The Daily Worker Newspaper, December 22, 1928, Page 4

3 ; “VOTES FOR WOMEN.” XSUSAN B. ANTHONY, The Woman Who Changed the Mind of a Na- tion. By Rheta Childe Dorr. Frederick A. Stokes Co., New York. (Reviewed by IDA DAILES.) E life of Susan B. Anthony and the Women’s rights movement of Which she was the outstanding leader, is bound up with one of the mist interesting and stormy periods in American history. Born on Feb- Tuary 15, 1820, in Adams, Ma her young womanhood brought her up ¢to the pre-Civil War period 1 her struggle continued to her death in the year 1906. In these rapidly changing times, capitalism in the United States went ‘rom freeing If of the fetters of the feudalistic South to laying the asis for becoming the dom young and aggressive capitalism of the new world found itself ham- pered not only by the outworn feudalism of the South, but also by the hatig-over of the frontier, and in the effort to sweep aside these obstacles, MAny queer movements sprung up. The most important of these were the abolition, women’s rights, and temperance movements; other fads Were vegetarianism, spiritualism, and like oddities. direct reflexes of expanding capi ; abolition of chattel slavery for Negroes to make “way for wage slavery; women’s rights as a reflection of the increasing participation of women in industry; temperance ex- pressing the need for a stable army of workers to replace the roistering pioneers who opened up the West. The fads of vegetarianism, spiritual- ism, dress reform, etc., were an expression of the reaction from the hard bare life of the pioneers, with its coarse diet and earthly philosophy. As is to be expected, the bourgeois journalist who writes this book does not see these phenomena as reflections of the deep economic changes that were taking place in the economic life of the United States. To her they are “queer” and “interesting,” ete. Miss Anthony entered the movement for women’s rights by way of the temperance movement. The first organized expression of the at- tempt of women to express themselves as a social group in this country was in the Seneca Falls Convention in New York State. The organizers of this convention were Elizabeth Cady Stanton and Lucretia Mott, both women of wealth. The convention protested against such conditions as: No right to vote, no property rights, no rights to their own wages, no civil rights for married women, no rights to their childreff if divorced, taxation of single women without representation, no access to education and skilled work, double code of morals.. The demands were: The right to free education, equality with men in industry and the pro- fessions, free speech and participation in public affairs, including church affairs, and the right to vote. The women participating in this conven- tion were branded by press and pulpit as atheists and hermaphrodites. The storm of abuse hurled at this convention brought it to Susan B. Anthony’s attention, but she at that time considered intemperance and slavery as greater evils and did not join the women’s rights movement then. She organized women’s temperance societies whose aid the Men’s State Temperance Society were willing to accept, but who would not permit the women’s organizations to sit in convention with the men, for women had no place in public affairs. Such actions finally propelled her into the women’s movement. The chief methods of this movement were agitation, petitioning, and working thru legal and legislative means. It is interesting to note that Susan B, Anthony, though herself a member of the middle class, believed that it was to the working women that her propaganda must be directed. She said: “I should like a particular effort made to call out the teachers, the seamstresses, and wage earning women generally. It is for them, rather than for the wives and daughters of the rich, that I labor.” - But the Civil War v was drawing near, the conflict of North and ' South was overshadowing all other matters, and the men and women who | Were participating in the women’s rights movément were drawn into the | Most of them were confused idealists who ; Struggle to abolish slave |} saw only the sentimental s ‘ing the country, and believed that the abolition of slavery was a part of ithe establishment of “democracy” in the United States. Great was their “woe when, after the