The Daily Worker Newspaper, October 7, 1933, Page 9

THE BOWERY (Twentieth Cen- tury Pictures), at the Rivoli Theatre, “with - Wallace ee "An overlong atid,-for the most part, gz WHAT SE eecorsemm WORLD! By Michael Gold Fe A Wreath for Ocr Murdered Comrade Kobayashi (“On February 20, 1933, Comrade Takiji Kobayashi, one of the most IABARET lice with sharp eyes sifted revolutionary authors of Japan, was tortured to death by the Tokyo | police. Cause of death was given as heart failure—a lie often used in these cases. He was 29 years old, but had written much—notably the novels “Crab Fishing Boat” and “The Absentee Landlord.” fe 6,000 revolutionary workers and intellectuals were arrested and tortured by the fascist government.”) Last year in Japan and loose mouths And fat liberal frogs defending their swamp Befoul our life with false theses— Said the sheriff’s gat to the miner’s guts Communism I'll blow yuh to hell out of this perfect world! But the strike was a sunflower leaving immortal seeds— A dark cloud-torn night Judas the polecat Killed his brother t Yet from the graves of Rome and Berlin Rang the proud International— Yes, yes, despite Gallifet, the Czar, and Horthy slime-world All the museum of horrors Duces, Jack the Ripper rhetoricians and capitalists Hitler butchers and bombastic pansies Corpses sucking at tomorrow’s throat Hollow T. 8. Eliot Ezra Pound men History’s bad dream Shrill queer poisoned scurrying fascist rats Despite despite Communism lives 2. Hee they tortured thee in a mean Tokyo hell, Burst the strong skull that held our dream— Thou, Kobayashi, poet and lover Born to be free, grateful to her of this world At whose burning breast we drink joy— Born of grace like the deer on fragrant nights Thine was spring, the wild plum and blue star— But in Otaru-no rice for thee Thy sister died in factory lava-dust Thy father was a tenant farmer Thy soul a clear mountain lake Where Labor’s grief shattered the fine stars O our grim lost young Shakespeare Dead on a railroad track in Montana— O, holocaust of our proletarian genius— But thy short days were magnificent— The great sea wind filled thee And.in New York we swear revenge In Prague Canton Paris Berlin we say— 3. ONG live the Communist International Because near a screen canal the Nazis have flung a new corpse An old blood-smeared Berlin Jew Killed to be another fascist document To prove men are not brothers And capitalist aryans supermen The semite face ripped by the aryan bootspikes And aryan children laugh at gore on his comie white beard Under his nails the kids stuck phonograph needles In his forehead the men slashed the hooked Cross Yet still he does not die But stares with Hebrew majesty at the heaven Patient to ask, are men brothers? And.the young strong Negro trapped in a swamp Hangs from a Florida liveoak by torchlight Surrounded by Benito’s whooping ku klux klan Stretches. his long useless neck and forever quietly asks Are men brothers— Yes, Kobayashi we have sworn Jew, Negro, miner and poet, German machinist, We have sworn, Japanese peasant, to avenge thee In Belgrade Kharkov London and Peking Men are brothers Men are workers and peasants We build a new world of brothers and workers War on the war makers and profiteers War on those who murdered thee, Kobayashi Farewell, dear comrade and poet, worker and brother Farewell until the. world is reborn Farewell and revenge—Kobayashi! om THE NEW FILM town. , George Raft, Fay Wray, directed * 8 of a time-worn formula, Fare isin sau ow FRAMED -UP CHARGES FOR EXPOSING THE A-FoFL ORGANIZER ANG THe POLICE spite his mania for breaking windows and setting fire to houses in China- ‘The beautiful and dumb Fay Wray, who only recently escaped from the clutches of King Kong, flits from scene to scene demurely and purely in this atmospehere of vice. Whatever small popularity this film achieves will be due to real charm of the mugg, Wallace Beery (now be- ing self-consciously exploited by his directors), the plentiful display