The Daily Worker Newspaper, September 14, 1933, Page 5

DAILY WORKER, NEW YORK, THURSDAY, SEPTEMBER 14, 1938 Page Five THE STORY SO:FAR: The crew of the S.S. Utah, after the boat has stopped at Copenhagen, Helsingfors, and Leningrad, U.S.S.R., re- turn to their boxt, deeply impressed by what they hove seen in the Soviet port, as contrasted with the when they are awakened at 4:30 one morning and have to wait around for an hour before beginning work; on Sunday, theix,day.off, they refuse. In this move their leader is Slim, a member.of the.Marine Workers Industrial Union. Yesterday you read how the. seamen, after. organizing for the strike, ly and.stood for,.their demands ‘before the threats of the Captain. demands, Now read on: * INSTALLMENT 28 You also read how they won their * “Jumping-Faced Jesus!” BY te men got through’‘with the job by five o’clock. Not‘:because the | mate was driving them;*but because they were feeling good,and because of the extra help. On-this job, the bos'n did some work’ ’for a change, as well as the mate, wHd stood at the Winch. Even the cadets“had to turn to and get their hands Warm. Stanley asked them innocently!'“You're get- ting a dollar an hourfdr this, too, aren’t you, and a day.off-tomorrow?” The two embryo Officers looked at Stanley in surprise. Now they were beginning to understand why the mate had rustled them/eut of their after-dinner snooze se reughly. “So you fellers are getting a dol- lar an hour out of this, ‘hey?” | “Sure, ain’t you?” % | The Cadets motioried hopelessly | with their hands, and-séeifig the mate | peering down into the jhold, didn’t | say any more. At fouf 6’clock, Slim) knocked off to take the: wheel. Later, when he came into?thtfessroom to put the feedbag on;"lte noticed the men looking pretty important. Stan- ley grabbed him ‘by the arm and whispered: “Meetin right, eight o'clock.” 3 Slim’s ears. wiggled “ith surprise. Gunnar nodded, an@-Hfottoned in the direction of’ the bos‘fe°The blackgang . Seeried to“ be in onbitpitdo, judging » his dad. But the surprise,of fhe eve-| against the yellowy black smoke of , dustrial Union already, is it?” " “Not at alll But whats the use of from their looks. They all behaved Ake a pack of school kids preparing to play a joke on teacher. MICHAEL PELL Illustrations by Philip Woife | viks, you think that would poison ports in the other countries. So, and when they are ordered to work held their ranks solid- * rastically, “Slim’s trying to make Bolsheviks out of us.” “So that’s you're game!” exclaimed Dlackey. “Jumping-faced Jesus!” cursed Slim, “Some of you fellers go crazy | “8 soon as you hear the word Bolshe- | vik. Here!” he called, grabbing hold of the Professor’s vodka. “This is bol- | shevik whiskey, taste it, will it poi- son you? There!—that’s Bolshevik | candy, made by 100 per cent Bolshe- you?” “Just give me another piece, I'll! show you,” offered Eddie. “Well, it's the same with Bolshe- vik ideas. Chew ’em over, and you) find they’re not at all bad.” He turned | to the Eskimo: “What if the Bolshe- vik seamen have ship's commitices? | JIM MARTIN gust A MINUTE, K BuD- WHERE ya GOIN’? To w FLASHES AND CLOSE-UPS By LENS The Cinema Bureau of the Inter- national Union of the Revolutionary Theatre has been organized under the leadership of the two ablest fig- ures in the international revolution- ary film movement, Leon Moussinac and Bela Balazs. We reprint below the full text of its platform. . Platform of the Cinema Bureau of the International Union of the Revolutionary Theatre Aiming to concentrate and unite the forces of film workers, profes- sional and amateur, as well as audi- ences in the various countries upon @ general platform, using the film as a means for revolutionary educa- tion and mobilization of the toiling masses in the struggle against fas- cism, political reaction, threatening imperialist wars, and for the defense of the Soviet Union, the Cinema Bu- reau sets itself the following tasks: 1, To unite the creative and tech- nical workers of the film industry, professionals and amateurs, with the aim of forming film organizations in different countries on an internation- al scale. 