The Daily Worker Newspaper, September 15, 1928, Page 4

ace ve. Twa t v A a ‘ f TTOLSTO ral By SOL AUERBACH. Pq renounced the life of my class, for I had come to confess that it was not a real life, only the semb- lance of one; that its superfluous luxury prevented the possibility of understanding life, and that in or der to do so I must know, not an exceptional parasitic life, but the simple life of the working classes, fhe life which fashions that of the world, and gives it the meaning which the working classes accept. The simple laboring men around me Were the Russian people, and I warned to this people and to the _ meaning which it gives to life.’ Leo Tolstoy wrote this Confessions,” e book whi he pivot point of his development, written after a brave and frank scrutiny of the life and ideas his class and himse 0 that point in his 2 serious and sincere own could no longer tolerate the meaningless and parasitic life of he Russian nob He had asked himself two questions: What is the end of all this pleasure seeking, life when such nature as his his meaningless hopping from one_| pleasure to another, this continual ife of passive acceptance without questioning of purpose and good? in this he saw nothing but decad- ence, death, decay, a palatial edifice of glass pleasures built upon the backs of the masses. s * From the first question it was but a step to the second: If this life of personal pleasure means nothing, how then can I be of use It is one thing to see vhe insignificance of the individual n the complex structure of society; t is quite another to substitute for he meaningless and decadent ideo- ogy of a parasitic class an all-em- tracing, healthy and constructive way of looking at things. In the ‘aasses Tolstoy saw a daily life of struggle and suffering, an existence rooted in the very soil of Russia, massive, bulky, sturdy as an oak, ios ARTIST OUT OF PAST) He had come | ™ REBEL j words seems to be in direct contact | with the lives of the people he pic- tures. Living through his sentences, you can see the pleasure-seeking nobleman, the more serious, grop- ing, questioning, self-distrustful man of leisure, wandering through a life without purpose or aim, There is the peasant, toiling, living his simple life interspersed with sins nd my lorn momentary pleasures, the ar- officer, the countess, the love- aristocrat moving unalterably towards her doom. Always the troubles and problems of the mas- their toiling life used ev where as a backdrop to the aim} life of the nobility. The petty of- ficials, the bureaucrats, that drab tain of the mind—the church, the oppressive hand of the czarist regime; his was a complete and picture of the Russia of the czars. His view was wide, un- | derstanding, sympathetic, filled with | social content, | Tolstoy stands as a great man ses, jof the past, a heritage of czarist Russia to the masses of the Soviet | | Union. | STORY 16 A, 22% spirit prevails in Tolstoy's land today. birth of one of old Russia’s greatest | | novelists sees a workers’ and peas-! Hy STORY OF THE RAIL- | ants’ government in power, the eyes ROADS—FOR NICE CHILDR. of the working masses turned in the THE STORY OF TRANSPORTA- direction of a new ideal, the con- TION. Jeanette Eaton. Harper centrated energy of its best men— & Bros. $2 directed towards the construction of “ TAIT. C 7 | classless and just society. Czarist| Reviewed by WALT CARMON. Russia has died, A new society and||N this attractive booklet for chil- culture has taken its place. {# dren, on a single story thread are Tolstoy himself said that the mas-| beaded all the modes of transpor- ses understand good art, that nj| tation from the canoe of the Indian |training is needed to understand|‘? the airplane. All of it is a most Heo Aud: the Rosslan inaskes have elementary scientific explanation in Junderstood this master out of the|® fashion a child could not help but | past, in whose works are incorpor-| &™Y- Jated so much of their own experi- ences and suffering. The workers’| and peasants’ government has de-| voted the entire week to the celebra- | |tion of the hundreth year of Tol- scientific in its explanation of