The Bismarck Tribune Newspaper, December 31, 1930, Page 13

~eMNFALEUOAAGUSNEPUNAEO AUTON ETORETT AERA Na TOTTI FART ITU AAIT - c Sketches By GEORGE CLARK soMPAS LUDA HOAS AAAS EP STANT NGREDIENTS of all the ages are to wo in our much-diseussed modern Her sisters of all the yesteryears were siding Wie un pat bok aus- ben is an open book to any intelligent of toda} ae Teday's ‘sec had that invaluable opeeeey. seeing her generation in the light oP at bu eat befere. aati pretty m: of it aoe She's read and heard all ag the inhibitions of her- immediate cessor. She's become a wih the wiles of Cleopatra, and the sirens of history. And, a-woman, pot has a inl. of each in constitu- vt ivi tical era, she’: Pehctiny (8 oun all that that on ie ductive and all that was practical and all that ied “shrinking violet” in ee the women who have bode coe before her. And her times being they are, she has had the opportunity of homeo- Lied doses of her many antece- Which is why, if you take it up with Willy Pogany, imeraonliy Faationally “hare ; artist, she mi the “ A UH UTAALAA AEA UASOEAUCU LATA maidens, early s ma or Willy Pogany... = modernesque jazz babies. “Models used to be § = af hp gen a | changed,”” says, explaining they arc i the vers ae the one be auti- pass in review a 5 Iie There was a time when an clergy fob had to go out secking definite phony representing a nat ity or a in society. To be sure, di still change our types, but what is. so surprising is the manner in which any given young woman of to- day can slip into the part of her sister of some far- away day. “The reason, after all, isn’t 20 hard to trace. girls of today who modeling jobs are likely to om from some of the best fam- ilics in town. And even when they don’t, they have brains and breeding. They have read and they have listened. “My particular demands are so diverse that it's hard to say what I may ask them to represent. Today it may be an old-fashioned girl in hoop skirts and tomorrow it may be a Spanish dancer. The demands are varied. Somehow, no matter what one suggests, the better-class model seems to re all about the character desired. And, by way of introduction, it might be well to explain that Pogany runs the entire artistic gamut. His murals decorate a great oF project at Niagara Falls and a series of agen in the Park Central Hotel; they adorn mov- ing picture playhouses and legitimate theaters; he has staged a dozen plays and designed the costumes; the Metro- litan Opera Howe calls Seger him. at ee ee Fie d designed, for aes the colorful “C. ayo went out to Hollywood for Gilda Gray’s vil venekt picture and he has made illustrations for - score of chil- dren's books. He has cartooned, and recently he has even entered the field of satirical pen sketches when he seed the figures for fee joseph Anthony's Sanit toy gall He has worked for French comic journals and as set pup- pet stages. Few larger cities in America is have some of iy Riga in a library, neem, hotel or public building. me his extremely varied career he has used hundreds of le UT you can hardly call the girls who pose today models in fee Set we: Selah to wre the term,” pa ae Jad has iy ig ce rely statuesque crea- as ts : IR, vt I ee aa when she has slipped into ci oh rt - the cag the typical m_girls making their way Weird, unseal fame fan a world og dreams. This ~ wa girl becomes Pepe po eos for a = a this ging world. Piccpen rtp yi to tell them mural “decoration b y Pogany .. . shows the spiritual city character. She acts it very well p scemeties and can be = Bior nr are to give ray pointers.” qualities often require of @ modern used as a national type which can be recognized in almost ae "Aot aye ogany, more sopericsted ne may any part of the nation. Whereas, if you were to use thé = seem, the easier they seem to slip into the roles of ingenuous metropolitan girl she would frequently seem just a little = and old-fashioned beauties. ‘UST. recently I was talking with such a model and too sophisticated in manner and appearence to please per- = = “Take, for instance, the 7, irls from ra families asked her to explain this phenomenon. sons from other sections and, since she would truly repre- == whe ae seek pa ngs ve oy Bore eiag fs brky, , she a fs wy Sapte. is satremy sent the Fathlons and the meets sat the aie yates cen SS = manners, education, : Pi know exact! a tur tmoded == and all rest. They could easily lead sheltered lives, baad. beciune I'sp prumped A oft ont of hen You know See ome ge ge ni pe aies = = but for one reason or anether oe prefer not to. They when girls began to act and think for themselves a few “‘Adtogether it seems to me that this generation is produc- = feel they must be bss They work as models in the years back, they found it necessary to mix a umber of val- ing the ageless girl. You could possibly transport her back “a fashionable they go to the studios seeking work ues, if they were & get along. They had to repic- into any place and chapter in time and she would be able = as artists Res ee pit Cap