2. To establish audience organiza: tions to be connected with the cine ma organizations. 3. To create a united front of revo- WAS GOING ORK HEY YousE/ ter 5 THAT GUY.ALONE / YA GOT @d0G HERE, UH WK. - I'LL TAKE You ( SURE- cuys WIN THI STRIKE // [Both because of the length of the final installment of Robert Minor’s life-story and the pressure of other material, |be delayed, we are postponing part of the final installment for tomorrow. Tomorrow’s issue will con- clude the series, bringing this account up to the present.] ee (IN 1912 Minor went to New York in @ very dissatisfied state of mind, disillusioned over the attack and ex- | pulsion of Haywood from the‘ Na- | tional Executive Committee of the Socialist Party. But as he says now, ie Was very much confused and tend- d towards an anarchist position in he quarrel between what was then ROBERT M The Life Story of New York’s Communist Candidate for Mayor \che publication of which cannot | By Philip Sterling’ bor movement, at first with the So- clalist Party of France. Contact with Jean Jaures impressed Minor with the belief that the French Socialist |Party was very much the same as | the American. He came in contact with Russian “revolutionary” leaders | but all that he met in Paris:failed to impress Minor with revolutionary j character. They were such men as | Bourtseff. » He tended more and more to con- fine his associations to the. revolu- tionary trade unionists, especially the syndi¢alistic outlook. In telling of this Minor says frankly that the semi- anarchist views that he absorbed at | that time were petty-bourgeois and | opportunistic. America—1914 | just before the outbreak of the World | War. This was the’time when a great unemployment movement was going on in New York. ‘The unemployed railroad men, who had an anarcho-| Minor returned to America in 1914! jto eject the trom | churches. Through historical circumstances | John D. Rockefeller became a par- ticular object of hatred of the work- ers’ movement. This hatred associ- ated. the Oil King with the bloody murders in the mine strike at Lud- low, Colorado, a couple years earlier. Police claimed that the unemployed were going to make a physical at- \tack on John D. Rockefeller. (A shakedown of the Oil King by pri- vate detectives was suspected, and William J. Burns was at work in the case.) About July 4 of that year (1914) a terrific explosion in the dead of night blew up a tenement house on Lexing- ton Ave. Four people were killed. One of these was Bob's friend, Arthur Caron. Besides him, two of his asso- ciates, Hansen and Berg, were killed, as Well as a woman, The three men had been leaders of the unemployed unemployed | | of Anton Cermak | ? a | | Today’s Film | | “The Man Who Dared” Strews Flowers on the Grave | “The Man Who Dared,” a screen |drama by Dudley Nichols and Lamar | Trotti, directed by Hamilton Mac- |Fadden and presented by Fox Films at the Roxy Theatre, with the follow- | ing cast: Preston Foster, Zita Johann, |Frank Sheridan and Douglass Cos- | grove, | ‘The late Anton Cermak, mayor of Chicago, was one of the most cor- rupt politicians of the past decade |and a bitter enemy of the workers of jIlinois. The new film at the Roxy this week is a complete whitewash- ing of his political life and an ideal- | } ization of the Democratic Party as j well as a new brief for the New Deal. In short, “the Man Who Dared” is a completely dishonest pho- toplay. |. The film abounds in demagogy and | hints at crooked potitics, But all the} corrupt politicians are members of |the Republican faction. Even the| |appearance of Cermak—who was) very “foreign” looking and extreme- |ly undignified as well as un-American | in appearance—is idealized. Preston | | Foster, who plays the part is made |to look like Franklin D. Roosevelt— the latest style in the conception of the 100 per cent American. The lies —_ by QUIRT eR TLt Git Fun Fo THs (>) y Ad, Stage and Screen | “Hold Your Horses,” Joe Cook’s New Show, Coming To Winter Garden Tuesday “Hold Your Horses,” a new musical show by Russel Crouse and Corey Ford, with Joe Cook as the star, i now announced for next Tuesday it at