the vital forces that prompt invention and scientific research. Nor is there added a word as to the part Unfortunately, the book is not as| OF RAILROADS vieaticnes | For Kids Who Ask No Questions panel UE Before the war, labor was mili- tant, now it is cooperative. This was the test‘mony of W. Jett Lauck so-called labor economist, st a hear- ing before the American Bar Asso- | little boy who is forever asking ciation last winter. The same estim-| questions. He wa to know ate—probably even the phrase vrs “why?” about ev ng. Ths filched—was made by E<-ns Clar' youngster would prove a most un- comfortable one to the author glibly skips over each step in the progress of tr: with a wno SATURDAY, FURSEES WAGESLAVE UTOPIA THEORY F THE LABOR MOVEMENT: By Selig Perlman, Ph. D. Maemillan Co, 1928. Reviewed by JOHN L, SHERMA HE mind of the American bour. geoise is coming of age This is the explanation of the rapidly ac- cumulating storehouse of con‘ecture and reflection upon the social pro- cess and the labor movement. The early history of the labor movement in the United States and even of so- cial development itself is astonish- ingly devoid of theory. Events fol- lowed so rapidly on the heels of one another that there was no pause for thought. Reflection follows upon the conflict with obstacles. When the going is fa unhampered. there is but little for the action of the “mind.” The question “whither?” is a product of strug- gle. The mind of the American busi- ness class is beginning to mature: inde (cg, It i theories of the labor movement an¢ of the social process against the background here suggested. Only against such a curtain will their true perspective be seen. in his review of “Labor Dynamics” by J. B- S. Hardman and others in the New York Times. mn Now. it is, of course. not truv most wu ause veo- that “labor.” by which they mean ple wanted to go faster.” Alright. the official labor movement was Why? And what people ’ en te The book opens a vision of a real service that could be performed for workers’ children in another book on the subject which would answer every why of transportation pro- gress, Why industry grew with the discovery of steam and electric power; why these made necessary new inventions; why trade expanded nilitant before the war. What is true and significant in this state- ment is that the officialdom of la- bor before the war still maintained the pretense of militancy: that now it has consciously abandoned even the gesture of struggle and taken over officially the policy of “eroperation” with the employers. The value of Prof. Perlman’s bool is that it carries out to its conclu- oe We a necessary to examine the new| § has} ~ es meactamcteercuen ea i aM Mo to puesta: | stroke of good luck the author | joined the research staff of Profes- | John R. Commons.” Then the! light dawned. Perlman learned “the | method of deducing labor theory | from the concrete and crude experi ence. . .of sweat shop bosses | ‘scabs,’ strikers, merchant capital- | ists and manufacturers.” | And what is this new empirica theory in which, as he boasts, “the | Hegelian dia'etic nowhere occurs, nor is cognizance taken of labor's ‘historical mission’ ?” s0r The worker is and will ultimately | remain only “job conscious.” He! has none of those ultimate aspira- tions which comprise “the faith of the revolutionist.” The trade unior {leader alone best understands the road for labor to travel for he sees | the worker as he really is and must be, seeking nothing higher than to secure the essentials of life and as- piring only to climb towards “a ivilized level of existence for ones and ones dependents.” (Page | | 300). “There are, and by and large, three basic economic philosophies,” | Perlman says, “the manual labor- ers’, the business men’s and the in-| tellectua’s’. “In an economic community there is a separation between those who| prefer a secure, though modest re-| turn—that is to say a mere liveli-| hood—and_ those who play for big stakes and are willing to assume risk in proportion. The first com- pose the great bulk of manual work-| ers of every descrintion. . .while the latter are, of course, the “s‘vapenenrs, and the big business men . ihe worker, we are told is in- stinctively aware of his own short- comings. he is aware of his own inate interiority and “this scarcity consciousness has always been typi- cal of the manual worker.” The} business man, ‘on the contrary, is an eternal optimist.” All the errors of the intellectual | (by whom he means the revolution- | ist) arise out of his failure to under- | stand what is really on the work- er’s mind. So the intellectual, the | STA TIC Soviet Union to Film | Siberian city of Werchneuudinsk, Scenario in Mongolia IN “LUCKEE GIRL.” HE “Belgoskino,” the state film company of the Ruthenian Soviet Republic, has sent three expeditions to Mongolia to film a scenario in the with a political plot built around a} descendant of Chingis-kan, the Mon- | golian conqueror, according to a re- port to the Department of Com- merce by Trade Commissioner George R. Canty, in Paris recently. The report contains a detailed de- seription of current developments | and plans in the motion picture in- | dustry and Europe. | The “Belogskinio” has consider-| ably expanded its production and re- | cently transferred it to Leningrad where a new studio will be build. The company has just completed a new film entitled “In a Large Town” directed by Auerbach and Donskoj. The film is a description of two ten- dencies among working youth. Gardin, manager of Sovkino, has been engaged by “Belgoskino,” and is now at work on a film on Chinese life, it is announced. The Soviet film industry, accord- ing to the report, has lately pro- duced a large number of satirical films on various aspects of life in the U. S. S. R. “Don Diego and Pelageja,” produced by: Mejrabpem- Doris Vinton is one of the prin- cipals in the new musical show “Luckee Girl” which is scheduled te open at the Cameo Theatre tonight, Rouss, is meeting with considerable success. Sovkino has now completed another film of this sort, entitled, “The Chinese Mill” (directed by A. Lewischin). method confutes them: The bosses almost without exception (and not | less and less so, but more and more so) reject “the spirit of cooperation” which the good pragmatists urge upon labor alone! Does anyone seriously _ believe that the coal barons, the textile lords, the stcel kings are really out that these gentlemen really have “falling for” this good-will hokum? not the ‘faintest perception of the| Anyone who pretends to know what real nature of the social process g0-|is going on in the labor movement ing on; they fail to se that what) who believes this is already in a they call “labor” cannot be under-| bug house needing only the prag- stood apart from its dynamic rela-| matic test to verify the fact. tions to the whole social system;| In a nutshell “cooperation” is that the pragmatic method however meant only for the workers. The desirable as a tool can never of it-| bosses have their own good methods self lead to scientific insight. jin the class struggle which | they But even their own pragmatic’ have no intention of abandoning. et! tion in industry approaches a secur- ity rooted in institutionalism.” * * this means the company union! And this is the final out- come of heroic pragmatism: the permanency of the company union! It would be gratutitous to point Yes, mshing out its branches and gen- rating its sap in spite of the op- wressive weeds of a czarist regime ind the dimming painted win- lows of the church. Tl a certain sense we can say hat Tolstoy was class conscious and ; ook his stand with the masses j gainst the “noble” oppressors of ¢ carist Russia. With the formula- <tion of his point of view Tolstoy evenounced the culture and institu tions of his class. The art of what we would call the bourgeoisie was ‘o him decadent, swimming in the tices of its own decayed body. He aw in it only a refined way of ex- y play in our lives nor the world| eee At times this Timita-|amd how modern transportation tion of the book is even amusing.