The Daily Alaska empire Newspaper, July 6, 1931, Page 6

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POLLY AND HER PAYS FOR INSURANCE See H. R. SHEPARD & SON l Telephone 409 Valentine Building {* Pioneer Pool Hall | Telephone 183 POOL—BILLIARDS EMPLOYMENT OFFICE Chas. Miller, Prop. | JONES Hanold Rell YOUR ALASKA LAUNDRY Tel. 15 We call for and deliver ‘. L 3 - Harriet Noel and his unfailing af- | | fection for her son made the ap- proaching situation no less a crisis in the life of Antonio Latour, him- | self. 3 | never attaized that goal is said to | have been one of the most bitter disappointments in the life of the | Duchess. The Duke's career as a | soldier reached its climax with his | more than double my money for me in a year, and that it will give him |the start he needs. I—I'd like to |help Bruce—and Ann. I'm sure |mother would want me to—don't NEON SIGNS : Antonio Latour y with the funds from play and finances his t ¢n the stage. Then Har- tiet Noel, who has refused to marry him, goes to New York to realize those theatrical as- pirations which had scandalized their village. Tony's jeb when they are billed together is daghed by their quarrel when he learns that she is to wed their manager, Roy Donovan. His hopes dead, he returns home. There, teo, later, Harriet, descried by her husband, Don- cvan, gocs with her son, Pierre, age four. In him Tony discerns the reborn theatrical talent of his mother. After her death the sensitive boy and Bruce, the bullying stepson Donovan had put in Harriet's charge, are rivals for the favor of Ann Be- vis. Chapter 11 CARFER OR MARRIAGE The rivalry between Plerre and’ Bruce affected each differently. When Ann chose Pierre, Bruce would be angry. When she fn\'orcd‘ Pierre moved uneasi Ann does not want me to be a da jerk. She wants me t0 go into something with a future—some sort of a place like Bruce has in the bank, you know. Bhe says that I might change my I mind about the stage. I guess she is right, in a way. Everybody will think I am not amounting to much, |but you and mother and I know what it is all about. Ann will un- derstand some day. Besides,” he added without a trace of ill feeling, but with an odd wistful note in his | voice, “Bruce is the Orchard. Hill star of our family.” |slowly: “I don't believe that a | young actor just at the beginning |of his career has any right to | marry; do you, Father Tony?” | Antonio answered with care, “It | certainly would be hazardous for llho lady, and a terrible handicap for the young actor. It would be almost a miracle, I think, if such a marriage did not end disastrous- iy t Pierre nodded rewuctant agree- ment. Then he tried to6 speak in a matter-of-fact tone: “Of course, it would be an impossible thing for Bruce, Pierre would make merry of ;& decent fellow to do. If a man his defeat. When she seemed to prefer some other lad, Pierre would jestingly console Bruce, much to the older boy's disgust. Ann laugh- ingly said she loved them all. “Ann’s father, Martin Bevis, and 17 Old Tony explains, “went to se¢hool together. When Martin grad- uated from the academy—the year I ran away to become an actor— he took a position as bookkeeper in the First National Bank. Forty years later he is still a bookkeeper in the First N on Bank. And that,” the old actor declares, “is a complete characterization of Martin Bevis!” Mrs. Bevis took care of her hus- band until little Ann was 13. Then she passed to her well earned rest and the responsibility of taking care of Martin fell upon his daugh- tér. She was a most lovable girl, with a sweet Madonna-like face and that mother sxirit which such girls have. Somehow she managed to. attend the public schools and with her very real charm, she was @ great favorite. Bruce, his school days ended, ac- cepled a position as clerk in the First National Bank. Plerre, when he finished school, accepted a posi- tion at the soda fountain of the Qwl Drug Store—which his moth- er's father had once owned. “You see, Father Tony,” Pierre explained, “that soda fountain is the best place in Orchard Hill for me to study character. It is only for two years—then I'll have the mon- efi