Negro slaves had been freed and the Fourteenth Amendment, establishing in the constitution their right to vote, to find that women still occupied an inferior status to that of men. i For about fifty years after the close of the Civil War the women’s imovement continued its struggle for the vote, which as time went on became the main demand with other demands receding into the back- ground. In a few scattered states they obtained this right. But it was Tnot until May 21, 1919, after the World War was over, that federal faction was taken. On May 21, 1919, the 19th amendment, extending the right of suffrage to women, passed the House and Senate. The group directly responsible for its passage was the Congressional Committee, under the leadership of Alice Paul and Lucy Burns. Their methods in- cluded a little picketing, a lot of lobbying, and playing politics by at- paptne to throw the votes of women in those states where they had suffrage in the direction of candidates of the Party which would help them achieve suffrage. z But this “victory” was achieved when it had lost a good deal of the significance it might have had at one time, It came after women ‘were an important factor in the economic life of the country; after the rapid development of capitalism had driven them out of the “sanctity fof the home” and into the workshops; after they had in large and ever finereasing numbers been forced to take up the double burden of work in the homes and work in the factories and offices. Today, the fight of the working women and the workers’ wives, the ‘great bulk of the women of the United States, is the same as that of % the working men—the fight for emancipation from wage slavery. Their $ main weapons are the-trade unions, the working class housewives’ or- * ganizations, the political party of the workers, the Communist Party. * The vote means very little unless it is used effectively—to send to the assembly halls of the ruling class those men and women who will help to break down the existing order and speak over the heads of the mas- ters’ puppets to the workers thruout the country. The biography of Susan B. Anthony is a book well worth reading— in spite of the facility with which the author supports the radicalism of a past era and condemns the progressive and radical fighters of today ainly on account of the facts it contains and the interesting picture it gives of a most important era in American history. OLD MAID ROMANTICS. By Heyward Emerson Canney. Harper and Brothers. Reviewed by EDWIN ROLFE. 'HE jacket-blurb of this book reads: “Abel had backbone and land. Stephen had sensitiveness and gharm.’ Nancy married Abel, loving Stephen—then Abel went to war. It is a sort of Enoch Arden romance of the Civil War, but unlike Enoch Arden, Abel White returns to stay and brings his gun. Within the house which he so closely guards, Nancy his wife and Stephen live and love. Years pass, age creeps upon this trio till gradually the whole pageant of modern life rolls by the door before which Abel still does his sentry-go. . .” And that’s all there is; no more, “Sentry” is written in a manner which suggests that the author may have attempted to employ the stream of consciousness method, but, finding that he eould achieve no more than a high school imitation of it, gave up after the first few painfully-written chapters and proceeded on his mediocre way. The re- sult is worthless bunkum, mixed with goodly doses of fairy-tale situa- tions, diluted naivete, and sophomoric philosophy, badly bitten, hurriedly chewed and left undigested. SENTRY. $2, * * * There is not even a sign of social or economic insight in the book, to make the reader say, “Well, he’s a bad novelist, but when he gets down to hard rock he knows what he’s talking about.” Surely in a period which takes in every administration from Buchanan’s to Coolidge’s, there is a field for keen political observation. But Canney is a hundred per cent American; through the mouths of his characters he labels every administration, including Grant’s and Harding’s and Coolidge’s, as un- varyingly good. One president “must be a wise man” and another is equally good. “She (Nancy) had liked Mr. Harding,” says Canney, “as everybody had. He had a benign face and seemed to want the world to be com- fortable again, after the war. And he had gotten the ations