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avcsnmtinsticiarinsSictai aa taatnet SA ee ANS THE BISMARCK TRIBUNE, THURSDAY, AUGUST 16, 1984 ‘ THE GUMPS— RIGHTO! WHAT YOU NEED, BIM- AT YOUR AGE - 3 18 A GOOD PRACICAL WIFE= OU WANT A OW, WELL- MATE ~ NOT A BU FLY = MILLIES ALL RIGHT- ANDY S$ YOUNG AND Fi = SHE_NEVER LOVED NBY~ PL ‘TED ona = “WE FACT SHE'S JUST FRECKLES AND HIS FRIENDS BE SURE To KEEP THE BETTER Our OF THE WaTER 50.” @l| Soeeaae! Seo ew Derer beh hte = > = THEM... THAT YoU WON'T BREATHE =] GooD ‘ 1s 20 ir SHOUD BE ME MINUS: ANY WATER INTO YOUR ¢ = i FIRST I SEE THEM NEAR VRS. VAN SWANKTON'S HOUSE. SHE'S IMPORTING A WHOLE REGIMENT OF DETECTIVES TO GUARD HER-1M PETRIFIED PICTURE OF HER Pa ne DEAR DEPARTED aes ans PA , ; MAJOR, SHE HAS DI9% NEASEvie WC. REOU SF) 5 & BEEN FRIGHTFULLY “My wife and I were talking about that, too. We should UPSET ABOUT THE put something by for a rainy day, as she expresses it.” By William Ferguson THis Curious WoRLD THE ORDNANCE DEPARTMENT OF THE U.S. ARMY SPENT NEARLY HALF AS MUCH MAN SAM MONEY IN 1917-18 AS 2 SALES eae SOVERNAENT 7 ‘50 YA COULDN'T FIND OUT WHERE TH! KID WELL, WHAT OF IT? t JUST: = = HAD SPENT SINCE ITS y Lives, HUH? WELL, WE'LL JEST HOLD HIM 00 ars Ta WAIT TLL TH! PLACE Bins Vebeibs veeoqee ret ae BEGINNING, IN 1776. HERE TILL SOMEBODY PHONES! 3 ? ica fem ce relapse coun Spent CY US, GOVERN, FOR ALL PURPOSES, x, PREVIOUS YEARS MAY-ELIES CANNOT EAT AFTER THEY REACH THE ADULT STAGE HONEY DANS A WILD MAN ON DE PHONE WHUT WANTS TO MAWE TALK WIF YO y TWA I GET THERE, WILL YOU 21 WANT 4 GRIZZIY BEARS ane susceprieus TO ATTACKS OF SWVVOW BLIVONESS/ | AT THE MOVIES | Gay Foibles of Paris | Stars of ‘Cimarron’ Shown in Photoplay Now in Stingaree’ Gay Paris, the landing of Lind-| Richard Dix and Irene Dunne are bergh, the Artists’ Colony celebrating | reunited as co-stars in “Stingaree,” the bizaare masquerade ball in the Lcd os. ene melodrama. Latin Quarter, vivid glimpses into a feats, Date, 0h SPRAIN Bs great Paris fashion salon, its beauti- Ee nie ee ae ful mannequins displaying the very| “Stingaree” is a dashing and sym- latest word in Parisian finery, and | pathetic Australian bandit who spends gay night spots on the boulevards all | his spare time composing music. The figure in a hilarious cross-section of | role gives Dix an opportunity to re- life in the American colony in Paris|turn to the adventurous, twinkling- in “Paris Interlude,” film transcrip- tion of the New York stage hit, “All Good Americans.” The picture comes : i i SEs i Ted Healy, and i E ie i EB it ial Hila | He i rf ; ie | | ne hid I H