the Winter Garden. The which deals with the days of has been delayed here for a week or two due to the success of the production in Boston. Music and lyrics are by Owen Murphy, Russell Bennett and Robert Simon. Other players in the cast include Dave Chasen, Harriet Hoctor and her bal- Courtney, Frances Upton, ola, and On@ Munson. e Owen Davis’ new drama, in which Tallulah Bankhead will play the leading role, will have several Ne- gro players in important roles, in- | cluding Alston Burleigh, Lew Payton, Laura Bowman, Rena Mitchell and Anita and Blois Jackson. There will also be a double quartet of Negroes to sing the spirituals heard in the production. : Samuel Barrymore Colt, son of Ethel Barrymore, will join Eva Le Gallienne’s company during the com- ing season. Miss Le Gallienne will open her tour in New Haver on Oc- tober 13. | Two n es- movement. Immediately the capitalist | in this movie are so bald that even Plage will be: vine tone: ner we?” sane wen condi jutionary film art, together with all | interested art, cultural, educational, About six belis, the*bos’n came into the fo’castle and told»the:men to go | called the direct action and the par- liamentary factions in the labor| Workers had been breaking into churches for shelter. The city was press renewed its savage baiting of the unemployed movement and called ented, “Romeo and Juliet” and “Alice the capitalist press is compelled to| i, Wonderland.” The Civie Repertory call it far-fetched fiction. up to the ©mate’s: roem. The men looked at each other)"Phey went up all in a bunch, Witnesses were al- ways handy,“ when» ing an offi- cer's cabifi. The maté Was sitiing at his desk, with a white sheet some bills*in froit of hy. He didn't Jook very’ happy. Gttmat Suoni!” he called. “Three dollars for three hours’ | work.” Then’ came” the *rest of the men. The names of*the' bos'’n and ah, but they're boss on their ‘ue enough,” agreed Slim. “We} don’t own these ships——” “Yet,” broke in Gunnar. | “We don’t own these ships yet, but | we still own our carcasses, and no-/} body can stop us from setting up our | own committee, can they?” | The Eskimo drained what was left of the Vodka, and shook his head sar- cadets were not on’ the Mst. castically. “Slim’s a good talker, but | B: at o'cloek, the fe‘castle mess- | it don’t cost nothing to talk.” vas lively. It loo&e& more like| Gunnar jumped up, not giving Slim | on than*@ uieeting. Bar-|a chance to answer. Gunnar couldn't | sened up with a dozen|stomach the Eskimo nohow, and) bottles of beer; Fritz came through | lunged like a pack of fireworks at) with some kummel ‘that he had been} him. “What the hell are you talk-/| nursing siice: Coperthagéh. He had|ing about? Slim, he showed us how prought the midships‘mess'man along| to run this damn thing today, but to the meeting, a ‘young Filipino} what did you ever do?” who Was-so overworkedohe spent ail | aes s cee his offtime sleepingy-The Professor) 4 NOTHER minute and there’d have opened. up a bottle of: vedka which | fi been damage done. Gunnar’s mad he had meant as a birthday. gift for|red face was like glowing coals ning was the oiler,,.whom the men | the Eskimo. always referred to as ‘‘Mgonface.” He “I’m not so dumb,” screeched the got this mame because he always latter. “I know a few things. You looked so serious, with,dark hollow know what he is!”—pointing an ac- holes under his eyes.,He bunked with | cusing finger at Slim,—‘“he’s one of Barney, who always. insisted to the} men that “Mgonface ‘is all right, once | you get to Know his ways. He was gassed in the war, and has lung trouble, that’s what makes him so cranky.” Toffight Mo6nface sat in a corner of* the messroom alongside Barney, with an opth'’bdx of Rus- Man candies in front~of' ‘him. 'VERYBODY was «talking about what had.taken “place that day. | them Communist agents, in with that Soviet Government, and getting paid from them for agitating us like this!” That brought everybody to their feet. Proof, proof! Some of the men thought there might be something | to it, and insisted on giving the Es-| kkimo a chance to talk. “I know something more about | these Communists than you,” added | the Eskimo, knowingly. “There was a couple of them in jail with me,— trade-union and professional organ- izations. 