together to talk about limiting.armaments. Imagine the world being willing and eager to talk about that! It sounded like a new era. . .” “But Mr. Coolidge was a good man, too, He’d been so firm and wise when governor of Massachusetts, in handling the Boston police strike. You could feel secure with him . “a And a hundred other such imbecilic observations. * * All that Mr. Canney can see in the Bolshevik Revolution, writing his novel ten years after the Soviets first attained power, is that “the Russians had turned traitors and quit.” iets, No discriminating person would enjoy “Sentry”; it is too wishy- washy and meaningless. Modern criteria are more exacting and selec- tive than to give such romances even the slightest bit of critical en- couragement. The only audience with which “Sentry” may gain favor is with the life-starved, vicarious thrill-loving group of old maids and mental adolescents that reads Bertha M. Clay and Elinor Glyn and pends its collective leisure pouring over the tailored-to-fashion stories * aot: ing imperialist nation of the world. The! The former were | le of the tremendous issues that were shak- | “Colliers” and ‘The Satopia Evening Post.” ‘ JUDE ANDERGON "| P9 4 Kalon Arts | “‘Potemkin, ‘The End of St. Petersburg,’ ‘Ten D: that Shook the World’ and the forthcoming Sov- kino production, ‘Two Days’—there are no words to express the great- of these Russian film creations, not only as cinema art, but as sig- nificant documents and vital con- tributions to the radical ana pro- gressive movement of the world. And the Amkino organization here which represents the great Sovkino production units of the Soviet Union is to be congratulated for the effi- ciency and thoroughness with which it has developed the demand for Russian films in this country, which is one of the cultural links between the peoples of these two countries.” With these words, Symon Gould, director of the Fiim Arts Guild and © founder of the little cinema move- ment, opened his interview with the writer yesterday. Recognition of Potemkin. | Following a week’s vacation, Ju- |dith Anderson will again take up the role of Nina Leeds in “Strange Interlude,” Eugene O’Neill’s tens drama at the John Golden Theatre. MOSCOW ART PLAYERS | FILM “CRIME | AND His connection with Russian film | PUNISHMENT’ art dates back to the time when a “Potemkin” came to America, in a | “Crime and Punishment,” the pic- turization of the greatest novel ever written in Russia and the book | which Arnold Bennett, famous Eng- | lish author, declares to be the most | superb ever penned by man, comes to the Daly Theatre, Tremont Ave. | and Southern Boulevard, Bronx, for a special” engagement Tuesday, | Wednesday, and Thursday, Decem- | ber 25, 26, 27. | This novel deals with the torture | and punishment that pursue a man | who has committed a double mur- | der. It raises the question of | whether any murder can eyer be | justified and it does so in a strong, | brutal and masterful manner. | The material of this novel written ; by Fedor Dostoefski is so inspired that any motion picture production of this work would be amazing. | However, this particulur production is the work of the Moscow Art Thea- tre players, unquestiommbly the greatest aggregation of actors in | the world. | There is an added significance in that Dr. Robert Weine, the great- est of all German directors, was chosen to supervise this production. cuiet, unobtrusive manner, even though it was heralded throughout Europe as the most important ad- vance of the cinema today. “They do not ask us to grieve isolated misfortune. We are asked to feel with women, all men, all hu- manity. Eisenstein, Preobrashen- skaya, Pudovkin and the others have been through the turmoil and agony of a new society in the process of creation in Russia. They have seen bitter, agonizing struggle, excruciating suffering; this knowl- edge, this living experience has been compressed into the, new Soviet films,” said Gouid. “To what do you attribute the sweeping greatness and vigorous dynamics of the Russian films?” Gould was asked, Excellence of Soviet Films. “To the fact that the Russian studios are not. content with follow- ing the stereotyped ideas of what oughness the Russian directors have broken up their production into vari- ous experimental directions, seeking what he feels to be the ar- tistic