY daily newspaper that has not given up the fight for elementary” genuine Labor Unionism, for the ele- ‘mentary rights of the Negro, for the rights of the veteran and the farmer. ‘Who else temembers the vast Unemployed? We don’t have to exaggerate, yet who else is doing this work in “America today? Every other progressive force seems to have succumbed more or less to the great illusion-the Fascist snare. << And ab the crisis deepens this winter, and the Washington generals Become désperate, the Nita birdof Fascism will unsheathe its claws. The Daily Worker may be suppressed, You may not be able to regard it always &% complacently as the weather. You may miss it, (legally), and realize ‘what a comfort it was in dark-days, what a tower of strength! “ Comrades and friends, we-are living during tremendous days. Events change rapidly. Help the DailyWorker this minute, because it is a-more important minute than any_since the war! Don’t wait for Fascist sup- “pression; fight it now. The Daily Worker is our chief weapon against American Fascism! somerset em Literatute Versus Spinach” ; I have been asked to do something to help the drive for funds to keep the Daily Worker going. I hate already made séVeral speeches to this énd, but I'd tather help the “Daily” by taking in washing than by making Speeches. Most writers, ands am one of them, have a cdnstitutional prejudice against publi speaking: But, I do want to help the Daily Worker carry on. All of us do, though we occasionally get absent-minded about it. What I propose is, that I help the “Daily” with the help of-the readers of this column. I am going to adopt a Soviet technique—the idea of Socialist competition. Over there, you know, ore, 2g¢ getory will challenge another factory in the same field of production ta,a race to see which will produce the most in a givén time. Indnvndual workers in the same factory will also chal- lenge each other. In these races, which become very hot and real, the ‘king class does not stiffer, ander capitalist competition, but is greatly helped, because what is ptoduted; after all, belongs to everyone. ‘Well, comradés, we have.a~certain Doctor Luttinger on the Daily ‘Worker. He seems to be vety-popular with the readers, He receives some 40 to 60 letters a day. I don’t-feceive a fourth that much; yet I am going to take 4 big chance, and I heréby challenge him to a Socialist compe- tition. If he will raise $1000 for the “Daily” through his column, I will at- tempt the same, If he loses, he must write a long poem for my column. If I lose, I will fill his column with an aceount of the various people I have met who suffer from constipation. So let’s go. Let's see which the readers of the Daily Worker think more importahf—literature or spinach! And if the Sporting Editor wants to come in on this, I'll challenge him too! Try to Railroad Framed Negro : None to Insane Asylum set up. Leftwitch was arrested immediate- ly after he reported finding the dead body of A. B. Coates, a white farmer. This National Recovery. SYRACUSE, N. Y—A certain ‘m-jnsane asylum for Beg Se-toR a Udiegger? official of the Atlantic “Up Pacific Tea’ Co. chain, when lubed ut the N. R. A., replied that lets who used:to earn $60 to | $40 per week have been and are be~ ing fired, and others employed in their places for $15 per week, and that an assistant county manager used to get $50, but now only gets $25 per week. He added that higher- ups received no reduction in pay. He also said that because of the new warehotse tax beans that once sold for 7 cents a can are going to be 18 cents and 19 cents, He further- more added that business had dropped 55 per cent since the of September, .-This move is seen as ‘p ort for railroading Leftwitch DAILY WORKER, NEW YORK, WEDNESDAY, OCTOBER 11, 1933 | THE NEW FILM R.K.0.’s Contribution to the Worst Pictures of the Year “Deluge,” a screen drama, based on the novel of the same name by S. Fowler Wright; directed by Felix E, Feist; an RKO Radio Picture, at the Rialto, with the following cast Peggy | Shannon, Sidney Blackmer, Lois Wil- son, Matt Moore, and Fred Kohler. eo eee The Rialto Theatre is going in for meteorology —the science of the weather. Last week is was “Thunder Over Mexico” and this week it is a “Deluge” over the United States. This is a thoroughly bad job: direc- |tion, acting, idea, dialogue, trick | Photography, and papier-mache sky- scrapers. e first part of the pic- ce shows New Yor ad, the rest of these United States destroyed by a huge tidal wave. A great deal of celluloid is taken up at an attempt to show with detail the destruction of New-York. Hundreds of paper sky- scrapers which were made for “King Kong” are scrapped like so many doll houses by huge out-of-focus waves. The second part has nothing to do! with the first. A man, a beautiful and extraordin- ary swimmer, and a villain, The man fights for the swimmer and so does the villain. The man and the swim- mer are saved from the clutches of the villain by some other survivors of the storm. They are brought to a village. Here the man meets his wife and kiddies whom he thought sult is the inevitable triangle which ends happily, For our swimmer grace- fully swims out of the film. There is a long shot of the water and the final fadeout, with dramatic music. , This is RKO’s contribution to the worst pictures of the year. —IRVING LERNER. THE ANVIL, No. 2, Sept.-Oct., 1933. BLAST, No. 1, Mi tees Shia 1933. By ALAN * OALMER. These two periodicals indicate what is happening to the ‘little magazines in America, Until very recently, little magazines were usually issued- by small groups) of minot bit sincere writers who, disillusioned with ‘bour- geois society, tried to ‘hide from it: in the depths of bohemianism or in thé heights of the ivory tower. Today, with the powerful impact of social forces, a number of these writers are being driven out into the streets and are turning to confront the social problems from which they once fled. Thus we find many of the new little magazines identifying themselves com- pletely-with the revolutionary pro- letariat, or at least devoting part of their contents to this vital subject. The literary historian of the future will have to trace the evolution of the little magazine movement in this country from arty periodicals, to con- fused transition magazines, to pub- lications like “The Anvil” (“Stories for Workers”) and “Blast” (Pro- letarian Short Stories”)—to more mature revolutionary magazines. For it must be admitted that the contents of these slender collections are far from measuring up to even the present level of our revolutionary literature. Of all the stories in. this issue Of “The Anvil,” for example, only two—‘The Doctor” by Edwin Seaver, and “The Machine” by Louis Mamet—are fairly competent from a literary point of view, although there is little to distinguish them from the work of many bourgeois fictionists. One other story, “Open Hearth,” by John May, reveals an understanding of the inside of a steel mill and a flare for description, but is ruined by a number of aesthetic mistakes. It is difficult to understand how the editor of “The Anvil,’ Jack Conroy—who has written some of the best revo- lutionary shott stories in America — could print most, of the other stories in their present form in 4 little maga- zing, which is generally a symbol of scrupulous literary writing and re- writing. The verse is also poor. One single exception, which compensates for the others, is the two-page poem, “For Defense,” by Vladimir Pillin, a remarkably successful attempt at weaving the slogans for the defense of the Soviet Union into an artistic pattern, while still retaining a simple, instructive message that the most intellectually backward person can understand. In addition, there is a good sketch of “Stchekino, Lower Moscow Coal Basin,” by the American revolutionary writer and miner, Ed Falkowski, who, together with a number of other talented American prose writers are creating a sort of American revolu- tionary emigré literature in Soviet Russia, The short stories in “Blast,” are, in the main, better written, But most of them seem to be the work of being remote had perished in the storm. The re-| | authors who give the impression of | if jote and aloof from actual A Retired Literary Radical: Floyd Dell’s Autobiography) By GRANVILLE HICKS HOMECOMING: An Autobiography. By Fleyd Dell. Farrar & Rine- hart. $3.00. ee dake Within the last two or three years |the problem of the relations of the so-called intellectuals to the radical labor movement has been widely dis- cussed. Many people, in discussing the problem, forget that it is not a new one; twenty years