The Daily Worker Newspaper, September 5, 1933, Page 5

Illustrations by Philip Wolfe THE STORY 'SO}FAR: The S. S. Utah, one of the members of whose crew is Slim, of the Marine Workers Industrial Union, has made the voyage-across the ‘Atlantic, stopping at Copenhagen, Helsingfors, Finland, and Leningrad, Stbn has been talking to his fellow-workers about the class struggle and what they can do about it. He signs the Chief Engi- neer up. withthe M.W.I. In Leningrad, the sailors of the Utah are getting the surprjse,of their lives, watching the new society in action. Yesterday you read, about the difference in the reactions of the workers and that of a somiof-a banker. Now read on: INS Propaganda ‘HE dinner on, board was pretty good that day. Since they had tied up’ in Leningrad,, the food had improved. Skipper’s orders? There were ~stories tojd “about the crew of a ship in a S6yiet port in the Black. Sea, The food was so rank that the }whole crew’ walked off in a body, and refused 8’ return aboard until better focd “Was obtained. The Captain “had given “the excuse that he couldn’t buyy any food in the Soviet Union, but after the men walked off he suddenly found plenty of it to buy! "i 5 dinner ;the-,Club delegate y again with his usual is International Youth All foreigm,seamen are invited hn, together, with the Russian and workers.’ f the miow"feered “March? us for, Boy ‘the marching I this is’ iftther kind of ig end aftiy.“Tomorrow you march in an arity of free work- demonstrating: their solidarity tkineclass youth ih marching . “Only thing much Way --don’t a pave nce.” responded the . oSHaveligda noticed the «Precpect'all paved, and the thers all newly painted?” na's teuc,” called Laz, “I was . Houses in the fun- blua and hoe a delegate laughed. “Give us The time, then, and we get around to the whole town. Rone wasn’t paved in a‘day you know, and Leningrad is bigger than Romg,”,; called Bobbje, “how come at us so good here? Free free trips, ask us- if we go here and there. And in vies, they ¥ét Wp and give us ts—is it’ffue that that’s st to make prob&¥anda on us?” "ye noticed,” ‘ansWered the dele- gate. “that a lob‘of'you fellows are afraid of that. word! propaganda, Let’s “examine that monster: When Camels advertise \*their cigarettes, smoke Camels. Whentyou go to the movies in the Statesiand see the gobs having a hell.of a good time, that’s Navy provagatida, to get you to join the Navy.*When you read the capitalist press.tetling how rotten the Soviet Union “is,~ that’s capi- talist propaganda to: steam you up against the Soviet Union. Get the point?” . OBBIE. had ‘néVci'heard anyone claim ‘that thovié3 or advertis- ing was propaganda: “Of course you didn’t. The capi- talists are careful to use the word propaganda only when it comes to Communis’ ideas.and practices, so as ov Q to $.\c you the impression that the Reds are trying <to-put something over on you: fill yow-with ‘propa- ganda.’ Let’s say, for the fun of it, all the things you seg here are pro- * paganda.’ All the_ truction work going on, the new quays, new ships, etc., that’s all propaganda. Does that make it less of an. accomplishment? ‘There’s no unemployment here, no wage cuts, no suicides'on account of hunger and misery. Why can’t the capitalists make that?Kind of prop- aganda? The Inteitlub is propa- ganda, let us say. Let's:compare this Red propaganda -withitapitalist pro- 5 Seamen's Church of Le uestion fn. iu explain. this cobblestone } TALLMENT TWENTY | the workers happened to be the first | to successfully take over the power the proletarian dic- | and establish tatorship, their responsibility is very great. They have to successfully build good, but because the eyes of the workers of the world are upon them, hoping that they will make good. And our Russian comrades take this responsibility seriously. That is why, when foreign workers come here, the Russian workers are so anxious to