The Bismarck Tribune Newspaper, March 21, 1933, Page 8

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| SIDEGLANCES - - . By George Clark | “Edgar seems to have met with success at last. Two of his paintings are being cut into big jig-saw puzzles.” }ONTINUED FROM YESTERDAY- LIE HAD A ‘TWO THIRTY SHE HAS BEEN WAITING AND WONDERING WHERE HE I8= GLUE ANDALUSIAN FOWLS OISPLAY THE AMERICAN COLORS/ Tuer (SA CHANCE THAT FINGERPRINTS MAY 6B ALIKE - | ONE CHANCE t | 4200, 000, 000, 00E, 00Q 000, i 000, 000, 000, 00Q 009, 000, 000, 000, 002 000, 000, 000, RELED CANNON STANDS IN THE PUBLIC SQUARE AT ATHENS, BALLS SIMULTANEOUSLY, |] WITH ACHAIN CONNECTING | THE GALLS. THE CHAIN WAS SUPPOSED To Mow DOWN THE ENEMY. Bil 3-1 AT THE Girl Reporter Risks | Life Getting Scoop: Not only should a reporter have a; nose for news, but a sense that can Scent a story before it exists. How a} newspaper, in its eagerness to get a! scoop on its rivals, turns detective and is several jumps ahead of the |. Police in capturing a murderer, is! shown in “The Final Edition,” the} Columbia drama featuring Pat| O'Brien and Mae Clarke at the Capi- | tol Theatre tomorrow. | Pat O'Brien plays the role of a| city editor of a metropolitan tabloid. | He is in love with a sophisticated | young sob sister, played by Mae Clarke. She has refused his proposal | of marriage on the ground that she | wants to marry a man not a news- | paper. He fires her on the ground; that she’s a bum reporter—and she/| gets so mad about it that she goes| out and gets some information about | @ murder that only the police know and that they want to xeep trom the) Papers. In order to keep her from taking this marvelous exciusive tp a rival | Paper, he has to re-hire her at a/ much larger salary. But the girl isn’t | through yet showing how good she| is. She follows right through on her} clue, even though it takes her into many dangerous situations that lead | her, finally, up against the business} end of a gun. There is said to be loads of excite- ment in “The Final Edition,” an original story by Roy Chanslor, with adaptation and dialogue by Dorothy Howell. Howard Higgin directed, se- Jecting @ cast to support O’Brien and ‘Miss Clarke that includes Mary Dor- an, Bradley Page, James Donlan, ‘Morgan Wallace, Bertha Mann and ‘Wallis Clark. All the drama that makes the Fourth Estate such a glam subject goes into “The Final Edition.” THIS CURIOUS WORLD — (STATEMENT OF M. BALTHAZARD, FRENCH FINGERPRINT EXPERT) om | neck that gives her a specially radi- 000, C00/ | | MOVIES Goldwyn Chorus Greatest Ever Assembled | Now showing at the Paramount. Samuel Goldwyn claims that pick- ing the seventy-six girls for “The Kid from Spain” meant getting to- gether something,—a group, —that approached perfection in face, form and figure, and then getting an added quality, an added distinction —by which they could be identified. It might be an imperfection, a flaw. The producer’s plan of using the sirls is essentially a new one. There is no spectacle of girls, no pageant, no tableau. There are no towering headdress or riotous costumes in the Ziegfeld sense—for instance, as there were in Whoopee.” His calculations are based on the fact that girls, to be attractive on the screen, can’t be beautiful dolls, one exactly like another. in a parade. He says you've got to see them close, they ‘have to look like some- One to you. someone with an identity, with a mark or a distinction, a char- acter that makes each girl different from the other, yet all a part of a harmoniously constituted group. In this, their superlative beauty of face and figures are taken for granted. The thing of which he speaks is an added increment. Toby Wing has a rather short, thick ant, girlish smile. Vivian Mathison has a high receding, forehead that gives her a resemblance to Marlene Dietrich. Edith Roark has teeth that are matchless in beauty. Con- suelo Baker has porcine cheeks that make her look like a dignified kewpie UNCLE JOHN, DON'T BE CARRIED AWAY BY THIS. MANBEE AND HIS: “TALK OF MILLIONS. HE KNOWS NOuU'VE GOT $100. Tue covs | ENTER BEAUTIFUL WAFER BAY, INTO WHICH FLOWS QUITE. A LARGE. STREAM, INFESTED BY CROCODILES, AND SHARKS LOOKS LIKE HE'S DOIN” BIG THINGS, WALT. HE TOLD ME AGAINST HIM, ] HIMSELF THAT BUT HE FARMERS WILL SOON TALKS PRETTY | BE PLANTIN’ CORN BIG, THAT'S ' MENTION HIS COMPANY. GASOLINE ALLEY— AT LEAST IT’S F. vou HE LET THE PRESIDENT OF THE MAMNOTH POWER CO, WAIT TODAY WHILE HE “TALKED LONG DISTANCE TO A BIG WALL STREET FINANCIER. HE TOLD MB WHO AFTERWARDS, BILLY BOWLEGS SAYS THERE ARE NO OTHER BAYS ON COCOS ISLAND -WHERE'LL To BE & TOUGH LESSON FOR CHICK... STILL, HE CAN'T DO "S STUFF HERE AT AWE Way THE SALESMAN SAM GOSH, MEBRE I'M FICKLE. doll. Dottie Coonan has a funny way of looking out of the upper circle of her eyes, tilting her head forward a Uttle. She always looks as though she| WASH TUBBS were about to swoon. In ecatasy, that is. Or something. [ WAF YOU SEEN AN IMPOSTOR Y Ya, HERR OFFICER. HE w) NOT LOOKS LIKE DER PRINCE? / VAS RIDING A DONKEY, Ze Nou | WHICK WERE IMPORTED DELICIOUS | MAY | FROM SIBERIA For This 1 ASK WHAT RS TELL CHICK I WANT To SEE WM RIGHT - nase! BOUT GIRLS, CALLIN'ON A° GN, BELIEVE ME, ('A UP |) SUST @ minUTE, Sam, DIFFERENT ONE Now AND THEN, porn Gooey Moen kite € ‘ate GET orf DATS ABOUT THIS NEW ONE | JEST S NEES IN LOVE WITH /TILL 1 lo TE AAT A gsocataa? aan tee Oe ne

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