The Bismarck Tribune Newspaper, February 14, 1934, Page 8

MERE'S ALL THE “TOWNSEND PROOF YOU NEED- . ZANDER- HAT WOMAN I'S U ' MARRIED TO ME= THEREFORE- IF ANY CAN SHOW JUST CAUSE WHY STHIEY MAY NOT. LAWFULLY BE JOINED peer mere Holy 1S HOLS be CEREMONY ? WAVE You PROOF OF WHAT YOU 1 FAMOUS ELF TOGETMER LET HIM NOW SNES SPEAK OR HEREAFTER, ates Ape peng NATURAL Li THEN AS HE PAUSES, A COMMOTION 1S HEARD IN rE NEPA CG ELSE FOREVER HOLO HIS reatg, PEACE = PRA A Paleccats AND NUTTY HAVE BEEN CALLED INTO THE SCHOOL PRINCIPAL'S OFFICE AGAIN BOYS, IVE TALKED To A MAN WHO IS INTERESTED: IN YOUR HISTO-DETECTOR«... AND, IF IT PROVES A SUCCESS, You'll BE FIXED FRECKLES HAS TO HAVE HIS JOKE! "S$ OUR MAAR SIAGE MA! RTIFICATE= CSc FoR TO GIVE SOMETHING To® “THE WORLD, AND HAVE OUR NAMES ON EVERYONES “RNGUE..AND JUST THINK HOW MANY MEN HAVE SUFFERED, AND EVEN DIED, FOR A PRINC|PLE! I-THINK WE CAN Do THE YEP, HE SAID WE MACHT’ THINK WE HAD A GOOD LAUGH ON “OU T KNOW THIS BIG SLOUGH OUT HERE, THAT THE POWER COMPANY IS GOING TO FLOOD, CAN BE BOUGHT FOR $10009; © 1936 ey Nea “Come here, quick, they’re going to dynamite.” | Tuis Curious AIR DOCKETS ane By William WORLD ‘Ferguson | A TRAP TO TRIM WINDY KUHN QUT OF $1000, UTTLE DID HE DREAM THAT WINDY WOULD BITE TEN TIMES AS HARD SALESMAN SAM HEY, SAM, PUT @ SPECIAL SALE ) | Was JEST GonMA NOT VACUUM-LIKE SPACES {HROUGH WHICH AN AIRPLANE DROPS WITHOUT SUPPORT! THEY ARE DISTURBANCES IN THE AiR, CAUSED BY VARYING CONTOUR OF THE GROUND, TEMPERATURE CHANGES, ere. CHAPLIN CORSN’T KNOW A NOTE OF MUSIC, BUT PLAYS ALMOST EVERY eee Re FLY-AMANITA, DERIVED (TS NAME FROM THE FACT THAT A POISON FOR FLY PAPER. WAS. MADE FROM ITS TISSUES.. © 19968 BY MEA SERVICE INC. ae) 2+ AT THE MOVIES ew Dance Enlivens | Flying Down to Rio’ Devotees of the modern dance are ‘now enthralled with the Carioca, new tete-a-tete” tango demonstrated in | America for the first time in the sump- | ftuous musical extravaganza, “Flying | Down to Rio.” | The dance, while performed spec- facularly in the film, is in reality | ‘well within the talents of the usual | alleroom dancer. The Carioca has| the added feature of being adaptable to crowded floors. And it is called a | “tete-a-tete tango” because the fore- | “ freads of the dancers are supposed | to touch throughout the progress of the movements. The Carioca is ex- pected to become the rage with the dancing public. Some years ago an attempt was) made to popularize a similar dance in America by Vernon Castle. It was called the “Maxixe.” Though this dance brought considerable fame to the late impresario of ballroom danc- ing, it proved too difficult for the run-of-the-floor dancers. The Cari- Garbo Shines in Finest Role of Her Career Screen history was made when “Queen Christina,” the long-expected picture reuniting Greta Garbo and sohn Gilbert. opened yesterday at the Paramount Theatre. The picture, a spectacular presen- tation of seventeenth century ro- mance, as depicted in the life and loves of Sweden's famous queen, is Frimarily historical because it brings Gilbert back to the theatre