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iis ‘THE BISMARCK TRIBUNE, WEDNESDAY, NOVEMBER 15, 1988 -MORE SATI SF. ACTI ° N THE GUMPS—PAGING LITTLE NELL \ CAN'T UNDERSTAND [T= ‘MRY'VE GONE ~ COMPLETELY DISAPPEARED- THS 3 9 PLACE ALD RIGHT: WE'LL HAVE ONLY i YES..LOOK AT a LIGHT SCRIMMAGE AND HIM AND FRECKLES, " c i CLEAN FOOTBALLY JOCK SUTHERLAND SHADYSIDE || SIGNAL DRILLS ToDAy= | OUT THERE! THEY ! 8 +H. OH, : FAMOUS PITT COACH SQUAD GOES | | BY THE WAY, LooKs LIKE ARE PLAYING WRONG-WAY 6 YE fs who have to as for TUROUGH ITS | |CRASH HAS HAD HIS LESSON | RIGHT TOSETHER = FREcKLES!! 5 Va Sues et une 0 tov bard eke bees * FINAL seninniae SPORTSMANLIKE TACTICS! | SEE SOMETHING TM 6LAD INTHE KINGSTON moe To SEE : GAME, © as = COACH! THE WINNER. OF THIS GAME WILL Be DISTRICT CHAMPION !! TLL GET WHAT'S COMING TIME,AND 1 DONT MEAN / PRETTY einer, BE. SMITCHING THE WIS MILLIONS TO AN ONLY SON, WHOSE beastie dl WHEREABOUTS WERE UNKNOWN, THE ONLY MEANS OF IDENTIFICATION SAS. FOOTPRINT, Bas nis ene BECAUSE SHE WAS LEFT : 0) BUT $2500, MRS. GRIM, “Al this talk about Wagner and Beethoven. Are you trying bed eo WoGOOD HUE to ruin this band?” ‘ — THIS CURIOUS WORLD — FOR TWO CENTURIES tue UDAS TREE, OF JAVA, 7 7 es WAS BELIEVED TO GIVE OKAY, CHEE, BUT petite ty fea, nal ae a REA a Career, : a HERE — IF OU PINCH OFF POISONOUS AIR THAT ULL LET my NEw — CH WELL, Oerneo i Me, VELL: WOULD KILL ANY PERSON: MEET SAM HOWOY | 4 CaReeur wit THose » VLU PINCH You! WHO WENT NEAR IT. . ‘ z CLIPPERS, BUDDY — IT IS NOW KNOWN THAT Z 3 LZ. ONLY THE JUICE OF THE t j E TREB (S POISONOUS/ IS PICTURED O POSTAGE STAMPS THAN ANY OTHER PERSON. WHO EVER. WHUTS DE MATAR, HONEY ? TAIT CAGE OF SOMETHIN’ , DAT GAL WOULD. MAKE A GRAND WAN ONT Yo 10 DAK AW! SORE, ORT MICS GWENNIE DONE To RNOT ON ANY FRAY TREE Bawewy ? THATS ALL Yo, AM.\T ? ANGWAR ME i OPAL one sus’ GETS ITS NAME FROM THE CATSLIKE WHISKERS ANO THE SURRING NOISE iT MAKE! WHEN CAUGHT. ‘WetS © 1909 oF ea seme, we ** *The Power and the ‘Footlight Parade’ Glory’ Opens Today | Coming to Capitol Opening today at the Paramount | vee a cast pended: by - dozen ‘ 4 By CRANE Wheatre, the new Fox film, “The PUPOeT Seren favorites and includ- : 5 i ‘he most beautif Ner = Power and The Glory,” introduces’ the world, “Footligh Panes Wane f f } DERN || Hi 's A Cony Spor AsouT UP. 4 WARS THANG OF LEAVING. ALASKA. narrative” to the American screen. ner Bros. gigantic musical successor ‘ 1 a oe AW, NO, SIRGES IT'S 20 BELOW Jt is the Jesse L. Lasky production | to 42nd Street” and “Gold Diggers of i mecttty, BY BONEIRES. PODNE! tH HERS, an AE MOU THINK that has been heralded throughout | 1933,” will arrive on the screen of the Hy Se ¥ g LEAVIN' A NICE the motion picture world as the film | Capitol Theatre next Saturday. & A al 7 ° A 2 4 . that will revolutionize movie mak-' This new and mammoth spectacle} - . .: \ YOU'RE CRAZY. ing. is said to far surpass its predecessors - “Narratage is the technique evolved |in the originality and beauty of its by Lasky from the original script }ensembles, in its hilarious comedy prepared by Preston Sturges, noted | drama plot, its songs and its roman- flaywright. It is the method of | tic love interest. The screen play by telling a story that takes the high- Manuel Seff and James Seymour is lights in a man’s life and weaves ja story of back stage life, but entirely them into a unified pattern without | different from anything before screen- subjecting the incidents to a chrono-'ed. It deals with a young musical logical order. It is this technique |comedy director who loses his job that is said to place unusual emphasis when talking pictures supplant musi- on the important elements in the film, 'cals on the stage and turns to mak- HE, BLIZZARDS GROW WORSE, AND THE -DANS| thus clearing the way for better chi ing prologues for motion picture thea- SHORTER AND GLOOMIER; AT TIMES THE acter development and clearer ret tres on a wholesale scale. “THERMOMETER DROPS TO 60° BELOW ZERO, ing of the story itself. There is a definite and well knit AND THE SNOW IS 6 ‘TO I2 FEET DEER The plot concerns the evolution of | plot with riotously funny situations NOW IM. IN eke f 4 \ a. FOR IT, JUST P . | : Fr vehi