show them what they have already eccomplished, They also know that you are treated like dogs in your own countries, and for that reason too are especially anxious to treat you as comrades and fellow workers here.” This explanation impressed men, They listened carefully. “Now, is that. propaganda? If it is, wouldn't it be swell if the capi- the | | | talists would treat you to the same propaganda when you return home? Let's say, if the capitalists give the | workers a lift in their cars, when they are tired of walking. Or give the kers a seat in their box, when the way up to the pit. uu workers together and discuss with you how to improve your conditions?” “Oh yes, I can see the skipper doing that,” laughed Gunnar. Imitat- ing the skipper, he continued; “Come up to my cabin boys, I want to dis- cuss the question of raising your wages, and giving you better grub.” ‘The men howled with glee, and the delegate joined them. Then he pulled some papers out of his briefcase. “Anybody want any of ths Russian propaganda?” All hands went up. (CONTINUED TOMORROW) Czechs Hold Two for Murder of Anti-Nazi Refugee in Marienbad | PRAGUE, Czechoslovakia, Sept. 1.—Two arrests have been made, | and a man named Max Epker, be- lieved to have escaped over the German border, is being sought for the murder Wednesday of Theodor Lessing, German philosopher, who was killed in his home in Marien- bad because of his anti-Nazi activi- ties. Shortly before he was killed, a violent attack against him was pub- lished in the chief Nazi newspaper of Berlin, the ‘Voelkische. Beo- bachter.” ‘Meetings in Africa Protest Frame-Up of Nine Scottsboro Boys NEW YORK.—A. Lagos, Nigeria, Women’s League and a mass meet- ing of Scottsboro sympathizers in the same African city, have passed resolutions of support to the Inter- national Labor Defense in its struggle to save the lives and win the freedom of the Scottsboro boys. Copies of the resolutions, dated July 24 and August 3, have just been received by the national of- fice of the I. L. D. here. S. P. Drops Official Active in Farm Ass’n TORRINGTON, Wyo. — At a meeting of the Farm Holiday Asso- ciation (Madison Co, Plan) a mem- ber who is also State Secretary of the Socialist Party stated that he had been dropped as an official of the Socialist Cooperative at Shug- waiter, because he belonged to the Holiday Association. (Chugwatter am ay headquarters of the State This member will continue as a left winger, and it is predicted he will either bolt from the S. P. or will be ousted from it Indian Nationalists Kill British Judge CALCUTTA, Sept. 3.—B. E. J. Burge, British magistrate of the Midnapur district, was shot and killed by three Bengalese nation- alists yesterday. He is the third Midnapur magistrate to be assassi- nated by anti-imperialist terrorists, his two predecessors having met the same fate. WHAT’S ON REGISTER NOW FOR THE WORKERS SCHOOL FALL TERM, Office, 35 F. 12th ‘St., Room 301. si CHINA AND JAPAN IN MANCHURIA. Lecture by Harry Gannes at New School for Social Research, 66 West 12th St., 8:30 Friends of the Chines .M, Under auspices People. Thursday, September 1, socialism here not only for their own | VAILY WORKER, NEW YORK, TUESDAY, SEP®H MBER 5, 1933 TIN JIM MAR ZA Z (REALLY. T AtNT HUNGRY, Ma! Dad Ka ows Best Page Five = by QUIRT and NEWHOUS} way Oo’ T You GO OVER AND This is one of a series of stories under the general title “The Peo- ple’s Park,” one of which, “De- fender of the Faith,” appeared on this page on Monday, Aug. 28th. . * (HEN I was thirteen I had a friend called John Klein, It was his |name which gave us the whole idea. |I said, “You be Little John and rn |be Robin Hood.” Then he went to Central Park and by the following week we had all our equipment. Sherwood Forest lay west of the old reservoir. It consisted of twenty- four frees, we counted them, some bushes and a meadow. Sometimes we claimed the reservoir which