of legs and drawers by the dancing girls, the inflated sentimentality of the story, and the revival of interest in the 1890 period which Mae West is making famous. “The Bowery” ends on a martial note, Beery, Raft and Jackie Cooper cheerily going off to beat up the Spaniards in the Spanish-American War. The movies are still trying to persuade us that war is a pack of fun. —L. T. HURWITZ. -DEPT AS WORKING HAND In HAND STRIKE. “TO GREAK THE STRIKE- THE CHIEF OF POLICE, A SoctaALIsT LEADER, 1S THE FATHER OF Tio's' GIRL - TIM GAS REFUSED TO wiTHORAW FROM THE 4 LAWYER FROM THE LLO. HAS OFFERED To DEFEND vim, CUEANTIME THE CAPITALIST PAPERS ARE PLAYING UP THE FRAME-UP_ ig aces 5. 4@AO ExciTMENT DAILY WORKER, NEW YORK, SATURDAY, OCTOBER 7, ‘Red Municipality Builds| i} Site eee Peet | \Communist Mayor of Villejuif, Near Paris’ Successfully Carries Through Project to Prepare Children for Collective Life By WILLIAM PECK | (\CTOBER, 1931,0n the outskirts of |Y the Communist municipality of | Villejuif near Paris; small mounds |and marshes, a few shabby “wooden hovels, meagre vegetable patches, large garbage heaps, A plain stretch- ing as far as the eye could see. It was |@ commonplace wasteland, as is so often found beyond outer suburbs. When the Communist municipality talked of building a school on this jground, their political opponents laughed, shrugged their shoulders and said “the frogs’ school.” duly, 1933, on the outskirts of the Communist municipality of Villejuif, near Paris: On an elevation two mod- ern white buildings with large, long | windows stretching from one end to} the other, buildings whose beauty lies | in simplicity and practicability; be-| tween the buildings a large avenue of trees, and on the other side a playing field. Many Obstacles Overcome said: “The aim of the school is to cevelop the maximum taste for col- | lective life among the children in| fresh air and light, to have a place healthy, comforiabie, and practical for the faculty.” This is accomplisned by rendering | education ‘attractive not by grade) competition, but ‘by means of the! will only be two grades given: Sat- isfactory and uusatisfactory. There will be an honor sist, however, for outstanding wore ané for a good col- lective spirit in the ciass room Still, the new sehcol will not reach its goa: completely while it is in the bourgen's state, The French government will limit and cramp it to a certain extent by a sort of censorship. Only a Com- munist government can give the fac- ulty the program to complete the ac- complishment that it is seeking, It is remarkable that such a school could have been realized in a bour- geois state. Ethically and aesthetic- First School in France} for Children of Workers setting in which it is given. There| = Workers’ children’s dining room in the new modern school erected 1533 Built by a Communist Town in France J by the Communist municipality of Villejuif, near Paris, a weekly. the Liberator, and the New Masses the magazine announces in the Sep- Innumerable obstacles constantly presented themselves. The first task | was to collect the money for construc- | tion. This was done by Paul Vaillant- Couturier, the mayor, and his col- ally, the school is a tremendous ac- complishment. It has not only satis- Tied all the needs of the present, it has foreseen the needs of the future. leagues. Vaillant-Couturier is an ex- tremely interesting character. During |the early part of his life he was a {member of bourgeois society. He went through the war. This emphasized to him the evils of the present system. He joined the Communist Party. His strong personality, his ability for ac- tion, his assiduous work soon made him mayor of Villejuif. He trans- ferred this village of workers into a strong Communist municipality. In five years the money was collected, the plans were made, the construc- tion was started. There were frequent hindrances and delays caused by the opposition of the bourgeois state. 