| rings the things that workers pro- For instance: the reason all cities| duce to foreign markets. Children do not have subways is that “it{Wil find no answer to questions takes a great many people riding| like these here, tho the book is not every day and paying out thousands) Without merit. eh and thousands of fares all the time| It is profusely illustrated in a nice to pay back to the city all it has|fashion in keeping with the text. spent to build these underground] There is nothing in it to jar the| railroads.” To the city? And after|Sunday school sensibilities of the the people have paid and paid until | most conservative teacher. It is a they have paid in full? Then what?| Perfectly safe book, It is not as And why? good as could have been written and as you will guess from this descrip- In one of the stories in “Fairy| tion (and price) it is not written es- Tales For Workers’ Children” by|Pecially for workers’ children. in’ af is a ptouts: Hite. sion the logic of the position adopted | et |= 433 Performances In NY. A.H WOODS Presents IAL OF RY DUGAN BAYARD VEILLER. . by the new school of theorists, Of| Marxist, is not actually the social) @ course, Mr. Hardman will nor “ae | scientist, he professes to be but a| cept” all the conclusions drawn by| dealer in abstractions, unable “to the lesrned professor of the Univer-| withstand an unrush of overpower- | sity of Wisconsin. Calhoun, Saposs | ing social mysticism: ‘ | Muste and the others of what might| The pragmatist sees that there is/ be called the “left wing” of the class|Teally a “parity of the classes” in| callaborationists, would seck a mid-| Society that there is an emerging | ground between out and out) “spirit of cooperation” by which the class collaboration and the “dogma” | struggle of the workers is to be de-| of the class struggle; yet the very| cided rather than by the force on method of their approach to the la-| numbers. | 3 | bor struggle, the so-called pragma-| There is really no basis for the tie attitude of which they are so|theory of sharpening class struggle. | fond, forces them finally and “in| Labor developing towards a the long run” to ACT as if the| “stable job consciousness. (Gapital- struggle were not even in existence |ism is developing from a “demand The Tolstoy jubilee committee has been working on the centenary cele- bration for the last few years. The |celebration which has taken place jin the Soviet Union during the last] week is symptomatic of the spirit of the new society. Throughout the land the masses attended meetings |and special performances where his life and work were described and some of his plays shown. The sig- | nificance of Tolstoy the artist and | Tolstoy the man was discussed and |clarified. For on both scores, to a| |great extent, does Tolstoy belong es is | 9 A Se ee A a Pv Fe 7 | ‘ | itali velfare messing “the feeling of pride, the|to the masses of the Soviet Union.|Herminia Zur Muhlen there PeWALE CABMON.” Tt then Gepatee ony ferme Perl: jana eupely ctplellin a 8 1 batch Cc AMEO Ne i Jeeling of sexual desire, and the feel-|As a social rebel, denouncing the 3 TBR 2, See OD net TS COR OL ear es aoe AOE ALBEE . ; ¢ : or eek tate i : clusion tha ere is no struggle a’ nd what is the ¢ ie 42nd St. and Broadway ng of weariness of life.” Contrast | society of classes and its oppression all. ‘he fleht avainat theory and| new and pragmatic insight? ee this culture with the simple handi-|of the laboring masses; as a great crafts and life of the working and| writer, one of the best of the old peasant masses and one sees the/Russia. And the Soviet Union, con- difference between a life that will|trary to the belief of its enemies yuild the culture of the future and|and the viciously inacculate writer | a life that is building its own cof-|in last Sunday’s New York Times, |dogma completes itself with the| ‘In a nutshell the problem of \adoption of a theory insipid an¢| American unionism today is, first, | shameful. [how to dispel the hostility of the | employer.” This can best be accom- “Twenty years ago,” Perlman) plished through the spirit of coop- |eonfides, “the author of this hook eration. ‘White Lilacs’ Chopin Operetta Opens at the Shubert Theatre WO Ships’) way by his denunciation of the life | funster and husband DeWolfe Hop-|ened by briefs doses of exhiliration, an