fans af- ter his announced retirement to pri- vate life and after a five-year screen separation from Garbo, It is a picture based authentically upon events and customs of the time and presents elaborate historical set- tings, which for their beauty and ac- curacy, have seldom been equalled. The story deals with Christina who, after being reared as a man and who was crowned King of Sweden, finds tempestuous love through the visit to her court of John Gilbert, who por- trays the authentic role of Ambassa- oca, according to Lou Brock, who|dor Antonio Dimintelli of Spain. supervised “Flying Down to Rio,” is @ derivation of the old Maxixe, re- taining its beauty but discarding it of the difficult evolutions. Music for the dance was written by Vincent Youmans, celebrated com- poser of such hits as “No, No, Nanette,” and other musical productions. “Flying Down to Rio,” RKO-Radio Picture, features a brilliant cast, fea- turing Fred Astaire, Delores Del Rio, Paul Roulien, Ginger Rogers and Gene Raymond, and it culminates what is claimed to be the greatest novelty ever @taged for the screen when a com- plete musical show is staged in the air with performers doing their stuff on the wings of sirplaines. Thornton Freeland, of “Whoopee” fame, direct- ed the picture. Opens at the Capitol ‘hestre Friday. Watch out for counterfeit Their open love affair incenses the nation against Christina and her peo- ple repeatedly clamor for her mar- riage to Prince Charles, one of her countrymen. She is finally forced to expel her lover from the country, but adbicates her throne immediately af- TICKET ON THESE PicTURE FRAMES AN’ DISPLAY EM ON, “M counter t MY IDEA WAS FOR EACH OF 4 ‘i READ, BUT L KNEW Your) FRAME SOMETHIN’ FER MA! 60 IT 16, INDEED <= ST.UALENTINE® DAY = A CHARMING QUAINT OLD TRADITION | HOW MANN VALENTINES DID 1 GET ? WASH TUBBS NOW TO GET EVEN WITH THOSE DERN. “SPOOKS" AT'S BEEN HAVIN’ SO MUCH FUN OUTA US. LOOK— I FOUND WHERE THEY KEEP THEIR GADGETS. ter in favor of Prince Charles and|' flees in pursuit of Antonio—to find him slain in a duel with her Lord Treasurer. : The performance of Garbo is un- Coubtedly the finest of her career and Gilbert maintains and revives that old petulant force so evident in his earlier pictures. Ian Keith, Lewis Stone, Elizabeth Young, C. Aubrey Smith and many other members of the cast deserve honorable mention for their excellent roles and Director Rouben Mai should be con- gratulated for his pictorial artistry. money, warns the government. No a for’ Presentations on the screen have dwarfed the efforts of the stage — Earl Carroll, famous producer. HOw Do Ya Like ) OH, Thats \ TWIS ONE? ONLY / FUNNY, ALL | A NICKEL To RIGHT | WHAT 2 COME, NOW — ARE YOU SURE ? MY WoRD tI SUREIN, TM NOT UNREASONABLE ‘TO EXPECT, AT LEAST, ONE! ‘THE GFUSE BOK. WHEN I ‘TURN OUT THE LIGHT, PODNE! GWE ‘EM THE WORKS. x PRINCESS WOOTIETOOT — MOO HAS FALLEN INT OF REVOLUTIONISTS / TH’ HANDS OUR ONLY CAN GET OKAY, QUEEN~ » BUT TALKING AINT GONNA DO YOU 20!!! OUTRAGEOUS ~ macwe WELL, YEU You, Tur NOTIFY THE FER —eA? TH’ PRINCESS! Now, — mw