and unique function of the cinema. Of course, one of the im- portant reasons for marvelous suc- cess of the Sovkino productions is thet the Soviet producers are not i|TANSMAN AND STRAUSS PREMIERES ON PHILHAR- MONIC PROGRAMS | The world premiere of a Tans- man Suite and the first American performance of Strauss “Die Tages- | zeiten” are scheduled for the Phil- harmonic-Symphony concerts under | Willem Mengelberg next Thursday levening and Friday cfternoon at Carnegie Hall. Yehudi Menuhin will | be the soloist on the same program, | playing the Tchail:ovsky Violin Con- |eerto. This will be thé boy’s first ct) vibrant with memory and in- | New York appearance since last De- tense in feeling and more particu- | cember. iarly ,because they are actuated by |. Tomorrow afternoon at Carnegie } Hall Walter Damrosch directs a! cial success and that cultural and ideological motivation is strongest. In reply to another question Gould continued: Purposeful Films. that these great films are powerful lin their appeal because they reflect | program comprising the Franck Symphony, the Andantino and | | Scherzo from the Debussy String | om ~ DAILY WORKER, NEW YORK, SATURDAY, DECEMBER 22, 1928 Present Great USSR Films with one solitary woman and her | films should be. With unusual thor- | each | motivated by the lust for commer- | “We must not overlook the fact {a period in Russian history which is | | vital purpose which is lacking ind "LECTURES AND FORUM McKINLEY SQUARE THEATRE | FEATURES JEWISH-ENGLISH VAUDEVILL ish-English vaudeville will be featured at the McKinley Square | Theatre, 169th St. and Boston Road | Theatre, s t a r- ring Jacob and May Sheike- Guild Will made or | mo: other films that are merely © for ‘entertainment’ pseudo-dramatic reasons.” witz. The writer made a refererce to This coming some of the latest Hollywood pro- Monday, Tues- ductions. Gould went on: “No, the Russians have no time for idle, petty themes; no time’ for aimless ideas. Their themes are virile, palpitating. They are light- bearers in the best sense of the word. What do they teach? “They say away with poverty, war and needless suffering. And, what is more, these films show how to destroy these scourges of the world. Yes, these films, in addition to be- ing the highest in cinematic art, will help to free mankind; will help end oppression, wars, hate.” Mr. Gould was then asked if thére would be an increased popularity of day, Wednesday and Thursday, | Dec, 24, 25, 26, 27 and 28, Ja- cob and May Sheikewitz, the leading stars, | | will present a® special three-act_ mu- |sical comedy, in “Hard to Be a | | Woman,” in addition to the eight vaudeville acts and motion picture. | Performances daily, 6 to 11 p. m5 | Saturday, Sunday and holidays con- | tinuously from 1 to 11 p. m. | | Worker Killed by Live Russian films in America. | Wire While in Manhole | Film Arts Cinema. | . In 1925 the Film Arts Guild was | created, motivated by two ideas. | Nina Skeikewitz Henry Turck, of Edgewater Camp, | | Throgg’s Neck, employed at the ‘The first was to help foreign film} United Electric Light and Power | producers to find an American pub-| Company, was working in a man- lic and the second was to create an/ hole at 125th St. and Fifth Ave. intelligent, intellectual following for | yesterday when he came in contact |these cinematic art importetions. A | with a live wire. He was killed in- necessity which was altogether out- | stantly, side the province of Hoilywoed. | For the proper presentation of} REGISTER YOUR PROTE he | Mr. Gould | AGAINST IMPERIALIST WAR. VOT: the- new Russian films, COMMUNIST! | said, a new cinema-house was now | lin the process of construction | Fighth St., west of Fifth Ave. In {construction the Film Arts Cinema | jwill be as different as the New| | Soviet films are free from the usual | Hollywood claptrap. | 'NEW FRENCH FILM AT) | CAMEO TODAY The Film Arts Guild is present- ing at the Cameo beginning today, | MUSIC AND CONCERTS | PhilharmonicSymphony DAMROSCH, Conductor | Carnegie Hall, Thik Sunday Aft. at 3:00 i} FRANK — DEBUSSY — SAINT- | | SAENS — WAGNER MENGELBERG, Conductor i Carnegie Hall, Thurs. Eve. 8:80, the American premiere of “Mother Fri. Aft. 2:40; Dee. 27 and/ 28 of Mine,” formerly known as “Faces | Solo! A Pith 7 YEHUDI MENUHIN, Violinist of Children,” the Jacques Feyder'} qinsman, Tehatkovsky, Strnuss film which Fritz Lang, Carl Freund and F, W. Murnau have voted the best French film produced to date. | Pra aT ER Te “Faces of Children” introduces to. iE : Neon vo" mianlient | the American screen three child ac-| PLAYHOUSE | Popular Prices) tors and these youngsters project) American Premiere Now! | the most subtle emotions with a rT; . so convincing naturalness. The direc- | ‘Lucrecia Borgia’ | tor, Jacques Feydor, has selected | With Conrad Veldt and cast of 50,000. | for his background the snow v- | pIVIC REPERTORY 145 ered Vosges «regions of France. Eves. 6:30 | = = 50c; $1.00; $1.50. Mats, Wed.