be- longed to the fief of the Sheriff of Nottingham. His yeomen patrolled it The Sheriff himself lived in a fortified castle on the north side, |'When he went to feed his falcons or to the chase we let the drawbridge |down and walked across the moat {and shot arrows of warning into {the open windows. We attached slips | of paper to the arrows and shot them in all directions, They bore three inscriptions, “Beware of the Black Hand,” “Beware of the A. F. of L.” and “Beware of the I. L. D.” These initials were often mentioned in Johnny’s home. There was no telling what they meant. After a time we got-to be ptetty good at archery. The bows were. made of Sherwood Forest lumber and the arrows were weighted with rubber bands. At night we buried them in a long box which we covered with earth and leaves and grass. Johnny. and I were having a bout at quarterstaves. We had killed each other several times. He stepped on a rock and»sprained his ankle. We sat around trying to make the swell- ing go down when the baby came “|up the meadow. .I knew that baby. She played over by the drinking fountain with the old nurse and the rich kid who came around with a new toy each time. ‘The baby was alone. She was very small and white. She came over to us and sat on my cap and pointed to Johnny. “Boy. . . . boy,” she said, “No kidding,” I said, “Get off my cap.” The baby smiled and handed me the cap, I said, “We ought to keep her here for Maid Marian.” “Too small,” Johnny said. ‘The nurse ran into the meadow, all excited, hollering, “Evangeline, Evan- geline.” Johnny hollered, “Here she is, here,” he said; “Wow, what a name.” ‘We began laughing. The nurse came up and took the baby and. asked. what was funny but we just laughed and laughed. The rich kid also ran up. “Why don’t you stay put,” he said to the baby. “His name is Reginald,” Johnny whispered. “It's Percival,” I said. We kept laughing. The kid saw our armory on the ground and bent down to examine a bow. “Hey,” Johnny said, “lay off that stuff.” The kid dropped it and walked away with the nurse. Next day the old lady came around with the kid and a couple of bars of chocolate. She said, “Boys, will you play with this other little boy? His name is Patrick. What's yours?” ‘We told her our names and said, sure, we will play with him. So she left him there with us. He had a BB gun. “Put that down,” I said, “this is ancient times. I’m Robin Hood and he's Little John. This is Sherwood Forest. You take this quarterstaff and come from that direction that's Nottinghamshire, You get wise and start calling me names so we fight and you get killed. You're the Guy of Gisbourne.” “Robin Hood and the Guy of Gis- bourne didn’t fight with quarter- staves,” Johnny said, “they used swords.” sword, Guy.” It was shorter than mine and I had the reach on him too. He took it and said, “How do you know when you are killed?” “When the point touches you you're dead.” “Suppose my point touches you?” “No,” I said. “You're the Guy of Gisbourne.” : “That’s not fair. Why don’t you fence fair and see who wins?” “Go ahead,” Johnny said, “fence him.” We squared off and he didn't know a thing, my first pass got him. “See,” Johnny said, “now go away and come back and get wise and start fighting.” ‘The kid did that. He came at me and almost broke the sword and when I touched him he continued. “Fall down,” Johnny said, “fall HOW DEEP IT WENT ~ A Short Short Story “That's right,” I said, “here's | | 1 + | i 4 By Edward Newhouse ‘Fall down, dumbbell,” Johnny | it’s that way, sir.” the kid s: said. | “Let them fight it out, The kid picked up the BB gun|man said, “they're the same and fired at him, Johnny fell down | Imagine, shooting him with a gun. and let out an awful yell. I ran “Go home,” the cop said to th?) to him and he pointed to his leg|kid who went for the driveway? above the knee. He said, “Ow. ..ow.”