ago, 3ust as today, a large proportion of the more vigorous writers and artists were, at least in their own minds, well over | on the left, Floyd Dell was one of them, and in “Homecoming” he tells us part of the story of what hap- pened to him and a good many others. The story will serve to enlighten the younger generation of left-wing intel- | lectuals, and it may help workers to understand some things that have mystified and irritated them. Floyd Dell was born in the Middle | West. His father was. a petty bour- }geois who was suddenly dumped into the ranks of the proletariat, and Del grew up in an atmosphere of down- Tight poverty and ostentatious res- pectabijity. He didn’t belong much of anywhere, and he came to hate the traditions of the middle class to which he was supposed to belong. His revolt Was vague, but he struck out against the three great dogmas of the bourgeoisie: the sanctity of marriage, the necessity of church attendance, and the inevitability of a business career. Fortunately for him, this per- sonal revolt became tied up with So- cialism, and he gained historical per- spective and began to see a little way beyond the bounds of his romantic ego. But Dell wanted tobe a writer, and he didn’t see how he could be a Socialist writer. “Socialist propa- ganda,” he says, “offered to my tal- ents as a worthy task only a kind of poetry which I could not write and a kind of fiction which, though I vastly admired it in Upton Sinclair and Frank Norris, I did not really want to write.” In other words, his So- cialism had nothing to do with the elements of experience, the interests, and the imaginative processes out of which his poems and short stories grew. This is not to accuse Dell of insincerity. So far as he was & So- cialist, he was sincere; but only 10 per cent of him, so to speak, was Social- ist. The other 90 per cent was inter- ested in literary success and in sex. In 1913 he went to Greenwich Vil- lage, where dozens of other writers were taking their Socialism and theif | sex in about the same proportions as he. Somehow the intellectuals had to settle the rights and wrongs of sleeping arrangements before they could turn their attention to other problems. ‘They devoted their nights to breaking the seyenth command- ment and their days to justifying, in prose and poetry, the way they had spent their nights. The renaissance of 1913-25 was largely based on this need for justification. And all this ‘was somehow bound up with the over= throw of capitalism and the estab- lishment Of Socialism. The Masses, says Dell, “stood for fun, truth, beaus ty, realism, freedom, peace, feminism, revolution.” It did stand for revolu- tion, and a good deal more reso~ lutely than many more official organs of Socialism, It stood for peace ef- fectively enough to bring its editors) into court with the threat of 20-year | sentences over their heads. And yet} one gets the impression, which is probably auite accurate, that most of the time Dell was thinking of one} |or another of the young women’ who, in the most discreet namelessness, | parade through the pages of the book. | | After the war Dell, according: to| {his own account, grew up. First of| | jall, he was psycho-analyzed and dis= covered he had a mother-fixation, | Secondly, he wrote a book that de= seribed, jn a romanticized form, his jown experiences, and was popular be- cause many Americans had had of | wereshaving the same experiences. | | And finally he got married, and! | Settled down, and had a child. ‘This j is the clim this is what the book is all about; this is his homecoming! | What about his Socialism? Oh, he} still belfeves in thé revolution and praises Soviet Russia, but he wants} to refresh his restless mind by “con- tacts with the ageless and timeless Aspects of nature.” There is one thing about it: Dell! neither fakes a superior attitude to- jWards the quasi-radicalism of his| past, as some of his contemporaries | do, nor attempts to set forth his pa: | ticular brand of treachery as the lat- est, simon-pure brand of Marxism, as! other contemporaries have done, At least so far as this book is concerned, he seems to re mize pretty clearly | what he is and w! He offers no} excuses, and he does not need to, for} his whole story is his only and best excuse. American intellectual life had to go through the