whieh mother left for me and Il beat it to New York and the American . Academy of Dramatic Art.” “What does Ann think about it?” Old Tony asked gently. CUSTARD DESSERTS 'WILL BAKE BETTER “ IN SMALL DISHES Coffee is Also Better When ¢ Roasted in Small Lots — Hills Bros.” Method The smaller the dish, the more evenly and quickly the oven heat can penetrate to the center of the custard. Such results cannot be counted upon when large baking dishes are used. i Applying this prineiple to roast- ing their fine blend of ¢offee, Hills & '0s. found the way to develg:{ uni- rm flavor in every ounce. A con- tant stream of green coffee is ntroduced into the roaster in auto- matically measured lots of about three pounds, and passes thm;éfih i a steady flow, roasting a little at a time. There is accurate con- trol of both the flow of coffee and he temperature. " This process, patented by Hills Bros—Controlled Roasting—de- ! velops a delicious uniform flavor no other coffee has. The ordinary nethod—roasting in bulk—is vir- ly lacking in control, Grocers everywhere sell Hills ‘Bros. Coffee in the vacuum can that s it ever-fresh. Air, which s the flavor of coffee, is re- from this can and kept out. d ed i? (:irdinarv cans, ir-tight, does not stay e Ask for Hills Bros. Coffee name and look for the Arab— ‘trade-mark—on the can. “Hills Bros: Coffee, Inc., San isco, Calif rr-nwco, wnll. ©1981 really loves a girl, he is bound to think of what her future would be if she were to marry him. “If marrying the girl means more to him than his career, he should give up his career. With me—well, I simply couldn’t give up the the- ater.” We can imegine hew. vividly the boy’s words brcught back to An- tonio memories of Harriet Noel and that scene when she had chosen between her love and her art Presently Plerre said wistfully, “Do you know, Father Tony, I sometintes wish that what people call practical—that T cared more for business and that sort of thing? If I was more like Bruce now—Bruce will have no troubles about marrying and hav- ing a family and all that. He won't need to bother about mar- riage interfering with his career. Good old Bruce—he's a lucky dog, isn't he?” Pierre _had been working at the soda fountain nearly a year when Bruce and Ann married and began their life together in the Bevis home where Ann had kept house for her father since her mother's death. Her father was to live with them. That same year, the old couple with whom Plerre lived moved to Cleveland and Pierre went to board with the Careys. Old Tony says, “It was Ann's idea. ‘The girl felt that Pierre was so like a brother to Bruce that it was their duty to look after him.” It was about three months before Plerre’s twentieth birthday when Picrre first told Tony that Bruce had been offered at ground-floor prices a substantial interest in a Nevada gold mine, certain to de- velop into one of the richest ever knhown, “It's a darned shame ihat Bruce can't grab this chance to make real money,” said Pierre. “Martin Be- vis says the mine is certain to pro- duce millions and that such a chance may never come again. It would mean a lot to Ann if Bruce could get into something big. If he sticks in that dinky First National he’ll never get anywhere.” “Who is this benevolent person who wants to sell Bruce a gold mine in Nevada?” Antonio asked dryly. “Martin didn’t mention his name, just said that he was an old friend who wanted to let Bruce in on a good thing. Martin says the man is all right and that the investment is certain to brihg enormotis returns: Martin told me about some of the biggest financiers in the country who got their first start by just such a chance as this. 