&Sat.,2.3¢ | BVA LE GALLIENNE, Director |Today Mat., “Peter Pan.” Tonight, “The Would-Be Gentleman.” | Monday’ Night, “Peter Pan.” | Arthur Judson, Mgr. — (Steinway.) Working Mothers Greatest Worry Relieved! ariel SEND YOUR CHILDREN TO Montessori School FOR CHILDREN 3 YEARS OLD D UP {A NIGHT IN Latin- America All day or part time — Children mall Cost — 1673 BASTBURN AVENUE (Cor, East 173rd St.) "Telephone, BINGHAM 10486. ee | Quartet, and the Prelude and Finale | \from “Tristan and Isolde.” Mr. | Damrosch conducts again next Sat- urday afternoon, at the sixth and {last of his Symphony Concerts for | Young People this season. Gerald | Warburg will be the soloist, play- \ing the Saint-Saens Cello Concerto. |The program will also include the Allegro and ‘Scherzo from the /||/ | Beethoven Seventh Symphony, the |]} | Andantino and Scherzo from the De- | bussy String Quartet, and Albeniz’ | Triana. The Tansman Suite is in six movements drawn from the opera, AT COOPER UNION (8th St, and ‘ASTOR PLACE) At 8 o'Clock SUNDAY, DBC. MR. ERNEST BOYD “Guy de Maupassant from Biographer'’s Point jew" A TUESDAY, DEC. (ae =—- NO MEETING FRIDAY, DEC 28: NO MEETING ADMISSION FREE Open Forum Discussion. |“La Nuit Kurde,” written in 1926- |27 to a libretto of Jean Richard | Bloch, Alexander Tansman is one |THE PEOPLE’S INSTITUTE Entertainment and Bail arranged by the | Spanish Fraction Muhlenberg Branch Library (209 WEST 28rd STREET) At 8:30 o'clock MONDAY, DEC. 24: NO MEETING = | WEDNESDAY, DEC. 26: NO MEETING =]! | : THURSDAY,! DEC. 29: ii Workers (Communist) NO MEETING ‘jj ||} Party | SATURDAY, DEC. 29: iH NO MEETING “J of the younger school of Polish modernists. i “Die Tageszeiten” is Strauss’ lat- }est composition. It is a setting for | men’s voices and full symphonic or- |‘ chestra of a cycle of four nature | poems by Joseph von Eichendorff. |The four poems are; “Morning,” “Noonday Peace,” “Evening,” and | “Night.” Workers School Forum Unioh Sq. (fifth floor) N.¥.C William Z. Foster. ~ will speak on the subject: “Where Is The American . Labor Movement Going.” YIDDISH ART THEATRE TO SUNDAY, DECEMBER 23, 8 P. M. DO JACOB GORDON’S “GOD, | Questions and General Discussion MAN AND DEVIL” ADMISSION 25 CENTS The next production to be done |by Maurice Schwartz and the Yid- | | dish Art Players will have its pre- | miere on Friday evening, and will be his revival of Jacob Gordin’s “God, Man and Devil.” The set-| tings and costumes have been de-| | signed and executed by Mordecai | Gorelik. ‘GOW, THE HEAD HUNTER’, AT 5TH AVE. PLAYHOUSE “Gow, the Head Hunter,” opens for a week’s run at the Fifth Ave- | nue Playhouse today. The picture | was filmed in the South Seas by Captain Edward A. Salisbury, noted | adventurer, with the assistance 4 | “Get the Sunday Night Habit” lth St. and Second Ave. SUNDAY, DECEMBER 23: 5:09 p. mi— DR. G. F. BECK Literature—The Creative Myths of , Mankind “Cupid and Psyche (Apuleius)? 7:15 p.m Special Christmax Program. —All welcome— |Merian C. Cooper and Ernest B, | Schoedsack, producers of “Grass” It is a dramatic rec-| TEMUCTAt® mlstenders of Inbor. | and “Chang.” LABOR TEMPLE} Out with the trade anton bo- | _ BRONX OPEN FORUM a | 1330 WILKINS AVENUE at the vom HARLEM CASINO| SUNDAY, DEC. 23, 8 P. M. | Lecturer and Teacher |] 116th Street and Lenox Ave. A. MARKOFF will speak on the subject “COMMUNISM AND | j ANARCHISM” John Smith’s Negro “Get the Bronx Habit—Bvery | Orchestra : Sunday Night” Exhibitions of Latin- American Dances — Costumes and Songs |) INGERSOLL FORUM Guild Hall, Steinway Building, 113 West 57th 8 +c UNDAYV BVENINGS s MBER, 23 DR. WOLF ADLER “Man, Descendant of the Ape.” NICKETS now on sale at the Workers Bookshop, at 26 Union Square and at Spanish Workers’ Center, 55 West 118th Street. ADMISSION 50 CE DECEMBER 30 CLEMENT WOOD he Private Liven of thé Popes,” ADMISSION 75 CENTS. Questions and Discussion trom the floor, | ord of a hitherto obscure tribe in| = ener oe eee eit RN | the South Pacific. 