Masses stage, but | now it is over and done with. There! is no place and no excuse for Floyd | Dells in the revolutionary movement | today. The revolution has need of| intellectuals, but not of moon-calves. | MUSIC | Chicago Opera To Present Wagnerian Operas Beginning this Sunday afternoon, the Chicago Opera Company at the Hippodrome, will present a special series of Wagnerian operas, four in number, as follows: Sunday, Oct. 15, “Lohengrin”; Sunday, Oct. 22, “Tann- hauser”; Sunday, Oct. 29, “Valkyrie Sunday, Nov. 12, “Tristan and Isolde.” The Chicago Opera Company also announces a special matinee per-j formance of “Cafmen” on Columbus Day, Thursday, with Bernardo De Muro, tenor, and Bruna Castagna, in the title part. The Gordon String Quartet will) open the Chamber Music Course of | the People’s Symphony Concerts this! Friday evening, at the Washington Irving High School, presenting a program of Beethoven, Mozart and{ Rietti-Rossi. TONIGHT’S PROGRAMS WEAF—660 Ke. 7:00 P. M.—Charlie Leland, dian; Male Quartet 7:15—Billy| Bachélor—Sketeh 1:30—Lum and Abner ‘1:45—The Goldbergs—Sketeh 8:00—Olsen Oreh.; Bert Lahr, Comedian 8:30—Lyman Orch.; Frank Munn, Tenor 9:00—Troubadours” Orch.; Frital Scheff, Actress; Doc Rockfell, Comedian 9:30—-Phil Duey, Baritone; Reisman Orch. 10:00—Corn Cob’ Pips Club 10:80—This Winter's Unemployed—Harry L. Hopkins, Federal Rellet Adminis- trator 11:00—Davs Oreh. 11:15—Jesters Arlo 11:30—Bestor Orch. 12:00—Ralph Kirbey, Songs 12:05 A. M.—Bernie’ Oreh, 12:20—Fisher Orch. ‘ “WOR—710 Ke. 7:00 F. M.—Sporte—Ford Frick participation in the revolutionary movement itself, One possible excep- tion is “Pipe Lines: Bayonne,” by P. Turner, the musings of a jailed unemployed leader. Perhaps the best story is by the editor, Fred R. Miller. His “Happy New Year,” is an inti- mate picture of a down-and-out family. ‘What one looks for and fails to find in “Blast” are stories revealing the same familiarity with the inside of the revolutionary movement as Mil- ler’s sketch of an unemployed couple. These are the kind of stories that abound in Japanese proletarian literature, for instance—close-ups of militant strikes and party work. There is such material crying for ex- pression in America—material to be found in meetings, demonstrations, party gatherings, strikes. Our young men of letters must immerse them- Selves in these activities, must be- come an intrinsic part of the Com- munist movement, if they are to de- velop into mature proletarian authors, eir work is really to become a weapon in the class . Comedian; Company for Jim 7:15—Talk—Harry Hershfield 7:30—Terry and Ted—Sketch ‘1:45—News—Gabilel Heatter 8:00—Detectives Black and Biue—Mystery Drama $:15—Billy Jones and Ernie Hare, Songs 8:80—New Deal on Main Street—Sketeh 9:00—Gordon Graham, Baritone; Ohman and Arden, Piano Duo 9:15—Macy and Smalls 9:30—Varlety Musicale ie 10:00—Demarco Sisters; Frank Sherry, ‘Tenor 10:15—Current Events—Matlan Eugené Read jarket and Halsey Streét Playhouse loohbeams ‘Trio 11:30—Scott Orch. 12:00—Holst Orch. WJZ—760 Ke 2:00 PB. M.—Amos ‘n’ Andy 7:15—From London; ¥, M. ©. A.; Founders’ Day Program; Speaker, Lady Nancy Astor 7:30—Cyrena Van Gorton, Contralto; Wal- ter Golde, Plano ‘T:45—Talk—trene Rich 8:00—The Diamond Sepulchre—Sketch 8:30—Potash and Perlmutter—Sketch 8:45—Red Davis—Sketch 9:00-—Warden Lewis B. Lawes in 20,000 Yeats in Sing Sing—Sketch 9:30—John McCormack, Tenor; Lally Oreh. 10:00—Orti‘Titado, Teor; Coricett Orch. 10:30—Ruth Lyn, Soprano; Edward Davies, Baritone; Shield Orch. 11:00—Hillbily Songs 11:15—The Poet Prince 11:30—Denny Orch. 12:00—Calloway Orch. 12190 A, M.—King Oreh, WABC—860 Ke. 7:00 P. M.—Myrt and Marge 1:15—Just Plain Bill—Sketch 1:30—Travelets Ensemble 7:45—News—Boake Carter 8:00—Green Orch.; Men About Town Trio; Harriet Lee, Contraito 8:16—News->Edwin ©. Hill 8:30—Alber# Spalding, Violin; Conrad Thi- bailt, Baritone; Voorhees Orch. 9100—Irvin 8. Cobb, Stories; Goodman Orch, Burns and Allen, edian 10:30—Alexander Woollcott—Town Crier 10:45—Concert Orch.; Evah Evans, Baritone 11:16—News Bulletin 11:30-Nelson Orch. 12:00—Rapp Oroh. 12:80 A, M.