Casper Daily Tribune Newspaper, December 29, 1923, Page 5

Like Joan of Arc of Old ly. the Hardy Kirkland, and Eugene Pal- lette contributing pungent bits. \ The gem of the entire picture is the gigantic avalanche that roars its way into the piot and down the #illside to wreck havoc in its path and almost destroy the dramatic ives of the three principals. If you have considered ere now that floods and hurricanes are the peak of thrills in ptetures, you have a palpi- tating treat in’ store for you in “Hell's Hole’ and the avalanche. You almost hear the tons of dirt jand rock cannon reverberate through the silence of the hills. You Watch the three principals, buried in the lttle cabin near the end of j their endurance. You see the posse | galloping through the beauty of the country toward the cabin. still hela HIGKVILLE FOLLIES PLAYING AT AMERICA | loon 1 1 hrownlee’s Hickville follies opgned a four day engagement yesterday afternoon at the America theater, ‘The act Which this troupe puts on nsists of a number of pieces od either by the jazz band as nole or by one or more members organization. One of the numbers is a saxophone duet. Out standing however is the dance act civen by the tallest man in the com- pany. He would be @ tall man in any company. The Hickvilie Follies are costumed fittingly for the purpose of carry- ing out the impression that -they are just off the farm. The act put on by Brownlee's company is to be staged each day at 3:15, 8:00 and 9:0 p. m. Cupid’s Fireman” is the picture. It features Charles Jones and shows this popular hero of spectators seek- ing thrills in one of his fastest pho- topays. It 4s of the melodrama type, deals with the heroism of a young fireman and what it gained for him. COOGAN ORDERS GANDY ON MONDAY AFTERNOON Well, kiddies, he's here! Jackie Coogan ig going to make his bow at the Rialto theater in his greatest Le gotusert Ley TE Geaiied Women secerane UL nee Warn Spanish-American, Civil and World. From left to right they are Mie ——— Eudora Clover, Washington; Mrs. Mary Foster, Alameda, Cal., and Miss MARY PICKFORD COMING Louise Walls, Ghicago. No wonder they're smiles! They've won ther 7 66) 9¢ | tight for admittance of women “gad-stripers’’ into the national soldiers’ ERT WEEK “ROSITA [=== HER LATEST PICTURE! “Bucket of Blood,” Once raven "sor “setze tc” | Notorious as Big Crime Resort, Is Now Mission her latest United Artists. corpora: tion release, coming next Tuesday to the America theater, was in the making, this much-ldolized little cinema artiste spent the time in jail. But it was all in the script. the first ‘scene of which requlved ‘that | By HERBERT LITTLE (United Press Staff Correspondent) dingy, dungeon cell. Ernst Lubitsch, | _ ST. LOUIS, Mo., Dec. 29.—«United the director, turned the key ana /PFess}—The “Bueket of Blood” is kept her there from, nine-thirty in empty. Now it is only a scrubbed the morning until six-thirty that Pall. It is used to wash souls, in- evening, with a brief half hour out | Sted of soiling them. days—during the period starting ten| or fifteen years before the Civil War and ending about 1885—that when the police received a call to the “Bucket” and the patrol-wagon cftme back without blood on it— | why, it just hadn't been there! “Our Mary” be imprisoned in 4 | by for lunch. This is a away of saying that the! Gangsters and gamblers, however, picture eee ee tates ee ‘Those who see this feature when |™0st infamotis of the notorious re-'he avers, were pot alone. There cay at wo thousand boxes of|t comes to the America’ theater, | ®°Tts of the days when St. Louls was was the free-spending steamboat I ™may be surpriséd, however, to find) ® Wild and wooly western town on girls attending the matinee on Mon-| that the first scene of the picture Pe troniiee ee been converted into a Jackie wired the Princess | doe" not show the star behind the |* (iurch mission. _ Oe 5 confectionery and ordered this| bars. Even though this was che| The ’ € ." in the old initial “shot” to be taken it did not | Ste2mboat days, was @ combination candy, a box to be given to each Peace eee ee young member of the audience. Be-| cme Into the story until well along | pf saloon. gamil eee cause of the many grown folks who| toward the middle of the film.” It} aan oa) s the uaunt of the “bad will be wanting to attend. the show | Dappened {6 be-more conventent:to /"N Y's" ion cuinary gun and knifel Sunday, Jackie thought it best to] make the prison scene first, and st! 1.11. Was fought in and around the| TP? time-honored triology of dis. wait until the following day for] ® motion picture studio scenes B00 | Secious mahiin Rha twro-d and | distributing the candy to the young|®hot in their order of convenience | pe Bl De -story frame folks, ak of them his friends. rather than tn numerical order. PSPSPS CRYO ORS he NE ‘DHICHESTER