5 5 mar sor nists || . >. MINJATURE BAZAAR Resnite eer spel the shed phe ae market move igher most 0: e 0, ri 0 | feasion yesterday. Some selling de-/I] paycing | witay: Saturday, Sunday, 1. Workers Center jon | veloped in the morning, but it was. Monday, Tuesday (Xmas) ‘ 4 | eliminated and a sharp recovery 26 UNION SQUARE | followed by a price rise of one to : aya, ten points. Then in the later after- December 2 1 Daily Worker Building noon nervous traders took profits 29 23 24 25 ies | and the list closed irregular. United States Steel, General Mo- Big ’ ’ ’ ADMISSION. 25 CENTS Refresh- tors, Ameri Can and other lead- PGE / 7 ‘Hes ub aac ah ; Bargains Db BY Lo i, D. FOR SMIFRIN AND MINEOLA DEFENCE ments jers were bid-up sharply part of the time, and motor shares benefited, TR | I Wee ES ee sae en THEATRE GUILD PRODUCTIONS =| | Seats available for all performances now at the box office Wings Over Europe EXTRA MATINEE XMAS MARTIN BECK THEA., 45th St., W. of 8th Ave. EVES. 8:30, MATS, THIS WEEK: TUBS. THURS. & SAT. 21:30 MORNING PERFORMANCES FOR CHILDREN PRO- THURS. FRE, SAT SUE HASTINGS’ MARIONETTES DEC. 26, 27, 28, 8 MARTIN BECK THEATRE, at 11:30 A. M. — PRICES 50¢ to $1.50,. Major Barbara EXTRA MATINEE XMAS GUIL THBA,, West 52nd Street., Evenings 8:30 Sharp Mats. this week: Tues., Thurs, & Sat., 2:30 sharp MOVES TO REPUBLIC THEA. DEC. 31 STRANGE INTERLUDE JOHN GOLDEN 2224. 58th St. B, of Broadway Evenings only at 6:30 sharp. Kelth-Albee AMEO 42nd Street and Broadway Best Film Show In Town Now THE PERFECT X-MAS PICTURE FOR YOUNG AND OLD } “Mother of Mine”} | THE PERFECT XMAS PICTURE FOR YOUNG AND OLD in Actually med PTAIN KLE! the Arctic CA vi SHMIDT. “LIFE OF SANTA CLAUS”.— (FACES OF CHILDREN) by } THEA. W. 39th Street.| Mats., Wed., Fri. & Sat.| FAY BAINTER |. JEALOUSY JOHN HALLIDAY éy EUGENE WALTER from the French of LOUIS VERNEUIL A. H. WOODS presents MAXINE ELLIOTT’S NO @ERFORMANCE M DAX NIGHT! “Brilliantly acted.” J. Brooks Atkinson, Y. Times. “The best performance Miss Painter has ever given.” Burns Mantle, News. “Don’t miss ‘Jealousy’.” R. Coleman, Daily Mirror. “A joyous revel in which there was much sprightly froth, some vivid characters in a seriously interesting romance, and a cast of players remarkable for the excellence of their acting.” —Percy Hammond, Herald Tribune. “Produced with winning grace and Kghtness, acted with un- failing cleverness, listened to with ease and glee.” —Gilbert W. Gabriel, New York American. ARTHUR HOPKINS presents PHILIP BARRY’S New Comedy with settings by ROBERT EDMOND JONES. Thea., W. 45 St. Eves. 8:35 PLYMOUTH Mats. Thurs. and Sat. 2:35 SPECIAL MATINEES FRI, DEC. 28 and MON., DEC. 31. MOSCOW ART THEATRE PLAYERS FILM “CRIME AND PUNISHMENT” (F"..TUES., WED. THURS., DECEMBER 25, 26, 27--“=q). The Picturization of the Greatest Novel Ever Written in Russian, «MPECTYMJIEHMVE UW HAKA3AHHE» DALY THEATRE Tremont Avenue, Near Southern Boulevard. Bronx. — — — — Phone, FORDHAM 7163. 5TH ANNUAL Caucasian Concert and Ball KABKASCKWM oak TON IGHT, December 22nd in HUNTS POINT PALACE, 1638rd St. and Hunts Point Palace, Bronx, N. Y. Artist of Tiflis Royal Theatre od ALBERT Baritone DORA PROSCHAW- | Singer of Folks Songs | i i GRETA GLASS MRS. FISHBERG and A. PRESSMAN Piano Solos JOSHA FISHBERG LESGINKA — by Jabonoff — Well-known Violin Player A dance TWIN SISTERS NAFT Dancers and Violin Players Director — AN EXCELLENT BUFFET A LA CAUCASIA — Admission $1.00 — — — — — — — Program begins at 8:30 P. M. ADMISSiUN $1.09 PROGRAM BEGINS 8:30 P. M. ANNOUNCEMENT == The alteration of the INTERNATIONAL PROGRES- SIVE CENTER has been completed, and reopened last Saturday under a new management with an excellent American and Oriental kitchen, Cafeteria, Restaurant and Recreation Room. TODAY will be the formal OPENING with music and dancing, starting at 6 p. m. to 2 a. m. Those who like a nice meal, home cooked, and those who like to try Oriental cooking, can come any time between 10 a. m. to 12 p.m. Every Saturday Music and Dancing—No cover charge. Visit our INTERNATIONAL PROGRESSIVE CENTER, 101 W. 28th St., Cor. 6th Ave.