The Bismarck Tribune Newspaper, May 17, 1934, Page 12

THE BISMARCK TRIBUNE, THURSDAY, MAY 17, 1934 THE GUMPS—IT COULD HAVE BEEN WORSE WHAT DO YOU MEAN Bur. DONT BLAME ME - rai ‘on eile HE OLD LADY WOULD HAVE WHAT IF THE DE STROSSES ML Oay Gir Tamia APPOINTED HERSELF GUARDIAN OF BIM'S DO WIN THE CASE ? WWI BE LiKe TAKING tt WHOLE FORTUNE — AND PUTTING HEE WHAT'S TEN MILLION DOLLARS RIGHT OUT OF OUR POCKET. : | WA PLACE LIKE THAT WOULD BE Lik 70 A MAN LIKE BIM GUMP ? ba Gas eter fRN \¥ COULD BE A LOT WORSE Wg | SIDEGLANCES- - _ -By George Clark HAVE A CCAR, , iP I'M GOING To SUE You FoR Zp — AND FOR THROWING Mr. DIRK...HEH HEH! 6 se LIBEL,AND DEFAMATION OF | SCE YP vs Tar Kis I'M SORRY I HAD THING I CAN CHARACTER— y 4 FAULT! HE GoT ME . Tan Was Up Foe wna fy INT THis wd NEVER WOULD oe | i cs 7 GG /, AVE SUSPECTED You, ALL A BIG p~—~"|| Ive DONE, : IF HE HADNT MADE MISTAKE ! You Just NAME ME THINK You WERE OR At ee Mam oe leeousrurore \ 4 « ap ‘| o ee me J) = 2 “We don’t know many people. I’m not a very good mixer.” THE NEWFANGLES (Mow’n Pop) Tuis Curious Wor-p ®t" DON'T LIE TIME! & BY THE WAY YOU'RE FUMBLIN’ SICK FRIEND--MOST LIKELY AROUND WITH YER HAT, T NOU WERE OVER TO KNOW YOU'RE LYIN’---IF YOU WEREN'T AT CURLEY'S YOU WERE WITH THAT CROWD OF LOAFERS AT ED GILMORE'S, OR OVER AT DAN LONG'S WASN'T AT DAN LONG'S, ER CURLEY'S, £2 ED GILMORE'S-I TELL YE. WELL, WHEREVER vou WERENER LYIN’ ABOUT WINTER BURIED IN THE Mud, NEAR SEIS R RENE REM ARAA ARM \ | ' iN 1 iN! 7 A HIGHLAND FLING WHEN HE FINDS OUT I'VE RECOVERED is : i h tts 42,000! SOUND? | BETTER FIND Cur! GET (T OPEN, AN' ( JesT. . HAPPENED TA THINK, | DON'T] KNOW "TH! COMBINATION ! LIGHTHOUSES ARE BUILT LROCWO IN ORDER TO PRESENT LESS SURFACE RESISTANCE TO WAVES ANDO WWVO. \ li \\ | STHOMPS SPoMOHAMOas ttt WY S\N \ ROMA WT G 2 AS ONE GETS WEARER THE EARTH'S Wy Y E a MAGNETIC POLES, THE PULL ON THE g Yj Uy u COMPASS NEEDLE BECOMES WEAKER, Y by “yy oe. © 1094 BY NEA SERVICE, INC. Willy 7 v 4, 4 , 4 a - yO ts Pp & | AT THE MOVIES BOOTS AND HER BUDDIES ec . ’ . ° a Paramount Features | Matrimonial Mix-Up 1 DONT GETCHA , IMMY | YOURE, WO TH! FIRET PLACE, YOURE 0.9 ry re ° °. ¥ Oi wNOW WHO ENOUGH TKNOW WHAT ? ‘Viva Villa’ Picture| Capitol Film Theme TENT SQUAW ABOUT UR ABOUT FAN IS aw’ SECOND Pho x SAN NOTHIN’ LIKE READIN’ AROUND WITH . OL’ MAN RIVER = Hail “Viva Villa!” | Roars of laughter greet Charlie From out of thousands of flaming! Ruggles, heading a splendid cast in wiewspaper headlines — thundering | “Goodbye Love,” which stars him in with a cavalcade of dramatic thrills, the role of a love-starved butler with ablaze with fiery romance—sweep-'Don Juan impulses, now showing at ing in historical spectacle—teeming the Capitol theater. with lusty laughs—a fictional figure; The film is a personal triumph for of Mexico's fa war lord marches, Charlie Ruggles. His rare talents as upon the screen in conquering tri-| @ comedian have never been seen to ‘umph. It will show at the Paramount) better advantage than in the thore theater Friday, Saturday and Mon-| oughly ludicrous character of Groggs. Gay. | The story opens as Groggs finds him- Here isa PICTURE! All the print-| self confronted by the inescapable er’s ink on earth can’t show you the| problem of alimony. He borrows bigness of this Metrc-Goldwyn-Mayer | enough money for a final settlement production, already acclaimed among! on his wife from his employer, but the silver-sheet's truly great efforts. | pays his divorced wife only one in- Produced with super-showmanship stallment and goes on a vacation to by David Selznick, “Viva Villa!” gives Atlantic City. ‘Wallace Beery the most magnificent; He meets Phyllis, a blonde gold characterization of his entire career.| digger who takes him for all his And one in which Beery achieves a’'money and then leaves him flat. ' masterpiece of living portraiture. | Groggs arrives back at his master’s D @o00o SLIGHT IC ACCIDE! You @ELIEVE THAT Y WAH Around the colorful saga of Pancho! apartment just in time to hear the = YARN, PODNER? «| 1 BETCHA, ‘Villa has been woven a fascinating’ clergyman pronounce Phyllis and his A HAPPENED? STOPPED RATHER SOME! fictional story, a romanticized biogra-| employer man and wife. Groggs’ en- phy. Filmed by Director Jack Con-; suing efforts to help his master get ‘way on the Mexican locale of Villa's; rid of the gold digger Phyllis, pro- stupendous exploits, for the most part,| vides one of the most uproarious the production packs a wallop of, climaxes seen in recent months, stark realism in battle scenes never Verree Teasdale as Phyllis makes to be forgotten. | an attractive and alluring big time “Viva Villa!” is all entertainment.| gold digger. Sidney Blackmer is sin- It has everything it takes to stam-/cere in a fine performance of Groggs’ pede the box office; it can be truth-|employer. Mayo Methot deserves fully called an epic because it is heroic bows for a truly fine portrayal, and in proportion, with more than 100,000 Phyllis Barry is excellent as the mis- {persons contributing to its making.) understood secretary who wins out. It presents a pictorial authentication breathless to behold, backgrounded| Studies in weed control at the Dick- with the excitement of an atmospheric | inson substation showed that the musical score by Herbert Stothart. | Plowless fallow was one of the best The smashing story has the genius | methods for control of wild oats. The touch of Ben Hecht, who took sug- | duckfoot cultivator is used instead of gestions from the colorful book of , the moldboard plow. O. B. Stade. —_—_—_—__ WHEN SHES ne Representatives from about 90 per) upset SUFFERS cent of the creameries of the state | oF i attended the four cream improve- ment conferences held in Mandan, SQRUKONS ONMUZBNO. aBuanwas BRAIN = HMun ~-- (VE AN F WEA! 1 CAN OMY