S$ PILLS! . ww. E DIAMOND, 3 . rom Jesse James and his henchmen, Everyone says that Jackie Coogan| The new Pickford offering is said poh cpa 4 ct dsrpemegeene Geld: meraitie pees Reig men in white linen suits and flowing black tles—ah, they were the aristo- crats}—and the bluebloods in high hats and frock coats. There were the booted and spurred cowboys, straight from the range, come to the city for a “good time,” with a year's 1 will be given to the boys and to be the most pretentious of her | the Young Brothers, and other ban- Chatter time, for he is right in the| career. ‘The story deals with the |@itt Whose names are legendary to midst of the holidays, and there is| Adventures of a little street singer | 0. Cr thowe floors and litted glasses nothing to worry the kids who go| Who has thrust upon her the Jove | ver thé Bare.af dba iBone npr! to see Hiatt of a king. Miss Pickford is seen . bre rh s jsipation, “wine, women and song," were furnished, together or separate- The orchestra for dancing was Placed on a little baleony high above | trons who didn’t Would be less likely to display their displeasure by shooting the pianist. The “Bucket of Blood” butflding which is supported by the churches fof all denominations. €be Casper Daily Cridune floor, so that distinguished pa- like the music stands. Religious services are regularly by the mission society Lewd The old sa. kitchen is used Thursday nights! places. of JACKIE COOGAN WIRES THE PRINCESS Los Angeles, Cal., December 28, 1923. THE PRINCESS, Casper, Wyoming. Please deliver 2,000 boxes of candy to the Rialto Theatre to be distributed to the boys and girls of Casper who attend the Rialto Theatre Monday, December 31, to see my latest picture, "Long Live The King." JACKIE COOGAN, TELEGRAM TO THE M. He. TODD, Managar, Rialto Theatre Casper, yoming. them all a Happy New Year. Blood.” | tradition in those ~ esos ba SAS UE = in a very emotional role and rises AARY PEGGY PLAYING vahialo, thad in aapthing ‘initia AT WYOMING TONIGHT ever before attempted. Those who view “Rosita” will see a new Mary; “Honest, King, I’m scared to do it, She's such a little mite, I’m Pickford. afraid I'll hurt her. Why, my hand “LONG LE THEKING” soit eecer| —JACKIES FINEST FM character actor, talking. He was discussing @ bit of business in a Jackie Coogan’s first Metro pic- particular scene for a picture with | ture, “Long Live the King,” at the King Baggot, Universal director, | Rialto theater tomorrow. This un- and Jack Montgomery, father of/ usually beautiful picture, plus Baby Peggy, the tiny child star of} Jackie's wonderful acting, lives up “The Darling of New York," which | to all the advance praise made for comes to the Wyoming theater for | it all during the six months of its a four-day run starting today. production in Hollywood. Hartigan was supposed to push] Suffice it to say that in “Long he youngster in the face, knocking | Live the King” Jackie does some of her down, Simple enough, but the|the greatest work of his short ca- reer. For the first time a radical child must not be injured. departure has been made in the “Why, it's a cinch,” sald her dad. “all you have to do is to touch her | type of role he portrays. In “Long Live the King” Jackle is a royul and Peg will topple right over. I taught her how to fall without | princeling and he js constantly sur- hurting herself when she was learn-| rounded by royal splendor. Beautiful sets abound in this pro- ing to walk “We'll try it,” sald Baggot. “You | duction—sets said to have been built know, don't you, Pessy, that he's | at great cost. ‘These and Jackie and only ‘playing, that he won't hurt| the story and the cast round out a your” great and thrilmg picture which “Yes, I know. He wouldn't hurt} none should miss, f little person like me,” said Peggy-| “Long Live the King” was direct- ‘The scene was filmed. Hartigan |ed by Victor Schertzinger from C. pushed Peggy and she fell sprawl- | Gardner Sullivan’s and Eve Unsell’s ing. She didn’t cry, but she looked | adaptation of Mary Roberts Rine- scared and hurt. It was too much | hart’s novel of the same name. It for Pat. He rushed over ani | was produced for Metro under the picked her up. personal supervision of Jack That wasn't in, the script. He | Coogan, Sr, turned toward the camera with — Peggy in his arms. She was laugn- ing, unhurt. “I’m sorry I spoiled it, King, but I thought I’ad hurt her.” “That's all right, you big, soft- hearted Harp, I thought so, too. We'll pick up the action from the fall.” Baggot says that the baby star is full of more surprises than a prize package of confections. “FIDDLE-DE-DEE” AT COLUMBIA LAST TIMES “Fiddle-de-dee” which is the mus- ical comedy at the Columbia thea- There was TALL ONES, SHORT ONES, EVERYBODY WILL WANT TO SEE ME BABBY PEGGY IN MY FIRST BIG PICTURE ‘The Darling of New York’ You've seen me in two-reel pictures before, but you’ve never seen me in real, honest-to-goodness full length pictures; this is my first one. I have worked very, very hard to make this one of the most entertaining pictures you have ever seen, and I am satisfied with the results. I am very fortunate in having so splendid a support- ing cast in this picture; you all know Sheldon Lewis, Gladys Brockwell, Max Davidson, Frank Currier and lots of the others. They have all worked very hard, too, and I am sure you will enjoy. It’s a gripping, human interest drama with spec- tacular thrills, breathless suspense, laughs—and perhaps a tear. Please come and see how they like me in my first big picture. 