The Bismarck Tribune Newspaper, May 1, 1933, Page 8

8 | SIDE GLANCES - - - By George Clark = : ; - “Angela, may I ask someone in for dinner Wednesday, or will that interfere with your dancing class?” I Harriet By MISS E. M. THOMPSON Otto Rachel and son Eddie, Adam Mehloff and Fred Plienes were call- ers at the Eide home Monday. Mr. and Mrs. O. G. Weitstock and family, and Mr. and Mrs. Ted Hoff- man and family were supper guests i at the Ray Weitstock home Monday. i Mrs. Thompson and daughter Edith and Mrs. Williamson visited at the ‘Wetzel home Monday afternoon. Christ Wetzel, Wanda and Ruby Pehl and Mrs. Chet Hutchinson of Tuttle were Bismarck callers Monday. O. G. Weitstock and Mr. and Mrs. Ted Hoffman motored to Bismarck Tuesday. Mrs. Hoffman will spend a few days visiting reiatives. Mr. and Mrs. E. E. See and family visited relatives in Arena Sunday. Miss Ann Eide spent the week-end at her parental home here. | AT THE MOVIES | Joan Crawford and Gary Cooper Prove Ideal Romantic Team The original announcement of “To- day We Live,” now being shown at the Wheeler-Woolsey Story Subject to Many Changes A Wheeler-Woolsey script stands 10 THE BISMARCK TRIBUNE, MONDAY, MAY 1, 1938 DON'T LOOK AT ME WITH THAT INNOCENY AIR = NANT Yo KNOW WHAT YOU DID With THAT FIFTY DOLLARS= You' HAD 'T WHEN YOU WENT OUT LAST eg) fod NOW WHERE {S [T DON'T YOU DARE TRY "AND SO FORTH AND $0 ONS TO TELL ME YOU MARRIED YO YOU yu SAY You MARRIEO BLiss- Lost IT = ALL THESE YEARS }} HAVEN'T = JABBER— JABBER- JABBER- YOU'RE NOT PUTTING FOR NOTHING — EACH DAY SINCE OW, WELL ANYTHING OVER: ON ME — KNOW YOu TOO THE GUMPS— HO! HUM! Lu) HAVEN'T BEEN VE BEEN MARRI ONE LOOK AY WILL PROVE THAT = LIKE SHE CONVT sai WHO WAS: SENTENCES, FOR LIFE — WELL FOR THAT— AEE: aes a | YEAH! YOU WENT IN BUSINESS WITH HIM LIKE YOU SAID, fy SKEEZIX, WHAT WAS | THE IDEA OF [| LAVIN’ OFF SHADOWIN’ MAYBEE UNCLE WALT SAYS HE'S A BIGGER CROOK GASOLINE ALLEY— OFF TO BEEN GOIN AT fT TOO SLIP-SHOD. LIKE. WHAT “THE SECRET SIX HAS GOT To DO 1S ORGANIZE SO WE'RE GOIN’ ON ANN PARDNER. I'M HIS TRAIL A LONE EAGLE. ‘THAT PART OF FARBAR'S GANG 1S AFTER HIM, IN THE SEAPLANE, FRECKLES THE ONLY WAY WELL GET HIM TO STOP, \S TO RUN INTO US aN’ HURT HIMSELF — AVE.-AvE | | Pipi $ 4%) ne) BUT I LEFT IT HOME! LET WAIT TILL IT STOP IN ONE OF v MG SEE YyouR SOMETHING FOR NOTHING! HERE'S A NICE _ NUMBER! GENUING By COWAN TS THE BIGGEST BARGAIN WE HAVE ' OUR MIRROR LINE, AND ONLY o FOUR FORTY- df \ EIGHT! G THANKS! I JUST WANTED ( TO SEE IF MY NOSE SHINY bs 1 peily iis ot - a ee ay ij » ty SORRY, BOSS, BUT | JEsT GOT @ WIRE FROM CY GRANOFATHER. THe) OLO GAG WOULD WORK! SENIN' THAT ON GRANDMOTHER— WONDER \F CUNT BROWN’S GONNA PITH Tovey 2 ASKING TOO MUCH! COULD SEE THIS BALL GAME. U'D ONLY SIT DOWN IN FRONT! MaKe AMES Of OBTECTS iN THs STRIP = eo Ce TIESVR ACTORTPSSE UDUTOG REROIGS YARLEP IRS/ETEVOTEANM RAPNILUTA ———~ 0 e~| LAST Jugle- UPS.4 PN <kowb, SToots, \-] Showcase, iN— FLATORS, SIGNS, Money— Z, times less a chance of reaching the screen the way it was originally typed than any other movie scenario writ- ys tpacetty Le | LT CLITA MORE COMING — Paramount theater, as Joan Craw- | VEE. ford’s first war story, was sufficient | j em to pique the curiosity of this review- | In case that sounds unbelievable, er. Modern generation roles have SO} perhaps the word of Eddie Cline and exclusively engaged the attention of; Norman Krasna, director and ecrern the vital Miss Crawford that war and Play writer respectively on “So This i ica!” 2 ig melodrama seemed novel when linkec | 1S Africa!” the latest Wheeler-Wool sey comedy, will hoid some weight. with the name of this popular star. | The comedy is showing tonight at 4s Diana, an aristocratic English! the Capitol theater. girl, Miss Crawford receives word of| Both Cline and Krasna testify to the death of her father at the front fre, Pevigerence with aie nee er on the day in which her brother.) chew it to pieces, digest its feeling and Franchot Tone, and her childhood! emerge on the set with entirely new sweetheart, Robert Young, join the| dialogue lines. And what is more, British navy. Shortiy after, wora| Poth Cline and Krasna believe that Mmmm Ss LP est mcrae i Aa. 906) Man. EM BACK To iM AN WELL, WENER KNOW WHO TOOK ‘EM~ER NOTHIN’ BOOTS AND HER BUDDIES COME VIRINK, OF IT ,1 OUGHTTA, RETURN GIDDN’S CORT . HAT AN’ CANE 1 WONDER VFL LEFT AWNTAING HW TH! POCKETS Od onl!!! yo GipEON, GORDON — FROM SA, AAAAAAAN Militttennasutt comes that Cooper, the American of- ficer whom Diana has come to love, | has been killed in an airplane crash. Engaged in the most dangerous game of the war, that of launching tor- Pedos at enemy craft from tiny speed- boats, Tone and Young are at death’s door every moment of their service Forgetting tomorrow, and thinking only of today, Diana gives herself t the man who has loved her fro childhood and then Cooper com back! It is a thrilling moment on th screen, i that is the way the best comedy ts produced. “No one man can hope to write or Cirect a comedy scene for comedians like Wheeler and Woolsey, or the Four | Marx Brothers, or Harold Lloyd or i i i Charles Chaplin, entirely by himself,’ Cline said on the set for “So This Is Africa!” Cline has some basis for | knowing what he is talking about. tom his experience as a Keystone ‘op when Chaplin was just starting ith Mack Sennett and his many years’ experience since as a comedy director. WASH TUBBS WERE THEY ARE, CAP'N FOLLY, AND AS MANGY A PARCEL O' SOW AS EVER YE CLAPPED EYES ON, (seen UES: weve =\ SEEN SHANGHIED AND ROBEED, DON'T NE BELIEVE A. WORD O' IT, SIR. THEY AISTAKEN THIS WHALER FER A BLOOMIN' PLEASURE NACHT, AN’ NOW THEY'RE SORE,