tin, “Free the slaves of capital,/has not destroyed or renoustced all|™F all the weaknesses with which|en by the crowing of roosters and| like most of his college generatior| Finally we have the logical con- and it will be impossible to produce that belonged to its ancestor. It|V gonius is afflicted the greatest is the lowing of cows. |in Russia professed the theory of|clusion and perspective of this the- Authentic! | Sensational, Submarine Warfare! WORLD ieee Fetined ‘art.’” has destroyed what is bad out of the| supposed to be conceit. The narcis-| Among the impressions the visitor |the labor movement found in Marx-|ory of the labor movement: Labor/|i| ACTUAL! beste tah a PREMIERE || Sr ae nak old Russia and taken the good for|sus complex is seen at its best in| takes away from “White Lilacs” | ian classics. . .” | will become “‘institutionalized”* “The || = Although Tolstoy in one sense|its own use. That is always the| “White Lilacs”, now playing at the is that the life of a genius is spent| Fortunately the spirit, of which| likelihood of that spirit of coopera-| FT DSON West 44 St. Eves. at 8:30 eave SOU was class conscious—in a negative | Privilege of a new society, and it| Schubert Theatre with the noted| between fits of melancholy bright. the professor later makes much cf tion developing in unionism in- Mats, Wed. and Sat. 230 vey THE LADDER |can accomplish great things by al | led him to America. “By an unusua! creases in the measure that its posi-| ® “Goin’ Home ‘ fs IN ITS REVISED FORM? dof a parasitic ruling class—he was|@tional and good choice. per in a leading role. If Mr. Hop-| also that artists spend MOSt 00 112 | CORT Thea. W, 48 St, Bvs, 8:80 not possessed of that class consci-| This celebration has not simply] per’s contribution to the evening’s| moments boosting their own stocks. | |«vield and unfailingly exciting.” ; 5 ee i ; | | | ion Bintth, Werla. Money Refunded if Not Sai p ousness which is constructively re-/used the birth of Tolstoy to honor entertainment was confined to his|Such people are beloved by all the. | ip t tI t dand s “| With Play. f volutionary. His was the point of/a dead statue, but has used it to| little curtain speech between the sec-/ world excepting their unfortunate a es mpor ei | Krthar MopRina” Peouents | a view of a rebel artist not of a pro- educate the masses, to further in-|ond and third acts that alone would | mates. oat p 9 SHUBERT Thea. 44,W.ofB'way.Bv. ¥ letarian revolutionist. His whole re-| still the impetus for constructive|be worth the price of admission pro-| Jncidentally a Hopper gag is worth||| & ¢ s f omens | §:30;Mats. Wed.,Sat.2.30 4 : ail lee “Appia bas | @ estic | GUY ODETTE DE WOLF li action to the miserable social con-| work in the building of a socialist| vided one could afford $5.50 for an| recording. It is about the monkey|}| { J vom / Fae toe ts and |ROBERTSON MYRTIL HOOPER in ditions of Russia was that of a state. What greater honor could| orchestra seat. who sighed when he ran into a re-|f| \@ WX i NOME DIA per ee in a musical romance of Chopin - ‘ f r4 ae) | (eA ten scenes by Sophie Treadwell d ~ highly sensitive and realistic indi-| have been given to Tolstoy than to| The much-married Hopper how- | vived ancient; “This is my own, my ||| Okeh & Odeon Plymouth Thea. W.45thst.Eves.8.30 WHITE LI A CS li vidual. In the Russian peasant he | build a modern school dedicated to| ever did not romp off with the lion’s| native gland.” Wi —mmreen Mats. Thurs. & Sat., 2:30 . saw a patient acceptance of his lot,| him in his village of Yasnaya Poly-|share of the honors. Those went| ‘The operetta is from the German||| n “ 8 | ° f a chronic passivism, a restraining ana, where children born in a new undoubtedly to Oddette Myrtil who| original of Sigurs Johannsen, book | | Electric Reeords quietism, a deep religious sense, So State will be trained in the princip-| gave an impersonation of the fa-| and lyrics adapted by Harry B.