ast age and Gees sent Fad BL peg aig $ a womankind that the man-world 2 to adjust herself to the customs and circumstances. To be = poly A an 1 pe y e OF ae eral ean te . ? is uae ito me ‘cn, ry that most Tf the In @ moment . the versatile, modern girl can trans- ae te we ee 5 to have es ir er pg = Mac UG ees ‘sha eee gr Wa Mise pet Seton | baled le eres all they knew, aon bevel ine on Oriental dese oe az le mace | Gacy states she has the Neaereg ingredien! = te suggest tt a n supposed to; not because they ‘Do country or city girls make the best wradela? Well, = dersure young ladies of the nineties and, disappearing for ig et I should say that the girls from good families with social = a moment to change costumes, they reappear as the very eee can read aboyt any woman in almost lowed that calling were not expected to have brains. And background have a shade the best of it. To some extent = = mirror of the type. They seem to know exactly what * od pred ad ely 8 well figure out how she got the way those who did—well. you just couldn’ t them to do they are these ageless aig I'm talking about. They are == poe that bygone girl would have had: how she would ae To men, these women become mysterious pees worl of that sort. Everyone would have been shocked to more adaptable and think faster., You see, they've had == ve carried herself; how she would have walked, talked of fiction. and history; but to r wi 3 a peep at almost Sc a he ‘They've known money and = = and appeared in Deng ; : sometimes wonder that they got away with as much as they “They were supposed to be—vo-la-la—and oh, so very comfort; they've been a. ee the arts and they know. all = = 5 It's quite a when rest periods come to have this did,” sip od and all that. The fact is that models ete hard, the customs juite Sere, fey = = same woman reach in her handbag, take out a cig- ‘Yet I can remember when I first came to America, you~ be surprised at the number of them tod: ny who aye reject ed themes pe to the business world. ‘TI == an aah oe for see ae Saag ap oe the cmd Sate iy ovet, bom to find, no see oe hard you a ol ye to, pote pose just Foe of . eee: of aay, don’t “ know c rahae Mages they know bey ou and. vat to — dropped, A as amueng reach he beauty. 3 heve a week pastes but te to save te - == for her coumetics and daub ipatick about her mouth. wesdl bs co ty sp, Sone ts dou GO hg Hak,’ lee "Mack hens hngs uc teks Cell Sng We kare = ee oa caedly edie By clk B 8 5 (Copyright, 1930, By EveryWeck Magazine—Printed in U: 8. A.) == s s cece ANN TTI) Cn 22 = : = == = = = = = = == Pain mmm nm mn fan “You have merely to suggest that you.want them to be dtm edit of te S00 “end hey tapner «he Today's “ageless” young woman must make her personality harmonize with any background, and in.an instant change from hard-boiled to demure, sophisticated or old-fashioned, which makes her a perfect model to paint, ey celebrated Artist, Willy Pogany STH. LU LA very mirror of "the type." OQUUU MUU MAUL 5s sc NAT Modern Girl Like a Chameleon herself reproduced on canvas in almost any guise. “There is one in particular that I have used recently to whom I have been afraid to offer pay for fear she would be insulted. As a mat- ter of fact she would be. She has so much money néw she doesn’t know what to do with it. It’s just vanity. You see, when a girl is beautiful today she knows it—girls: al- ways did, for that matter. But today’s girl doesn’t get coy about it. She knows what she has and she’s honest enough to ad- mit that she likes to display her loveliness: Sise sees herself repro- Marion Kay rege sea : duced in some mural are of Pogany’s bes medals: or decoration — and He regards them eth 5 4 that’s flattering to her the modern girl... who vanity. their command all the wisdem ; their predecessors. ND it may sur- ae: ou to t those demure country girls you may see in the cock and paint-« ings; those seraphic,: angelic creatures; those gingham and dimity girls are generally posed by young women who know 5 their way around very well and are frequently more than peg ao hard-boiled. a a great Foagh thy tater from small towns,” says Pogany. “‘But not often fit into the picture we are trying to create. You see, 4 minute the small-town girl hits big city, she wants to be just like her city sis- ter. She runs down and gets the smartest clothes she can afford, ner rag on it ir an oes for a aera pose which she thinks in fighting the metropolis “Not for the world would she give the impression of tural simplicity, and generally she will 4 shoe where she came from, thinking that it will hinder her chances of get- ting sens. If eben asked her to slip into the role of a country rt the chanees are she would pretend to have Peer ts bee heie Song eaugh to bee ter she's been here to become a city girl oy, learns better. And so city girl plays the peli girl poe the country girl Ses the city girl. yuu NA oA HATTA USAT SA ALU LL RA AERA OA PRACT MHL OH LE -of {VVC AVL A ERO A WAUUULAERS EE UTE ERE RE NASLURUOEAALASUUASOUULEODASGA GHEE EURASIA