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THE BISMARCK TRIBUNE, THURSDAY, DECEMBER 13, 1984 | SIDEGLANCES - - By George Clark | 7 00 YOU KNOW, MILLIE, (T SUDDENLY DAWNED ON ME LAST NIGHT THAT WE'VE NEVER SPOKEN To BM ABOUT HIS WILL WE DONT KNOW WHETHER HE'S ALTERED [T IN YOUR FAVOR OR NOT = FOR ALL WE CAN TELL THOSE RELATIVES OF HIS MAY te TE SANSFICIARMS OF FRECKLES AND HIS FRIENDS « aD a {HEA SERVIER, INO. 7, REG. U. 8, PAT. OFF, “The trouble is they'll probably just send us thé usual socks and handkerchiefs.” THIS CURIOUS WORLD “rguen | The SALESMAN SAM STARS RISE NEARLY FouR MINUTES A $6,000 EXPEDITION Jf WAS MADE FROM ENGLAND MANY OESERT PLANTS CAN GROow |, ON A YEARLY RAINFAL! AT THE ‘All-Star Film Stars Cagney and Pat Ellis An exceptionally large and talent- ed cast was selected to play in sup- port of James Cagney in his latest starring vehicle for Warner Bros., “The St. Louis Kid,” which comes to the Capitol theater on Friday and Saturday. Jimmy himself is said to have won new laurels in this picture which has been hailed as his most hilarious and most exciting up to date, notwith- Standing the fact that he recently Played with such success in “Here Comes the Navy,” “He Was Her Man,” “Jimmy, the Gent,” “Lady Killer” and others. Patricia Ellis has the leading fe- minine role opposite Jimmy and is . the romantic interest in the picture. Although still in her teens she has had a.long stage career and recently has made good in such pictures as “Big Hearted Herbert,’ ‘ Clown,” “Side Streets” and “Con- vention City.” Allen Jenkins, Hobart Cavanaugh, Spencer Charters, Dorothy Dare and Arthur Aylesworth form an excellent comedy team for the hilarious situa- tions in the picture. All are among Hollywood's most famous comedians. » only recently in pieture work in "Happ! ad,” before that hav- been @ comedienne and musical emedy stay.on Broadway. ‘une bread ° increased An outpout of 200,000 loaves week~- /Ance its introduction in Califor- summer; four ounces of are utilized to a loaf. e200 \ountain village of Mars Hill, ion S taken to the manufacture made rugs and 100 skilled TO CENTRAL AFRICA TO SECURE A FEMALE SPECIMEN OF THE BUTTERFLY, DRURYA MOVIES Gay Schubert Songs Heard in ‘Love Time’ The master melodist of all time, Franz Schubert, has at least been brought before the eyes of screen audiences, The film, “Love Time,” at the Paramount theater, in which Schubert is portrayed, is based on facts in the life of the great com- Poser, and in it are to be heard some his greatest works such as “Sere- “Abschied” and “Moment Mu- sical.” In spite of the fact that he died at the age of 31, Schubert has to his credit far more compositions than most of the other great composers. | He was known to have written at least 12 pieces in one day, and his | total out-put during his life amount- {ed to more than 700 works, of every time from simple piano arrangement to opera, One of the reasons for the terrific WASH TUBBS compositions may have been his fi- nancial condition. He undertook the life of @ musician against the will of his family and was dependent on the sale of his songs for money. This was, it turned out, a poor thing to depend on, as he never received re- cognition or popular acclaim until after his premature death. Hence Schubert was constantly én the go, hoping that the next effort would ‘catch the fancy of the publishers in Vienna, where he was living, Schubert's ability as a melodist is best proven by his popularity on the radio today. He is probably one of the most widely heard of the great composers over the ether waves, and that is accounted for by the fact that @ person can appreciate his music without technical knowledge, which can hardly be said for the majority of composers. Music masters agree that for sheer simplicity and beauty cavers have found per-jof melody Schubert's songs are un- jane nployment. . WE'LL TRY TO BEAT “THAT RUNAWAY ‘TRAIN ‘TO VALLEY CROSSING, AND ATTRACT THE CONDUCTOR'S ATTENTION ! 1 WANNe 00 MY CHRISTMAS SHOPPIN’ )THel EARLY, AN' GET (T OFFA OY MAINO! SO/ (IDEA! i} Soue 0 oa HERe number and variety of Schuberts| — THE GUMPS—JUST SUPPOSING Me wach. Row SMe HE'S LEAVING YOU MAI IS FREIRS OR OR ADE EF TIME WE TALRED ‘you ANYIMING To » 11'S RACING Like A CYCLONE, "T0O...WE CAN'T KEEP UP _ SAM KNOWS HIS WOMEN! ‘CH, ALL 1’ GETTIN’ (S A KIMONO Fek Twice —an’ [hie TIRE WARE tonis | MMMM os oA ALL FOR THE BEST! a USSU, COULD HARDLY BELIEVE WANT WE SAW) AND WEAR, Mo HE STEPPES WSTO THE LODGE! IT WAS SIMPLY WE CLOSED THE DOOR UNTHINMABLE | UNNOTICED, AND SLIPPED AWAY Ae QUIETLY A® HE HAD ENTERED comme: YOU VUNT OER CHEST MPLATES YOUR HIGHNESS? OesPrre e THE ANIMOSITY, ALLEY OOP INC! has E PHILBERT ISAPPEARED! " & FINE FIX WE'D-BE IN IF RE DION'T LEAVE US ANYTHING & ALL FOR IT. D BE GREASY POTS “AND PANS ACASE OF , HOUSEMAID'S KNEE HerevyA are! \ NO! ANDO, NOW, WOULD JGO TS Ya ONO IF t ‘Tt! MAKE @& Svccestion? THING ELSE, AN' SANE YER WIEE TH TROVELEZ wuat, AGAIN 2 co00” BUT O'S TIME, HEAVENS! THis Iscerninc/| YOUR HIGHNESS, ‘To BE A HABIT. WE'S. BEE! ~\ KIDNAPED! a IE I ¥ Pr Mit oe