'The visit to the French Minister of Edu~! cation on the -opening day had to be handled with great delicacy. Finally, the school was completed. { In the month of July buses so crowded that their bodies seemed to be falling apart, left the southern gate of Paris bound for Villejuif. They rolled swiftly through the closer sub- urbs, groups of decrepit tenements. Soon the buses approached the school. A new spirit prevailed. Great red flags were waving over the sports field, peo- ple were crowding through the gates. There were 20,000 visitors before the day was over. The spectators were amazed at the perfection of th school. At the exit some one exclaimed gay- ly: “It is no longer unfortunate to be Poor.” Press Ignored School The International was sung with tremendous enthusiasm. All the com- rades present recognized the. gceat- ness of the accomplishment. The-press metitioned the opening of the school in a small cclumn on a rear page, but they were careful not to emphasize the fact that the first truly modern school in France was built by the Communist municipality of Villejuif. Not in the whole of France is. there a school in which every detail is ex- ecuted to such perfection as in this school built by Comrade Andre Lurcat and his colleagues for the children of workers, The class rooms are deco- rated with the greatest simplicity. A high ceiling, a window stretching from one end of the room to the other on both sides; light tan desks, a long blackboard and flowers, Most Modern In France Most remarkable of all is the din- ing hall adorned with paintings of the different forms of nature in bright shades of red, blue, green and brown. This work was done by Com- rade Jean Lurcat, brother of the ar- chitect, and one of the most talented contemporary French painters. No de- tail is overlooked. The floor of the covered playground is covered with rubber so that the children won't slip. There is running water in all parts of the building, drying of hands by hot air in order to avoid the con- tagion of towels; showers; a kitchen with all the latest electrical equip- ment, a radio and a movie machine in every class room; a vegetable gar- den; a drawing studio with indirect lighting; a gymnasium able to be used for movies and theatre; a solarium decorated with flowers and spacious quarters for the faculty. + It is interesting to contrast the aims and methods of shis school with a junior high school in the United States today..The aim of a junior high school is to prepare a child to be a good member of bourgeois so- ciety. This is accomplished by having a grading system from 1 to 100 per cent, arousing every shade of the in- stinct of competition, The grade depends on how well the pupil repro- duces the facts in the text books and those that the teacher has told him, At home he is told that he must beat his neighbor in grades. The re- sult. ‘s a memorizing of facts. The pupil who is the best parrot receives the best grade. It is a con- *inual contest among the pubils, a high grade being the only attrac- tion. The children are taught to deal in the same way with grades as with money in later life, ‘The mayor of the municipality of 10:00—Rolfe Orch.; Men About Town Trio 12:00—Wilson Orch.; Doric 10:00—To: Be Announced 10:15—Helene Daniels, Songs 10:30—Organ Recital 11:00—Time; Weather ‘ Uan—aoist Oren Villejuif, Paul Vaillant-Couturier, 12:00—Dance Orch. | Stage and Screen | “The Secret of the Blue Room” at the Jefferson; Lilian Harvey at Cameo “The Secret of the Blue Room,” a Universal mystery film, based on a William Hurlbut story and directed by Neumann, noted German director, will be shown at the Jefferson Thea- tre beginning today, Lionel Atwill, Gloria Stuart, Paul Lukas and Ed- ward Arnold head the cast. “Her Splendid Folly,” with Lilian Bond, Theodore Von Eltz and Alexander Carr, will bé shown as an added feature. Beginning Wednesday the Jefferson will present screened “Penthouse,” from the play by Arthur Somers) Roche, with Warner Baxter, Myrna Loy and Charles