4. To gather all experiences for the purpose of creating revolutionary professional and amateur films in va- rious countries: a) To organize special brigades in the International Union of the Rev- olutionary Theatre in order to cre- ate and develop the production of 16 mm. films. b) To organize special shows and contests on amateur 16 mm. films. c) To organize technical and ar- tistic consultations on the produc- tion of 16 mm. films, to popularize them, and establish international as well as national film exchanges, for both 16 mm. films and apparatus. d) To organize research and con- trol committees for the purpose’ of studying the problems of foreign film subjects in the Soviet Union. e) To issue a bulletin as a review of international film problems and the discussion of technical and ideo- logical problems. 5. To struggle against all war, chauvinistic, pacifist and other re- actionary films, as well as the bour- geois censorship, by: a) Satirical criticisms of bourgeois films after special showings of these, with accompanying discussions and explanations. b) By organizing criticisms and exposures in the press. c) Organizing mass protests, dem- onstrations and rallying audiences in protest against reactionary films. Ps d) Popularizing all revolutionary ims. 6. To study creative problems in movement. Having saved several hundred dol- llars in wages he decided to go to France to attend an art school. Al- one of the best in Amer- ica, he had never “studied art,” ex- cept as @ sign painter’s apprentice. In the sign painters shop he had drawn letters and sketches with chalk on the floor, in accord with an age-old custom, and the skilled “sign writers” were obliged te help with criticism. But Minor now decided that he wanted to see what a real art school was like. In Paris he enrolled in a class of the French national art school, the Ecole des Beaux Arts. But here again he was bitterly disappointed. As he says, not a single person in the whole school had the slightest interest in art. The whole institution existed to teach people how to make money. Studied by Himself So the rest of his time in Paris Minor spent either in studying by himself or attending meetings and taking part in the revolutionary la- There has been prepared a Marx- Lenin exhibition in connection with the commemoration of the fiftieth anniversary of the death of Karl though Minor was already known as | cartoonists aflame with class struggle. Old friendships with Alexander Berkman, |Emma Goldman and Leonard Abbott, were renewed and strengthened by | the fact that the anarchists were in the leadership of the unemployed ty leaders absolutely refused to have anything to do with it. Among Mi- nor’s friends was a: young American Indian by the name of Arthur Caron, a fiery and courageous leader of the unemployed. In this. circle Minor be- gan to take part in the unemployed movement. Almost. daily there were sharp clashes with the police. It was just at this time-that the New York police began seriously to develop their technical methods. of modern sup- pression of the workers. The old European system, of “provocateurs” began to be used more systematically in New York than it had ever before. Savage cruelties of beating crowds with night-sticks and clubbing indi- most daily episodes.” Preachers openly called the police movement, whereas the Socialist Par- | vidual leaders of the workers were al- | for blood—vengeance against the |leaders of the unemployed. The police adopted the theory that | the unemployed leaders were engaged |in preparing a bomb against Rocke- | feller, A police provocateur was con- cerned in the affair. On_account of the attitude of the New York World, Minor refused to do | the work that he was assigned to do, The World editors knew that other newspapers were bidding for Minor’s | services as an artist and would not) release him from contract of em- ployment under which the courts would not permit any other papers to publish his drawings. For some weeks Minor was not permitted to do