--Pancho Oréh. 1:00—Light Oreh. | [_ Stace and Screen | “Joan Page Five Will Rogers In “Dr, Bull,” new film how play- ing at the Radio City Music Hall. of Are” and Demonsiition in Leningrad” at Acme Theatre Thursday “Youth, Carl Dreyer's en classic, “The| Passion of Joan of Arc,” in a new form,- with narrative dialogue in English and musical | will open for a limited engagement j at the Acme Theaire, 14th & snd | Union Squate, temorrow. Adapted from Joseph Delteil’s book, “Jeanne D'Arc,” which created literary. sensation in France and America and which was awarded the Prix emina Vie Honoreuse, highest award given to a biographical | novel, “The Passion of Joan of Arc,” deals with the last hours of Joan's turbulent life=her imprisonment in interpreta:ion, | al | } the 1429 at Rouen, her delusive trial, con-| denination and execution at the! stake, | Mile, Falconetti, of the Comedie Francaise, is seen as Joan. The judges are also of the Comedie Fran-) caise, one of the foremost acting groups of Europe. Director Dreyer has capttiréd in this film the spirit of the Medieval ages to a powerful degree, with monks, mystic, and cruel. the National Board of Review as an “Exceptional Photoplay” and “One of ignorant | The film was voted by} | the Four Greatest Films of All Time.”| As a special added attraction, the) Acme Will present “Soviet Youth ih Demonstration in Leningrad.” ‘This is its first showing in America. | Soviet Theatre Thirty Years Ahead Of Any Other Country, Says Stallings “The Soviet Theatre is 25 to 30) yeats ahead of the theatre of any jother country,” stated Laurence Stallings, noted playwright and pr author of “What Price Glory?” in a retent interview in Moscow. He also remarked that his chief interest dur- ing his stay in Moscow was the theatre, “I was thrilled by my first sight of the Soviet audience of workers,” he said. “It is remarkable to one com- ing from a capitalist country to see workers tlifonging to the ballet, the opera and the theatre.” At the Bolshoi Theatre, he declared, he noted a rather different tone to the audience. The overwhelming ma- jority of the workers in the audiences | « amazed him. He commented also gh the fine appointments of the thea- tres, particularly the Gorki Theatre. Daly Theatre Will Present Vilma Banky In “The Rebel” The Daly Theatre, Tremont Ave., neat Southern Boulevard, Bronx, an- nounces the return of Vilma Banky to the screen in “The Rebel,” which will be shown on its screen tomor- row and Friday. Workers’ Dramatic Group to Perform at New School Soon A gala performance of workers’ dramatic groups is scheduled for Oct. 28, at the New School for Social Research, 66 West 12th St. On this evening a series of short Plays will be presented by five or six typical workers’ non-professional dramatic groups, and the program will be supplemented with represen- tative dances by members of the Workers’ Dance League. The pro- gram is under the atispices of the League of Workers’ Theatres of the UL_S. A. The performance will be titled “The Theatre of Action on Parade,” and will signify the development of the workers’ theatre mouvement to a higher level. The early so-called “agit-prop” style is rapidly giving way to a short theatrical form of real artistic value, which, while preserv- ing the funhdatnental vigor, clarity jand ‘militancy of the earlier period, tes’ Jes to the awakening ccm >tious- ness of the wotker- artist that propa- ganda must be artistic, and that the cultural demands of the worker-speo- tator must also be satisfied. Tickets on sale at the Workers Bookshop, 50 East 13th Street, New York City. by QUIRI | to_ atte | meeting. WEDNESDAY cism at 313 Hi pices, Alfred Two Poems by Martin Russak- Harsh Prelude No sane and gentle harmony in us, All rough with battle and a-sweat with toil! We are attuned to a fighting turbulence Which gathers our cries of anger and of pain And ever, ttle of our chains Into a manifesto shouting loud That Insurrection is the Highest Art. Strike harder, comrades, bring more iron, Clang out the iting discord of our songs, Hammer on steel, steam-shovel on rattling earth, Shrill proclamation of machine and forge! For battle is a rough and noisy thing: Harsh prelude of the music that is to be. more fire, The Inheritance O: man bowed by laborious years, | Cast off with empty and broken hands, With nothing to show for a life of toil, No prospect of peace, no vision of rest Out of the grave for your tired bones: Fear not; no drop of your sweat is lost, i The sinews of struggle have taken them all. j