| Johnny started after him but th: When he saw the kid running across | cop grabbed him -by the chest and the meadow he jumped up and we went after him. The kid ran for the fountain but we hollered so much the cop stopped him and brought us together. We began talking at the same time. A fat man came along and began talking too. Johnny kept saying “Just let me fight him, he’s my size.” | up, kiddo,” he said, “‘you get smacked | in the puss.” “Hey, you can’t do that,” “Can't 1?” he said. He let go Johnny and swung out a I ducked. He turned to the and shooed them off. Johnny The cop said, “Where do you live?” |I went down the walk and turned | “ . back to look at the cop and watched | ae cue Meether, down Avenue | ine Guy of Gisbourne get into id give sti r “Where do you live?” cab and give instructions and the was not a thing we could do. Johnn; “I live in the Sherry-Netherlands’ | said, “Look how deep it went.” I said’ ot | Soviet Directors | and Writers Join. in Work for Film From now on, Soviet authors will work closely with movie directors in adapting their own novels and stories for the cinema. The Soyuz- film Moscow Studios have just de- cided on this plan to raise the stand- ard of Soviet motion pictures and achieve perfect artistic unison be- tween writers and directors. From the adaption of the story to @ screen play, casting, the actual shooting of scenes, to the editing and cutting of the film, writers and di- 4 ‘ rectors will join in a cooperative ef-| the new Earl Carroll musical mystery fort until the product is finished and| P/ay now playing in Philadelphia: ready for the public. The production will open at the New Amsterdam Theatre on Friday night: The following well-known Soviet Rufus King and Earl Carroll are the authors are already at work under| authors and the cast is headed by Stage and Screen Miller’s Satirical Comedy, ‘| “The Sellout” Opens at Cort Theatre Wednesday. by Albert Miller dealing with radio advertising will be presented by the’ Theatre Craftmen at the Cort Theatre on Wednesday evening. The | cast is headed by Minnie Dupree and includes Frank Dae, Robert H.} Gordon, Ruth Thomas and Jane | Seymour. Another opening scheduled for this the new plan, writing the scenarios| James Rennie, Olga Baclanova, Bela} from their own novels, considered} Lugosi, Ben Lackland and Jean among the outstanding literary works | Adair. in Soviet Russia: “Tsusima;” Alexei Tolstoy, “Black Gold;” If and Petrov, “Indiffer- ence;” Zamyatin, “Yela.” A. Fadayev, author of “The 19,” is working with the famous director, Dovjenko, on a scenario with a Far Eastern theme. Liston Oak Speaks at Stamford Picnic STAMFORD, Conn—Liston Oak, Managing Editor of ‘Soviet Russia Today,” spoke at the National Friends of the Soviet Unios Say pienic held recently. Two htndred workers attended the picnic. The cultural program as pre- sented by the John Reed Club and the Workers Laboratory Theatre was enthusiastically received. A skit by the W -L. T. on the “World’s Fair,” and several other short plays made a big hit with the workers of Stamford many of whom saw a re- volutionary play for the first time. They now intend to produce plays Nivikov-Priboy, show, is doing so well is Boston that the opening here will be delayed until Sept. 18 or iater. It will open’ at the Winter Garden. | “Heat Lightning,” a new play ‘by Leon Abrams and George Abbott, is’ scheduled for the Booth Theatre oh Sept. 13. Jean Dixon, Robert Gleck+ ler, Emily Lowry and Robert Sloan head the cast. Screen Notes The capitol Theatre is presenting “Broadway to Hollywood,” a Edgar’ Allan Wolff-Willard Mack story of three generations of a theatrical family. Alice Brady, Jackie Cooper, Jimmy Durante and Frank Morgan head the large cast. ; The musical show ‘Moonlight and Pretzels” is being held over for: a Slim Summerville and Zasu Pitts in “Her First Mate” is the new screen fare at the Old Roxy Theatre. Gary Cooper plays the leading role in “One Sunday