Butterworth in the leading roles. “This Day and Age,” directed by Cecil B, DeMille, with Charles Bickford, Judith Allen and Richard Cromwell is on the same program. “My Weakness,” the new musical production, with Lilian Harvey, the continental star, in the principal role, is now being shown at the Cameo Theatre. Other players in the cast are Lew Ayers, Charles Butterworth, Harry Langdon and Irene Bentley, “Deluge,” adapted from S. Fowler Wright’s novel, is the new film at the Rialto Theatre. Peggy Shannon, Sidney Blackmer and Lois. Wilson Play the leading roles, “The Patriots” In Its Last Week at Acme Theatre “The Patriots,” the Soviet talkie, is now in its third and last week at the’ Aome Theatre. The picture Was produced in the U. 8. S. R. by Mezhrabpomfilm, and was directed by B. Barnett, one of the brilliant and talented group of younger direc- tors who are doing such splendid work with Soviet films. It is a story of a small border town in Czarist Russia jast as war broke out. tember issue, just out, that this is its last appearance as a monthly, The announcement. says: “In a sense, this decision has been forced upon us. Events are moving | too swiftly for_a-monthly. develop, and are succeeded by new and more pressing problems. History is being writter with breath-taking rapidity. no longer merely-desirable, it is vital- ly necessary.” by Jan. 1. months the Néw Mas has set it: self the task of effecting a complete transformationin methods and men, in presentation and distribu- tion. “The weekly New Masses will pos- audience of intellectuals. It will re out for the broadest possible cir tion among all stratas of workers and Professionals. Where the monthly New Masses, limited by its publication period and its narrower appeal, reached thousands, we firrz'y believe that the weekly will reach scores of thousands.” These will be the tests for material that will go into the weekly New Masses. To keep’ abreast of evehts, try and in Europe, will be formed. A compact, full-time working edi- torial staff in the office is virtually complefe./ The editors believe it is ; @ little too early to announce the names of those who will make the weekly New Masses} a full announce- ment will be made shortly, The weekly New’ Masses will cover theatre, the screen, art and music story will be a regular feature from the first issue. There will be a strong editorial section, ‘The magazine will ; include pictures, which have always Masses. To provide for the mor> thorough discussion of theoretical ¢--2stions, a quarterly supplement will be issued with the weekly, a2 k Ly j i CN % Mes SS S TONIGHT’S PROGRAMS WEAF—660 Ke. 7:00 P. M.—Mountaineers Musie 7:15—Davis Orch. 7:30—The Optimistic Mrs. Jones—Sketch, with George Frame Brown ‘7:45—Jack and Loretta Clemens, Songs 8:00—Seoret Service Spy Stass—The Road That Was Cut wey -Antebal Orch.; Antonia and Daniel, ss 9:00—Jack Pearl, Comedian; Goodman Oreh.; Demarco Trio; Robert Simmons, Tenor; Leaders Trio 9:30—Yacht Club Boys; Vivian Ruth, Songs; Reisman Orch. on the en 3 Mi Wood, Soprano; Tommy Harris, iponget Cynthia, Blues Singer; Ryan and Nob- Iette, Comedy; Senator Fishface, Come- dian; Hillbilly Group ide Wis WOR—710 Ke. 7:00—Sports—Pord Prick 7:15—The Purdy Brothers—Sketch 7:30—Yerna Osborne, Soprano ‘1:45—Inspirational ‘Talk 8:00—Little Symphony Orch.; Veronica —* Contralto; Philip James, Con- luct eure Orch. ‘Bronx Marriage Bureau—Sketch 9:45—-Lowland Singers WJZ—760 Ke. 7:00 P. M.—John"Hetrick, Songs 7:15—Treasure Island—Sketch ™30—Brown and Llewelyn, Comedians 7:45—Hillbilly Songs: ~ dian; Shirley Howard, Songs 8:30—From Montreal, Canada; Caro La-| moureux, Soprano; Ludovic Huot, Tenor; Concert Orch,” 9:00—Stokes Orch.;: Hootinghams, Comedy Teams; King's. Jesters; Morin Sisters, Songs; Mary Steele, Soprano; Edward Davies, Baritone 10:00—Tales of the Titans—Sketch 10;30—Cuckoo Program, With Ray Knight 11:00—Barn Dance 12:00—King Orch. 2:80 A, M.