Fear not; each pulse of your terrible hate i Beats in the hearts of us younger men. | How mighty for triumph your childrgn are Who behind us for all our inheritance have The strength of your empty and broken hands. c WHAT'S ON At 792 2% Tremons | SCOTTSBORO Br. T.L.D, meet at 268 | Schenectady Avenue, Brooltlyn, + * Thursday MEETING of Workers Short Wave Club teresting discussion Ave., Bi ‘Commu- * Banguet, Octo ard, Comimunist ot Crosby, | will speak. at home of Comtade Millman, 797 B. 170th il for final instructions ana rea | St. Apt. 5, Bronx, at 8.80 p.m. Comrade uniforms this Friday, at 8 p.m. sharp, at | Goldfar will talk of magnet. For informa- Workers Center, 50 E. 13th St, Room 03, | Hon call Topping 2+5520, ot phone Communist Election Committee, | 199 Broadway, Room 526, Gramercy 5-8180. | HAZEL HUTCHINSON, journalist and lec~ ES. tu who recently rettirhed from Soviet Russia, will speak on “Soviet Morals” at | Paradise Manor, 11 West Mt Eden- Ave. Bronx, at 8.15 p.m. Admission 10c. Aus- pices, Mt. Eden Br. ¥.8.U. faa PIERRE DEGEYTBR Orchestra invites ad- vanced students to join its group. Re- st Pas-| hearsaid every Thursday at 8 p.m. at 65.W. ifth 8.” STE) ses in Filin Film and Photo League, Courses in theory, tech-| Begins November 1 D. ee hen peakers. ASmIs-| RUSSEKS FIGHTS COMMUNISM OPEN AIR MEETING on the section) NEW YORK.—Russeks, on Fifth Campaign the auspices of Centro’ Ave. told the workers that no one Operato di Fitst Avenue, at 7.30 p.m 8 p.m | Workers n at 118th Street, corner holding Cotmmunist views would _be |tolerated, “We want,no Communism : jin this store, we want 100 per cent ppoatip meeting at Italia’ Americanism,” was approximately resent Ave., Bronx, at Ca y the Shoe and Leather| What he said. He meant, of course, Industrial Union. All members|/abject and absolute submissiott to het work in Bronx section are requested| their slave conditions. He pointed to membership! the example of a worker who, was In- fired solely for that reason. j SECTION th ers Hal SAC ANZETTI Br. LL.D, Blection of functionaries, —e AMUSEMENTS ** * 4A New. Masterpiece in Soun i Beginning Tomorrow (Thursday) ee Jc HE PASSION OF AN of ARC — with Narrative Dialogue in Eaglish — I“THE esi ataesaegll ith STREET & UNION SQUARE | | | LAST DAY ACME THEATRE 15¢ exe. Sati, ‘Bua. af Hol. KO Jefferson Mib St. & | Now WARNER paxten” ye MYRNA Loy n“PENTHOUSR” and “THIS DAY AND AGE” with | CHARLES BICKFORD and JUDITH ALLEN -RADIO_ CITY MUSIC HALL, SHOW PLACE of the NATION Direction “Roxy” Opens 11:80 ALM, WILL ROGERS» In “DR, BULLY and a gttat “Roxy” stage show 350 to 1 p.m.—Sde to 6 (Ex. Sun.) RKO Great CITY ARFAIRS |" BEING HELD FOR THE | BENEFIT OF THE |). Daily, Hoke October 11th: Lecture on “Film and War’ by Frank Ward, given by the Harty Simms Br. I.L.D. et Coop Audi- toritim, 2700 Bronx Park East, 8.30 p.m. a October 13th: Movies and Lectitre “Land of Lenin.” || t ‘hi Lilian Harvey in “MY WEAKNESS” |RKO CAMEO Papua Pile J _Biway at 42d St ae Daly Theatre oo"s" nara Thursday and Friday “THE REBEL® with Louis Seennee ond Vilma Banky Als Bethe GREAT TO BE ALIVE”: Jit 1, Section 7 at 100 Giymer _ Street, Brooklyn. Petober 14th: | Chow Mein House Party and En- |) tertainment, given by Units 11 and | THE THEATRE GUILD pi oy EUGENE O'NEILL’: NEW AH, WILDERNESS 12, Bast Side Ses\ich at 810 F. 6th St, top floor, at 8 p.m. Daneing, reffeshntents. Admission free. Ti 562 BROAD STREET — NEWARK, N. J. JOE COOK in _ LD YOUR HORSES ~ Last Day A Musteal Runaivay ih 24 Scemes The First All: Yiddish Taikic |Winter Garden "i" Syo hak Made in Soviet Russia Thursday and Saturday -at 2:36. “THE RETURN OF NATHAN BECKER” — English Dialogue Titles ~ Continuous Daily & Sunday 1 *o 11 P. M—POPULAR PRICES | SCIEN CE and HISTORY Montgomery Brown FOR GIRLS and BOYS = I claim that this is the first book of its kind for the youth of the world and that it is the only book which meets their greatest cultural needs in this revolutionary century. —W.M.B, . . * A $1.50 book for 25 cents, five copies for $1.00, otamps or coin; paper bound, 220 pp, 27 chap, . « . | | MUSIC |PoPPNEW YORK HIPPODRON Chicago Opera Co. Disappointment 5e-55c-B3c-$.1. 1 Cassia saa By William Money refunded if after examination the book is not wanted and is returned in good condition, The Bradford-Brown Educational Co., Galion, 0.