any work but was paid the large | salary that the contract called for. ‘Then the World War broke out in| August, 1914, A few more weeks of} experience and Minor was to learn that it is not possible for a revolu- tionist to work at making pictures (especially as Minor was essentially a | | cartoonist) with the capitalist press. (Concluded Tomorrow). Marx-Lenin Exhibition to be Shown in Tour of 35 Cities panels with illustrations from all parts of the world, depicting the life and ac- | tivity of Marx and-his great co-work- er, Frederich Engels, from the stormy Marx, which is to be shown in ap-|qays of the revolutions that swept | What the mate had said, what Gun- | even the jailors wouldn’t trust them! | the film industry, and to popularize ~ mittee like that cou! _tkipper “nar had said, and what the skipper | had said. ‘The “Professor felt impor- | tant and began to act. like an A.B. That shows what they're like!” “Is that so?” Moonface put the| question. This was the first time| \the achievements of revolutionary film art in the Soviet Union. . To establish a repertory of revo- In fact, all the mem; were: breezy in| Moonface spoke up during the whole | lutionary films by: a@ new way. Stanley ted -the center | evening. “Is that so?” he repeated.) a) Selecting films for the reper- of the deck. His eyes were lit up with | “Slim here may go to jail, too, framed! tory to be shown at all places where seli-satisfaction and kwmmel, and he ehanted a y about, the tinker with | eratchey, and the long | Eddie. was telling bt as on ‘the’ committee | | “What committec?” “The strike committee!” ‘What the 's tht ‘Hey, simon Pr here and tell Yon what a strike committee is!” “A strike.cammittea,, according to the laws ofbir red trade unions, is a committet’elécted by the majority of the workt@rs jnvglved. And it has the power arm respormsibitity to direct the strike in-thé nape of all.” “Yeah, but the whole deck gang ain’t in the Marine Workers In- “Don’t make any ..difference,” an- swered Slim.-‘"The Sathe)applies to the Ship Comimittee; that’s what we ought to build right at: would take care of everyti that comes up. tis The Swede was listehifig in, and wanted to have more details. Slim explained that each department should propose two men, making a committee of six, plusohe or two from midships if s everything, whether eas to do with the steward, the chief eiiftineer, the or anyone,” ~\\ “Yes,” considered the "Swede, “but you was all up there today!” “That's just it! We didn’t have a tegular ship's committ porary Action Committee: “Well, I suppose everybody's got jo line up in your red union after the jommittee’s set up?” The Swede was ? Let's set it now, and no q asked ether you're a 1s.U,, LW.LU,, oF unorgantaéd!" |OBT of the men wete, listening in by now. Shorty dn, freshly his face like a ed baby’s behind... “simple as_pie,” expl Slim. ‘dow many of us . RoW—fifteen, hhteen men. lepartment ould set up two candidates, then “The Eskimo broke in:.“f know what u're aiming at.—Just like on them ties ships, hey?” laughed sar- | up on mutiny for what he did to-| day, and you may go to jail again, for attacking a child or something,— that will mean that Slim's a criminal just like you, hey? And because no} politician will take him out, or tip the trusties off to treat him good,— like you were treated,—that will mean he’s a worse criminal than you, hey?” This was a bull’s eye hit, The fact that this dressing-down came from a man in his own department left the Eskimo clean out in the cold, and | he shut up like a clam. Eddie was happy as hell. He was-awful fond of slim. | Moonface, whose right name was Daniel Pitts, then addressed the whole gang, in his slow, serious voice: “You know, men, ever since we hit Russia, I’ve been thinking this thing over. In Leningrad, while most of you were drinking beer and chasing skirts, I was attending the meeting ‘of the International Seamen’s Club, and visiting factories and places. I've been a working man all my life, and I don't have to be long in a factory or mill, to know if the workers really are running things,.or if they're be- ing run, And you know, men, I’ve