—Childs Orch, eee 8 WABC—860 Ke 1:00 P. M:—Political Situation in Washing- ton—Frederic William Wile 7:15—Mldred_Balley, Songs; Eton Boys Quartet; Berrens’ Orch. 7:30—Jane’ Froman, and Charles Carlile, Songs; Berrena drch. 8:00—Connie Boswell, Songs 8:15—Michaux Congregation 8:45—Gertrude Nlesen, Songs 9:00—Triple Bar X Days and Sketch 9:30—Prom Toronto;~ Symphonic Strings 10:00—Public Affairs Institute 5—Ann Leaf, Organ }0—Rich Orch.; Vera Van, 8203s; Mel * Nights — dies Quartet; Gkotge Jessel, C 11:00—Jones Orch, 11:15—News Bulletins 11!30—Nelscn Orch, 8:00—Dance Orch.;"Ray Perkins, Come-| New Masses, a Monthly for 20 Years, to Begin Weekly Publication January 1 The New Masses is going to become! month after the weekly appears. After a career of twenty years in| the monthly field—as the old Masses, | In the! course of four-weeks situations arise,| A swifter tempo of report-| ing, interpretation and comment {s} The weekly “will begin publication | In the intervening three| itively NOT be edited for a oso! h | | News — information — actuality: | a complete organization of competent | | correspondents, throughout this coun-| its field thoroughly. Literature, the will be dealt with. A Washington | | been an important part of the New| It is intended to! issue this supplement within the first | | Ben Gold, Communist candidate for | |President of the Board of Aldermen, ;much and as qvickly as possible, Buy YES SIR, CAUGGT HIM WIT A GUN TWO FEET Lonsc- ITELL You, ETHELBERT, WE ARE (N BAD TIMES, THESE REOS~ ETC! Ie be, se] ‘ ees |for her militant fight against the| | The precise format of the wee! is stil] under consideration. The pri however, has ‘been definitely det on—ten cents, $3.50 a year. As in all revolutionary finances are the key to the whole situation. In the case of the week New Masses, costs are being scaled| down on all details so that this one | the figures: With a paid circulation | of 15,000 the weekly New Masses will be absolutely self-supporting. The! editors believe there are ten times 15,000 people in the United States who on'y need to have such a maga- zine as the weekly New Masses in-| tends to be out within their reach, to| become regular subscribers. big determining fact: arises out of all | Page Nine ‘Stories in “The Cannery Roat’ Fiction to t ‘ Bring Japanese Revolutionary he United Siatcs iliac S 2). Book Should Be Invaluable to n Workers and Writers, Despite Flaws in Editing Nay or la eR eee cpl | By ALAN CALMER jaceelerated by the use 4 | THE CANNERY BOAT, by Tak‘ji th ‘ ‘ Kobayashi, and other Japanese | ugg) a short stor’ International Pub- Mase ¥ we Date als mn @ i: i] t across by the dexterous eel LN sae of a sc of words with a Seay tude of gestures. At the same time, To us in America, proletarian 1 nothing forced, artificial, unartis- - still la te é ¢, unconvincing—in contrast to the hac on Ni ae ar el by an American seaman which atter. So far n | efforts have been | quiet of the study, | ten not as a result of direct | cipation in class conflicts | vestigations of these str they have occurred. st of our c In Japan it is an entirely different story. There tarian literature an inseparable of the Jar | ment. It mus dmitted that America the literature ¢ pressions; publication programs, | F°° nner of B magazine, —which Masses—is a propaganda i the the prolet set up a y movement distribu the © more than 100, 000 rea (to the ig class) is art- istic expr ” writes a Japanese “it being the most acce: | “THE FURNITURE WORKER,” na- tional publication of the Furniture Workers Industrial. Union. Central | office, 818 Broadway. Vel. 2, Nos. 4 and 5. Price, 5 cents. By GEORGE LEWIS | This 12-page September and Octo- | |ber issue is very readible, concrete, | |full of specific news about shop strikes | |in New York, Baltimore, and other | cities. In its pages a Daily Worker reader can find out what happened to the New York upholsterers’ strike, | reports of which were published for a | few days in the pages of the Daily. | The facts about the. treacherous| policy of the American