'What do you think about it, Father Tony?" “What do I think about what, Pierre?” “Why this' proposition that I've been telling you about—this Ne- vada gold mine.” “I don’t know anything about it, Pierre—do you?” “I know what Bruce and Martin Bevis tell me.” . “Well, why doesn’t Bruce invest if he and Martin think this mine is such a good thing?” “Bruce hasn't the money.” “Oh, I see! Bruce and Martin want you to put the money your mother left for your dramatic schooling into this mining scheme. Is that it?” Pierre’s voice was troubled as he answered: “Bruce says he can | After a long silence, Pierre spoke | I was more | |you think so, Father Ton, When the old actor recalls this incident his faded blue cyes flash with righteous indignation. “You {can imagine,” he says, “what I ad- | vised Harriet's son to do with the little inheritance which, as the exe- cutor, I would turn over to him on |his twentieth birthday. | “And you can imagine what I |said to Bruce and that old fool, |Martin Bevis, for trying to rush a |boy like Pierre into their money- |making schemes, and like as not |ruining his whole life. It was the |most selfish and cruel proposition that could be conceived! Ann was as indignant as I and put her foot down hard, forbidding her father and Bruce ever to mention the scheme to Pierre again.” But while the matter was ap- parently settled and Pierre went Jjoyously ahead with his plans for entering the New York school, Pi- erre’s guardian worried over what might happen to defeat Pierre’s ;purpaw to fulfill his mother's dreams and to realize his own dearest ambitions. “I could not believe that Bruce | would cease his efforts to persuade | ;Pierm to turn his school money |over to him, when he would be | free to do with his inheritance as he chose,” the old actor said. “I remembered how from In- fancy Harriet’s son had yielded to the older boy's will. I knew so well Pierre’s generous, impulsive nature. “Harriet's presence in those days | was very real. I could almost see | her standing in the wings.” i In short, Antonio was too wise | not to realize that his beloved Pi- erre was approaching a very real is in his life And the old ac- |tor's years of unfaltering love for! | A JUNEAU, o T T (Copyright, and Company) Tuceday Pierre plans for the stage, but meanwhile Tony reads in Ann’s words a mean- ing decper than she realizes, e, Old papers at The Emplre. 1930, by D. App!"‘.ou" PASSES AWAY | TURIN, Iracy, cwy 6—The Duke | of Aosta, Italian Geuneral, born Jan- | |uary 13, 1869, died last Saturday | afternoon. Coming from a family of kings, the Duke of Aosta was prominent- {ly mentioned several times as a | candidate for the Throne. That he ! successful leadership of the Third Ttalian Army during the World War. * mfln o JOBS 208 GOOD MATERIALS MAKE GOOD HOMES ’ Thrift in building consists simply of using only the best qual- ity materials. Supposed economies, thru using cheap materials, are wiped out in waste of handling and cutting, When you order building materials from us, we help you eliminate all waste by supplying lengths that cut properly. Lumber, Sheet- rock Plaster, Doors, Windows, Millwork, Lime, Cement, Cedar Singles, always in stock. JUNEAU LUMBER MILLS, Inc. Ll trmmenfipmsnonflyomonfiposenfiyosenfip PHONE 358 on the Old Percolator It matters not whether the old perk is electric or straight surface type— you get the credit just the same This is a ten-day special and the deal is off when our stock is depleted—FIRST COME WILL BE FIRST SERVED ALASKA ALASKA ELECTRIC LIGHT & POWER CO. 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PACIFIC COAST COAL COMPANY ey There is more honest-to-goodness heating value salted away in Nanaimo and Ladysmith Wellington coal than in almost any other coal known. BURNING coals cake into a glowing incandescent mass of white hiot heat—a heat that is sustained over a surprisingly long period of time—under perfect damper ge Ladysmith and Nanaimo Wellington- ceals These LONG IT PAYS TO KEEP YOUR CAR IN GOOD REPAIR The extra trade-in value of a well kept automobile more than offsets the cost of keeping it in good repair. The comfort of driving a well kept car cannot be measured in dollars. It Will Pay You to Have Us Take Care of Your Automobile * Connors Motor Company SERVICE RENDERED BY EXPERTS - CAMPING OUT? DON'FT LET CNATS OR MOSQUITOES SPOIL YOUR TRIP Get Rawleigh’s Pyretho Fly Killer TELEPHONE 1953 * COMPLETE OUTFIT—$1.25 SHERWIN WILLIAMS ECOTINT A Sanitary Wall Finish jor Use with Hot or Cold Water Decotint is an ideal wall coating for the decoration of all interiors. 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