come to the conclusion that I’ve been a damn fool these past 15 years for | Jaughing at these people. Those fel- lers have got the right idea,—they're as honest and _ straight-shooting a bunch as ever I’ve come up with.” (Continued Tomorrow) Yiddish Art Season Opens Sept 21 with “Yoshe Kalb” Maurice Schwartz and his Yiddish Art Theatre players will begin their new season on Thursday matinee, Sept. 21 at their Second Avenue Play- house with a limited engagement of J. J. Singer’s “Yoshe Kalb,” with the original company seen here last sea son. , Following this, Schwartz will pre- sent “The Wise Men of Chelem,” a romantic drama with music by Aaron Zeitlin. Other players planned in- clude: “Josephus” by Leon Feucht- wanger, dramatised by Schwartz; L. Maloch’s “The Holy Girl”; “The Way To God,” by Harry Seckler and “If I Were Rothchild,” a fantastic comedy by Sholom Aleichem, “I Would If I Could,” a new mu- ‘eal comedy by Abraham Blum, with musi¢ score by Sholom Secunda, is workers gather. "\) S-cneing our own films, start- ing with documentary, montage and <s.+-e0u films, c) The selection of all suitable amateur films to be included in such @ repertory. 8. To establish a revolutionary film press correspondence. 9. To hold international confer- ences on. creative, technical and po- litical film questions. proximately 35 cities throughout the | nurope in 1828, through tlie founding | country, beginning at Boston on/of the First International, the Paris Sunday, September 24, and continu-| Commune, the stridgle agdinst Proud- ing for two days. | In connection with the exhibition | 20 Bakunin, LaSalle, Special care has been taken to so there will be lectures on Marxism-| Leninism by H. M. Wicks, Wher-| range the exhibition that it not ever possible debates will also be ar- | only shows the activities of Marx from tanged with opponents of Marxism. | his earliest years until his death, but Especially will challenges be issued|it also refutes With documentary to social-democratic perverters of| evidence the social-demo¢ratic vul- Marx who try to tear out of Marx-|garizers of Marxisin. It shows the ism its revolutionary content, and) development of Marxism into this to those professors who serve their| stage of imperialism — the period of masters by writing and teaching that the decline of capitalism and the pro- | the economic and political doctrines ot Marx do not apply to the capi- talist world of today. The main exhibition consists of 20 TONIGHT’S PROGRAMS WEAF—660 Ke. 7:00 P, M.—Mountaineers Music Roxanne Wallace, Bongs 0—Lum and Abner 45—The Goldvergs—Sketch 00—Vallee Orch.; Soloists :00—Captain Henry's Show Boat; Lanny Ross, Tenor; Muriel Wilson, Soprano; Conrad Thibault, Baritone, and Others 10:00—Whiteman Orch.; Deems Taylor, Nar- rator; Al Jolson, Songs 00—Seatt! Orch. S—Meroff Orch. }0—Denny Orch. 00-—Ralph Kirbey, Songs A. M.—Mills Orch. 12:30—Gluckman Orch. aa Vie WOR—710 Ke P.M.—Sports—Ford Frick. 5—Purdy Brothers—Sketch. :20—The Lowland Singers. 5—News—Gabriel Heatter. 00—Radio Forum. ‘30—-Dion Kennedy, Organ. 00—Gordon Graham, baritone; Ohman and Arden, piano duo, 9:15—Horatius at the Bridge Table—sketch. 0 00-—Variety Musicale. 5—Current Events—Harlan Eugene Read, 11:30—Coleman Orch. announced by William Rolland as the opening production of the Rolland Theatre on Sept. 21. Aaron 7 tip Af WEE 12:00—Outler. . WJZ—760 Ke. 7:09 P, M.—Amos 'n’ Andy, ‘1:15—Treasure Island—sketch. ‘7:30—Reminiscences and the Present Day-— Dr. Charles Munroe, founder American iy. Diamond's Adventures — sl 8:30—Adventures in Health—Dr, Herman ing 10:00—Canadian Exchange Program; Gloria La Vey, soprano; James Shields, tenor. 10:30—Archer Gibson, organ; Mixed’ Chorus. 11:00—Jesters Trio, 11:18—The Milky Way—Professor Robert 1 Baker, Harvard Observatory. 11:30—U. "8, Army Band, 12:00—Holst Orch. 12:80—A.M.—Dance Orch, s se @ WABC—860 Ke. 7:00 P. M.—Morton Downey, Tenor T:G—NRA Talk. 7:20—Dance Orch. 7:30—Milis Bros., song: T:45—News—Boake Cart 8:00—Boswell Sisters, songs. 8:15—Singin’ Sam. 8:30—Dramatic Guild Play—The Horla, 9:00—Warnow Orch.; Vera Van, songs; Mel- odeers Quartet. 