|}) a great was Tolstoy’s desire to achieve |les of Communism. Or the building] mous George Sand, that should| Smith with music by Karl Hajos. |}! yw Peace of mind in a life that served of a modern hospital and clinic to| please equally well an addict of} tt is jazzed up to suit the machine ||| = = some purpose that he accepted these | look after the health of the peas-| the Ziegfeld Follies or a steady cus- age. pS: OR. 4 A 3189 Merry Wiser, aclsy. tee w traits as a part of his philosophy, ants in that vicinity where he wrote| tomer of Theatre Guild productions. | ee we A a lest \) 8237 Alda ee bia? idsummer Night's Dream Acce taneeS eeches St imeorporating the bad nature of the his novels, What could be more| The operetta is based on the short- | «nN BWLY RICH” TO OPEN $088 Actes Lite. . “it | 2082 Millions dAriequin’ (Les p a Russian masses as well as the good. Symptomatic than this honoring of | lived love affair between the great FOLKS THEATRE | | $188 Ave Bate (Bach-Gounod) Fee Wooeuene Souata, J t P bli hh d If he had been a more penetrating | @ great novelist of Russia’s past, of | composer Frederick Chopin and Miss) bs Il siis tered Bride (The) N us ‘ublishe ‘ Pe social philosopher, he would have|the unbreakable impetus to push|Sand. This critic is of the opinion Ss aki ouaton alll fis) Battle Gacophony sss. re eae, [hen nee: t] seen that these traits were only ahead, to educate, to build a thriv-| that Guy Robertson in the Chopin| aus Ale ey rite baits ae Eades eaten eeemner aie PaO a transient and temporary, that they ing and healthy culture on the basis | role exhibited more prowess in woo-| | GCS) same Delt Wil 18 (e880 1) 3209 Boheme (La) ee Gs Sue ee FORTY-EIGHT page pamphlet con- ir ad been instilled into the masses|of @ healthy social organization. | ing the famous love-novelist than| Di, wack Revengor tn | Nowy |i Sa Bae P taining the acceptance speeches of ; | ‘ . . ich” a Jewish comedy drama by Z.|§| $202 Caprice Viennols .....,. 5122 Parsifal . ena e f A . pi * 28 2 means of defense against cen- | . ey tickling sweet notes from the piano. | Lifin, whiehiwill fdsugurata the’newe 6128 Cavalleria Rusticana 3200 Peasant Giri William Z. Foster and Benjamin Git- i of ion. toy’s | It it be admitted that his task| Yo" Rr + el es ore sohienees ae age Enemies of the Soviet Union Wis they) led Sand fell for him| Yiddish Folks Theatre on Second|]) 5185 Danse Macabro 3211 Raymond-Overture | low, Workers Party candidates for Pres- treme, his desire to live the life of 2>ound. There is a hostile capital-|jike a cloud burst. Miss Myrtil how-|AVenve and 12th Street tonight. 3201 Dear old Muntch Lee | ident and Vice-President of the United Re secon ac ist world. But the Soviet Union f Mr. and Mrs, Gehrman are sup-/f| 5131 Don Juan-Overture 3198 Serenade (La) Metra States of America. » the masses so great, that he com js ‘ ever kept the eyes and ears of the 2 3024 Silent Night th. . mitted the fault that he had charged | US¢S its heritages of the past, cre-| sydience busy and tho at times she | Ported in the new play by Bella Rerder Herrlichate von $102 Sirenes Beare the at of the ruling classes —| 110 rer uctive Mork, carlos on ina [tested to be scanning the seats for) Tinksh, socentiy, of our Walle Betudiantinn<Waite "10: | QU}% Seutmern Roged (Wi Included also is the nominating speech qj fhe placed the beautiful above the | oer eee caltieal acti |& missing ancal, and paying more| Anna Apple, Yudel Dubinsky, Iei- EDS bight aac delivered by Bob Minor, Editor of the Daily 1 good.” The simple words reputed | 0" Ccucationa’ and cult tention to the bald heads in the 1 F peace | Falr Rosemary Woods Worker, and’ the closing address by J th ; ; Naa ive (ities, is making out of itself the ih Wolf Goldfadden, Rebecca Weintraub Forever or not at , ig ess Dy Jay Sto Christ and their docile ineffective front 1ow thaa to the sensitive | 3090 ‘Tosca Selections Levesto E ti Ss bl neceptance by the toiling masses f0TeTunner of a new world and alchopin, her formance more than|nnd Jacob Goldstein, The Yiddish | Woreet-spesnos $220 ‘Traviata (Select! estone, Executive Secretary of the Ww ns Re veliak th dreams: new international society, To the! atoned for any deficiency in the Folks Theatre (formerly tho Yid- Goeldshower Waltz ....,. 