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TUESDAY, MARCH 14,1933 : THE GUMPS—OH, HAPPY DAY TT IS JUST LITYLE TRIALS LIKE THIS SHAT CEMENT US TOGRTHER — THAT BRING OUT THE REAL SELP— THE TRUE SIDE — ae | THE BISMARCK TRIBU | SIDE GLANCES - - - By George Clark VY MRB. DE STROBB=1 WUST 'T HELP BUT ADMIRE THAT Te JINGLE - MONEY BAGS — ALL MY ‘TROUBLES OVER — / WOULDN'T (T BE LOVELY ? NoWe IF MILLIE ONLY 1 KINDNESS AND ACTS SENSIBLE AND. HIGH IDEALS = WHAT AGAINT enentK, ob 1D THINK SHED 7 4 SEE ENOUGH 7 - 3 : . | OF HIM INI y a THE DAY TIME MR. MANBEE. uae HER BOSS MILLIONS IND CORNCOBS. “I hope we can send him to West Point. It would be such a beau- tiful place to visit.” — THIS CURIOUS WORLD —- YEAH=LETS BUTE iy) f j d 1 SEE IF WE | : d T ; : ; CAN SCARE y f HIM AWAY = HOW Do I FEEL’ You CAN STAND THERE AND ASK ME THAT, WHEN YOU KNOW 1 HANEN'T HAD ANYTHING To eat except BEANS FoR fouR ws BUT THE BEANS AINT ALL! LCAN STAND MOST ANY DIET, BUT WHEN POP TRIED TO JAM THAT $18 -A-wWeEK JoB DOWN My GULLET. L FORMED MY OPINION - OF RELATINES WNHO STICK THEIR NOSES IN; AY BUSINESS BYES, AND LOOKED OOWN THE STREET ATA CHURCH GTEEPLE. THE RESULT WAS MosT . | AT THE MOVIES —_—| ‘STATE FAIR’ \Capitol Picture | * e America's grandest institution—now | Features Bickford estured at the Paramount Theatre. (_,. 5 ” There is a holiday spirit in the air. “Vanity Street,” a Columbia picture Inside the fair grounds, there is/featuring Charles Bickford, Helen ® tremendous flurry of last-minute Chandler and Mayo Methot, will be Git mesperasions. Exhibitors are sweat-/the feature at the Capitol Theatre for ALLL ing and puffing as they haul their I S displays into place. There is every- |"*© 44¥5 opening tomorrow. | 4 thing under the sun for the con-| The story, directed for the screen fl? venience and comfort of the farmer |by Nick Grinde, actually opens with and ne wis: see ee oan @ crash as Miss Chandler, in the role separators, plows, disc harrows, culti- | "! vators, threshing machines, water /° Jeame Gregg, throws a brick pumps, home electric plants, power , through a drug store window asa shor: WHADDA YA MEAN, SAM? washing machines, radios, automo- biles, trucks, windmills. “Stands.” small frameworks covered with light canvas and bunting and! equipped with counters for the pur- veying of food and drink to hungry and thirsty, are astir with activity. At the stock pavillion crates of over-sized hogs and curly sheep are being unloaded. Stolid bulls of tre- mendous size are led to their stalls by ropes attached to rings in their noses. On the dirt track in front of the amphitheatre, trotters and pacers hitched to light rubber-tired two- wheeled sulkies, are warming up for the afternoon races. It is the opening day of the State Fair. To anyone who has ever attended a State Fair. especially in the Middle ‘West, the above scenes are familiar. Use the Want Ads teut to jail, and she hopes, a place to sleep and get a bite toeat. But serious, jred-headea Radio Detective Brian | Murphy has other ideas—instead of | jailing Jeanie, he gives her the key to | his flat, and gets her a job in the | Follies chorus. Once she is establish- jed in her own flat across the hall, ieee becomes so immersed in chas-| BOOTS AND HER BUDDIES he criminals he practically ignores | her. |. Jeanie loves the Irish cop despite jhis neglect. Repeatedly she refuses {dates with other men, especially the | persistent and cloying Val French, a ‘gigolo who is double-crossing both |Fern Cavan, star of the Follies and | Mrs. Dantry, a wealthy society. woman. | Sassafras trees have three distinct jJeaf forms and all three may often be |found on the same twig. ‘Squirrels use their tales for a para- chute in long jumps.