Afternoon,” the new film at the Paramount Theatre. This | is the screen version of the play now current at the Forty-Eight Street je +tiemes at twenty dollars a print shook him hard as hell and forced} ~ S. M. Eisenstein, whose name i him against the railing. “Stop acting longs: and | “The Sellout,” a satirical comedy’) week is “Murder at the Vanities,” |~ “Hold your horses,” the Joe Cook |* second week at the Rialto Theatre. |« ————— AND CLOSE-UPS By LENS Edward Weston, well-known Am- ¢rican photographer, writes from Carmel, Cal., to inform the com’ of the New York Workers Film Foto League that he sees no s: in contributing their October 15th ibition “an! rou could use th ociel relations 3 and rock: No, Ed, we can’t wu: ‘em. . Might spoil business with the fat if FO is = * * . n is coniii v to readers of th ed in a Spovie In answer to a reade publish below some random excerpts ftom ‘Hays’ “code of moral prin- | Ciph adopted by the American motion picture industry in 1930. Please check against the recent trend r’s letter we _}of pictures you have seen and you'll agree that here the height of shame- less hypocrisy has been reached: The technique of murder must be presented in a way that will not _ inspire imitation. . . Brutal killings are not to be presented in detail... The use of firearms shouuld be Testricted to essentials. . . The WILL Hays sanctity of the institution of marriage and the home shall be upheld. . . Pic- tures shall not infer that low forms of sex re- lationship ‘ are the accepted or As Seen by Lens common thing. . . Scenes of passion. . . Excessive and Justful kissing, lustful embraces, suggestive postures and gestures, are not to be shown. . . Seduction and rape. . . Children’s sex organs are nexer to be exposed. . . Ob- seenity in word, gesture, reference, song, joke or by suggestion is for- Didden. . . Words like God, Lord, Jesus, Christ—unless used reyer- ently,—Hell, Son-of-bitch, damn, Gawd, or every other profane or vulgar expression however used, forbidden. . . Indecent or undue exposure is forbidden. . . Undress- “ing scenes should be avoided, and never used save where essential ‘to the plot. . . Dances which em- Phasize indecent movements in the dance are forbidden. . . The treat- ment of: bedrooms must be goy- erned by good taste and delicacy. The history, institutions, prominent people and citizenry of other na- “tions shall be represented fairly. . . Sandwiched between these mal- odorous provisions which have been used as a guide to what is permitted , rather than forbidden, we find the following, proof of our contention that the bourgeois film is consciously and with but rare exceptions, used to further and safeguard the interests of the master-class: Miscegenation — sex relations between the white and biack races— is forbidden. . . No film or episode may throw ridicule on any reli- gious faith. . . The use of the flag shall be consistently respect- ful. ....Third degree methods must be treated within the limits of good taste. .. Law, natural and human, shall not be ridiculed, nor shall sympathy be created for its violation. . . etc. 7 «oe . : “J. R.%: More has been written jin America on the arts of tatting and basket-weaving than on the | | (ULL if 1 TONIGHT’S PROGRAMS WJZ—760 Ke. WEAF—660 Ke. 7:00 P.M.—Amos ‘n’ Andy ‘ eee ‘i 1:1$—Reducing the Public Health Budget. meee Oe es —George F. Canfield, President State | Charities Aid Association; = Dr. o—Lum and Abner. Matthias Nicoll Jr., Commissioner of iS—The Golabergs, Sketch 00—Julia Sanderson and Frank Crumit, '30——-King Orch. 9:00—Bernie Orch. 9:30—Voorhees Band; Male Quartet; Eddie East and Ralph edians | utive Secretary, American Public Dumke, Com 8:00—Crime Clues 1 10:00—Lives at 10:30—Good Health, Westchester County, N. Y.; Dr. Kendall Emerson, Acting Exec Health Association 7:45—Ray Heatherton, Songs ‘Stake—Sam Davis, Sketch é is tee Neighbor ‘Relations "with the sate ree in Health — Dr. Hermiah’ South American Republics—Jefterson Onftrey, it Secretary of State pad iuartet in Charge of Latin-American Affairs! 