3 STARTING TODAY Wy YOMING F LIONEL BARRYMORE _—IN— TODAY, SUNDAY AND MONDAY BROWNLEE’S | HICKVILLE FOLLIES A RURAL MUSICAL NOVELTY JACKIE COOGAN. RIALTO THEATER Los Angeles, Cal., December 28, 1923. Please give a box of candy to every boy and girl attending the Rialto Theatre Monday, December 3lst, to see my biggest picture, "Long Live The King," and wish by the culinary committee preparing | refreshments for those attending|The “Blood” is only a memory. Prayer services. Boys of from 14 to 21 are given lec- tures in ethics of every-day life every Friday night. Dimly through the paint one can read the black letters of the sicn| leading from the dance-hall to the bar-room: “Bar.” pictures females are gone from Framed verses Biblical pictures have taken their undyessed for a weeks in order to exhibit the wr 7 . . of Scripture LAST TIMES TODAY “HELL'S HOLE” A MILE-A-MINUTE WESTERN WITH At 3:15, 8:00 and 9:30 AN ALL STAR —IN ADDITION TO— —also— CHARLES JONES Hatt Gloyd INS “On the Jump” ‘ ; ~and— “Cupid’ 's Fireman” “Hello AND COMEDY Pardner” Shows at 1, 2, 3:30, 5, 6:30, 8, 8:30 COMEDY 10e AND 40c 10c and 20c AMERICA ,» STARTING TUESDAY PICKFORD —IN— “ROSITA” \ A SPANISH ROMANCE Produced by ERNST LUBITSCH ter will close there this evening. This is a bit of humorous playing which {s comparable to the other productions at this show house. The usual actors, Cee otherwise, take part jn the production. rae worn Who Came Back” is the photoplay. The Columbia, management is making arrangements for a mid- night frolic on New Year's eve. This should proye a big attraction. “HELL'S HOLE” STRONG PICTURE OF REAL WEST Charles Jones whooped his en- trance last night into the Iris thoa- ter In the William Fox photoplay, “Hell's Hole,” a picture as extra- ordinary as the title implies. Fur- thermore, Charlie brought with him “BOOMERANG BILL” He had won his name in a hundred fights, because he always came back for more ! But there came a day when he quit dead cold—and that was the biggest, bravest fight of his life ! A soul-stirring story of underworld thrills and a “bad man’s” love that was finer than any king’s. —ALSO— - CHRISTIE COMEDY, “FOOL PROOF” PATHE NEWS SPORT PICTORIAL THE NETTO LADIES’ ORCHESTRA The Finest Music in the State Shows: 1—2:40—4:20—6—7 :40—9:20 oe iA LL Za i i“ N ony \ ry t T CAL ALL — Lecce an array of players consisting of J \ \ PS | he ch Ruth Clifford as the PY \ si er btn tas Maurice Fiyan AW \\\\ perpetrating dirty work with furiating sangfroid; Kathleen Mey, OLUMBIA 25c Matinee Today Tonight BILLIE IRELAND’S FOLLIES In That Funny Musical Show “FIDDLE-DE-DEE” With Many Comical Situations NEW VAUDEVILLE NUMBERS AND SONGS 8—FOLLIES BEAUTY CHORUS—8 First Run Pictures NEW YEAR’S EVE “THE WOMAN WHO CAME BACK” THE MIDNIGHT FROLIC re 7 o’clock—9 o'clock — Jone ef the busiest corners, Fifty- in PAGE FIVE the designs submitted in the Peace Christmas Card Competition being conducted by the Department o' ternational Co-operation to P: Wat. The exhibition wi'l open on Jan. 14 and continue for two weeks ——__. SEND IT TO THE PEARL WHITE LAUNDRY PHONE 1702 Big DANCE Tonight And Don‘t Forget the Wednesday Night Dance Good Music and Good Time Assured ADMISSION $1.00 Happy Hour Darice Hall MILLS, WYO. The “Bucket of Blood” is clean. —— FIGHT WAR WITH CARDS NEW YORK—United Press}—The ational Lea, of Women Voters will turn a Fifth avenue shop, at seventh street, ito an art gallery CHILDREN’S AMATEUR THEATRICAL CONTEST FOR CHILDREN UNDER 15 New Year’s Night, January 1, America Theater $20.00 IN CASH PRIZES Fancy Dancing, Singing, Clog Dancing, Boys’ Speed Shoe Contest MAKE ENTRY NOW CALL MR. STEWART—374 WHERE YOU GOING? HOW ARE YOU GOING TO ENJOY THE EVENING ? Let us suggest that you attend the big dance tonight. Wiéill there be a big crowd? It’s Saturday Night and always the best night of the week, Arkeon Dancing Academy “ON THE GREAT WHITE WAY” By MARY ROBERTS RINEHART, Produced Under Personal ‘ Supervision of JACK COOGAN, Sr, Directed By VICTOR SCHERTZINGER JACKIE. IN AN ENTIRELY DIFFERENT ROLE, AND HIS GREATEST Bor TE as mama 2 FOUR DAYS STARTING TOMORROW emus our Dutcher Cows aid bell.