8103 Vanatinn Bascbone ot Workers (Communist) Party, summarizing who soug! hen + tr i could not be obtained any other| Masses of tomorrow belong all the| piano playing. dish Art) is the latest addition to RS a 5136 Von ewiger Liebe (Love the achievements of the National Nomin- way, was beautiful to the soil-root- | Positive achievements of yesterday) Ga) ei into George | the string ef Jewish Playhouses on Humoresqus (Dvorak) yehipuge seas macs ating Convention. + ed Paind of Tolstoy. He preached and today. The Soviet Union is col- Si nde lite. at ty be ject | Second Avenue, Light Cavalry hoa Abc amedboslth kes he Mas passivism, simple religion, brother- | lectin achievements out of the past ith two exeeptions, her publisher eater tT A LEE ie cs Cane ee 2008 Wedding gt” Sieepinig ”” Each pamphlet carri i H pi , ion, {6 .0ptibina with: iGicoen aciidve: tions, BRITISH FILM OPENS AT J, S122 Wehengrin 9.00 Beauty (The). pamphlet carries a plate with the hood of man, and sonship in God. and a singer named Luselle, The 7 ‘alates {fj} 8195 Love Walts ue $200 Wedding Serenade . i : te and saf vag e 5 latest photographs of Foster and Gitl ‘ad Re a es ie ona Ista ie sng Publisher, played by Hopper, was, CAMEO PU EATRR, $208 Medley ct vi By Fee a Re aS costars splendidly done. Ow, yj i . sse e world. 8 | . | x yo ri - ; 4 : But while he failed in setting up| o¢ tn, cauldeecieats out of che past | about as artistic as a floorwalker | The Bile Ada Guta: wil | 8201 Merry Vienna sestscssne, 506 * wine, “Women 1 “Sone an independent social philosophy of GoAvhe has beats a and the singer had room in his heart 6 m a Gu will presen i a ‘ ri fi 8 dopted for the ti “ 3 SEibcacing view and hs serloos end |‘ Hgzamy gue love and that ear ae ity Premiere «@i|| _ WECARRY A LARGH STOOK IN SELECTED RECORDS PRICE 5 CENTS tt persistent realism have made him) | Others whe contributed to” the} Nee Era Pas an ied | IN ALL LANGUAGES . In lots of 100 or more 80 per cent off. * f Russia’s atest novelists. | of the seas, “Q Ships” tells for the | {| iy or regon Plotters i ships and their werk in eonflict with! J) S°"'** °° We MeaciaT ARAC AIL Waraieir Renee “nr ae . la itoy’s books one can see the whole Charles Croker-King as Meyerbeer. | of Clasule and all Foreign Records ° ‘ A of Russian life of his day. He could at | Heine, Meyerbeer and the publisher | the German U-Boats during the war, | pili National Election Campaign Committee | i lig into life and knew how to sort) MEXICO CITY, Sept, 14 (UP).—| gre good for lively small talk while| @ Ships” was produeed with the of- ° 43 EAST 125TH STR ais findings in such a way as to|Judge Alonso Aznar Trejo asked Georgé Sand is resting between ficial sanetion of the British ad-. EET “ i trait ¢ sive to his readers that intimate|the foreign relations department| tricks ex ehanging from male at-| ™ralty. NEW YORK, N. Y. fa ouch, that actual feel of people's|today to make further representa-| tire to the rather generous female |] 103 AVENUE * (Bet, 6-7th) NEW YORK CITY 4 $ ? RESCUE MISSING FLYER: | i Mee that orily. great novelieta can tions to the United States about the| covering of other days. We can stilbene ei LYERS. if _— | NW Wesd +, schieve. When he turned his gaze arrest of fugitive Mexicans wanted|jmagine the envy of woeuld-be| PLYMOUTH, England, Bept. 14/[) ALWAYS AT YOUR SERVICE orders must be accompanied by pa: hates f , : ™m ipon Russia he saw it all. His in-|@S suspects in the Obregon assas-| authors in the audience as the lady|(UP).—Commander Louis Demou- | Fi ana ‘i ca “i i ene y payment lividual characterizations are mas-| sination. |turned out a novel with a fow|got and two companions, lost in a|]| jolts All UNI, Odeon, Colwmble, Victor Records: — Pluss ‘Tu uy erpieces, His writing is Jacking} Authorities beiieve Maauei ‘Treja|seratches of her pen, between|ship-te-shere mail piane frem the a ing Accepted, t. in meaningless “aesthetic” ee MING his companions are hiding in| spasms of emotion, while the silence | liner Ile De Franee, have been res- | WH SELL FOR CASH OR FOR CREDIT. — Greatly Reduced Prices, New York. of the country atmosphere was brek-| cued at sea. ——___________ @ writes simply and directly, his +h ; p a