Federation ot | Labor leaders here and in Baltimore are clear and convincing, The NRA. fs also handled well, first by worker correspondents’ let- | ters, exposing conditions in factories | that give the lie to Roosevelt propa- | ganda, then by general articles draw- | ing lessons to raise the political level of readers of this paper. A very good article tells the story of | Bob Minor's arrest on the picket line | in the fight against the Progressive Table Co. injunction, and this story is made the basis for the development of reasons for supporting the Com- munist Party in the election cam- | paign, pointing out that only the /Communist candidate for mayor is| active in the workers’ struggles to bet- | |ter their conditions, and then that| | | is well known for his militant strug- gles on behalf of the needle workers, and that Williana Burroughs, Com- munist candidate for comptroller, was expelled from the city school system wage cut program of Tammany. One criticism of the “Furniture | Worker” is that there {s no mention| of Sam Weinstein, the militant furni- ture worker now in jail on a three- | year sentence after a vicious frame- up for murder, A statement from Sam Weinstein, a report of what he is do- ing, some news, should be given reg- ularly, in every issue of the furniture workers’ paper. Another criticism is that the make- up is colorless, and there are too few pictures, and no cartoons, One rea- son for this is indicated in a small front pare box that sars this is a two-month issue because of lack of | funds, This paper is too good to be al- lowed to die out. Furniture workers should get their fellow. wo:kers to subscribe, Workers should make do-| nations, to the Furniture Workers In- | dustrial Union, 818 Broadway, as a copy of the paper (it is 5 cents) and see if it is not worthwhile to he'p it alone. A tota’ of $900 is needed to put out the next issue. Tim 19 (INNOCENT BUT HOW CAN WE DE- FEND HIM witdoOuT 7 JIMS PARENTS ARE woratgo ! . | Accordingly, prehensible to the ma , the proletarian movement. faces unce: ror, Scavcely any large raid directed aaginst the Communist Party fails to include the arrest of Japanese in- tellectuals. Hundreds of them) have been imprisoned and tortured: since the outlawing of the Japanese Com- munist Party in 1928. On February 20. less persecution re: and murder of Ta haps the most novelist of Japan. Less than thirty years old at the time of his death, Kab hunted by the police for his under- ground activities. When he was cap- tured, he as horribly tortured (brandéd on ‘the forehead, choked with a rope, his hand twisted out of joint, died aft Despite his active agitational work, Kobayashi found time to write a number of enduring stories of mili- tant episcdes in the history of the Japanese masses. A section of one of his most pop- ular novels, “The Cannery Boat,” is the arrest ashi, per- the title story of the first volume of | Japanese f n | appear it a conditions of Japanese workers aboard a crab-canning steamer. They are driven like animals, The slowest of ‘S are branded, with red those who rebel are tor- tured to death. With enviable skill, Kobayashi indicates the universal character of the inhuman exploitation of the Japanese masses as reflected on the cannery boat. With consum- composed in the| , have been writ- St country | 1933, this merci- | nted proletarian | ashi was | rialized in t aily.’ more effective is Kobayashi’s ‘The Fifteenth of March, 1928,” -up of the outlawing of the se movement. hi Fujimori (who has been the Japanese proletarian literary since its beginning in 1921) d in this collection by one of which is very 3 ed “The Man ,” is an unusu- sketch of an was sel e and Naoshi To- most distinguished an intimate ‘ike in Tokys e mnument,” by=* an historic account of y movement among ers with this it must be pointed that the collection suffers from he book, apparently, land). Although it was ev tly intended as a me- 1 volume to the murdered Ko *; mayashi (a real