The Bismarck Tribune Newspaper, March 11, 1936, Page 10

ERNE SIDE GLANCES - By George Clark a Na “I was just trying out my new car. Could you tell me how fast 1 was going?” i | Tus Curious WorLD 4 ev | BURNING FUNG By William Ferguson OEEP-SEA Fist : IS IN NO WAY RELATED TO L "THE PORCLIPINE FAMILY. AT THE MOVIES Teueel-Hardy Star in ‘Bohemian Girl’ Film “A succession of bright new gags in- terspersed through a delightful story that is embellished with superb music to make the Laurel and Hardy goes full-length feature, “The Bohemian Girl,” one of the new year's best @creen offerings to date. Oldsters may wonder at the dis- parity between the original Balfe pera and the screen version which will be presented at the Paramount ‘Theatre Thursday and Friday, but ‘they will enjoy the modern film story ‘no less because of its more hilarious treatment. Then, too, their misgiv- ings will be appeased by the fact that most of the entrancing music of the eentury-old opera has been retained 4n the Laurel and Hardy translation. Laurel and Hardy fans will be es- pecially happy to see so much of their favorites in their new production. “The Bohemian Girl” is in fact a one hundred per cent Laurel and Hardy comedy with the grand music and in- triguing romance thrown in for good Measure, Stan and “Ollie” as members of @ notorious gypsy band give perform- @nces that will long be remembered. ‘More than ever before they resort to and gags to win deserved jughs. Several brand new comedy @outines are exceedingly funny. APPER FANNY SAYS: (REG. U. 5. PAT. OFF. Historic Bandit Trail ‘Yellow Dust’ Feature The historic pine-bordered road in the Kern River valley, which in 1852 was the scene of several of the most spectacular stage coach hold-ups by California’s fabled desperado, Joa- quin Murietta, again is the scene of banditry in Richard Dix’s picture, “Yellow Dust,” at the Capitol The- atre Thursday, Friday and Saturday matinee. Overgrown with thickets, undis- turbed since a few years after the dashing Joaquin and his lieutenant, Jack ‘Three-Fingers, staged their bloody escapades, the old trail was cleared by studio workers for the filming of Dix’s story of the frenzied days of the gold era. After years of quiet, its borderihg granite boulders again resounded to the roar of six-guns as Moroni Olsen, Ted Oliver and Ethan Laidlaw, typifying Joaquin and his breed, staged the coach hold-up which pro- vides the smash opening of the film. According to Irvin L. Woffard, old Kenville rancher who supplied the dozens of horses used in the pic- ture, the road, in the period de- Picted by the story, was the main stage route between Los Angeles and San Francisco, And Whiskey Flat (now Kernville where the film company made its main location camp) was the hiding place of the young Mexican bandit who terrorized that country for a brief time. j His lair was under Split mountain, which itself is a towering backdrop for several scenes in the film. He was |driven from its pine-clothed flanks |back into the Sonora country when soldiers from San Francisco marched into Whiskey Flat hot on his trail, —————_. Two of the eight gases in use at the end of the World war will pene- trate any gas mask. The two in ques- tion are not lethal, but are used in conjunction with deadly gases since , they cause the victim to tear off his jmask and so expose himself to certain. death, Good seed alone does not guarantee @ successful crop, nor does shriveled seed assure an unsuccessful one. Shriveled seed, however, will produce smaller and weaker seedling plants. These weaker plants will be more de- pendent on favorable soil and mois- ture conditions to establish a suc- cessful stand, ‘The large feed crop production in| 1935 has eased the feed situation and * |an increase in meat animals, espe- cially hogs, can be expected in the next few years. THE BISMARCK TRIBUNE, WEDNESDAY, MARCH 11, 1936 ANDY IS IN 3 ALL BIG BUSINESS MEN HAV JES, iw ae lee ES DOESN'T SPEND HIS TIME |l\ou GonNA dane rete BREAKING JEWELRY Do WITH THE GUMPS—WHAT’S IN A NAME? q HYSTER, RETURNING WHATLL WE DO? THAT MUST BE QUICK! FOLLO ME- WE'LL FOR ME? DUCK DOWN WHAT, LUCK! T AIN'T EATEN ALL DAY, AN! HERES & REST’RANT ASKIN’ Ger me! LETS HIE WITHIN, SAMMY Boy} ae HER MAN'S MA SH HOUSE // Ff 4 “APPLY WITTIN, APPLYIN’ FER TH Jos, HUH? Are GOO! ee ee eA IDONT THINK ANYONE BUT, STOKELY EVER KNEW ABOUT THIS-- WE‘LL BE SAFE ENOUGH IN THE HOLO! PARISIAN CHEF ISA AN-OP R < ZL A Fj I : a ‘9 = A ; SN [/ Wy HWE. FOLLOWING DAY, YUETTE RETURNED: TO THE SCENE OF HER CONQUEST “~~ ||P IS FACT, ME HEARTY, I cook MISS SQUINCH P HA-HA-HA- MISS SQUINCH- HAW-HAW- cis THIS 1S TOO EASY “REALLY, TL ALMOST FEEL ASHAMED $ WELL,ONE THING IS CLEATe* MY PRINCE AND HIS DARLING LITTLE BOOTS MEET EACH DAY IN TRE PARK AT FOUR IN THE GZ ty, WII M Wy YOU CANT SAY THAT ABOUT A FRIEND OF MINE! I DONT BELIEVE IN HITTING A WOMAN, BUT IF YoU HAVE ANY KIDS MY SIZE, SEND CALEB/ STOP THE ENGINES-THE NURSE HAS DISAPPEARED-- HAVE THE SHIP SEARCHED FROM STEM TO STERN THATS THAT! NOW. THEN WHAT L HAVE TO 00 1S THINK OF Aw { SCHEME TO CARRY OUT MY PLANS, ABOVE ALLL MUST BE CAREFUL WOT TO BE SEEN MNSELF «Nor, JO DO ANYTHING THAT WOULD MARE THEM SUSPICIOUS emnm UMMM NOSED PAL OF HIS CAN THINK OF MORE UNDER- VILMENT # HANDED DE! HEY, YER MAJESTY- I CAN'T FIND COP ANYWHERE / HE'S ISAPPEARED / L BET I PUT A STOP TO THIS FEUD THEY GOT WITH TH’ GRAND WIZER/