30—-U. 8. Marine Band, 10:00—Deep River Orch. 10:30—Belasco Orch.; Sports—Ted Husing: Barbera Maurel, songs, 10:45—Gladys Rice, sopra: 11:15—Jack Little, songs, Concert Oreh. Lebedeff and Blank will play the leading 11:30—Davis oreh Teim—ane Samp ore . amp Orch, 4:00—Conn Orch, lletarianletarian revolution = proving ‘how Leninism is the only” Marxism \of this period and how, today, in the Soviet Union, the Communist Party, | under the leadership of Joseph Stalin, jis developing further the, principles |of Marxism-Leninism. ~-; | Combat Anti-Marxist Campaign This tour of the exhibition, and the jlectures and mass meetings in con- nection with it, is of tremendous poli- | tical significance, especially in view ‘of the world-wide assault being made \upon Marxism by capitalist and fas- (cist vandals. The attack upon Marx~ ism is the ideological counterpart of | the general offensive of capitalism en- |deavoring to find a way out of the | | crisis. | After Boston (Sept. 24 and 25), the exhibition will be shown for two days in Buffalo, two days in. Cleveland, |two in Detroit and three days each in Chicago, Milwaukee and the Twin Cities (Minneapolis end St. Paul).| From there Wicks will go to the Pact- | fic Coast, with stops at Butte and Spokane on the way .to Seattle, After making the principal coast cities he will return through Salt Lake City, ;Denver, Omaha, Des Moines, St. Leuis; then go through the Scuth | (Memphis, New Orleans, Biriningham, Atlanta, Chatteidoza, Charlotte, Richmond, Norfolk); to Washington and Baltimore, then to Pittsburgh, |Reading and Philadelphia, finishing in New York early ‘in’ December. This is the first ‘tour of this kind ever arranged in the United States. There is stich a wealth of material |in the exhibition: that it will arouse | great interest in the works of Marx, | Engels, Lenin and Stalin and will stimulate the stud? of revolutionary | theory not only among the members |of the Communist’'Party and those ‘close to the Party,’ but among con- siderable sections of the ‘working ‘class, professionals; students, ‘etc., and | will give an impetus to all the work of the Party, especlally stimulating the activities of workers’ schools, and other educational work. MUSIC Sodero Opera At Mecca | Technically this production is bad. |The director tried to telescope 60 years into seven reels. As a result he |has made a very episodic and loose film. Only the early portion of the | picture depicting Chicago in 1893 has | what might be called “charm.” IRVING LERNER. WHAT’S ON~ Thursday A. J. MUSTE and Dr. 5. Le Roy speak on “The Coming War,” at Paradise Manor, 11 West Mt. Eden Ave. Jules Karstein chairman. Auspices, Mt. Eden Br, F.8.U. Adm, 100. et Witte OFFICE WORKERS UNION membership Important matters to be taken up. Urgent all attend. . FILM SECTION MEETING Workers Film & Photo League, 220 E. 14th St., 8:30 p.m. All members present. Visitors welcome. VIOTORY DANCE and Moving Pictures for Benefit of Striking Tobacco Workers at Hungarian Workers Center, 350 E, 8ist St. 8 p.m. Adm. on ticket 25¢e. At door 30c, sae aaa Auditorium Opens Tonight | | ‘The Fides Opera Company, directed | | by Cesare Sodero, will open this even-| | ing at the Mecca Auditorium with | a double bill composed of “Cavalleria | Rusticana” and “I Pagliacci,” with Giovanni Zenatello, Mme. Alba No-| | vella, as Nedda, G. Garavelli and) Anne Roselle, formerly of the Metro- | politan Opera Company in the cast. | On Friday night, “Madame Butter-/| fly” will be presented with Anne Roselle. “Carmen” will be sung on} Saturday night with Coe Glade of | the Chicago Civic Opera Company in} | the title role. Cesare Sodero will con- | duct. The orchestra will include 70 | musicians from the Metropolitan Opera Orchestra and the Philhar- monic Symphony. To keep up a six-page “Daily Work- er,” the circulation must be doubled. | Do your share by getting new sub- scribers, Watch For It In Your City! Ed. Royce is touring for the Daily Worker ith the new Soviet film |} adapted from M. GORKI’S famous | Novel “MOTHER” 2 News Reels Ht “Building Socialism the Soviet Union”; “Lenin” — Great Revolutionary Leader in Action. |{ Thes2 films are being shown