martyr of the inter- national proletarian cultural move- ment), it tried to combine this task with a general introduction to con- jtemporary Japanese fiction. This |double purpose produced certain harmful results. Instead of publish- ing a representative extract from “The Cannery Boat,” the first fifty- nine pages of the novel are printed, end are then concluded abruptly with a very unsatisfactory summary of the remainder of the book. Even the “Fifteenth of March, 1928” (previous- ly translated in “Literature of the World Revolution”) is mysteriously cut off in the middle. There are no biographical or explanatory notes in the entire volume, despite the scarcity of information on Japanese literature in English. The collection sorely lacks an historical introduction, especially since the only survey of Japanese proletarian literature in English (in “Literature of the World Revolution | No. 1") is out of print. / Helen Menken Has Leading Role In Maxwell Anderson’s | Play “Mary of Scotland” The Theatre Guild announces that Helen Menken will play the role of Elizabeth in “Mary of Scotland,” the ; new Maxwell Anderson production which the Guild will present in November. Helen Hayes and Philip Merivale have important roles in the | production, which is now in rehearsal | under the direction of Theresa Hel- | burn. Another Theatre Guild production, Moliere’s “The School for Husbands,” adapted in rhyme by Arthur Guiter- man and Lawrence Langner, will open at the Empire Theatre on Oct. 16. The comedy will have a music score arranged by Ermond Rickett. June Walker , Osgood Perkins, Michael Bartlett and Flora LeBreton play the leading roles. Help improve the Daily Worker, mate artistry he makes his charac-!send in your suggestions and criti- ters participate in every phase of the /cism! Let us know what the workers class struggle—their exploitation is in your shop think about the “Daily.” AMUSEMENTS THE THEATRE GUILD presents EUGENE O'NEILL’s NEW PLAY AH, WILDERNESS! with GEORGE M. COHAN W. of Bway . Thur., Sat. 2:20 JOE COOK in | FOLD. YOUR HORSES A Musical Runaway in 24 Scenes 7 Bway & 50th St. Winter Garden ‘evs. 5:30, mats. Thursday and Saturday at 2:30. Philharmonic - Symphony WALTER, Conductor. | | | | Srd and Last Week “Greatest of all Soviet sound films” —Daily Worker, “The i Patriots” A Gorki coxiception’ (English Titles) and “Moscow Athletes ‘On Parade” Added Attraction “El Princlpe Gondolero” Spanish Musical Operetta cd Acme Theatre ‘tnion'Sause’ RADIO CITY MUSIC HA! SHOW PLACE of the NATION Direction “Roxy” Opens 11:30. A.M. WILL ROGERS in “DR, BULL” and a. great “Roxy” stage show t. & Sun) 5e to 1 p.m.—S5e to 6 (Ex. RKO Greater Show Se: $1—Chamber Music—$1 Six Fritay Evening O>necert Oct. 13, Nov 3, Dec. 8, Jan. 25, Feb. 2, Mar. 36. Gordon String Corne"us Van Vitet Quartet Trio Ctarence Adler and . Eddy Brown —@:danest String Qy Brosa Siting Quartet Musioal Art @ WASHINGTON IRVING H. S, Irving Place and 16th Street For tho series of six concerts. Mail orlers phony Concert, (STu. 9-591). Lord & T maker's, 562 BROAD STREET — NEWARK, N. J. — Now Playing! First All Yiddish Talkie Made in Soviet Russia “THE RETURN OF NATHAN BECKER” — English Dialogue Titles — The | BX¢ Jefferson 1h st. | Lilian Harvey - | in “MY WEAKN"SS” | RKO CAMEO p02! Bees, ; Biway at 4d St. | oT Now | LIONEL ATWILL & GLORIA STUART iy “The Secret of the Blue Roov:” also “HER SPLENDID FOLLY” witty LILIAN BOND & THEODORE VON ELTZ DANCE RECITALS Eight Dance Recitals, Nov. 17, Dee, 2, Jan. 6, Jan. 20, Feb. Mar. 10, Mar. 31, April Edwin Stra¥bridge Tamiris Ruth Page Rath St. Denis Martha Graliada Dorsha Doris Humphrey & Elsa Findlay Dancer: Charles Weidman WASHINGTON IRVING H. 8S. Irving Place and 16th Sreet 50 for the series of eight recitals, | Mail orders to Students’ Dance Recitals, 32 Union Square (STu. 2 9-1393). Also on sale at Lord To keep up a six-page “Daily Work er,” the circulation must be doublet Do your share by getting new oub & Taylor's and Wanamaker’s.