9:39 pedro Vie Orch. ‘ 11:ts—aneror ‘oreh, Alice “Mock, So- 30—Talkie Time, Sketch Guest, Poet Piano; Larry Adler, | 12:30—Childs Orch. | * 11:15—Poet Prince 11:30—Holst Orch 12:00—Harris Orch, 12:30 A.M.—Pisher Orch, 8 WABC—860 Ke 7:00 P.M.—NRA Talk oo. h WOR—710 Ke. 7:15 P.M.—To Be Announced 7:30—Lou Lubin, Comedian * 45—News—Boake Carter 00—Gladys Rice, Soprano; Charles Car- lle, ‘Tenor 18—Eton ‘Boys Quartet 7:45—Gabriel Heater, News '30—Kate Smith, Songs 8:00—Jack Arthur, Baritone ry Readings 8:15—Al and Lee Reiser, Piano Duo; Ha- Male Chorus 00—-Modern mel Arth, Contralto 15—Westphal Orch. 8:30—Eddy Brown, Vioiin | 9:30—Nino Martini, ‘Tenor; Symphony| 9:00—Gordon Graham, Baritone; Ohman Orch. Piano Duo 10:00—California Melodies :15—Grenadiers Tevue 10:30—Belasco Orch.; Sports-—Ted Husing;| 9:30—Footlight Echoes . Barbara Maurel, Songs 10:00—Organ Recital } 10:45—Light Opera Gems—Ruddigore 10:15—Current Events—Harlan Eugene Read 11:15—Jack Little, Songs 10:30—Same as WEAP 11:00—Time; Weather down, you dumbbell.” ‘The kid said, “Don't call me that.” 11:02—Outler Orch. 11:30—Coleman Orch, 12:00—Dantaig Orch, cinema. as.an art. . . Its popular | mature has long ago caused it to be | looked upon with snobbish contempt by the bourgeois intelligentsia... . And whatever has been written shbuld be read carefully thru a criti- | teal filter... We will publish a biblio- Peraphy on the movies in this column | in a few days... - . “Some disagreements over their “feviews have prompted our movie critics to request the posting of a notice i this column. . . Readers’ Opinions are wanted. be they bou- quets or empty pop bottles... . ‘Musicians Appeal to Writers for Lyrics _ “to Be Used_.as Songs * NEW YORK, Sept. 4.—The Work- ers Music League issued an appeal ‘| to all workers for words suitable to be set to music. “Serious efforts are being made to write more songs by the Composers | Collective of the Pierre Degeyter Club (fevolutionary musicians), However, ‘they are handicapped by an almost total lack of suitable words to be fitted to music. :“We appeal to all writers to send |i’ verse that may be used by the Composers Collective. It is our aim ‘|:to publish as many songs as will be composed by the ‘Collective.’ The need of new proletarian songs is only too well known.” All manuscripts are to be sent to ie Division of Publications, Workers lusic League, 55 W. W. 19th St: New York City. careful | Anti-W orking -Class Movies labor against he vodka guz- , all militant ing for the and the right to elled, and their aims aliclously distorted. Distortions of the Cen- American Le- was one of the respect; others brand were “New Moon,” of the nationalization in Russia’; “Right to featuring Dorothy Phil- a, the girl “who loved with a love so overwhelm- ew not how to direct. she became a. radical ; “Common Property,” which owed the ridiculous incident of an American trooper driving a gang of r bolsheviks accused. of na- ng women out of a village in ussia, at the point of a “Unchartered ism vs Bolshe- which provoked a famous U, nator to write to the producer Thomas Ince: | who wa: jenemy of De: workingcl jafter t jooted and bowhisker d and n the defeate Even today. in of the Sov | Which time the w s have “Do you know that the Secretary ap scoline the truth “about | cf Labor in President Wilson's Ca- shevik fighters, the 1 binet used to mine coal in my | the gangster in th county only 8 miles from my home. | He has graduated from a coal miner | to a seat in the Cabinet. This illustrates the opportunity for all Why should | me want to overthrow a gov- ernment that gives such oppor- tunities.” Then also the comedy “Bullin’ the Bolsheviki,” appeared in 1920 ridicul- ing militant workers; and “Starva- | tion”—Hoover’s official European