The Bismarck Tribune Newspaper, April 17, 1934, Page 10

MEERSto see coMmaemerun tir @ st pe] ro Py pi an w M on K oo. 5 3 ge THE BISMARCK TRIBUNE, TUESDAY, APRIL 17, 1954 R66 US PAT OFF. > Now. I’m going to show you gentlemen just how I want this done.” — THIS CURIOUS WORLD rrguson THE TUNES OF ALMOST ALL NEGRO SPIRITUALS CAN 6B MASON AND DIXON LINE HAS BEEN FOUND, By MODERN 5 TO BE AS MUCH AS 400 FEET | FROM ITS CORRECT LOCATION, IN SOME PLACES, BUT TO CORRECT IT NOW WOULD NECESSITATE THE CHANGING OF OTHER, BOUNDARIES THROUGHOUT THE COUNTRY. PLAYED ON A PIANO, USING THE BALAK KEYS TWILIGHT Is causeo BY THE SUN SHINING ON ‘THE UPPER ATMOSPHERE. IF THERE WERE NO ATMOSPHERE, DARKNESS WOULD FALL INSTANTLY AT SUNSET. ’ © 1004 BY NEA SERVICE, INC. | AT THE MOVIES | Ruth Chatterton Gorgeously Gowned In Latest Picture ‘Women who are addicted to cos- tumes designed especially for wear in their own homes will find ideas and inspiration galore in the creations de- signed by Orry-Kelly for Ruth Chat- terton in “Journal of a Crime,” her | latest starring First National picture which comes to the Capitol Theatre on Wednesday. Miss Chatterton’s own favorite was ® filmy role of white chiffon, the full gathered skirt showing a train, while | the upper half is fashioned after a friar’s robe, knee length, girdled at the waist with a heavy silk cord, and relieved at the high neckline with a tircular capelet collar. ‘Girl Without a Room’ Is Gay Comedy of Life Among Artists, Models Artists and models—Gay Paree— lilting songs—sparkling comedy—and tender romance. Such is Charles R. Rogers’ “Girl ‘Without a Room” which opens to- morrow at the Paramount Theatre with Charles Farrell and Charlie Ruggles, Marguerite Churchill, Greg- ory Ratoff, Walter Woolf and Grace Bradley. The picture is exceptionally clever and presents some old favorites in new characterizations and some new fa- vorites in their screen debuts. Charles Farrell becomes the come- dian at times and does exceptionally ‘Antoher model 1s in eggshell satin, | Well. Charlie Ruggles is just a bit set off by sable shoulder capelets in Javish contrast to the plain lines of the garment. This particular design is an elo- quent reminéer that it is usually garments almost severely simple in their lines which are most effective {nm creating a successful impression. The traditional satin and lace neg- ligee is presented in a novel combi- mation: of icicle grey trimmed with deep ecru lace. The neckline is high and plain, with a short cascade of the lace at the front opening, and gath- ered lace cuffs that make a flatter- (ng frame for the hands. ‘The final member of this quartet of Intimate robes is a floor-length tail- bred style of white crepe with cuffed Sleeves and round lapels. Daytime clothes are also worn by Miss Chatterton in the production, the ever popular black and white combination being seen on three dif- ferent occasions. ‘Miss Chatterton’s gowns are espe- More madcap than usual in a part that suits him perfectly. Marguerite Churchill, remembered as an ingenue, blossoms forth with a newly acquired sophistication to enact the title role as an artists’ model. Grace Bradley playing the Russian vamp has her first important screen jrole. She showed so much promise in a tiny sequence of “Too Much Harmony” that she was “discovered.” She is a rare find. Walter Woolf, a recruit from Broadway musicals, makes his debut in “Girl Without a Room” and should receive flocks of fan mail from the impressionable ladies. And of course, Gregory Ratoff is funny. Director Ralph Murphy has kept Jack Lait's story whirling along at @ fast pace and the two songs, “‘Roof- top Serenade” and “You Alone,” should be highly popular, The story is about Farrell who is a nut artist painting what he feels and not what he sees. He wins a contest tally elaborate in “Journal of a/With his painting upside " i ‘Orime,’ down—and from there you take off to high (or is it low) comedy levels. ‘ After all, Doug (Fairbanks) is a | good, clean, red-blooded American y|@nd he don’t go in for that—what do you call it?—Don Juan stuff—Joe Ja- cobs, fight promoter. THE GUMPS—THROW OUT THE LIFE LINE TEL. MB THIS, MR. GUMP= OR WRITING $ BO YQU- SEND THE dune YAoy ANN NOTES-LETTERS- ANNTHING WITH YOUR SIGNATURE ON IT? irs SIMPLY PREPOSTEROUS— PROPLE #10.0000008 THRONE se IN ME~ THE WEDDING WAS ‘ae MARRIED — THE WHOLE SUIT Is RIDICULOUS — PETE RUBLE IS HoT ON THe TRAIL OF MR. seurie! ON GOIN’ AN’ WOUND UP HURRY ) GETTIN’ ON TH’ ENGINEER'S ? LAP... AN’ ALL HE DID ‘ WAIT A MINUTE, BOVSILET'S Git’ T'GETHER AN’ COOK UP SOME. SORT OF MIGOSH, MAN! TAKE en AWAY) (_ WOULON'T WEAR ANY OF THose TES, \F | HADDA GO BARE-NECKED, RIGHT You ere,siel!l BUT You'D BE suRPRISED How MANY WE SELL “To WOMEN WHO Buy Tes EER “HEIR, HUBBLES! REVENGE Wir SE D (( vir we You sos were | | | WovuRs To 00 Ae 1 Say! cost || SOU Reruse — HEH « ¢ HEA HEHMHS MY OMRET , UTE AND WAIT UNTIL MORNIN RIS NEVER GEEN LOST BETORE, MIGS LANE OOESIT Wi ‘I GUBSS I'LL UNSADOLE “ry WORSE, : | QEALLY FRIGHTENED. SMe BEEING RR “WRU AMAZE OF ST