for || the Benefit of the ‘Daily’ The following are the dates and cities , in’ which the film will be shown, SEPTEMBER 1° Rochester, N. Y. SEPTDMBER 17 Rochester, N. Y. SEPTOVTEP 18 Buffalo, N. SERTEMETR 17, °3, 21 Detroit, Mich. SEPTEMBER 2, 23, 24, 25 Chicago, Ill, : SEPSEMEER 26 Milwaukee, Wis. OCOTORTN 4 Salt Lake City, Utah OCTOBER 7 San Francisco, Cal. in | IMPORTANT MEMBERSHIP MEETING of the Union Workers Center, 854 Forest Ave. | Bronx. To reorganize Union Workers Cen- | ter membership. | ae neh) | REGISTRATION NOW ON for the Work- | ers School, Pall Term. Office, 98 H. 12th St. Room 301. meeting at Labor Temple, 242 B. 14th Bt. | Players will not be seen here until Spring. ‘ton to the business office of Dally Worker. SH ya REORGANIZATION meetings of the Brighton Progressive Olub, 129 Brighton Beach Ave, New members welcome. c Pass Pee Friday— REGULAR MEMBERSHIP meeting of Fiat- bush Workers Club held every Friday at 1207 Kings Highway. All welcome. MONSTER DANCE by Rank and File Group Local No. 3 International Brother- hood of Electrical Workers at Irving Pleza, 18th St. and Irving Place. (Grand Bail Room.) Beer and refreshments, Adm. 2c. . MEETING OF PLAYWRIGHTS GROUP of the Workers Laboratory Theatre, 42 &. 12th poh 8:15 pam. All interested RABBI GOLDSTEIN, Sender Garlin of the Daily Worker Staff, Thompson, Negro writer and lecturer, will speak st Ambassador Hall, ‘Third Ave. gnd Claremont Parkway. “Negro | Persecution in the South.” Tilustrated with | scenes of the Scottsboro Trial in Decatur, Als, Auspices, Bronx Section LL.D. WORKERS LABORATORY THEATRE hold general membership meeting at 43 12th St. Where the entire plan for = fall will be put into action, All inte are welcome. musements RADIO CITY MUSIC SHOW PLACE of the NATION Direction “Roxy” Opens 11:38 AM. “THE POWER and ALL GREETINGS FOR THE PARTY AN-| NIVERSARY EDITION should. be sent to the | business office of Dally Worker immediately. | W. J. BURROUGHS will speak on “Edue- | ation and Planned Economy in the Soviet | Union. Mrs. Burroughs is a Negro ex-| school teacher discharged for activities against the dismissal of militant teachers. Auspices, East Bronx Br 8. U., 1830 Wilins Ave., near Freemar St. Station. = | MONTHLY BUSINESS MEETING of Nat- ure Friends at 12 E. 17th St. Those in- terested are invited. | Ree Ok DAILY WORKER Advertising Department will cooperate with T.U.U.L. unions, mass | organizations and C. P. Units for the up- building of the DAILY WORKER. Ads help to support the Dally. Send all informa-| ATTENTION Y.C.L. All Unit Young Worker and Literature Directors and Agitprops, very important meeting Thurs- day, September 14, 1933 at the District Office at 8 p.m. LAST DAYS—2 SOV spectator, 2 witness—inore, no worker should fail to see.” Added Feature “JEWS ON SATURDAY, SEPTEMB Also “BUILDING SOCIALISM DANCING AFTER | THE MOVIES COME AND ENJOY | Biel ‘To nee this pleture is to be | ‘@ participant! Im the mo- mentous struggle of the Roku workers——-a picture which | 26 Commissars | ROCHESTER, A Soviet Film Version of Gorki's Famous, Novel “MOTHER” “19905” the great revolutionist in action 575 Joseph Avenue, Rochester, N. Y. THE GLORY” with SPENCER TRACY and COLLEEN MOORE and s great “Roxy” stage show %5¢ to 1 p.m.—S5e to 6 (Ex. Sat. & San.) RKO Greater Show Season —— ith St. & Sra Ave. KAY FRANCIS and NILS ASTHER in “Storm at Daybreak” Also “HEROES FOR SALE,” with rthelmess and. Loretta Young | RKO Jefferscn | Now PHILADELPHIA, Pa. PHILKINO THEATRE —2222 MARKET STREET—— ALL SOVIET FILMS 2 until 5 p.m. $e mntil closing CONTINUOUS PERFORMANCE ——LAST DAYS} “THE PATRIOTS” and “A DAY IN MOSCOW” I6T PRODUCTIONS i THE WORKERS ACME | THEATRE 14TH STREET AND UNION SQUARE 15° 9a.m. to Lp.m. exe, Sat. 8 and Moll SOIL” bs Sah & ER 16th, at 8:30 P. M. Masterpiece of the Great Soviet Director PUDOVKIN IN U.S. 8. R.” and “LENIN”, BENEFIT DAILY FOR THE WORKER BOSTON, Mass. International Caberet and Costume Nite New International Hali, 42 Wenonnah St., ROXBURY, Mass, FRIDAY, SEPTEMBER 15 Dancing; Floor Show; Costumes; Refreshments; Guest Artist SUBSCRIPTION 2c - - = - Auspices: American Workers Chorus BaNidrieao a eer