Re- jlief document, full of slanders |for the honor of ig the greatest |menace to “Law and Order.” Now | bootlegging has almost ce: a major issue in the film ducers are slowly but surely |ming to resurrect the old |menace as a means of pro’ |ruling class contention that the s |cial order must be preserved against fits enemies—be they gangsters or |radicals. Thus in “Gabriel Over the | White Hou: gangsters bomb the | White House and fire on the hunger | marchers—sei invariably allotted | against the Soviet State. to “anarchists”” and’ “bolsheviks’ in| Tese are only a few of the anti- |the earlier anti-labor movies, to|iahor films that appeared in 1919 prove the close union of the two in the eyes of the “Law.” and 1920 under the direction of the very same men who are even now Fantastic “Causes” of Crisis |in power in Hollywood; the DeMilles, | Also today, the fourth year of. the jepe grosdid tags ner ee ee jerisis, the capitalist film reflecting! - 5 jthe insanity and confusion of the | And today the production of war- capitalist system straitjacketed in its| Preparation movies and anti-labor jown contradictions, finds many fan- | films hes already begnn under their | tastic reasons existing for the crisis |!eadership. What is more, since 1919 and unemployment: (1) laziness of | there has been a tremendous tech- | workers, (2) greed of the money | ological development in the films; |changers, (3) the machine age, (4) |today we have sound and speech, reaction to previous period of “pros- | which adds a hundredfold to. the |perity,” (5) failure of capital and| Propaganda value of movies. It is |labor to collaboxgte, (6) the “Red| therefore easy to imagine the kind Menace,” etc., ete But in 1919 and |f “entertainment” we can expect 1920—only one outstanding reason for | {0m Hollywood in the near future, the post-war crisis of that time pre- |@S the Roosevelt Government starts vailed: Bolshevism with capi- | Whipping up the old anti-labor, pro- | tal B. war spirit among the masses, upon Practically all the anti-labor films |can ‘be sure thatthe utllemion or jof the period of the Palmer Raids |the film by the ruling class in this ; Were motivated. by the prepostrous|coming period will infinitely dwarf | strikes were the remult Sf cutee [nots cmmtcall, tnd olieally Saat |agitation on the part of Bolsheviks | shee ee jin the pay of the Russian Govern- | nee |ment, all of whom were foreigners with accents, sent to America to fo- ment revolution, No film concluded | | without calling for a united front |__ Amusements Looe pRADIO CITY MUSIC HAL SHOW PLACE of the NATION Direction “Roxy” Opens 11:30 LIONEL BARRYMORE in “ONE MAN'S JOURNEY” and a great “Roxy” stage show. @ Sing 35c to 1 p.m.-55e to 6(Ex. 8: jun. Hol.) @ Dance RKO Greater Show Season * LAST @ Recite pay NEW ROXY wh. INE HEPBURN @ Play an Instrument pgioeetgete @ Amuse 25¢ to G, 40¢ to close (Ex. Sat. Sum. Hol.) Do somethi: it ther ¢ hel save, the Daily’ Worker and Keep ft ce | BX° Jefferson 12 5+. * | Now a 6 and 8-page newspaper. All talent register with the city office of the Daily Worker, 35 E. 12th 8t (store). LILI DAMITA and CHARLES MORTON t= “GOLDIE GETS ALONG” and “DON’T BET ON LOVE” with LEW AYRES and GINGER ROGERS American Premiere — Now Playing AMKINO Presents the New Soviet Masterfilm “An Hour With Chekhov” Comprising the following stories of Chekhov “Death of a Government Clerk,” with Ivan Moskvin “Chameleon” and “Anna Round His Neck” Produced by the Soviet studios to commemorate the 25th anniversary ef Chekhov's death ENACTED BY ARTISTS OF THE MOSCOW ART THEATRE ACME THEATRE “hive Union Square The Workers LARGEST PROLETARIAN GATHERING | SEVENTH ANNUAL ® DAILY WORKER © MORNING FREIHEIT © YOUNG WORKER BAZAAR FRIDAY, SATURDAY, SUNDAY October 6, 7, 8 at the MAIN HALL OF MADISON SQ. GARDEN FOR INFORMATION SEE OR WRITE TO: New York City, (6th floor) Bazaar Committee, 50 E. 13th St. National Press